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annapurnaparvatidevikashi

๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘Œพ ๐‘Œš๐‘Œพ๐‘Œฒ๐‘€๐‘Œธ๐‘Œพ

Annapurna Chalisa in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 11ร— repetitionsยท๐Ÿ• At dawn (as the chalisa advises), and on Annapurna Jayanti (Margashirsha Purnima), Fridays, and Akshaya Tritiya; also before cooking or serving foodยท๐Ÿ“œ Traditional Hindi devotional literature (Shakta tradition of Kashi)
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Origin & Story

Traditional Hindi devotional literature (Shakta tradition of Kashi) ยท Traditional (anonymous) ยท Modern devotional period

The Annapurna Chalisa is a popular forty-verse Hindi hymn to Annapurna, the food-bestowing Goddess of Kashi. It draws on the Puranic identity of Annapurna as Parvati and on the famous Kashi legend in which Shiva, to teach that even the ascetic depends on the Mother for sustenance, begged for food from Annapurna's own hands. The chalisa retells her story as Sati and Girija reunited with Shiva, and praises her as the source of all nourishment and prosperity, one with Lakshmi.

โœฆ As told in scripture

The Kashi tradition relates that when Shiva declared the world to be illusion, Parvati withdrew all food and the three worlds began to starve; she then manifested in Kashi as Annapurna with a vessel of food, and Shiva himself came before her with a begging bowl to receive alms โ€” establishing that none can live without the Mother's grace. Devotees believe that worshipping Annapurna with this chalisa ensures their home is never without food and is filled with prosperity.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Doha 1

เฅฅ ๐‘Œฆ๐‘‹๐‘Œน๐‘Œพ เฅฅ ๐‘Œต๐‘Œฟ๐‘Œถ๐‘๐‘Œต๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ ๐‘Œช๐‘Œฆ๐‘Œช๐‘Œฆ๐‘๐‘Œฎ ๐‘Œ•๐‘€, ๐‘Œฐ๐‘Œœ ๐‘Œจ๐‘Œฟ๐‘Œœ ๐‘Œถ๐‘€๐‘Œถ ๐‘Œฒ๐‘Œ—๐‘Œพ๐‘Œฏเฅค ๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡! ๐‘Œค๐‘Œต ๐‘Œธ๐‘๐‘Œฏ๐‘Œถ, ๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘—๐‘Œ‚ ๐‘Œ•๐‘Œต๐‘Œฟ ๐‘Œฎ๐‘Œค๐‘Œฟ ๐‘Œฒ๐‘Œพ๐‘Œฏเฅฅ

|| Doha || Vishweshvara Padapadma Ki, Raja Nija Shisha Lagaya. Annapurne! Tava Suyasha, Baranaun Kavi Mati Laya.

Meaning:Placing on my head the dust of the lotus feet of Vishweshvara, I describe, O Annapurna, your glorious fame with the poet's humble intellect. O ever-blissful Mother, renowned for the boon-giving and fear-dispelling gestures; victory to you, ocean of beauty, mother of the world, remover of all sins, fear and worldly bondage.

Doha 2

เฅฅ ๐‘Œš๐‘—๐‘Œช๐‘Œพ๐‘Œˆ เฅฅ ๐‘Œจ๐‘Œฟ๐‘Œค๐‘๐‘Œฏ ๐‘Œ†๐‘Œจ๐‘Œ‚๐‘Œฆ ๐‘Œ•๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€ ๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œพเฅค ๐‘Œต๐‘Œฐ ๐‘Œ…๐‘Œฐ๐‘ ๐‘Œ…๐‘Œญ๐‘Œฏ ๐‘Œญ๐‘Œพ๐‘Œต ๐‘Œช๐‘๐‘Œฐ๐‘Œ–๐‘๐‘Œฏ๐‘Œพ๐‘Œค๐‘Œพเฅฅ ๐‘Œœ๐‘Œฏ! ๐‘Œธ๐‘—๐‘Œ‚๐‘Œฆ๐‘Œฐ๐‘๐‘Œฏ ๐‘Œธ๐‘Œฟ๐‘Œ‚๐‘Œง๐‘ ๐‘Œœ๐‘Œ— ๐‘Œœ๐‘Œจ๐‘Œจ๐‘€เฅค ๐‘Œ…๐‘Œ–๐‘Œฟ๐‘Œฒ ๐‘Œช๐‘Œพ๐‘Œช ๐‘Œน๐‘Œฐ ๐‘Œญ๐‘Œต-๐‘Œญ๐‘Œฏ-๐‘Œน๐‘Œฐ๐‘Œจ๐‘€เฅฅ

|| Chaupai || Nitya Ananda Karini Mata. Vara Aru Abhaya Bhava Prakhyata. Jaya! Saundarya Sindhu Jaga Janani. Akhila Papa Hara Bhava-Bhaya-Harani.

Meaning:The chalisa hails Annapurna as the white-bodied Goddess clad in white, served by sages, the sovereign of Kashi and protector of all worlds, riding the bull as Rudrani. It recounts her story as Sati who gave up her body in the fire of yoga at the grief of separation, and was reborn as Girija, daughter of the Himalaya; how Narada inspired her penance to win Shiva again; how Brahma came and granted her boon; and how she was united with Shankara as Girija, radiant with the light of a million moons and suns, bearing the rosary, book and goad. She is the ever-full Annapurna โ€” unborn, infinite and complete โ€” the ocean of compassion, who in heaven is Mahalakshmi and on earth is Lakshmi, present in all forms. Whoever reads this chalisa obtains auspicious fruits with Lord Shiva as witness; the devotee who recites it at dawn with love gains extraordinary prosperity together with spouse, family, friends and children, even royalty to one bereft of it. This recitation is a giver of great joy and auspiciousness, granting the devotee the treasure of their heart's desire โ€” with Kashinath as witness, all their tasks are accomplished.

