venkateswarabalajitirumalatirupati

𑌵𑍇𑌂𑌕𑌟𑍇𑌶𑍍𑌵𑌰 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌮𑍍

Venkateswara Suprabhatam in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ hindu·📿 1× repetitions·🕐 At dawn / Brahma Muhurta; especially Saturdays and during Tirumala pilgrimage·📜 Sri Venkatesha Suprabhatam — sung daily at the Tirumala Tirupati temple

Read in your language / script

हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Sri Venkatesha Suprabhatam — sung daily at the Tirumala Tirupati temple · Prativadi Bhayankara Annangaracharya (15th century) · Medieval (c. 15th century)

The Venkateswara Suprabhatam was composed by Prativadi Bhayankara Annangaracharya, a great Vaishnava preceptor, to awaken Lord Venkateswara each morning at Tirumala. It opens by borrowing the very verse with which the sage Vishwamitra woke Sri Rama in the Ramayana, and has been sung as the first service of the day at the temple for centuries — the dawn-song on the lips of every Tirupati pilgrim.

✦ As told in scripture

It is said that to begin the day by gently waking the Lord with the Suprabhatam is to be the first to receive His glance — that the grace of Venkateswara, who is awakened with love at dawn, follows the devotee through all the day.

0all time

The Mantra

Tap any line — or the ▶ button — to hear it recited

𑌕𑍗𑌸𑌲𑍍𑌯𑌾 𑌸𑍁𑌪𑍍𑌰𑌜𑌾 𑌰𑌾𑌮 𑌪𑍂𑌰𑍍𑌵𑌾𑌸𑌂𑌧𑍍𑌯𑌾 𑌪𑍍𑌰𑌵𑌰𑍍𑌤𑌤𑍇 । 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌨𑌰𑌶𑌾𑌰𑍍𑌦𑍂𑌲 𑌕𑌰𑍍𑌤𑌵𑍍𑌯𑌂 𑌦𑍈𑌵𑌮𑌾𑌹𑍍𑌨𑌿𑌕𑌂 ॥ 1 ॥ 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠𑍋𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌗𑍋𑌵𑌿𑌂𑌦 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌗𑌰𑍁𑌡𑌧𑍍𑌵𑌜 । 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌕𑌮𑌲𑌾𑌕𑌾𑌂𑌤 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌂 𑌮𑌂𑌗𑌳𑌂 𑌕𑍁𑌰𑍁 ॥ 2 ॥ 𑌮𑌾𑌤𑌸𑍍𑌸𑌮𑌸𑍍𑌤 𑌜𑌗𑌤𑌾𑌂 𑌮𑌧𑍁𑌕𑍈𑌟𑌭𑌾𑌰𑍇𑌃 𑌵𑌕𑍍𑌷𑍋𑌵𑌿𑌹𑌾𑌰𑌿𑌣𑌿 𑌮𑌨𑍋𑌹𑌰 𑌦𑌿𑌵𑍍𑌯𑌮𑍂𑌰𑍍𑌤𑍇 । 𑌶𑍍𑌰𑍀𑌸𑍍𑌵𑌾𑌮𑌿𑌨𑌿 𑌶𑍍𑌰𑌿𑌤𑌜𑌨𑌪𑍍𑌰𑌿𑌯 𑌦𑌾𑌨𑌶𑍀𑌲𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑍇𑌶 𑌦𑌯𑌿𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 3 ॥ 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌮𑌰𑌵𑌿𑌂𑌦 𑌲𑍋𑌚𑌨𑍇 𑌭𑌵𑌤𑍁 𑌪𑍍𑌰𑌸𑌨𑍍𑌨𑌮𑍁𑌖 𑌚𑌂𑌦𑍍𑌰𑌮𑌂𑌡𑌲𑍇 । 