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hanumanstutidhyanasundara-kanda

๐‘Œน๐‘Œจ๐‘๐‘Œฎ๐‘Œพ๐‘Œจ ๐‘Œธ๐‘๐‘Œค๐‘๐‘Œค๐‘Œฟ (๐‘Œ…๐‘Œค๐‘๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œฌ๐‘Œฒ๐‘Œง๐‘Œพ๐‘Œฎ๐‘Œ‚)

Hanuman Stuti (Atulita Bala Dhamam) in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 3ร— repetitionsยท๐Ÿ• Before reciting Sundara Kanda or Hanuman Chalisa; on Tuesdays and Saturdays; at dawnยท๐Ÿ“œ Dhyana-shlokas of Hanuman; the first verse is the Sanskrit invocation (mangalacharana) of Sundara Kanda in Goswami Tulsidas's Ramcharitmanas
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Origin & Story

Dhyana-shlokas of Hanuman; the first verse is the Sanskrit invocation (mangalacharana) of Sundara Kanda in Goswami Tulsidas's Ramcharitmanas ยท Traditional; the opening verse is part of Tulsidas's Ramcharitmanas (Sundara Kanda) ยท 16th century CE and earlier (traditional)

These verses form the customary dhyana with which devotees begin the recitation of the Sundara Kanda โ€” the chapter of the Ramayana that recounts Hanuman's leap to Lanka. Goswami Tulsidas opens his Sundara Kanda with the Sanskrit shloka 'Atulita-bala-dhamam', invoking Hanuman before narrating his exploits. The accompanying verses 'Goshpadikrita-varisham' and 'Yatra yatra Raghunatha-kirtanam' are equally beloved, the latter portraying Hanuman as the ever-present, tearful devotee at every kirtan of Rama.

โœฆ As told in scripture

The verse 'Yatra yatra Raghunatha-kirtanam' enshrines the cherished belief that Hanuman is invisibly present at every place where Rama's name is sung; devotees therefore keep a seat for him at Ramayana recitations, and many recount sensing his living presence whenever these lines are chanted before Sundara Kanda.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Verse 1

๐‘Œ…๐‘Œค๐‘๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œฌ๐‘Œฒ๐‘Œง๐‘Œพ๐‘Œฎ๐‘Œ‚ ๐‘Œน๐‘‡๐‘Œฎ๐‘Œถ๐‘ˆ๐‘Œฒ๐‘Œพ๐‘Œญ๐‘Œฆ๐‘‡๐‘Œน๐‘Œ‚ ๐‘Œฆ๐‘Œจ๐‘๐‘Œœ๐‘Œต๐‘Œจ๐‘Œ•๐‘ƒ๐‘Œถ๐‘Œพ๐‘Œจ๐‘๐‘Œ‚ ๐‘Œœ๐‘๐‘Œž๐‘Œพ๐‘Œจ๐‘Œฟ๐‘Œจ๐‘Œพ๐‘Œฎ๐‘Œ—๐‘๐‘Œฐ๐‘Œ—๐‘Œฃ๐‘๐‘Œฏ๐‘Œฎ๐‘ เฅค ๐‘Œธ๐‘Œ•๐‘Œฒ๐‘Œ—๐‘๐‘Œฃ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œพ๐‘Œจ๐‘Œ‚ ๐‘Œต๐‘Œพ๐‘Œจ๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘Œพ๐‘Œฎ๐‘Œง๐‘€๐‘Œถ๐‘Œ‚ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘Œญ๐‘Œ•๐‘๐‘Œค๐‘Œ‚ ๐‘Œต๐‘Œพ๐‘Œค๐‘Œœ๐‘Œพ๐‘Œค๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œพ๐‘Œฎ๐‘Œฟ เฅฅ

Atulita-Bala-Dhamam Hema-Shailabha-Deham Danuja-Vana-Krishanum Jnaninam-Agraganyam | Sakala-Guna-Nidhanam Vananam-Adhisham Raghupati-Priya-Bhaktam Vatajatam Namami ||

Meaning:I bow to the son of the Wind-god โ€” the abode of matchless strength, whose body shines like a golden mountain, who is a raging fire to the forest of demons, foremost among the wise, the treasury of all virtues, the lord of the vanaras, and the dearest devotee of Raghupati (Sri Rama).

Verse 2

๐‘Œ—๐‘‹๐‘Œท๐‘๐‘Œช๐‘Œฆ๐‘€๐‘Œ•๐‘ƒ๐‘Œค๐‘Œต๐‘Œพ๐‘Œฐ๐‘€๐‘Œถ๐‘Œ‚ ๐‘Œฎ๐‘Œถ๐‘Œ•๐‘€๐‘Œ•๐‘ƒ๐‘Œค๐‘Œฐ๐‘Œพ๐‘Œ•๐‘๐‘Œท๐‘Œธ๐‘Œฎ๐‘ เฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘Œฃ๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œพ๐‘Œฐ๐‘Œค๐‘๐‘Œจ๐‘Œ‚ ๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘‡๐‘Œฝ๐‘Œจ๐‘Œฟ๐‘Œฒ๐‘Œพ๐‘Œค๐‘๐‘Œฎ๐‘Œœ๐‘Œฎ๐‘ เฅฅ

Goshpadi-Krita-Varisham Mashaki-Krita-Rakshasam | Ramayana-Maha-Mala-Ratnam Vande-'nilatmajam ||

Meaning:I worship the son of the Wind, who made the mighty ocean as small as the water in a cow's hoof-print, who reduced the demons to mere mosquitoes, and who shines as the precious jewel in the great garland of the Ramayana.