Chaupai 1

๐‘Œถ๐‘๐‘Œต๐‘‡๐‘Œค ๐‘Œฌ๐‘Œฆ๐‘Œจ ๐‘Œช๐‘Œฐ ๐‘Œถ๐‘๐‘Œต๐‘‡๐‘Œค ๐‘Œฌ๐‘Œธ๐‘Œจ ๐‘Œช๐‘๐‘Œจ๐‘Œฟเฅค ๐‘Œธ๐‘Œ‚๐‘Œค๐‘Œจ ๐‘Œค๐‘๐‘Œต ๐‘Œช๐‘Œฆ ๐‘Œธ๐‘‡๐‘Œต๐‘Œค ๐‘Œ‹๐‘Œท๐‘Œฟ-๐‘Œฎ๐‘๐‘Œจ๐‘Œฟเฅฅ ๐‘Œ•๐‘Œพ๐‘Œถ๐‘€ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œง๐‘€๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œพเฅค ๐‘Œฎ๐‘Œพ๐‘Œน๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œธ๐‘Œ•๐‘Œฒ ๐‘Œœ๐‘Œ— ๐‘Œค๐‘๐‘Œฐ๐‘Œพ๐‘Œค๐‘Œพเฅฅ

Shveta Badana Para Shveta Basana Puni. Santana Tuva Pada Sevata Rishi-Muni. Kashi Puradhishvari Mata. Maheshvari Sakala Jaga Trata.

Chaupai 2

๐‘Œต๐‘ƒ๐‘Œท๐‘Œญ๐‘Œพ๐‘Œฐ๐‘‚๐‘Œขเคผ ๐‘Œจ๐‘Œพ๐‘Œฎ ๐‘Œฐ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘€เฅค ๐‘Œต๐‘Œฟ๐‘Œถ๐‘๐‘Œต ๐‘Œต๐‘Œฟ๐‘Œน๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘Œฟ ๐‘Œœ๐‘Œฏ! ๐‘Œ•๐‘Œฒ๐‘๐‘Œฏ๐‘Œพ๐‘Œฃ๐‘€เฅฅ ๐‘Œช๐‘Œค๐‘Œฟ๐‘Œฆ๐‘‡๐‘Œต๐‘Œค๐‘Œพ ๐‘Œธ๐‘Œค๐‘€ ๐‘Œถ๐‘Œฟ๐‘Œฐ๐‘‹๐‘Œฎ๐‘Œฃ๐‘Œฟเฅค ๐‘Œช๐‘Œฆ๐‘Œต๐‘€ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œช๐‘๐‘Œค ๐‘Œ•๐‘€๐‘Œจ๐‘๐‘Œน ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œจ๐‘Œ‚๐‘Œฆ๐‘Œฟ๐‘Œจ๐‘Œฟเฅฅ

Vrishabharudha Nama Rudrani. Vishva Viharini Jaya! Kalyani. Patidevata Sati Shiromani. Padavi Prapta Kinha Giri Nandini.

Chaupai 3

๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œต๐‘Œฟ๐‘Œ›๐‘‹๐‘Œน ๐‘Œฆ๐‘๐‘Œ– ๐‘Œธ๐‘Œน๐‘Œฟ ๐‘Œจ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œช๐‘Œพ๐‘Œต๐‘Œพเฅค ๐‘Œฏ๐‘‹๐‘Œ— ๐‘Œ…๐‘Œ—๐‘๐‘Œจ๐‘Œฟ ๐‘Œค๐‘Œฌ ๐‘Œฌ๐‘Œฆ๐‘Œจ ๐‘Œœ๐‘Œฐ๐‘Œพ๐‘Œต๐‘Œพเฅฅ ๐‘Œฆ๐‘‡๐‘Œน ๐‘Œค๐‘Œœ๐‘Œค ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œš๐‘Œฐ๐‘Œฃ ๐‘Œธ๐‘Œจ๐‘‡๐‘Œน๐‘‚เฅค ๐‘Œฐ๐‘Œพ๐‘Œ–๐‘‡๐‘Œ‰ ๐‘Œœ๐‘Œพ๐‘Œค ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œ—๐‘‡๐‘Œน๐‘‚เฅฅ

Pati Vichhoha Dukha Sahi Nahin Pava. Yoga Agni Taba Badana Jarava. Deha Tajata Shiva Charana Sanehu. Rakheu Jata Himagiri Gehu.

Chaupai 4

๐‘Œช๐‘๐‘Œฐ๐‘Œ•๐‘ŒŸ๐‘€ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ๐‘Œœ๐‘Œพ ๐‘Œจ๐‘Œพ๐‘Œฎ ๐‘Œง๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘‹เฅค ๐‘Œ…๐‘Œค๐‘Œฟ ๐‘Œ†๐‘Œจ๐‘Œ‚๐‘Œฆ ๐‘Œญ๐‘Œต๐‘Œจ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œ›๐‘Œพ๐‘Œฏ๐‘‹เฅฅ ๐‘Œจ๐‘Œพ๐‘Œฐ๐‘Œฆ ๐‘Œจ๐‘‡ ๐‘Œค๐‘Œฌ ๐‘Œค๐‘‹๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œญ๐‘Œฐ๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘Œน๐‘เฅค ๐‘Œฌ๐‘๐‘Œฏ๐‘Œพ๐‘Œน ๐‘Œ•๐‘Œฐ๐‘Œจ ๐‘Œน๐‘Œฟ๐‘Œค ๐‘Œช๐‘Œพ๐‘Œ  ๐‘Œช๐‘Œขเคผ๐‘Œพ๐‘Œฏ๐‘Œน๐‘เฅฅ

Prakati Girija Nama Dharayo. Ati Ananda Bhavana Mahn Chhayo. Narada Ne Taba Tohin Bharamayahu. Byaha Karana Hita Patha Padhayahu.

