bhramarambabhramarambikasrisailamshakti-peetha

𑌭𑍍𑌰𑌮𑌰𑌾𑌮𑍍𑌬𑌾𑌷𑍍𑌟𑌕𑌮𑍍

Bhramaramba Ashtakam in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ hindu·📿 8× repetitions·🕐 During Navaratri, on Fridays and Pournami, and as part of Devi worship; ideal when visiting Srisailam·📜 Devotional hymn attributed to Adi Shankaracharya (associated with the Srisailam Shakti Peetha)

Read in your language / script

हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Devotional hymn attributed to Adi Shankaracharya (associated with the Srisailam Shakti Peetha) · Adi Shankaracharya · c. 8th century CE (traditional attribution)

Srisailam, on the banks of the Krishna river in Andhra Pradesh, is unique as both a Jyotirlinga (Mallikarjuna) and a Maha Shakti Peetha (Bhramaramba). The Goddess is celebrated as Bhramari, who took the form of a swarm of bees to slay the demon Arunasura. Adi Shankaracharya, on his pilgrimage to this great kshetra, is traditionally said to have composed the Bhramaramba Ashtakam in her praise, weaving together her beauty, her presence in the Sri Vidya tradition, and her identity with the cosmic Mother.

✦ As told in scripture

According to the Devi Mahatmya and local tradition, when the demon Arunasura — invincible against all two- and four-legged creatures — terrorised the worlds, the Goddess assumed the form of countless bees (bhramara) and destroyed him, thus becoming Bhramaramba. Devotees hold that meditating on her through this Ashtakam at Srisailam dissolves the six inner enemies and grants the Mother's swift protection.

0all time

Complete Text with Meaning

Tap any line — or the ▶ button — to hear it recited

Verse 1

𑌚𑌾𑌞𑍍𑌚𑌲𑍍𑌯𑌾𑌰𑍁𑌣𑌲𑍋𑌚𑌨𑌾𑌞𑍍𑌚𑌿𑌤𑌕𑍃𑌪𑌾𑌚𑌨𑍍𑌦𑍍𑌰𑌾𑌰𑍍𑌕𑌪𑌟𑍍𑌟𑍋𑌦𑌰𑌾𑌂 𑌚𑌾𑌰𑍁𑌸𑍍𑌮𑍇𑌰𑌮𑍁𑌖𑍀𑌂 𑌚𑌰𑌾𑌚𑌰𑌜𑌗𑌤𑍍𑌸𑌂𑌰𑌕𑍍𑌷𑌣𑍀𑌂 𑌤𑌤𑍍𑌪𑌰𑌾𑌮𑍍 । 𑌨𑌿𑌤𑍍𑌯𑌂 𑌚𑌿𑌨𑍍𑌮𑌯𑌕𑍗𑌸𑍍𑌤𑍁𑌭𑌪𑍍𑌰𑌭𑍃𑌤𑌿𑌭𑌿𑌰𑍍𑌭𑍂𑌷𑌾𑌮𑌣𑍀𑌭𑍂𑌷𑌿𑌤𑌾𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௧॥

cāñcalyāruṇalocanāñcitakṛpācandrārkapaṭṭodarāṃ cārusmeramukhīṃ carācarajagatsaṃrakṣaṇīṃ tatparām | nityaṃ cinmayakaustubhaprabhṛtibhirbhūṣāmaṇībhūṣitāṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 1||

Meaning:1. I meditate on the Goddess, the divine Mother who dwells at Srisailam — with restless reddish eyes brimming with grace, her form like a tablet of moon and sun, with a lovely smiling face, ever intent on protecting the whole world of moving and unmoving beings, adorned with jewels such as the Kaustubha of pure Consciousness.