𑌵𑌿𑌧𑌿 𑌶𑌂𑌕𑌰𑍇𑌂𑌦𑍍𑌰 𑌵𑌨𑌿𑌤𑌾𑌭𑌿𑌰𑌰𑍍𑌚𑌿𑌤𑍇 𑌵𑍃𑌶 𑌶𑍈𑌲𑌨𑌾𑌥 𑌦𑌯𑌿𑌤𑍇 𑌦𑌯𑌾𑌨𑌿𑌧𑍇 ॥ 4 ॥ 𑌅𑌤𑍍𑌰𑍍𑌯𑌾𑌦𑌿 𑌸𑌪𑍍𑌤 𑌋𑌷𑌯𑌸𑍍𑌸𑌮𑍁𑌪𑌾𑌸𑍍𑌯 𑌸𑌂𑌧𑍍𑌯𑌾𑌂 𑌆𑌕𑌾𑌶 𑌸𑌿𑌂𑌧𑍁 𑌕𑌮𑌲𑌾𑌨𑌿 𑌮𑌨𑍋𑌹𑌰𑌾𑌣𑌿 । 𑌆𑌦𑌾𑌯 𑌪𑌾𑌦𑌯𑍁𑌗 𑌮𑌰𑍍𑌚𑌯𑌿𑌤𑍁𑌂 𑌪𑍍𑌰𑌪𑌨𑍍𑌨𑌾𑌃 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 5 ॥ 𑌪𑌂𑌚𑌾𑌨𑌨𑌾𑌬𑍍𑌜 𑌭𑌵 𑌷𑌣𑍍𑌮𑍁𑌖 𑌵𑌾𑌸𑌵𑌾𑌦𑍍𑌯𑌾𑌃 𑌤𑍍𑌰𑍈𑌵𑌿𑌕𑍍𑌰𑌮𑌾𑌦𑌿 𑌚𑌰𑌿𑌤𑌂 𑌵𑌿𑌬𑍁𑌧𑌾𑌃 𑌸𑍍𑌤𑍁𑌵𑌂𑌤𑌿 । 𑌭𑌾𑌷𑌾𑌪𑌤𑌿𑌃 𑌪𑌠𑌤𑌿 𑌵𑌾𑌸𑌰 𑌶𑍁𑌦𑍍𑌧𑌿 𑌮𑌾𑌰𑌾𑌤𑍍 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 6 ॥ 𑌈𑌶𑌤𑍍-𑌪𑍍𑌰𑌫𑍁𑌲𑍍𑌲 𑌸𑌰𑌸𑍀𑌰𑍁𑌹 𑌨𑌾𑌰𑌿𑌕𑍇𑌳 𑌪𑍂𑌗𑌦𑍍𑌰𑍁𑌮𑌾𑌦𑌿 𑌸𑍁𑌮𑌨𑍋𑌹𑌰 𑌪𑌾𑌲𑌿𑌕𑌾𑌨𑌾𑌂 । 𑌆𑌵𑌾𑌤𑌿 𑌮𑌂𑌦𑌮𑌨𑌿𑌲𑌃 𑌸𑌹𑌦𑌿𑌵𑍍𑌯 𑌗𑌂𑌧𑍈𑌃 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 7 ॥ 𑌉𑌨𑍍𑌮𑍀𑌲𑍍𑌯𑌨𑍇𑌤𑍍𑌰 𑌯𑍁𑌗𑌮𑍁𑌤𑍍𑌤𑌮 𑌪𑌂𑌜𑌰𑌸𑍍𑌥𑌾𑌃 𑌪𑌾𑌤𑍍𑌰𑌾𑌵𑌸𑌿𑌷𑍍𑌟 𑌕𑌦𑌲𑍀 𑌫𑌲 𑌪𑌾𑌯𑌸𑌾𑌨𑌿 । 𑌭𑍁𑌕𑍍𑌤𑍍𑌵𑌾𑌃 𑌸𑌲𑍀𑌲 𑌮𑌥𑌕𑍇𑌳𑌿 𑌶𑍁𑌕𑌾𑌃 𑌪𑌠𑌂𑌤𑌿 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 8 ॥ 𑌤𑌂𑌤𑍍𑌰𑍀 𑌪𑍍𑌰𑌕𑌰𑍍𑌷 𑌮𑌧𑍁𑌰 𑌸𑍍𑌵𑌨𑌯𑌾 𑌵𑌿𑌪𑌂𑌚𑍍𑌯𑌾 𑌗𑌾𑌯𑌤𑍍𑌯𑌨𑌂𑌤 𑌚𑌰𑌿𑌤𑌂 𑌤𑌵 𑌨𑌾𑌰𑌦𑍋𑌽𑌪𑌿 । 𑌭𑌾𑌷𑌾 𑌸𑌮𑌗𑍍𑌰 𑌮𑌸𑌕𑍃𑌤𑍍𑌕𑌰𑌚𑌾𑌰𑍁 𑌰𑌮𑍍𑌯𑌂 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 9 ॥ 𑌭𑍃𑌂𑌗𑌾𑌵𑌳𑍀 𑌚 𑌮𑌕𑌰𑌂𑌦 𑌰𑌸𑌾𑌨𑍁 𑌵𑌿𑌦𑍍𑌧 𑌝𑍁𑌂𑌕𑌾𑌰𑌗𑍀𑌤 𑌨𑌿𑌨𑌦𑍈𑌃 𑌸𑌹𑌸𑍇𑌵𑌨𑌾𑌯 । 𑌨𑌿𑌰𑍍𑌯𑌾𑌤𑍍𑌯𑍁𑌪𑌾𑌂𑌤 𑌸𑌰𑌸𑍀 𑌕𑌮𑌲𑍋𑌦𑌰𑍇𑌭𑍍𑌯𑌃 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 10 ॥ 𑌯𑍋𑌷𑌾𑌗𑌣𑍇𑌨 𑌵𑌰𑌦𑌧𑍍𑌨𑌿 𑌵𑌿𑌮𑌥𑍍𑌯𑌮𑌾𑌨𑍇 𑌘𑍋𑌷𑌾𑌲𑌯𑍇𑌷𑍁 𑌦𑌧𑌿𑌮𑌂𑌥𑌨 𑌤𑍀𑌵𑍍𑌰𑌘𑍋𑌷𑌾𑌃 । 