Chaupai 5

๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œพ ๐‘Œต๐‘Œฐ๐‘๐‘Œฃ ๐‘Œ•๐‘๐‘Œฌ๐‘‡๐‘Œฐ ๐‘Œ—๐‘Œจ๐‘Œพ๐‘Œฏ๐‘‡เฅค ๐‘Œฆ๐‘‡๐‘Œต๐‘Œฐ๐‘Œพ๐‘Œœ ๐‘Œ†๐‘Œฆ๐‘Œฟ๐‘Œ• ๐‘Œ•๐‘Œน๐‘Œฟ ๐‘Œ—๐‘Œพ๐‘Œฏ๐‘‡เฅฅ ๐‘Œธ๐‘Œฌ ๐‘Œฆ๐‘‡๐‘Œต๐‘Œจ ๐‘Œ•๐‘‹ ๐‘Œธ๐‘๐‘Œœ๐‘Œธ ๐‘Œฌ๐‘Œ–๐‘Œพ๐‘Œจ๐‘€เฅค ๐‘Œฎ๐‘Œค๐‘Œฟ ๐‘Œช๐‘Œฒ๐‘ŒŸ๐‘Œจ ๐‘Œ•๐‘€ ๐‘Œฎ๐‘Œจ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œ ๐‘Œพ๐‘Œจ๐‘€เฅฅ

Brahma Varuna Kubera Ganaye. Devaraja Adika Kahi Gaye. Saba Devana Ko Sujasa Bakhani. Mati Palatana Ki Mana Mahn Thani.

Chaupai 6

๐‘Œ…๐‘Œš๐‘Œฒ ๐‘Œฐ๐‘Œน๐‘€๐‘Œ‚ ๐‘Œค๐‘๐‘Œฎ ๐‘Œช๐‘๐‘Œฐ๐‘Œฃ ๐‘Œช๐‘Œฐ ๐‘Œง๐‘Œจ๐‘๐‘Œฏ๐‘Œพเฅค ๐‘Œ•๐‘€๐‘Œจ๐‘๐‘Œน๐‘€ ๐‘Œธ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œพ๐‘Œš๐‘Œฒ ๐‘Œ•๐‘Œจ๐‘๐‘Œฏ๐‘Œพเฅฅ ๐‘Œจ๐‘Œฟ๐‘Œœ ๐‘Œ•๐‘—๐‘Œ‚ ๐‘Œค๐‘Œฌ ๐‘Œจ๐‘Œพ๐‘Œฐ๐‘Œฆ ๐‘Œ˜๐‘Œฌ๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘‡เฅค ๐‘Œค๐‘Œฌ ๐‘Œช๐‘๐‘Œฐ๐‘Œฃ ๐‘Œช๐‘‚๐‘Œฐ๐‘Œฃ ๐‘Œฎ๐‘Œ‚๐‘Œค๐‘๐‘Œฐ ๐‘Œช๐‘Œขเคผ๐‘Œพ๐‘Œฏ๐‘‡เฅฅ

Achala Rahin Tum Prana Para Dhanya. Kinhi Siddha Himachala Kanya. Nija Kaun Taba Narada Ghabaraye. Taba Prana Purana Mantra Padhaye.

Chaupai 7

๐‘Œ•๐‘Œฐ๐‘Œจ ๐‘Œน๐‘‡๐‘Œค๐‘ ๐‘Œค๐‘Œช ๐‘Œค๐‘‹๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œ‰๐‘Œช๐‘Œฆ๐‘‡๐‘Œถ๐‘‡๐‘Œ‰เฅค ๐‘Œธ๐‘Œ‚๐‘Œค ๐‘Œฌ๐‘Œš๐‘Œจ ๐‘Œค๐‘๐‘Œฎ ๐‘Œธ๐‘Œค๐‘๐‘Œฏ ๐‘Œช๐‘Œฐ๐‘‡๐‘Œ–๐‘‡๐‘Œ‰เฅฅ ๐‘Œ—๐‘Œ—๐‘Œจ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œพ ๐‘Œธ๐‘๐‘Œจ๐‘Œฟ ๐‘ŒŸ๐‘Œฐ๐‘€ ๐‘Œจ ๐‘ŒŸ๐‘Œพ๐‘Œฐ๐‘‡เฅค ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œพ ๐‘Œค๐‘Œฌ ๐‘Œค๐‘๐‘Œต ๐‘Œช๐‘Œพ๐‘Œธ ๐‘Œช๐‘Œง๐‘Œพ๐‘Œฐ๐‘‡เฅฅ

Karana Hetu Tapa Tohin Upadeshe-u. Santa Bachana Tum Satya Parekheu. Gaganagira Suni Tari Na Tare. Brahma Taba Tuva Pasa Padhare.