Verse 2

𑌕𑌸𑍍𑌤𑍂𑌰𑍀𑌤𑌿𑌲𑌕𑌾𑌞𑍍𑌚𑌿𑌤𑍇𑌨𑍍𑌦𑍁𑌵𑌿𑌲𑌸𑌤𑍍𑌪𑍍𑌰𑍋𑌦𑍍𑌭𑌾𑌸𑌿𑌫𑌾𑌲𑌸𑍍𑌥𑌲𑍀𑌂 𑌕𑌰𑍍𑌪𑍂𑌰𑌦𑍍𑌰𑌵𑌮𑌿𑌶𑍍𑌰𑌚𑍂𑌰𑍍𑌣𑌖𑌦𑌿𑌰𑌾𑌮𑍋𑌦𑍋𑌲𑍍𑌲𑌸𑌦𑍍𑌵𑍀𑌟𑌿𑌕𑌾𑌮𑍍 । 𑌲𑍋𑌲𑌾𑌪𑌾𑌙𑍍𑌗𑌤𑌰𑌙𑍍𑌗𑌿𑌤𑍈𑌰𑌧𑌿𑌕𑍃𑌪𑌾𑌸𑌾𑌰𑍈𑌰𑍍𑌨𑌤𑌾𑌨𑌨𑍍𑌦𑌿𑌨𑍀𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௨॥

kastūrītilakāñcitenduvilasatprodbhāsiphālasthalīṃ karpūradravamiśracūrṇakhadirāmodollasadvīṭikām | lolāpāṅgataraṅgitairadhikṛpāsārairnatānandinīṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 2||

Meaning:2. I meditate on the divine Mother of Srisailam — her brow shining with a musk tilaka bright as the moon, enjoying a betel-roll fragrant with camphor and catechu, gladdening those who bow with waves of abundant grace flowing from the corners of her rolling eyes.

Verse 3

𑌰𑌾𑌜𑌨𑍍𑌮𑌤𑍍𑌤𑌮𑌰𑌾𑌲𑌮𑌨𑍍𑌦𑌗𑌮𑌨𑌾𑌂 𑌰𑌾𑌜𑍀𑌵𑌪𑌤𑍍𑌰𑍇𑌕𑍍𑌷𑌣𑌾𑌂 𑌰𑌾𑌜𑍀𑌵𑌪𑍍𑌰𑌭𑌵𑌾𑌦𑌿𑌦𑍇𑌵𑌮𑌕𑍁𑌟𑍈𑌰𑌾𑌰𑌾𑌧𑌿𑌤𑌾𑌂𑌘𑍍𑌰𑌿𑌦𑍍𑌵𑌯𑌾𑌮𑍍 । 𑌰𑌾𑌜𑍀𑌵𑌾𑌯𑌤𑌮𑌨𑍍𑌦𑌹𑌾𑌸𑌵𑌦𑌨𑌾𑌂 𑌰𑌾𑌕𑍇𑌨𑍍𑌦𑍁𑌬𑌿𑌮𑍍𑌬𑌾𑌨𑌨𑌾𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௩॥

rājanmattamarālamandagamanāṃ rājīvapatrekṣaṇāṃ rājīvaprabhavādidevamakuṭairārādhitāṃghridvayām | rājīvāyatamandahāsavadanāṃ rākendubimbānanāṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 3||

Meaning:3. I meditate on the divine Mother of Srisailam — moving gently as a regal, joyful swan, with eyes like lotus petals, her pair of feet worshipped by the crowns of Brahma and the foremost gods, her face bearing a soft lotus-like smile, radiant as the orb of the full moon.

Verse 4

𑌷𑌟𑍍𑌤𑌾𑌰𑌙𑍍𑌗𑌣𑌦𑍀𑌪𑌿𑌕𑌾𑌂 𑌶𑌿𑌵𑌸𑌤𑍀𑌂 𑌷𑌡𑍍𑌵𑍈𑌰𑌿𑌵𑌰𑍍𑌗𑌾𑌪𑌹𑌾𑌂 𑌷𑌟𑍍𑌚𑌕𑍍𑌰𑌾𑌨𑍍𑌤𑌰𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌾𑌂 𑌵𑌰𑌸𑍁𑌧𑌾𑌂 𑌷𑌡𑍍𑌯𑍋𑌗𑌿𑌨𑍀𑌵𑍇𑌷𑍍𑌟𑌿𑌤𑌾𑌮𑍍 । 𑌷𑌟𑍍𑌕𑍋𑌣𑌾𑌨𑍍𑌤𑌰𑌵𑌰𑍍𑌤𑌿𑌨𑍀𑌂 𑌸𑍁𑌰𑌨𑍁𑌤𑌾𑌂 𑌷𑌡𑍍𑌭𑌾𑌵𑌗𑌾𑌂 𑌷𑌣𑍍𑌮𑍁𑌖𑍀𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௪॥

ṣaṭtāraṅgaṇadīpikāṃ śivasatīṃ ṣaḍvairivargāpahāṃ ṣaṭcakrāntarasaṃsthitāṃ varasudhāṃ ṣaḍyoginīveṣṭitām | ṣaṭkoṇāntaravartinīṃ suranutāṃ ṣaḍbhāvagāṃ ṣaṇmukhīṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 4||

Meaning:4. I meditate on the divine Mother of Srisailam — the lamp of the six stars, the chaste consort of Shiva, remover of the six inner foes (lust, anger, greed, delusion, pride, envy), abiding within the six chakras as the supreme nectar, encircled by the six yoginis, dwelling within the six-cornered yantra, praised by the gods, present in the six states, the six-faced one.