𑌰𑍋𑌷𑌾𑌤𑍍𑌕𑌲𑌿𑌂 𑌵𑌿𑌦𑌧𑌤𑍇 𑌕𑌕𑍁𑌭𑌶𑍍𑌚 𑌕𑍁𑌂𑌭𑌾𑌃 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 11 ॥ 𑌪𑌦𑍍𑌮𑍇𑌶𑌮𑌿𑌤𑍍𑌰 𑌶𑌤𑌪𑌤𑍍𑌰 𑌗𑌤𑌾𑌳𑌿𑌵𑌰𑍍𑌗𑌾𑌃 𑌹𑌰𑍍𑌤𑍁𑌂 𑌶𑍍𑌰𑌿𑌯𑌂 𑌕𑍁𑌵𑌲𑌯𑌸𑍍𑌯 𑌨𑌿𑌜𑌾𑌂𑌗𑌲𑌕𑍍𑌷𑍍𑌮𑍍𑌯𑌾𑌃 । 𑌭𑍇𑌰𑍀 𑌨𑌿𑌨𑌾𑌦𑌮𑌿𑌵 𑌭𑌿𑌭𑍍𑌰𑌤𑌿 𑌤𑍀𑌵𑍍𑌰𑌨𑌾𑌦𑌂 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 12 ॥ 𑌶𑍍𑌰𑍀𑌮𑌨𑍍𑌨𑌭𑍀𑌷𑍍𑌟 𑌵𑌰𑌦𑌾𑌖𑌿𑌲 𑌲𑍋𑌕 𑌬𑌂𑌧𑍋 𑌶𑍍𑌰𑍀 𑌶𑍍𑌰𑍀𑌨𑌿𑌵𑌾𑌸 𑌜𑌗𑌦𑍇𑌕 𑌦𑌯𑍈𑌕 𑌸𑌿𑌂𑌧𑍋 । 𑌶𑍍𑌰𑍀 𑌦𑍇𑌵𑌤𑌾 𑌗𑍃𑌹 𑌭𑍁𑌜𑌾𑌂𑌤𑌰 𑌦𑌿𑌵𑍍𑌯𑌮𑍂𑌰𑍍𑌤𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 13 ॥ 𑌶𑍍𑌰𑍀 𑌸𑍍𑌵𑌾𑌮𑌿 𑌪𑍁𑌷𑍍𑌕𑌰𑌿𑌣𑌿𑌕𑌾𑌪𑍍𑌲𑌵 𑌨𑌿𑌰𑍍𑌮𑌲𑌾𑌂𑌗𑌾𑌃 𑌶𑍍𑌰𑍇𑌯𑌾𑌰𑍍𑌥𑌿𑌨𑍋 𑌹𑌰𑌵𑌿𑌰𑌿𑌂𑌚𑌿 𑌸𑌨𑌂𑌦𑌨𑌾𑌦𑍍𑌯𑌾𑌃 । 𑌦𑍍𑌵𑌾𑌰𑍇 𑌵𑌸𑌂𑌤𑌿 𑌵𑌰𑌵𑍇𑌤𑍍𑌰 𑌹𑌤𑍋𑌤𑍍𑌤 𑌮𑌾𑌂𑌗𑌾𑌃 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 14 ॥ 𑌶𑍍𑌰𑍀 𑌶𑍇𑌷𑌶𑍈𑌲 𑌗𑌰𑍁𑌡𑌾𑌚𑌲 𑌵𑍇𑌂𑌕𑌟𑌾𑌦𑍍𑌰𑌿 𑌨𑌾𑌰𑌾𑌯𑌣𑌾𑌦𑍍𑌰𑌿 𑌵𑍃𑌷𑌭𑌾𑌦𑍍𑌰𑌿 𑌵𑍃𑌷𑌾𑌦𑍍𑌰𑌿 𑌮𑍁𑌖𑍍𑌯𑌾𑌂 । 𑌆𑌖𑍍𑌯𑌾𑌂 𑌤𑍍𑌵𑌦𑍀𑌯 𑌵𑌸𑌤𑍇 𑌰𑌨𑌿𑌶𑌂 𑌵𑌦𑌂𑌤𑌿 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 15 ॥ 𑌸𑍇𑌵𑌾𑌪𑌰𑌾𑌃 𑌶𑌿𑌵 𑌸𑍁𑌰𑍇𑌶 𑌕𑍃𑌶𑌾𑌨𑍁𑌧𑌰𑍍𑌮 𑌰𑌕𑍍𑌷𑍋𑌂𑌬𑍁𑌨𑌾𑌥 𑌪𑌵𑌮𑌾𑌨 𑌧𑌨𑌾𑌧𑌿 𑌨𑌾𑌥𑌾𑌃 । 𑌬𑌦𑍍𑌧𑌾𑌂𑌜𑌲𑌿 𑌪𑍍𑌰𑌵𑌿𑌲𑌸𑌨𑍍𑌨𑌿𑌜 𑌶𑍀𑌰𑍍𑌷𑌦𑍇𑌶𑌾𑌃 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 16 ॥ 𑌧𑌾𑌟𑍀𑌷𑍁 𑌤𑍇 𑌵𑌿𑌹𑌗𑌰𑌾𑌜 𑌮𑍃𑌗𑌾𑌧𑌿𑌰𑌾𑌜 𑌨𑌾𑌗𑌾𑌧𑌿𑌰𑌾𑌜 𑌗𑌜𑌰𑌾𑌜 𑌹𑌯𑌾𑌧𑌿𑌰𑌾𑌜𑌾𑌃 । 𑌸𑍍𑌵𑌸𑍍𑌵𑌾𑌧𑌿𑌕𑌾𑌰 𑌮𑌹𑌿𑌮𑌾𑌧𑌿𑌕 𑌮𑌰𑍍𑌥𑌯𑌂𑌤𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 17 ॥ 