Verse 3

๐‘Œฏ๐‘Œค๐‘๐‘Œฐ ๐‘Œฏ๐‘Œค๐‘๐‘Œฐ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œจ๐‘Œพ๐‘Œฅ๐‘Œ•๐‘€๐‘Œฐ๐‘๐‘Œค๐‘Œจ๐‘Œ‚ ๐‘Œค๐‘Œค๐‘๐‘Œฐ ๐‘Œค๐‘Œค๐‘๐‘Œฐ ๐‘Œ•๐‘ƒ๐‘Œค๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘Œ•๐‘Œพ๐‘Œž๐‘๐‘Œœ๐‘Œฒ๐‘Œฟ๐‘Œฎ๐‘ เฅค ๐‘Œญ๐‘Œพ๐‘Œท๐‘๐‘Œช๐‘Œต๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘Œฒ๐‘‹๐‘Œš๐‘Œจ๐‘Œ‚ ๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘๐‘Œค๐‘Œฟ๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œค ๐‘Œฐ๐‘Œพ๐‘Œ•๐‘๐‘Œท๐‘Œธ๐‘Œพ๐‘Œจ๐‘๐‘Œค๐‘Œ•๐‘Œฎ๐‘ เฅฅ

Yatra Yatra Raghunatha-Kirtanam Tatra Tatra Krita-Mastaka-Anjalim | Bhashpa-Vari-Paripurna-Lochanam Marutim Namata Rakshasantakam ||

Meaning:Wherever the glories of Raghunatha (Rama) are sung, there stands Hanuman with folded hands upon his bowed head and eyes brimming with tears of love โ€” bow to that Maruti, the destroyer of demons.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œ…๐‘Œค๐‘๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œฌ๐‘Œฒ๐‘Œง๐‘Œพ๐‘Œฎ๐‘Œ‚๐Ÿ”Šatulita-bala-dhamamAbode of incomparable, immeasurable strength
๐‘Œน๐‘‡๐‘Œฎ๐‘Œถ๐‘ˆ๐‘Œฒ๐‘Œพ๐‘Œญ๐‘Œฆ๐‘‡๐‘Œน๐‘Œ‚๐Ÿ”Šhema-shailabha-dehamWhose body shines like a golden mountain (Mount Meru)
๐‘Œฆ๐‘Œจ๐‘๐‘Œœ๐‘Œต๐‘Œจ๐‘Œ•๐‘ƒ๐‘Œถ๐‘Œพ๐‘Œจ๐‘๐‘Œ‚๐Ÿ”Šdanuja-vana-krishanumA blazing fire to the forest of demons (danujas)
๐‘Œœ๐‘๐‘Œž๐‘Œพ๐‘Œจ๐‘Œฟ๐‘Œจ๐‘Œพ๐‘Œฎ๐‘Œ—๐‘๐‘Œฐ๐‘Œ—๐‘Œฃ๐‘๐‘Œฏ๐‘Œฎ๐‘๐Ÿ”Šjnaninam-agraganyamForemost and most reckoned among the wise (jnanis)
๐‘Œธ๐‘Œ•๐‘Œฒ๐‘Œ—๐‘๐‘Œฃ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œพ๐‘Œจ๐‘Œ‚๐Ÿ”Šsakala-guna-nidhanamThe treasure-house of all noble qualities
๐‘Œต๐‘Œพ๐‘Œจ๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘Œพ๐‘Œฎ๐‘Œง๐‘€๐‘Œถ๐‘Œ‚๐Ÿ”Švananam-adhishamThe lord and chief of the vanaras (monkey hosts)
๐‘Œฐ๐‘Œ˜๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘Œญ๐‘Œ•๐‘๐‘Œค๐‘Œ‚๐Ÿ”Šraghupati-priya-bhaktamThe dear, beloved devotee of Raghupati (Sri Rama)
๐‘Œต๐‘Œพ๐‘Œค๐‘Œœ๐‘Œพ๐‘Œค๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œพ๐‘Œฎ๐‘Œฟ๐Ÿ”Švatajatam namamiI bow to the son of the Wind (Vayu)
๐‘Œ—๐‘‹๐‘Œท๐‘๐‘Œช๐‘Œฆ๐‘€๐‘Œ•๐‘ƒ๐‘Œค๐‘Œต๐‘Œพ๐‘Œฐ๐‘€๐‘Œถ๐‘Œ‚๐Ÿ”Šgoshpadi-krita-varishamWho reduced the lord of waters (the ocean) to a mere puddle in a cow's hoof-print
๐‘Œฎ๐‘Œถ๐‘Œ•๐‘€๐‘Œ•๐‘ƒ๐‘Œค๐‘Œฐ๐‘Œพ๐‘Œ•๐‘๐‘Œท๐‘Œธ๐‘Œฎ๐‘๐Ÿ”Šmashaki-krita-rakshasamWho reduced the (mighty) demons to the size of mosquitoes
๐‘Œฐ๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘Œฃ๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œพ๐‘Œฐ๐‘Œค๐‘๐‘Œจ๐‘Œ‚๐Ÿ”Šramayana-maha-mala-ratnamThe precious jewel in the great garland that is the Ramayana
๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘‡๐‘Œฝ๐‘Œจ๐‘Œฟ๐‘Œฒ๐‘Œพ๐‘Œค๐‘๐‘Œฎ๐‘Œœ๐‘Œฎ๐‘๐Ÿ”Švande-'nilatmajamI worship the son of Anila (the Wind-god)
๐‘Œฏ๐‘Œค๐‘๐‘Œฐ ๐‘Œฏ๐‘Œค๐‘๐‘Œฐ๐Ÿ”Šyatra yatraWherever, in whatever place
๐‘Œฐ๐‘Œ˜๐‘๐‘Œจ๐‘Œพ๐‘Œฅ๐‘Œ•๐‘€๐‘Œฐ๐‘๐‘Œค๐‘Œจ๐‘Œ‚๐Ÿ”Šraghunatha-kirtanamThe singing of the glories of Raghunatha (Rama)
๐‘Œ•๐‘ƒ๐‘Œค๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘Œ•๐‘Œพ๐‘Œž๐‘๐‘Œœ๐‘Œฒ๐‘Œฟ๐‘Œฎ๐‘๐Ÿ”Škrita-mastaka-anjalimHolding folded hands upon his bowed head
๐‘Œญ๐‘Œพ๐‘Œท๐‘๐‘Œช๐‘Œต๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘Œฒ๐‘‹๐‘Œš๐‘Œจ๐‘Œ‚๐Ÿ”Šbhashpa-vari-paripurna-lochanamWith eyes brimming with tears (of devotion)
๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘๐‘Œค๐‘Œฟ๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œค๐Ÿ”Šmarutim namataBow down to Maruti (Hanuman, the son of the Wind)
๐‘Œฐ๐‘Œพ๐‘Œ•๐‘๐‘Œท๐‘Œธ๐‘Œพ๐‘Œจ๐‘๐‘Œค๐‘Œ•๐‘Œฎ๐‘๐Ÿ”ŠrakshasantakamThe destroyer (ender) of the demons

