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krishnagopalavishnudhyana-shloka

๐‘Œ•๐‘Œธ๐‘๐‘Œค๐‘‚๐‘Œฐ๐‘€๐‘Œค๐‘Œฟ๐‘Œฒ๐‘Œ•๐‘Œฎ๐‘ (๐‘Œ—๐‘‹๐‘Œช๐‘Œพ๐‘Œฒ ๐‘Œง๐‘๐‘Œฏ๐‘Œพ๐‘Œจ ๐‘Œถ๐‘๐‘Œฒ๐‘‹๐‘Œ•)

Kasturi Tilakam (Gopala Dhyana Shloka) in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 3ร— repetitionsยท๐Ÿ• Early morning before worship; daily; especially on Janmashtami and Wednesdaysยท๐Ÿ“œ Sri Krishna Karnamritam (verse)
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Origin & Story

Sri Krishna Karnamritam (verse) ยท Bilvamangala (Leela Shuka) ยท c. 12thโ€“13th century CE

The Sri Krishna Karnamritam ('Nectar for the ears, about Krishna') is an ecstatic Sanskrit poem of devotion to the boy Krishna, composed by the South Indian saint-poet Bilvamangala, also revered as Leela Shuka. From this stream of verses comes the beloved Kasturi Tilakam, a single dhyana shloka that lovingly describes Gopala's form in full โ€” his ornaments, his flute and his sandal-anointed limbs โ€” as he stands amid the gopis, the crest-jewel of all cowherds.

โœฆ As told in scripture

Tradition tells that Bilvamangala, once lost in worldly attachment, was turned wholly to God and granted visions of the boy Krishna himself; the verses of his Krishna Karnamritam, including this one, are cherished as having flowed from that direct vision, so that to recite them is to behold the very form they describe.

The Mantra

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

๐‘Œ•๐‘Œธ๐‘๐‘Œค๐‘‚๐‘Œฐ๐‘€๐‘Œค๐‘Œฟ๐‘Œฒ๐‘Œ•๐‘Œ‚ ๐‘Œฒ๐‘Œฒ๐‘Œพ๐‘ŒŸ๐‘Œช๐‘ŒŸ๐‘Œฒ๐‘‡ ๐‘Œต๐‘Œ•๐‘๐‘Œท๐‘Œƒ๐‘Œธ๐‘๐‘Œฅ๐‘Œฒ๐‘‡ ๐‘Œ•๐‘—๐‘Œธ๐‘๐‘Œค๐‘๐‘Œญ๐‘Œ‚ ๐‘Œจ๐‘Œพ๐‘Œธ๐‘Œพ๐‘Œ—๐‘๐‘Œฐ๐‘‡ ๐‘Œจ๐‘Œต๐‘Œฎ๐‘—๐‘Œ•๐‘๐‘Œค๐‘Œฟ๐‘Œ•๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘Œค๐‘Œฒ๐‘‡ ๐‘Œต๐‘‡๐‘Œฃ๐‘๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘‡ ๐‘Œ•๐‘Œ™๐‘๐‘Œ•๐‘Œฃ๐‘Œฎ๐‘ เฅค ๐‘Œธ๐‘Œฐ๐‘๐‘Œต๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘‡ ๐‘Œน๐‘Œฐ๐‘Œฟ๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘Œจ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œฒ๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œ‚ ๐‘Œ•๐‘Œฃ๐‘๐‘Œ ๐‘‡ ๐‘Œš ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œค๐‘Œพ๐‘Œต๐‘Œฒ๐‘Œฟ๐‘Œ‚ ๐‘Œ—๐‘‹๐‘Œช๐‘Œธ๐‘๐‘Œค๐‘๐‘Œฐ๐‘€๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œต๐‘‡๐‘Œท๐‘๐‘ŒŸ๐‘Œฟ๐‘Œค๐‘‹ ๐‘Œต๐‘Œฟ๐‘Œœ๐‘Œฏ๐‘Œค๐‘‡ ๐‘Œ—๐‘‹๐‘Œช๐‘Œพ๐‘Œฒ๐‘Œš๐‘‚๐‘Œก๐‘Œพ๐‘Œฎ๐‘Œฃ๐‘Œฟ๐‘Œƒ เฅฅ

Kasturi-tilakam lalata-patale vakshah-sthale kaustubham Nasagre nava-mauktikam karatale venum kare kankanam | Sarvange harichandanam sulalitam kanthe cha muktavalim Gopastri-pariveshtito vijayate gopala-chudamanih ||