𑌸𑍂𑌰𑍍𑌯𑍇𑌂𑌦𑍁 𑌭𑍗𑌮 𑌬𑍁𑌧𑌵𑌾𑌕𑍍𑌪𑌤𑌿 𑌕𑌾𑌵𑍍𑌯𑌶𑍗𑌰𑌿 𑌸𑍍𑌵𑌰𑍍𑌭𑌾𑌨𑍁𑌕𑍇𑌤𑍁 𑌦𑌿𑌵𑌿𑌶𑌤𑍍-𑌪𑌰𑌿𑌶𑌤𑍍-𑌪𑍍𑌰𑌧𑌾𑌨𑌾𑌃 । 𑌤𑍍𑌵𑌦𑍍𑌦𑌾𑌸𑌦𑌾𑌸 𑌚𑌰𑌮𑌾𑌵𑌧𑌿 𑌦𑌾𑌸𑌦𑌾𑌸𑌾𑌃 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 18 ॥ 𑌤𑌤𑍍-𑌪𑌾𑌦𑌧𑍂𑌳𑌿 𑌭𑌰𑌿𑌤 𑌸𑍍𑌫𑍁𑌰𑌿𑌤𑍋𑌤𑍍𑌤𑌮𑌾𑌂𑌗𑌾𑌃 𑌸𑍍𑌵𑌰𑍍𑌗𑌾𑌪𑌵𑌰𑍍𑌗 𑌨𑌿𑌰𑌪𑍇𑌕𑍍𑌷 𑌨𑌿𑌜𑌾𑌂𑌤𑌰𑌂𑌗𑌾𑌃 । 𑌕𑌲𑍍𑌪𑌾𑌗𑌮𑌾 𑌕𑌲𑌨𑌯𑌾𑌽𑌽𑌕𑍁𑌲𑌤𑌾𑌂 𑌲𑌭𑌂𑌤𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 19 ॥ 𑌤𑍍𑌵𑌦𑍍𑌗𑍋𑌪𑍁𑌰𑌾𑌗𑍍𑌰 𑌶𑌿𑌖𑌰𑌾𑌣𑌿 𑌨𑌿𑌰𑍀𑌕𑍍𑌷𑌮𑌾𑌣𑌾𑌃 𑌸𑍍𑌵𑌰𑍍𑌗𑌾𑌪𑌵𑌰𑍍𑌗 𑌪𑌦𑌵𑍀𑌂 𑌪𑌰𑌮𑌾𑌂 𑌶𑍍𑌰𑌯𑌂𑌤𑌃 । 𑌮𑌰𑍍𑌤𑍍𑌯𑌾 𑌮𑌨𑍁𑌷𑍍𑌯 𑌭𑍁𑌵𑌨𑍇 𑌮𑌤𑌿𑌮𑌾𑌶𑍍𑌰𑌯𑌂𑌤𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 20 ॥ 𑌶𑍍𑌰𑍀 𑌭𑍂𑌮𑌿𑌨𑌾𑌯𑌕 𑌦𑌯𑌾𑌦𑌿 𑌗𑍁𑌣𑌾𑌮𑍃𑌤𑌾𑌬𑍍𑌦𑍇 𑌦𑍇𑌵𑌾𑌦𑌿𑌦𑍇𑌵 𑌜𑌗𑌦𑍇𑌕 𑌶𑌰𑌣𑍍𑌯𑌮𑍂𑌰𑍍𑌤𑍇 । 𑌶𑍍𑌰𑍀𑌮𑌨𑍍𑌨𑌨𑌂𑌤 𑌗𑌰𑍁𑌡𑌾𑌦𑌿𑌭𑌿 𑌰𑌰𑍍𑌚𑌿𑌤𑌾𑌂𑌘𑍍𑌰𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 21 ॥ 𑌶𑍍𑌰𑍀 𑌪𑌦𑍍𑌮𑌨𑌾𑌭 𑌪𑍁𑌰𑍁𑌷𑍋𑌤𑍍𑌤𑌮 𑌵𑌾𑌸𑍁𑌦𑍇𑌵 𑌵𑍈𑌕𑍁𑌂𑌠 𑌮𑌾𑌧𑌵 𑌜𑌨𑌾𑌰𑍍𑌧𑌨 𑌚𑌕𑍍𑌰𑌪𑌾𑌣𑍇 । 𑌶𑍍𑌰𑍀 𑌵𑌤𑍍𑌸 𑌚𑌿𑌹𑍍𑌨 𑌶𑌰𑌣𑌾𑌗𑌤 𑌪𑌾𑌰𑌿𑌜𑌾𑌤 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 22 ॥ 𑌕𑌂𑌦𑌰𑍍𑌪 𑌦𑌰𑍍𑌪 𑌹𑌰 𑌸𑍁𑌂𑌦𑌰 𑌦𑌿𑌵𑍍𑌯 𑌮𑍂𑌰𑍍𑌤𑍇 𑌕𑌾𑌂𑌤𑌾 𑌕𑍁𑌚𑌾𑌂𑌬𑍁𑌰𑍁𑌹 𑌕𑍁𑌟𑍍𑌮𑌲 𑌲𑍋𑌲𑌦𑍃𑌷𑍍𑌟𑍇 । 𑌕𑌲𑍍𑌯𑌾𑌣 𑌨𑌿𑌰𑍍𑌮𑌲 𑌗𑍁𑌣𑌾𑌕𑌰 𑌦𑌿𑌵𑍍𑌯𑌕𑍀𑌰𑍍𑌤𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 23 ॥ 𑌮𑍀𑌨𑌾𑌕𑍃𑌤𑍇 𑌕𑌮𑌠𑌕𑍋𑌲 𑌨𑍃𑌸𑌿𑌂𑌹 𑌵𑌰𑍍𑌣𑌿𑌨𑍍 𑌸𑍍𑌵𑌾𑌮𑌿𑌨𑍍 𑌪𑌰𑌶𑍍𑌵𑌥 𑌤𑌪𑍋𑌧𑌨 𑌰𑌾𑌮𑌚𑌂𑌦𑍍𑌰 । 