Chaupai 8

๐‘Œ•๐‘Œน๐‘‡๐‘Œ‰ ๐‘Œช๐‘๐‘Œค๐‘๐‘Œฐ๐‘Œฟ ๐‘Œต๐‘Œฐ ๐‘Œฎ๐‘Œพ๐‘Œ‚๐‘Œ—๐‘ ๐‘Œ…๐‘Œจ๐‘‚๐‘Œช๐‘Œพเฅค ๐‘Œฆ๐‘‡๐‘Œน๐‘—๐‘Œ‚ ๐‘Œ†๐‘Œœ ๐‘Œค๐‘๐‘Œต ๐‘Œฎ๐‘Œค๐‘Œฟ ๐‘Œ…๐‘Œจ๐‘๐‘Œฐ๐‘‚๐‘Œช๐‘Œพเฅฅ ๐‘Œค๐‘๐‘Œฎ ๐‘Œค๐‘Œช ๐‘Œ•๐‘€๐‘Œจ๐‘๐‘Œน ๐‘Œ…๐‘Œฒ๐‘—๐‘Œ•๐‘Œฟ๐‘Œ• ๐‘Œญ๐‘Œพ๐‘Œฐ๐‘€เฅค ๐‘Œ•๐‘Œท๐‘๐‘ŒŸ ๐‘Œ‰๐‘Œ ๐‘Œพ๐‘Œฏ๐‘Œน๐‘ ๐‘Œ…๐‘Œค๐‘Œฟ ๐‘Œธ๐‘๐‘Œ•๐‘๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘€เฅฅ

Kaheu Putri Vara Mangu Anupa. Dehaun Aja Tuva Mati Anurupa. Tum Tapa Kinha Alaukika Bhari. Kashta Uthayahu Ati Sukumari.

Chaupai 9

๐‘Œ…๐‘Œฌ ๐‘Œธ๐‘Œ‚๐‘Œฆ๐‘‡๐‘Œน ๐‘Œ›๐‘Œพ๐‘Œ‚๐‘Œกเคผ๐‘Œฟ ๐‘Œ•๐‘Œ›๐‘ ๐‘Œฎ๐‘‹๐‘Œธ๐‘‹๐‘Œ‚เฅค ๐‘Œน๐‘ˆ ๐‘Œธ๐‘—๐‘Œ—๐‘Œ‚๐‘Œง ๐‘Œจ๐‘Œน๐‘€๐‘Œ‚ ๐‘Œ›๐‘Œฒ ๐‘Œค๐‘‹๐‘Œธ๐‘‹๐‘Œ‚เฅฅ ๐‘Œ•๐‘Œฐ๐‘Œค ๐‘Œต๐‘‡๐‘Œฆ ๐‘Œต๐‘Œฟ๐‘Œฆ ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œพ ๐‘Œœ๐‘Œพ๐‘Œจ๐‘Œน๐‘เฅค ๐‘Œต๐‘Œš๐‘Œจ ๐‘Œฎ๐‘‹๐‘Œฐ ๐‘Œฏ๐‘Œน ๐‘Œธ๐‘Œพ๐‘Œ‚๐‘Œš๐‘Œพ ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘Œน๐‘เฅฅ

Aba Sandeha Chhandi Kachhu Moson. Hai Saugandha Nahin Chhala Toson. Karata Veda Vida Brahma Janahu. Vachana Mora Yaha Sancha Manahu.

Chaupai 10

๐‘Œค๐‘Œœ๐‘Œฟ ๐‘Œธ๐‘Œ‚๐‘Œ•๐‘‹๐‘Œš ๐‘Œ•๐‘Œน๐‘Œน๐‘ ๐‘Œจ๐‘Œฟ๐‘Œœ ๐‘Œ‡๐‘Œš๐‘๐‘Œ›๐‘Œพเฅค ๐‘Œฆ๐‘‡๐‘Œน๐‘—๐‘Œ‚ ๐‘Œฎ๐‘ˆ๐‘Œ‚ ๐‘Œฎ๐‘Œจ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘€ ๐‘Œญ๐‘Œฟ๐‘Œ•๐‘๐‘Œท๐‘Œพเฅฅ ๐‘Œธ๐‘๐‘Œจ๐‘Œฟ ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œพ ๐‘Œ•๐‘€ ๐‘Œฎ๐‘Œง๐‘๐‘Œฐ๐‘€ ๐‘Œฌ๐‘Œพ๐‘Œจ๐‘€เฅค ๐‘Œฎ๐‘๐‘Œ– ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œ•๐‘Œ›๐‘ ๐‘Œฎ๐‘๐‘Œธ๐‘๐‘Œ•๐‘Œพ๐‘Œฏ ๐‘Œญ๐‘Œต๐‘Œพ๐‘Œจ๐‘€เฅฅ

Taji Sankocha Kahahu Nija Ichchha. Dehaun Main Manamani Bhiksha. Suni Brahma Ki Madhuri Bani. Mukha Son Kachhu Musukaya Bhavani.

Chaupai 11

๐‘Œฌ๐‘‹๐‘Œฒ๐‘€ ๐‘Œค๐‘๐‘Œฎ ๐‘Œ•๐‘Œพ ๐‘Œ•๐‘Œน๐‘Œน๐‘ ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œพ๐‘Œค๐‘Œพเฅค ๐‘Œค๐‘๐‘Œฎ ๐‘Œค๐‘‹ ๐‘Œœ๐‘Œ— ๐‘Œ•๐‘‡ ๐‘Œธ๐‘๐‘Œฐ๐‘Œท๐‘๐‘ŒŸ๐‘Œพ-๐‘Œง๐‘Œพ๐‘Œค๐‘Œพเฅฅ ๐‘Œฎ๐‘Œฎ ๐‘Œ•๐‘Œพ๐‘Œฎ๐‘Œจ๐‘Œพ ๐‘Œ—๐‘๐‘Œช๐‘๐‘Œค ๐‘Œจ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œค๐‘‹๐‘Œธ๐‘‹๐‘Œ‚เฅค ๐‘Œ•๐‘Œน๐‘Œต๐‘Œพ๐‘Œต๐‘Œพ ๐‘Œš๐‘Œพ๐‘Œน๐‘Œน๐‘ ๐‘Œ•๐‘Œพ ๐‘Œฎ๐‘‹๐‘Œธ๐‘‹๐‘Œ‚เฅฅ

Boli Tum Ka Kahahu Vidhata. Tum To Jaga Ke Srashta-Dhata. Mama Kamana Gupta Nahin Toson. Kahavava Chahahu Ka Moson.