Meaning:With a tilaka of musk upon his forehead, the Kaustubha gem upon his chest, a fresh pearl on the tip of his nose, the flute resting in his palm and a bracelet upon his wrist; his whole body gracefully anointed with divine sandal-paste, and a string of pearls about his neck โ€” surrounded by the cowherd women, Gopala, the crest-jewel of all cowherds, shines forth in supreme glory and triumph.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œ•๐‘Œธ๐‘๐‘Œค๐‘‚๐‘Œฐ๐‘€๐‘Œค๐‘Œฟ๐‘Œฒ๐‘Œ•๐‘Œฎ๐‘๐Ÿ”ŠKasturi-tilakamA tilaka (mark) of musk (kasturi)
๐‘Œฒ๐‘Œฒ๐‘Œพ๐‘ŒŸ๐‘Œช๐‘ŒŸ๐‘Œฒ๐‘‡๐Ÿ”ŠLalata-pataleUpon the surface of the forehead
๐‘Œต๐‘Œ•๐‘๐‘Œท๐‘Œƒ๐‘Œธ๐‘๐‘Œฅ๐‘Œฒ๐‘‡๐Ÿ”ŠVakshah-sthaleOn the chest / bosom
๐‘Œ•๐‘—๐‘Œธ๐‘๐‘Œค๐‘๐‘Œญ๐‘Œฎ๐‘๐Ÿ”ŠKaustubhamThe Kaustubha gem (the celebrated jewel of Vishnu)
๐‘Œจ๐‘Œพ๐‘Œธ๐‘Œพ๐‘Œ—๐‘๐‘Œฐ๐‘‡๐Ÿ”ŠNasagreOn the tip of the nose
๐‘Œจ๐‘Œต๐‘Œฎ๐‘—๐‘Œ•๐‘๐‘Œค๐‘Œฟ๐‘Œ•๐‘Œฎ๐‘๐Ÿ”ŠNava-mauktikamA fresh, lustrous pearl
๐‘Œ•๐‘Œฐ๐‘Œค๐‘Œฒ๐‘‡ ๐‘Œต๐‘‡๐‘Œฃ๐‘๐‘Œฎ๐‘๐Ÿ”ŠKaratale venumThe flute (venu) in the palm of the hand
๐‘Œ•๐‘Œฐ๐‘‡ ๐‘Œ•๐‘Œ™๐‘๐‘Œ•๐‘Œฃ๐‘Œฎ๐‘๐Ÿ”ŠKare kankanamA bracelet (kankana) on the wrist/hand
๐‘Œธ๐‘Œฐ๐‘๐‘Œต๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘‡๐Ÿ”ŠSarvangeOver all the limbs / the whole body
๐‘Œน๐‘Œฐ๐‘Œฟ๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘Œจ๐‘Œฎ๐‘๐Ÿ”ŠHarichandanamSandal-paste (of the harichandana / divine sandal)
๐‘Œธ๐‘๐‘Œฒ๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œฎ๐‘๐Ÿ”ŠSulalitamGracefully, charmingly (applied)
๐‘Œ•๐‘Œฃ๐‘๐‘Œ ๐‘‡ ๐‘Œš ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œค๐‘Œพ๐‘Œต๐‘Œฒ๐‘Œฟ๐‘Œฎ๐‘๐Ÿ”ŠKanthe cha muktavalimAnd on the neck a string (necklace) of pearls
๐‘Œ—๐‘‹๐‘Œช๐‘Œธ๐‘๐‘Œค๐‘๐‘Œฐ๐‘€๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œต๐‘‡๐‘Œท๐‘๐‘ŒŸ๐‘Œฟ๐‘Œค๐‘Œƒ๐Ÿ”ŠGopastri-pariveshtitahSurrounded by the cowherd women (gopis)
๐‘Œต๐‘Œฟ๐‘Œœ๐‘Œฏ๐‘Œค๐‘‡๐Ÿ”ŠVijayateShines in triumph / is supremely glorious
๐‘Œ—๐‘‹๐‘Œช๐‘Œพ๐‘Œฒ๐‘Œš๐‘‚๐‘Œก๐‘Œพ๐‘Œฎ๐‘Œฃ๐‘Œฟ๐‘Œƒ๐Ÿ”ŠGopala-chudamanihGopala, the crest-jewel (chudamani) of all cowherds

Benefits of Chanting Kasturi Tilakam (Gopala Dhyana Shloka)

โœฆ

A complete dhyana shloka to visualise Lord Krishna (Gopala) before worship or japa

โœฆ

Brings the beautiful form of Venugopala vividly to the mind, deepening devotion

โœฆ

Recited daily and before Krishna puja, bhajan and the Bhagavata recitation

โœฆ

Cultivates peace and sweetness (madhurya) as one dwells on the Lord's enchanting form

โœฆ

Drawn from the Krishna Karnamritam, a revered nectar-stream of Krishna devotion

โœฆ

Auspicious to chant on Janmashtami and during Krishna's worship in any form

โœฆ

Suitable for children and beginners as an easy yet profound Krishna verse

How to Chant Kasturi Tilakam (Gopala Dhyana Shloka)

Repetitions3times
Best TimeEarly morning before worship; daily; especially on Janmashtami and Wednesdays

Sit calmly before an image of Lord Krishna / Gopala, light a lamp, and recite the verse slowly while visualising each ornament in turn โ€” the musk tilaka on the forehead, the Kaustubha gem, the pearl on the nose, the flute in the hand, the sandal-anointed body and the pearl necklace โ€” picturing Krishna radiant amid the gopis. It is the traditional dhyana verse chanted to bring the Lord's form to mind before Krishna worship or bhajan.

Frequently Asked Questions

This page shows the complete Kasturi Tilakam (Gopala Dhyana Shloka) written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It is a single, very famous dhyana (meditation) verse describing Lord Krishna as Gopala from head to foot โ€” with a musk tilaka, the Kaustubha gem, a pearl on his nose, the flute in his hand and sandal-anointed limbs โ€” standing amid the gopis. It is recited to visualise the Lord before worship.
It is from the Sri Krishna Karnamritam, a celebrated devotional poem in praise of Krishna composed by the saint-poet Bilvamangala, also known as Leela Shuka (around the 12thโ€“13th century CE).
'Gopala-chudamani' means 'Gopala, the crest-jewel (chudamani) of all the cowherds' โ€” Krishna shining as the most resplendent and beloved among the gopas and gopis of Vraja.
It is recited daily, particularly as a dhyana verse before Krishna puja, bhajan or Bhagavata recitation, and especially on Janmashtami and Wednesdays which are associated with Lord Krishna.

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Read the full Kasturi Tilakam (Gopala Dhyana Shloka) with verse-by-verse meaning, or explore more sacred texts