𑌶𑍇𑌷𑌾𑌂𑌶𑌰𑌾𑌮 𑌯𑌦𑍁𑌨𑌂𑌦𑌨 𑌕𑌲𑍍𑌕𑌿𑌰𑍂𑌪 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 24 ॥ 𑌏𑌲𑌾𑌲𑌵𑌂𑌗 𑌘𑌨𑌸𑌾𑌰 𑌸𑍁𑌗𑌂𑌧𑌿 𑌤𑍀𑌰𑍍𑌥𑌂 𑌦𑌿𑌵𑍍𑌯𑌂 𑌵𑌿𑌯𑌤𑍍𑌸𑌰𑌿𑌤𑌿 𑌹𑍇𑌮𑌘𑌟𑍇𑌷𑍁 𑌪𑍂𑌰𑍍𑌣𑌂 । 𑌧𑍃𑌤𑍍𑌵𑌾𑌦𑍍𑌯 𑌵𑍈𑌦𑌿𑌕 𑌶𑌿𑌖𑌾𑌮𑌣𑌯𑌃 𑌪𑍍𑌰𑌹𑍃𑌷𑍍𑌟𑌾𑌃 𑌤𑌿𑌷𑍍𑌠𑌂𑌤𑌿 𑌵𑍇𑌂𑌕𑌟𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 25 ॥ 𑌭𑌾𑌸𑍍𑌵𑌾𑌨𑍁𑌦𑍇𑌤𑌿 𑌵𑌿𑌕𑌚𑌾𑌨𑌿 𑌸𑌰𑍋𑌰𑍁𑌹𑌾𑌣𑌿 𑌸𑌂𑌪𑍂𑌰𑌯𑌂𑌤𑌿 𑌨𑌿𑌨𑌦𑍈𑌃 𑌕𑌕𑍁𑌭𑍋 𑌵𑌿𑌹𑌂𑌗𑌾𑌃 । 𑌶𑍍𑌰𑍀𑌵𑍈𑌷𑍍𑌣𑌵𑌾𑌃 𑌸𑌤𑌤 𑌮𑌰𑍍𑌥𑌿𑌤 𑌮𑌂𑌗𑌳𑌾𑌸𑍍𑌤𑍇 𑌧𑌾𑌮𑌾𑌶𑍍𑌰𑌯𑌂𑌤𑌿 𑌤𑌵 𑌵𑍇𑌂𑌕𑌟 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 26 ॥ 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌦𑌯𑌾 𑌸𑍍𑌸𑍁𑌰𑌵𑌰𑌾 𑌸𑍍𑌸𑌮𑌹𑌰𑍍𑌷𑌯𑌸𑍍𑌤𑍇 𑌸𑌂𑌤𑌸𑍍𑌸𑌨𑌂𑌦𑌨 𑌮𑍁𑌖𑌾𑌸𑍍𑌤𑍍𑌵𑌥 𑌯𑍋𑌗𑌿𑌵𑌰𑍍𑌯𑌾𑌃 । 𑌧𑌾𑌮𑌾𑌂𑌤𑌿𑌕𑍇 𑌤𑌵 𑌹𑌿 𑌮𑌂𑌗𑌳 𑌵𑌸𑍍𑌤𑍁 𑌹𑌸𑍍𑌤𑌾𑌃 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 27 ॥ 𑌲𑌕𑍍𑌶𑍍𑌮𑍀𑌨𑌿𑌵𑌾𑌸 𑌨𑌿𑌰𑌵𑌦𑍍𑌯 𑌗𑍁𑌣𑍈𑌕 𑌸𑌿𑌂𑌧𑍋 𑌸𑌂𑌸𑌾𑌰𑌸𑌾𑌗𑌰 𑌸𑌮𑍁𑌤𑍍𑌤𑌰𑌣𑍈𑌕 𑌸𑍇𑌤𑍋 । 𑌵𑍇𑌦𑌾𑌂𑌤 𑌵𑍇𑌦𑍍𑌯 𑌨𑌿𑌜𑌵𑍈𑌭𑌵 𑌭𑌕𑍍𑌤 𑌭𑍋𑌗𑍍𑌯 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑌾𑌚𑌲𑌪𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 28 ॥ 𑌇𑌤𑍍𑌥𑌂 𑌵𑍃𑌷𑌾𑌚𑌲𑌪𑌤𑍇𑌰𑌿𑌹 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 𑌯𑍇 𑌮𑌾𑌨𑌵𑌾𑌃 𑌪𑍍𑌰𑌤𑌿𑌦𑌿𑌨𑌂 𑌪𑌠𑌿𑌤𑍁𑌂 𑌪𑍍𑌰𑌵𑍃𑌤𑍍𑌤𑌾𑌃 । 𑌤𑍇𑌷𑌾𑌂 𑌪𑍍𑌰𑌭𑌾𑌤 𑌸𑌮𑌯𑍇 𑌸𑍍𑌮𑍃𑌤𑌿𑌰𑌂𑌗𑌭𑌾𑌜𑌾𑌂 𑌪𑍍𑌰𑌜𑍍𑌞𑌾𑌂 𑌪𑌰𑌾𑌰𑍍𑌥 𑌸𑍁𑌲𑌭𑌾𑌂 𑌪𑌰𑌮𑌾𑌂 𑌪𑍍𑌰𑌸𑍂𑌤𑍇 ॥ 29 ॥