Chaupai 12

๐‘Œฆ๐‘Œ•๐‘๐‘Œท ๐‘Œฏ๐‘Œœ๐‘๐‘Œž ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œฎ๐‘Œฐ๐‘Œค๐‘€ ๐‘Œฌ๐‘Œพ๐‘Œฐ๐‘Œพเฅค ๐‘Œถ๐‘Œ‚๐‘Œญ๐‘๐‘Œจ๐‘Œพ๐‘Œฅ ๐‘Œช๐‘๐‘Œจ๐‘Œฟ ๐‘Œน๐‘‹๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œน๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘Œพเฅฅ ๐‘Œธ๐‘‹ ๐‘Œ…๐‘Œฌ ๐‘Œฎ๐‘Œฟ๐‘Œฒ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œฎ๐‘‹๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œฎ๐‘Œจ๐‘Œญ๐‘Œพ๐‘Œฏ๐‘‡เฅค ๐‘Œ•๐‘Œน๐‘Œฟ ๐‘Œค๐‘Œฅ๐‘Œพ๐‘Œธ๐‘๐‘Œค๐‘ ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œง๐‘Œพ๐‘Œฎ ๐‘Œธ๐‘Œฟ๐‘Œง๐‘Œพ๐‘Œฏ๐‘‡เฅฅ

Daksha Yajna Mahn Marati Bara. Shambhunatha Puni Hohin Hamara. So Aba Milahin Mohin Manabhaye. Kahi Tathastu Vidhi Dhama Sidhaye.

Chaupai 13

๐‘Œค๐‘Œฌ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ๐‘Œœ๐‘Œพ ๐‘Œถ๐‘Œ‚๐‘Œ•๐‘Œฐ ๐‘Œค๐‘Œต ๐‘Œญ๐‘Œฏ๐‘ŒŠเฅค ๐‘Œซ๐‘Œฒ ๐‘Œ•๐‘Œพ๐‘Œฎ๐‘Œจ๐‘Œพ ๐‘Œธ๐‘Œ‚๐‘Œถ๐‘Œฏ๐‘‹ ๐‘Œ—๐‘Œฏ๐‘ŒŠเฅฅ ๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œ•๐‘‹๐‘ŒŸ๐‘Œฟ ๐‘Œฐ๐‘Œต๐‘Œฟ ๐‘Œ•๐‘‹๐‘ŒŸ๐‘Œฟ ๐‘Œช๐‘๐‘Œฐ๐‘Œ•๐‘Œพ๐‘Œถ๐‘Œพเฅค ๐‘Œค๐‘Œฌ ๐‘Œ†๐‘Œจ๐‘Œจ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘Œค ๐‘Œจ๐‘Œฟ๐‘Œต๐‘Œพ๐‘Œธ๐‘Œพเฅฅ

Taba Girija Shankara Tava Bhayau. Phala Kamana Sanshayo Gayau. Chandrakoti Ravi Koti Prakasha. Taba Anana Mahn Karata Nivasa.

Chaupai 14

๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œพ ๐‘Œช๐‘๐‘Œธ๐‘๐‘Œค๐‘Œ• ๐‘Œ…๐‘Œ‚๐‘Œ•๐‘๐‘Œถ ๐‘Œธ๐‘‹๐‘Œน๐‘ˆเฅค ๐‘Œ•๐‘Œฐ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œ…๐‘Œช๐‘Œฐ ๐‘Œช๐‘Œพ๐‘Œถ ๐‘Œฎ๐‘Œจ ๐‘Œฎ๐‘‹๐‘Œน๐‘ˆเฅฅ ๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡! ๐‘Œธ๐‘Œฆ๐‘Œพ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡เฅค ๐‘Œ…๐‘Œœ ๐‘Œ…๐‘Œจ๐‘Œต๐‘Œฆ๐‘๐‘Œฏ ๐‘Œ…๐‘Œจ๐‘Œ‚๐‘Œค ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡เฅฅ

Mala Pustaka Ankusha Sohai. Kara Mahn Apara Pasha Mana Mohai. Annapurne! Sadapurne. Aja Anavadya Ananta Purne.

Chaupai 15

๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ ๐‘Œธ๐‘Œพ๐‘Œ—๐‘Œฐ๐‘€ ๐‘Œ•๐‘๐‘Œท๐‘‡๐‘Œฎ๐‘Œ‚๐‘Œ•๐‘Œฐ๐‘Œฟ ๐‘Œฎ๐‘Œพ๐‘Œ‚เฅค ๐‘Œญ๐‘Œต ๐‘Œต๐‘Œฟ๐‘Œญ๐‘‚๐‘Œค๐‘Œฟ ๐‘Œ†๐‘Œจ๐‘Œ‚๐‘Œฆ ๐‘Œญ๐‘Œฐ๐‘€ ๐‘Œฎ๐‘Œพ๐‘Œ‚เฅฅ ๐‘Œ•๐‘Œฎ๐‘Œฒ ๐‘Œต๐‘Œฟ๐‘Œฒ๐‘‹๐‘Œš๐‘Œจ ๐‘Œต๐‘Œฟ๐‘Œฒ๐‘Œธ๐‘Œฟ๐‘Œค ๐‘Œญ๐‘Œพ๐‘Œฒ๐‘‡เฅค ๐‘Œฆ๐‘‡๐‘Œต๐‘Œฟ ๐‘Œ•๐‘Œพ๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘‡ ๐‘Œš๐‘Œฃ๐‘๐‘Œก๐‘Œฟ ๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฒ๐‘‡เฅฅ

Kripa Sagari Kshemankari Man. Bhava Vibhuti Ananda Bhari Man. Kamala Vilochana Vilasita Bhale. Devi Kalike Chandi Karale.