Verse 5

𑌶𑍍𑌰𑍀𑌨𑌾𑌥𑌾𑌦𑍃𑌤𑌪𑌾𑌲𑌿𑌤𑌤𑍍𑌰𑌿𑌭𑍁𑌵𑌨𑌾𑌂 𑌶𑍍𑌰𑍀𑌚𑌕𑍍𑌰𑌸𑌞𑍍𑌚𑌾𑌰𑌿𑌣𑍀𑌂 𑌜𑍍𑌞𑌾𑌨𑌾𑌸𑌕𑍍𑌤𑌮𑌨𑍋𑌜𑌯𑍋𑌗𑌮𑌹𑌿𑌤𑌾𑌂 𑌶𑍍𑌰𑍀𑌬𑌿𑌨𑍍𑌦𑍁𑌨𑌾𑌦𑌪𑍍𑌰𑌿𑌯𑌾𑌮𑍍 । 𑌮𑌾𑌤𑌂𑌗𑍀𑌂 𑌮𑌧𑍁𑌪𑌾𑌨𑌲𑍋𑌲𑌮𑌨𑌸𑌂 𑌮𑌾𑌹𑍇𑌶𑍍𑌵𑌰𑍀𑌂 𑌶𑍍𑌰𑍀𑌪𑍍𑌰𑌦𑌾𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௫॥

śrīnāthādṛtapālitatribhuvanāṃ śrīcakrasañcāriṇīṃ jñānāsaktamanojayogamahitāṃ śrībindunādapriyām | mātaṅgīṃ madhupānalolamanasaṃ māheśvarīṃ śrīpradāṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 5||

Meaning:5. I meditate on the divine Mother of Srisailam — who, cherished by the Lord of Shri (Vishnu/Shiva), protects the three worlds, who moves within the Sri Chakra, honoured by the yoga of the mind devoted to knowledge, beloved of the Bindu and Nada, who is Matangi, her mind delighting in the nectar-draught, the great Maheshwari, bestower of prosperity.

Verse 6

𑌲𑌾𑌵𑌣𑍍𑌯𑌾𑌧𑌿𑌕𑌭𑍂𑌷𑌿𑌤𑌾𑌙𑍍𑌗𑌲𑌤𑌿𑌕𑌾𑌂 𑌲𑌾𑌕𑍍𑌷𑌾𑌰𑌸𑌾𑌰𑌞𑍍𑌜𑌿𑌤𑌾𑌂 𑌸𑍇𑌵𑌾𑌯𑌾𑌤𑌸𑌮𑌸𑍍𑌤𑌦𑍇𑌵𑌵𑌨𑌿𑌤𑌾𑌂 𑌸𑍀𑌮𑌾𑌤𑌿𑌗𑌾𑌸𑍍𑌥𑌾𑌂 𑌶𑌿𑌵𑌾𑌮𑍍 । 𑌵𑌾𑌣𑍀𑌵𑌲𑍍𑌲𑌭𑌵𑌾𑌸𑌵𑌪𑍍𑌰𑌭𑍃𑌤𑌿𑌭𑌿𑌃 𑌸𑌂𑌸𑍇𑌵𑌿𑌤𑌾𑌙𑍍𑌘𑍍𑌰𑌿𑌦𑍍𑌵𑌯𑌾𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௬॥

lāvaṇyādhikabhūṣitāṅgalatikāṃ lākṣārasārañjitāṃ sevāyātasamastadevavanitāṃ sīmātigāsthāṃ śivām | vāṇīvallabhavāsavaprabhṛtibhiḥ saṃsevitāṅghridvayāṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 6||

Meaning:6. I meditate on the divine Mother of Srisailam — her creeper-like body adorned with surpassing loveliness, tinged with red lac, attended by all the women of the gods who come to serve her, abiding beyond all bounds, the auspicious Shiva-Shakti, her two feet served by Brahma, Indra and the rest.