Benefits of Chanting Hanuman Stuti (Atulita Bala Dhamam)

โœฆ

Invokes Hanuman's immeasurable strength, courage and protection at the start of any worship or Sundara Kanda recitation

โœฆ

Cultivates the ideal of devotion (bhakti) by remembering Hanuman weeping with love at Rama's name

โœฆ

Bestows wisdom, as it praises Hanuman as foremost among the jnanis (the wise)

โœฆ

Short, easily memorised, and traditionally chanted before reading Sundara Kanda for its full fruit

โœฆ

Removes fear and negativity, recalling how Hanuman reduced mighty demons to mosquitoes

โœฆ

Draws the grace of Sri Rama through devotion to his beloved servant Hanuman

How to Chant Hanuman Stuti (Atulita Bala Dhamam)

Repetitions3times
Best TimeBefore reciting Sundara Kanda or Hanuman Chalisa; on Tuesdays and Saturdays; at dawn

Sit facing an image of Sri Hanuman. Recite the three dhyana-shlokas with concentration, picturing Hanuman's golden, mighty form and his tearful devotion to Rama. These verses are the traditional invocation (dhyana) before Sundara Kanda parayana and Hanuman Chalisa, so chant them first to consecrate the recitation. They may be repeated three or more times.

Frequently Asked Questions

This page shows the complete Hanuman Stuti (Atulita Bala Dhamam) written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It is a short, much-loved set of three Sanskrit dhyana (meditation) verses praising Lord Hanuman. The first, 'Atulita Bala Dhamam', describes his boundless strength and devotion; it serves as the Sanskrit invocation at the beginning of Tulsidas's Sundara Kanda in the Ramcharitmanas.
They are traditionally recited as the opening dhyana before reading Sundara Kanda or the Hanuman Chalisa, and during regular Hanuman worship on Tuesdays and Saturdays. Chanting them first sets the proper devotional mood for the longer recitation.
It is a beautiful image meaning Hanuman 'made the vast ocean as small as the water collected in a cow's hoof-print' (goshpada). Coupled with 'mashaki-krita-rakshasam' (he made the demons mere mosquitoes), it conveys how effortless his heroic feats were.
The third verse paints Hanuman as the supreme devotee: wherever Rama's glories are sung, he appears with folded hands and eyes full of tears of love. It teaches that the highest strength is joined with the deepest, most tender devotion.

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