Chaupai 16

๐‘Œค๐‘๐‘Œฎ ๐‘Œ•๐‘ˆ๐‘Œฒ๐‘Œพ๐‘Œธ ๐‘Œฎ๐‘Œพ๐‘Œ‚๐‘Œน๐‘Œฟ ๐‘Œน๐‘ˆ๐‘Œ‚ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ๐‘Œœ๐‘Œพเฅค ๐‘Œต๐‘Œฟ๐‘Œฒ๐‘Œธ๐‘€ ๐‘Œ†๐‘Œจ๐‘Œ‚๐‘Œฆ ๐‘Œธ๐‘Œพ๐‘Œฅ ๐‘Œธ๐‘Œฟ๐‘Œ‚๐‘Œง๐‘๐‘Œœ๐‘Œพเฅฅ ๐‘Œธ๐‘๐‘Œต๐‘Œฐ๐‘๐‘Œ— ๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œฒ๐‘Œ•๐‘๐‘Œท๐‘๐‘Œฎ๐‘€ ๐‘Œ•๐‘Œน๐‘Œฒ๐‘Œพ๐‘Œฏ๐‘€เฅค ๐‘Œฎ๐‘Œฐ๐‘๐‘Œค๐‘๐‘Œฏ ๐‘Œฒ๐‘‹๐‘Œ• ๐‘Œฒ๐‘Œ•๐‘๐‘Œท๐‘๐‘Œฎ๐‘€ ๐‘Œช๐‘Œฆ ๐‘Œช๐‘Œพ๐‘Œฏ๐‘€เฅฅ

Tum Kailasa Manhi Hain Girija. Vilasi Ananda Satha Sindhuja. Svarga Mahalakshmi Kahalayi. Martya Loka Lakshmi Pada Payi.

Chaupai 17

๐‘Œต๐‘Œฟ๐‘Œฒ๐‘Œธ๐‘€ ๐‘Œธ๐‘Œฌ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œธ๐‘Œฐ๐‘๐‘Œต ๐‘Œธ๐‘Œฐ๐‘‚๐‘Œช๐‘Œพเฅค ๐‘Œธ๐‘‡๐‘Œต๐‘Œค ๐‘Œค๐‘‹๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œ…๐‘Œฎ๐‘Œฐ ๐‘Œช๐‘๐‘Œฐ ๐‘Œญ๐‘‚๐‘Œช๐‘Œพเฅฅ ๐‘Œœ๐‘‹ ๐‘Œช๐‘Œขเคผ๐‘Œฟ๐‘Œน๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œฏ๐‘Œน ๐‘Œค๐‘Œต ๐‘Œš๐‘Œพ๐‘Œฒ๐‘€๐‘Œธ๐‘Œพเฅค ๐‘Œซ๐‘Œฒ ๐‘Œช๐‘Œพ๐‘Œ‡๐‘Œน๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œถ๐‘๐‘Œญ ๐‘Œธ๐‘Œพ๐‘Œ–๐‘€ ๐‘Œˆ๐‘Œธ๐‘Œพเฅฅ

Vilasi Saba Mahn Sarva Sarupa. Sevata Tohin Amara Pura Bhupa. Jo Padhihahin Yaha Tava Chalisa. Phala Paihahin Shubha Sakhi Isa.

Chaupai 18

๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œค ๐‘Œธ๐‘Œฎ๐‘Œฏ ๐‘Œœ๐‘‹ ๐‘Œœ๐‘Œจ ๐‘Œฎ๐‘Œจ ๐‘Œฒ๐‘Œพ๐‘Œฏ๐‘‹เฅค ๐‘Œช๐‘Œขเคผ๐‘Œฟ๐‘Œน๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œญ๐‘Œ•๐‘๐‘Œค๐‘Œฟ ๐‘Œธ๐‘๐‘Œฐ๐‘๐‘Œš๐‘Œฟ ๐‘Œ…๐‘Œง๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œฏ๐‘‹เฅฅ ๐‘Œธ๐‘๐‘Œค๐‘๐‘Œฐ๐‘€ ๐‘Œ•๐‘Œฒ๐‘Œค๐‘๐‘Œฐ ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œฎ๐‘Œฟ๐‘Œค๐‘๐‘Œฐ ๐‘Œช๐‘๐‘Œค๐‘๐‘Œฐ ๐‘Œฏ๐‘๐‘Œคเฅค ๐‘Œช๐‘Œฐ๐‘Œฎ๐‘ˆ๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘๐‘Œฏ ๐‘Œฒ๐‘Œพ๐‘Œญ ๐‘Œฒ๐‘Œน๐‘Œฟ ๐‘Œ…๐‘Œฆ๐‘๐‘Œญ๐‘๐‘Œคเฅฅ

Prata Samaya Jo Jana Mana Layo. Padhihahin Bhakti Suruchi Adhikayo. Stri Kalatra Pati Mitra Putra Yuta. Paramaishvarya Labha Lahi Adbhuta.