Verse 7

𑌧𑌨𑍍𑌯𑌾𑌂 𑌸𑍋𑌮𑌵𑌿𑌭𑌾𑌵𑌨𑍀𑌯𑌚𑌰𑌿𑌤𑌾𑌂 𑌧𑌾𑌤𑍍𑌰𑌾𑌦𑌿𑌸𑌮𑍍𑌪𑍂𑌜𑌿𑌤𑌾𑌂 𑌵𑍇𑌦𑌾𑌨𑍍𑌤𑌪𑍍𑌰𑌤𑌿𑌪𑌾𑌦𑌿𑌤𑌾𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌶𑌮𑍍𑌭𑍁𑌸𑌮𑍍𑌮𑌾𑌨𑌿𑌤𑌾𑌮𑍍 । 𑌨𑌿𑌤𑍍𑌯𑌂 𑌬𑍍𑌰𑌹𑍍𑌮𑌮𑍁𑌖𑌪𑍍𑌰𑌕𑍀𑌰𑍍𑌤𑌿𑌤𑌯𑌶𑌾𑌂 𑌶𑍍𑌰𑍀𑌨𑌾𑌰𑌦𑌾𑌦𑍍𑌯𑍈𑌃 𑌸𑍍𑌤𑍁𑌤𑌾𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௭॥

dhanyāṃ somavibhāvanīyacaritāṃ dhātrādisampūjitāṃ vedāntapratipāditāṃ bhagavatīṃ śrīśambhusammānitām | nityaṃ brahmamukhaprakīrtitayaśāṃ śrīnāradādyaiḥ stutāṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 7||

Meaning:7. I meditate on the divine Mother of Srisailam — the blessed one whose deeds are worthy of contemplation like the moon, worshipped by Brahma and the gods, expounded by Vedanta, honoured by Shri Shambhu (Shiva), her fame ever sung by the mouth of Brahma, praised by Narada and the other sages.

Verse 8

𑌗𑌾𑌯𑌤𑍍𑌰𑍀𑌂 𑌗𑌰𑍁𑌡𑌧𑍍𑌵𑌜𑌾𑌂 𑌗𑌗𑌨𑌗𑌾𑌂 𑌗𑌾𑌨𑍍𑌧𑌰𑍍𑌵𑌗𑌾𑌨𑌪𑍍𑌰𑌿𑌯𑌾𑌂 𑌗𑌮𑍍𑌭𑍀𑌰𑌾𑌂 𑌗𑌜𑌗𑌾𑌮𑌿𑌨𑍀𑌂 𑌗𑌿𑌰𑌿𑌸𑍁𑌤𑌾𑌂 𑌗𑌨𑍍𑌧𑌾𑌕𑍍𑌷𑌤𑌾𑌲𑌙𑍍𑌕𑍃𑌤𑌾𑌮𑍍 । 𑌗𑌙𑍍𑌗𑌾𑌗𑍗𑌤𑌮𑌗𑌰𑍍𑌗𑌸𑌨𑍍𑌨𑍁𑌤𑌪𑌦𑌾𑌂 𑌗𑌾𑌂 𑌗𑍗𑌤𑌮𑍀𑌂 𑌗𑍋𑌮𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌂 𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇 ॥ ௮॥

gāyatrīṃ garuḍadhvajāṃ gaganagāṃ gāndharvagānapriyāṃ gambhīrāṃ gajagāminīṃ girisutāṃ gandhākṣatālaṅkṛtām | gaṅgāgautamagargasannutapadāṃ gāṃ gautamīṃ gomatīṃ śrīśailasthalavāsinīṃ bhagavatīṃ śrīmātaraṃ bhāvaye || 8||

Meaning:8. I meditate on the divine Mother of Srisailam — who is Gayatri, who bears Garuda on her banner, who moves through the sky, who loves celestial (Gandharva) song, the profound one, moving with an elephant's grace, the daughter of the mountain, adorned with sandal and sacred rice, whose feet are praised by Ganga and sages Gautama and Garga — who is the Earth (Go), the Gautami (Godavari) and the Gomati.