Kausalya Supraja Rama Purvasandhya Pravartate | Uttishtha Narashardula Kartavyam Daivamahnikam || 1 || Uttishthottishtha Govinda Uttishtha Garudadhvaja | Uttishtha Kamalakanta Trailokyam Mangal̤am Kuru || 2 || Matassamasta Jagatam Madhukaitabhareh Vakshoviharini Manohara Divyamurte | Shrisvamini Shritajanapriya Danashile Shri Venkatesha Dayite Tava Suprabhatam || 3 || Tava Suprabhatamaravinda Locane Bhavatu Prasannamukha Candramamdale | Vidhi Shankarendra Vanitabhirarcite Vrisha Shailanatha Dayite Dayanidhe || 4 || Atryadi Sapta Rishayassamupasya Sandhyam Akasha Sindhu Kamalani Manoharani | Adaya Padayuga Marcayitum Prapannah Sheshadri Shekhara Vibho Tava Suprabhatam || 5 || Pancananabja Bhava Shanmukha Vasavadyah Traivikramadi Caritam Vibudhah Stuvanti | Bhashapatih Pathati Vasara Shuddhi Marat Sheshadri Shekhara Vibho Tava Suprabhatam || 6 || Ishat-praphulla Sarasiruha Narikel̤a Pugadrumadi Sumanohara Palikanam | Avati Mandamanilah Sahadivya Gandhaih Sheshadri Shekhara Vibho Tava Suprabhatam || 7 || Unmilyanetra Yugamuttama Panjarasthah Patravasishta Kadali Phala Payasani | Bhuktvah Salila Mathakel̤i Shukah Pathanti Sheshadri Shekhara Vibho Tava Suprabhatam || 8 || Tantri Prakarsha Madhura Svanaya Vipancya Gayatyananta Caritam Tava Narado'pi | Bhasha Samagra Masakritkaracaru Ramyam Sheshadri Shekhara Vibho Tava Suprabhatam || 9 || Bhringaval̤i Ca Makaranda Rasanu Viddha Jhunkaragita Ninadaih Sahasevanaya | Niryatyupanta Sarasi Kamalodarebhyah Sheshadri Shekhara Vibho Tava Suprabhatam || 10 || Yoshaganena Varadadhni Vimathyamane Ghoshalayeshu Dadhimanthana Tivraghoshah | Roshatkalim Vidadhate Kakubhashca Kumbhah Sheshadri Shekhara Vibho Tava Suprabhatam || 11 || Padmeshamitra Shatapatra Gatal̤ivargah Hartum Shriyam Kuvalayasya Nijangalakshmyah | Bheri Ninadamiva Bhibhrati Tivranadam Sheshadri Shekhara Vibho Tava Suprabhatam || 12 || Shrimannabhishta Varadakhila Loka Bandho Shri Shrinivasa Jagadeka Dayaika Sindho | Shri Devata Griha Bhujantara Divyamurte Shri Venkatacalapate Tava Suprabhatam || 13 || Shri Svami Pushkarinikaplava Nirmalangah Shreyarthino Haravirinci Sanandanadyah | Dvare Vasanti Varavetra Hatotta Mangah Shri Venkatacalapate Tava Suprabhatam || 14 || Shri Sheshashaila Garudacala Venkatadri Narayanadri Vrishabhadri Vrishadri Mukhyam | Akhyam Tvadiya Vasate Ranisham Vadanti Shri Venkatacalapate Tava Suprabhatam || 15 || Sevaparah Shiva Suresha Krishanudharma Rakshombunatha Pavamana Dhanadhi Nathah | Baddhanjali Pravilasannija Shirshadeshah Shri Venkatacalapate Tava Suprabhatam || 16 || Dhatishu Te Vihagaraja Mrigadhiraja Nagadhiraja Gajaraja Hayadhirajah | Svasvadhikara Mahimadhika Marthayante Shri Venkatacalapate Tava Suprabhatam || 17 || Suryendu Bhauma Budhavakpati Kavyashauri Svarbhanuketu Divishat-parishat-pradhanah | Tvaddasadasa Caramavadhi Dasadasah Shri Venkatacalapate Tava Suprabhatam || 18 || Tat-padadhul̤i Bharita Sphuritottamangah Svargapavarga Nirapeksha Nijantarangah | Kalpagama Kalanaya''kulatam Labhante Shri Venkatacalapate Tava Suprabhatam || 19 || Tvadgopuragra Shikharani Nirikshamanah Svargapavarga Padavim Paramam Shrayantah | Martya Manushya Bhuvane Matimashrayante Shri Venkatacalapate Tava Suprabhatam || 20 || Shri Bhuminayaka Dayadi Gunamritabde Devadideva Jagadeka Sharanyamurte | Shrimannananta Garudadibhi Rarcitanghre Shri Venkatacalapate Tava Suprabhatam || 21 || Shri Padmanabha Purushottama Vasudeva Vaikumtha Madhava Janardhana Cakrapane | Shri Vatsa Cihna Sharanagata Parijata Shri Venkatacalapate Tava Suprabhatam || 22 || Kandarpa Darpa Hara Sundara Divya Murte Kanta Kucamburuha Kutmala Loladrishte | Kalyana Nirmala Gunakara Divyakirte Shri Venkatacalapate Tava Suprabhatam || 23 || Minakrite Kamathakola Nrisimha Varnin Svamin Parashvatha Tapodhana Ramacandra | Sheshamsharama Yadunandana Kalkirupa Shri Venkatacalapate Tava Suprabhatam || 24 || Elalavanga Ghanasara Sugandhi Tirtham Divyam Viyatsariti Hemaghateshu Purnam | Dhritvadya Vaidika Shikhamanayah Prahrishtah Tishthanti Venkatapate Tava Suprabhatam || 25 || Bhasvanudeti Vikacani Saroruhani Sampurayanti Ninadaih Kakubho Vihangah | Shrivaishnavah Satata Marthita Mangal̤aste Dhamashrayanti Tava Venkata Suprabhatam || 26 || Brahmadaya Ssuravara Ssamaharshayaste Santassanandana Mukhastvatha Yogivaryah | Dhamantike Tava Hi Mangal̤a Vastu Hastah Shri Venkatacalapate Tava Suprabhatam || 27 || Lakshminivasa Niravadya Gunaika Sindho Samsarasagara Samuttaranaika Seto | Vedanta Vedya Nijavaibhava Bhakta Bhogya Shri Venkatacalapate Tava Suprabhatam || 28 || Ittham Vrishacalapateriha Suprabhatam Ye Manavah Pratidinam Pathitum Pravrittah | Tesham Prabhata Samaye Smritirangabhajam Prajnam Parartha Sulabham Paramam Prasute || 29 ||