Chaupai 19

๐‘Œฐ๐‘Œพ๐‘Œœ ๐‘Œต๐‘Œฟ๐‘Œฎ๐‘๐‘Œ– ๐‘Œ•๐‘‹ ๐‘Œฐ๐‘Œพ๐‘Œœ ๐‘Œฆ๐‘Œฟ๐‘Œต๐‘Œพ๐‘Œต๐‘ˆเฅค ๐‘Œœ๐‘Œธ ๐‘Œค๐‘‡๐‘Œฐ๐‘‹ ๐‘Œœ๐‘Œจ ๐‘Œธ๐‘๐‘Œœ๐‘Œธ ๐‘Œฌ๐‘Œขเคผ๐‘Œพ๐‘Œต๐‘ˆเฅฅ ๐‘Œช๐‘Œพ๐‘Œ  ๐‘Œฎ๐‘Œน๐‘Œพ ๐‘Œฎ๐‘๐‘Œฆ ๐‘Œฎ๐‘Œ‚๐‘Œ—๐‘Œฒ ๐‘Œฆ๐‘Œพ๐‘Œค๐‘Œพเฅค ๐‘Œญ๐‘Œ•๐‘๐‘Œค ๐‘Œฎ๐‘Œจ๐‘‹๐‘Œต๐‘Œพ๐‘Œ‚๐‘Œ›๐‘Œฟ๐‘Œค ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œช๐‘Œพ๐‘Œค๐‘Œพเฅฅ

Raja Vimukha Ko Raja Divavai. Jasa Tero Jana Sujasa Badhavai. Patha Maha Muda Mangala Data. Bhakta Manovanchhita Nidhi Pata.

Closing Doha

เฅฅ ๐‘Œฆ๐‘‹๐‘Œน๐‘Œพ เฅฅ ๐‘Œœ๐‘‹ ๐‘Œฏ๐‘Œน ๐‘Œš๐‘Œพ๐‘Œฒ๐‘€๐‘Œธ๐‘Œพ ๐‘Œธ๐‘๐‘Œญ๐‘Œ—, ๐‘Œช๐‘Œขเคผ๐‘Œฟ ๐‘Œจ๐‘Œพ๐‘Œต๐‘ˆ๐‘Œ‚๐‘Œ—๐‘‡ ๐‘Œฎ๐‘Œพ๐‘Œฅเฅค ๐‘Œค๐‘Œฟ๐‘Œจ๐‘Œ•๐‘‡ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œœ ๐‘Œธ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง ๐‘Œธ๐‘Œฌ, ๐‘Œธ๐‘Œพ๐‘Œ–๐‘€ ๐‘Œ•๐‘Œพ๐‘Œถ๐‘€๐‘Œจ๐‘Œพ๐‘Œฅเฅฅ

|| Doha || Jo Yaha Chalisa Subhaga, Padhi Navainge Matha. Tinake Karaja Siddha Saba, Sakhi Kashinatha.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œต๐‘Œฟ๐‘Œถ๐‘๐‘Œต๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ ๐‘Œช๐‘Œฆ๐‘Œช๐‘Œฆ๐‘๐‘Œฎ ๐‘Œ•๐‘€ ๐‘Œฐ๐‘Œœ๐Ÿ”ŠVishweshvara Padapadma Ki RajaThe dust of the lotus feet of Vishweshvara (Lord Shiva of Kashi)
๐‘Œจ๐‘Œฟ๐‘Œœ ๐‘Œถ๐‘€๐‘Œถ ๐‘Œฒ๐‘Œ—๐‘Œพ๐‘Œฏ๐Ÿ”ŠNija Shisha LagayaApplying upon my own head
๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡! ๐‘Œค๐‘Œต ๐‘Œธ๐‘๐‘Œฏ๐‘Œถ๐Ÿ”ŠAnnapurne! Tava SuyashaO Annapurna, your glorious fame
๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘—๐‘Œ‚ ๐‘Œ•๐‘Œต๐‘Œฟ ๐‘Œฎ๐‘Œค๐‘Œฟ ๐‘Œฒ๐‘Œพ๐‘Œฏ๐Ÿ”ŠBaranaun Kavi Mati LayaI describe, applying the poet's intellect
๐‘Œจ๐‘Œฟ๐‘Œค๐‘๐‘Œฏ ๐‘Œ†๐‘Œจ๐‘Œ‚๐‘Œฆ ๐‘Œ•๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€๐Ÿ”ŠNitya Ananda KariniThe ever-blissful one, giver of constant joy
๐‘Œต๐‘Œฐ ๐‘Œ…๐‘Œฐ๐‘ ๐‘Œ…๐‘Œญ๐‘Œฏ๐Ÿ”ŠVara Aru AbhayaRenowned for the boon-giving and fear-dispelling gestures (varada and abhaya mudra)
๐‘Œธ๐‘—๐‘Œ‚๐‘Œฆ๐‘Œฐ๐‘๐‘Œฏ ๐‘Œธ๐‘Œฟ๐‘Œ‚๐‘Œง๐‘ ๐‘Œœ๐‘Œ— ๐‘Œœ๐‘Œจ๐‘Œจ๐‘€๐Ÿ”ŠSaundarya Sindhu Jaga JananiOcean of beauty, mother of the world
๐‘Œ•๐‘Œพ๐‘Œถ๐‘€ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œง๐‘€๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€๐Ÿ”ŠKashi PuradhishvariThe sovereign Goddess of the city of Kashi (Varanasi)
๐‘Œฎ๐‘Œพ๐‘Œน๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œธ๐‘Œ•๐‘Œฒ ๐‘Œœ๐‘Œ— ๐‘Œค๐‘๐‘Œฐ๐‘Œพ๐‘Œค๐‘Œพ๐Ÿ”ŠMaheshvari Sakala Jaga TrataThe great Goddess, protector of the whole world
๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œจ๐‘Œ‚๐‘Œฆ๐‘Œฟ๐‘Œจ๐‘Œฟ๐Ÿ”ŠGiri NandiniThe daughter of the mountain (Himalaya)
๐‘Œฆ๐‘Œ•๐‘๐‘Œท ๐‘Œฏ๐‘Œœ๐‘๐‘Œž ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œฎ๐‘Œฐ๐‘Œค๐‘€ ๐‘Œฌ๐‘Œพ๐‘Œฐ๐‘Œพ๐Ÿ”ŠDaksha Yajna Mahn Marati BaraAt the time of dying at Daksha's sacrifice (as Sati)
๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œพ ๐‘Œช๐‘๐‘Œธ๐‘๐‘Œค๐‘Œ• ๐‘Œ…๐‘Œ‚๐‘Œ•๐‘๐‘Œถ๐Ÿ”ŠMala Pustaka AnkushaHolding the rosary, book and goad (in her hands)
๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡! ๐‘Œธ๐‘Œฆ๐‘Œพ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡๐Ÿ”ŠAnnapurne! SadapurneO Annapurna, ever-full and complete one
๐‘Œ…๐‘Œœ ๐‘Œ…๐‘Œจ๐‘Œต๐‘Œฆ๐‘๐‘Œฏ ๐‘Œ…๐‘Œจ๐‘Œ‚๐‘Œค ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡๐Ÿ”ŠAja Anavadya Ananta PurneUnborn, blameless, infinite and complete
๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ ๐‘Œธ๐‘Œพ๐‘Œ—๐‘Œฐ๐‘€ ๐‘Œ•๐‘๐‘Œท๐‘‡๐‘Œฎ๐‘Œ‚๐‘Œ•๐‘Œฐ๐‘Œฟ๐Ÿ”ŠKripa Sagari KshemankariOcean of compassion, bringer of welfare
๐‘Œธ๐‘๐‘Œต๐‘Œฐ๐‘๐‘Œ— ๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œฒ๐‘Œ•๐‘๐‘Œท๐‘๐‘Œฎ๐‘€ ๐‘Œ•๐‘Œน๐‘Œฒ๐‘Œพ๐‘Œฏ๐‘€๐Ÿ”ŠSvarga Mahalakshmi KahalayiIn heaven you are called Mahalakshmi
๐‘Œฎ๐‘Œฐ๐‘๐‘Œค๐‘๐‘Œฏ ๐‘Œฒ๐‘‹๐‘Œ• ๐‘Œฒ๐‘Œ•๐‘๐‘Œท๐‘๐‘Œฎ๐‘€๐Ÿ”ŠMartya Loka LakshmiIn the mortal world you are Lakshmi (of prosperity)
๐‘Œช๐‘Œพ๐‘Œ  ๐‘Œฎ๐‘Œน๐‘Œพ ๐‘Œฎ๐‘๐‘Œฆ ๐‘Œฎ๐‘Œ‚๐‘Œ—๐‘Œฒ ๐‘Œฆ๐‘Œพ๐‘Œค๐‘Œพ๐Ÿ”ŠPatha Maha Muda Mangala DataThis recitation is a giver of great joy and auspiciousness
๐‘Œญ๐‘Œ•๐‘๐‘Œค ๐‘Œฎ๐‘Œจ๐‘‹๐‘Œต๐‘Œพ๐‘Œ‚๐‘Œ›๐‘Œฟ๐‘Œค ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐Ÿ”ŠBhakta Manovanchhita NidhiThe devotee obtains the desired treasure of their heart
๐‘Œธ๐‘Œพ๐‘Œ–๐‘€ ๐‘Œ•๐‘Œพ๐‘Œถ๐‘€๐‘Œจ๐‘Œพ๐‘Œฅ๐Ÿ”ŠSakhi KashinathaWith Kashinath (Lord of Kashi) as witness, all their tasks are fulfilled