Word-by-Word Meaning

Click any word to hear its pronunciation

𑌚𑌾𑌞𑍍𑌚𑌲𑍍𑌯𑌾𑌰𑍁𑌣𑌲𑍋𑌚𑌨𑌾𑌮𑍍🔊cāñcalya-aruṇa-locanāṃwith restless, reddish (compassionate) eyes

𑌅𑌞𑍍𑌚𑌿𑌤𑌕𑍃𑌪𑌾𑌮𑍍🔊añcita-kṛpāṃfull of (curved with) grace

𑌚𑌾𑌰𑍁𑌸𑍍𑌮𑍇𑌰𑌮𑍁𑌖𑍀𑌮𑍍🔊cāru-smera-mukhīṃwith a lovely, smiling face

𑌚𑌰𑌾𑌚𑌰𑌜𑌗𑌤𑍍𑌸𑌂𑌰𑌕𑍍𑌷𑌣𑍀𑌮𑍍🔊carācara-jagat-saṃrakṣaṇīṃthe protectress of the whole world of moving and unmoving beings

𑌶𑍍𑌰𑍀𑌶𑍈𑌲𑌸𑍍𑌥𑌲𑌵𑌾𑌸𑌿𑌨𑍀𑌮𑍍🔊śrīśaila-sthala-vāsinīṃshe who dwells in the holy place of Srisailam

𑌭𑌗𑌵𑌤𑍀𑌂 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌰𑌂 𑌭𑌾𑌵𑌯𑍇🔊bhagavatīṃ śrīmātaraṃ bhāvayeI meditate on the Goddess, the divine Mother

𑌕𑌸𑍍𑌤𑍂𑌰𑍀𑌤𑌿𑌲𑌕𑌾𑌞𑍍𑌚𑌿𑌤𑍇𑌨𑍍𑌦𑍁🔊kastūrī-tilaka-añcita-induher brow graced with a musk tilaka, shining like the moon

𑌨𑌤𑌾𑌨𑌨𑍍𑌦𑌿𑌨𑍀𑌮𑍍🔊nata-ānandinīṃshe who delights those who bow to her

𑌰𑌾𑌜𑌨𑍍𑌮𑌤𑍍𑌤𑌮𑌰𑌾𑌲𑌮𑌨𑍍𑌦𑌗𑌮𑌨𑌾𑌮𑍍🔊rājan-matta-marāla-manda-gamanāṃwith a gait gentle as a regal, exultant swan

𑌰𑌾𑌕𑍇𑌨𑍍𑌦𑍁𑌬𑌿𑌮𑍍𑌬𑌾𑌨𑌨𑌾𑌮𑍍🔊rāka-indu-bimba-ānanāṃwith a face like the orb of the full moon

𑌷𑌟𑍍𑌚𑌕𑍍𑌰𑌾𑌨𑍍𑌤𑌰𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌾𑌮𑍍🔊ṣaṭ-cakra-antara-saṃsthitāṃestablished within the six chakras

𑌷𑌡𑍍𑌯𑍋𑌗𑌿𑌨𑍀𑌵𑍇𑌷𑍍𑌟𑌿𑌤𑌾𑌮𑍍🔊ṣaḍ-yoginī-veṣṭitāṃsurrounded by the six yoginis

𑌶𑍍𑌰𑍀𑌚𑌕𑍍𑌰𑌸𑌞𑍍𑌚𑌾𑌰𑌿𑌣𑍀𑌮𑍍🔊śrī-cakra-sañcāriṇīṃshe who moves within the Sri Chakra

𑌶𑍍𑌰𑍀𑌬𑌿𑌨𑍍𑌦𑍁𑌨𑌾𑌦𑌪𑍍𑌰𑌿𑌯𑌾𑌮𑍍🔊śrī-bindu-nāda-priyāṃbeloved of the Bindu and Nada (the subtle point and sound)

𑌮𑌾𑌤𑌂𑌗𑍀𑌮𑍍🔊mātaṅgīṃMatangi (the Goddess as the daughter of sage Matanga)

𑌮𑌾𑌹𑍇𑌶𑍍𑌵𑌰𑍀𑌂 𑌶𑍍𑌰𑍀𑌪𑍍𑌰𑌦𑌾𑌮𑍍🔊māheśvarīṃ śrī-pradāṃthe great sovereign Goddess, bestower of prosperity

𑌲𑌾𑌵𑌣𑍍𑌯𑌾𑌧𑌿𑌕𑌭𑍂𑌷𑌿𑌤𑌾𑌙𑍍𑌗𑌲𑌤𑌿𑌕𑌾𑌮𑍍🔊lāvaṇya-adhika-bhūṣita-aṅga-latikāṃwhose creeper-like body is adorned with surpassing loveliness