Benefits of Chanting Annapurna Chalisa

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Invokes Goddess Annapurna for abundance of food, nourishment and never lacking in the home

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Believed to bring prosperity and extraordinary wealth (paramaishvarya) to the devotee and family

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Recited for the well-being of spouse, children, friends and the whole household

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Removes sins, fear and worldly bondage through the grace of the Mother of Kashi

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Brings auspiciousness and fulfilment of the heart's desire, with Kashinath as witness

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Combines the blessings of Parvati and Lakshmi, who are one in Annapurna

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Especially fruitful when recited at dawn with devotion, granting great joy (maha-muda)

How to Chant Annapurna Chalisa

Repetitions11times
Best TimeAt dawn (as the chalisa advises), and on Annapurna Jayanti (Margashirsha Purnima), Fridays, and Akshaya Tritiya; also before cooking or serving food

Recite after worshipping Goddess Annapurna, ideally before the kitchen or hearth or her image. Begin with the opening doha, recite the forty chaupais with devotion, and conclude with the closing doha that invokes Kashinath as witness. The hymn states it is especially fruitful when recited at dawn with love. Many devotees recite it before cooking and offer the first portion of food to the Goddess, never wasting food, as an expression of gratitude for her nourishment.

Frequently Asked Questions

This page shows the complete Annapurna Chalisa written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
Annapurna is a form of Goddess Parvati who presides over food and nourishment. Her name means 'full of food' (anna = food, purna = full). She is the sovereign deity of Kashi (Varanasi), where she is said to feed all beings, and is worshipped as the giver of nourishment, abundance and prosperity.
The chalisa describes her bearing a rosary (mala), a book (pustaka) and a goad (ankusha), and elsewhere she is famously depicted holding a vessel of food and a serving ladle, giving alms to Lord Shiva himself who appears before her as a mendicant in Kashi.
It is best recited at dawn, as the hymn itself advises, and especially on Annapurna Jayanti (the full moon of Margashirsha), Akshaya Tritiya and Fridays. Many also recite it before cooking or serving food.
The closing verses promise that the devotee obtains auspicious fruits and the treasure of their heart's desire, with Kashinath as witness. It is recited for abundance of food, prosperity, and the well-being of one's whole family.

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Read the full Annapurna Chalisa with verse-by-verse meaning, or explore more sacred texts