𑌵𑌾𑌣𑍀𑌵𑌲𑍍𑌲𑌭𑌵𑌾𑌸𑌵🔊vāṇī-vallabha-vāsavaby Brahma (beloved of Vani/Saraswati), Indra (Vasava) and others

𑌵𑍇𑌦𑌾𑌨𑍍𑌤𑌪𑍍𑌰𑌤𑌿𑌪𑌾𑌦𑌿𑌤𑌾𑌮𑍍🔊vedānta-pratipāditāṃshe who is expounded by Vedanta

𑌗𑌾𑌯𑌤𑍍𑌰𑍀𑌂 𑌗𑌰𑍁𑌡𑌧𑍍𑌵𑌜𑌾𑌮𑍍🔊gāyatrīṃ garuḍa-dhvajāṃwho is Gayatri, who bears Garuda on her banner

𑌗𑌜𑌗𑌾𑌮𑌿𑌨𑍀𑌂 𑌗𑌿𑌰𑌿𑌸𑍁𑌤𑌾𑌮𑍍🔊gaja-gāminīṃ giri-sutāṃwith the gait of an elephant, the daughter of the mountain (Parvati)

𑌗𑌙𑍍𑌗𑌾𑌗𑍗𑌤𑌮𑌗𑌰𑍍𑌗𑌸𑌨𑍍𑌨𑍁𑌤𑌪𑌦𑌾𑌮𑍍🔊gaṅgā-gautama-garga-sannuta-padāṃwhose feet are praised by Ganga and by sages Gautama and Garga

Benefits of Chanting Bhramaramba Ashtakam

✦

Invokes Bhramaramba of Srisailam, one of the 18 Maha Shakti Peethas, in a concise eight-verse form

✦

The fourth verse prays to the Goddess as the remover of the six inner foes (lust, anger, greed, delusion, pride, envy)

✦

Cultivates devotion and meditative visualisation of the Divine Mother (each verse is a 'bhavaye' — 'I meditate')

✦

Aids inner ascent, describing the Goddess as present in the six chakras and the Sri Chakra

✦

Believed to bestow protection, prosperity (Shri-prada) and the Mother's all-encompassing grace

✦

Especially powerful for pilgrims and devotees of the Srisailam Mallikarjuna-Bhramaramba kshetra

✦

Its rich Sanskrit and alliteration (the 'ga' and 'sha' verses) make it a beloved hymn for chanting

How to Chant Bhramaramba Ashtakam

Repetitions8times

Best TimeDuring Navaratri, on Fridays and Pournami, and as part of Devi worship; ideal when visiting Srisailam

Recite the eight verses seated before an image of Bhramaramba or the Devi, ideally after a bath and lighting a lamp, offering kumkum and flowers. Each verse is a meditation ('bhavaye') — visualise the Mother as described, dwelling at Srisailam, present in the chakras and the Sri Chakra. The hymn may be recited once or 3, 9 or 11 times. It is especially auspicious during a pilgrimage to the Srisailam Shakti Peetha.

Frequently Asked Questions

This page shows the complete Bhramaramba Ashtakam written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

Bhramaramba (Bhramarambika) is the Goddess enshrined at Srisailam in Andhra Pradesh as the consort (Shakti) of Lord Mallikarjuna, one of the twelve Jyotirlingas. Srisailam is also one of the eighteen Maha Shakti Peethas. 'Bhramaramba' means 'the Mother of bees', recalling the legend in which the Goddess took the form of bees to destroy a demon.

It is traditionally attributed to Adi Shankaracharya, said to have been composed during his pilgrimage to Srisailam. He composed several hymns to the Divine Mother at the holy sites he visited.

Every verse ends with 'Sri-shaila-sthala-vasinim Bhagavatim Sri-mataram bhavaye' — 'I meditate on the Goddess, the divine Mother who dwells at Srisailam.' The repeated 'bhavaye' makes the whole hymn a sustained meditation.

The eighth verse is a beautiful alliterative garland in which nearly every epithet of the Goddess begins with the syllable 'ga' — Gayatri, Garuda-dhwaja, Giri-suta (Parvati), Gautami (Godavari), Gomati and more — a poetic flourish typical of Shankaracharya.