Meaning:The Venkateswara Suprabhatam is the morning "awakening" hymn of Lord Venkateswara (Balaji) of Tirumala — sung every dawn at the Tirumala Tirupati temple to rouse the Lord from sleep. It opens with the celebrated verse from the Ramayana with which the sage Vishwamitra awakens Rama — "Kausalya supraja Rama, the dawn is breaking; arise, O best of men" — and then, verse upon verse, calls upon Srinivasa to awaken: the sages stand ready with the lotuses of the celestial Ganga, the gods and their consorts wait to worship His feet, the birds sing and the lamps are lit. Composed by Prativadi Bhayankara Annangaracharya, it is among the most beloved devotional dawn-songs of South India, recited daily by countless devotees to begin the day with the Lord.

Word-by-Word Meaning

Click any word to hear its pronunciation

𑌕𑍗𑌸𑌲𑍍𑌯𑌾 𑌸𑍁𑌪𑍍𑌰𑌜𑌾 𑌰𑌾𑌮 𑌪𑍂𑌰𑍍𑌵𑌾𑌸𑌂𑌧𑍍𑌯𑌾 𑌪𑍍𑌰𑌵𑌰𑍍𑌤𑌤𑍇 । 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌨𑌰𑌶𑌾𑌰𑍍𑌦𑍂𑌲 𑌕𑌰𑍍𑌤𑌵𑍍𑌯𑌂 𑌦𑍈𑌵𑌮𑌾𑌹𑍍𑌨𑌿𑌕𑌂 ॥ 1 ॥🔊Kausalya Supraja Rama Purvasandhya Pravartate | Uttishtha Narashardula Kartavyam Daivamahnikam || 1 ||O Rama, noble son of Kausalya — the eastern dawn is breaking; arise, O lion among men, the daily duties to the gods must now be done. (The awakening verse, from the Ramayana.)

𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠𑍋𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌗𑍋𑌵𑌿𑌂𑌦 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌗𑌰𑍁𑌡𑌧𑍍𑌵𑌜 । 𑌉𑌤𑍍𑌤𑌿𑌷𑍍𑌠 𑌕𑌮𑌲𑌾𑌕𑌾𑌂𑌤 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌂 𑌮𑌂𑌗𑌳𑌂 𑌕𑍁𑌰𑍁 ॥ 2 ॥🔊Uttishthottishtha Govinda Uttishtha Garudadhvaja | Uttishtha Kamalakanta Trailokyam Mangal̤am Kuru || 2 ||Arise, arise O Govinda; arise, O You whose banner bears Garuda; arise, O beloved of Kamala (Lakshmi) — make the three worlds auspicious.

𑌮𑌾𑌤𑌸𑍍𑌸𑌮𑌸𑍍𑌤 𑌜𑌗𑌤𑌾𑌂 𑌮𑌧𑍁𑌕𑍈𑌟𑌭𑌾𑌰𑍇𑌃 𑌵𑌕𑍍𑌷𑍋𑌵𑌿𑌹𑌾𑌰𑌿𑌣𑌿 𑌮𑌨𑍋𑌹𑌰 𑌦𑌿𑌵𑍍𑌯𑌮𑍂𑌰𑍍𑌤𑍇 । 𑌶𑍍𑌰𑍀𑌸𑍍𑌵𑌾𑌮𑌿𑌨𑌿 𑌶𑍍𑌰𑌿𑌤𑌜𑌨𑌪𑍍𑌰𑌿𑌯 𑌦𑌾𑌨𑌶𑍀𑌲𑍇 𑌶𑍍𑌰𑍀 𑌵𑍇𑌂𑌕𑌟𑍇𑌶 𑌦𑌯𑌿𑌤𑍇 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 3 ॥🔊Matassamasta Jagatam Madhukaitabhareh Vakshoviharini Manohara Divyamurte | Shrisvamini Shritajanapriya Danashile Shri Venkatesha Dayite Tava Suprabhatam || 3 ||O Mother of all the worlds, who dwell upon the chest of the foe of Madhu and Kaitabha, of enchanting divine form; O mistress Sri, dear to those who take refuge and generous of gift — O beloved of Sri Venkatesa, may the dawn be blessed for You.

𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌮𑌰𑌵𑌿𑌂𑌦 𑌲𑍋𑌚𑌨𑍇 𑌭𑌵𑌤𑍁 𑌪𑍍𑌰𑌸𑌨𑍍𑌨𑌮𑍁𑌖 𑌚𑌂𑌦𑍍𑌰𑌮𑌂𑌡𑌲𑍇 । 𑌵𑌿𑌧𑌿 𑌶𑌂𑌕𑌰𑍇𑌂𑌦𑍍𑌰 𑌵𑌨𑌿𑌤𑌾𑌭𑌿𑌰𑌰𑍍𑌚𑌿𑌤𑍇 𑌵𑍃𑌶 𑌶𑍈𑌲𑌨𑌾𑌥 𑌦𑌯𑌿𑌤𑍇 𑌦𑌯𑌾𑌨𑌿𑌧𑍇 ॥ 4 ॥🔊Tava Suprabhatamaravinda Locane Bhavatu Prasannamukha Candramamdale | Vidhi Shankarendra Vanitabhirarcite Vrisha Shailanatha Dayite Dayanidhe || 4 ||May the dawn be auspicious for You, O lotus-eyed One of serene moon-bright face, worshipped by the consorts of Brahma, Shankara and Indra — O Lord of the Vrisha hill, beloved and ocean of compassion.

𑌅𑌤𑍍𑌰𑍍𑌯𑌾𑌦𑌿 𑌸𑌪𑍍𑌤 𑌋𑌷𑌯𑌸𑍍𑌸𑌮𑍁𑌪𑌾𑌸𑍍𑌯 𑌸𑌂𑌧𑍍𑌯𑌾𑌂 𑌆𑌕𑌾𑌶 𑌸𑌿𑌂𑌧𑍁 𑌕𑌮𑌲𑌾𑌨𑌿 𑌮𑌨𑍋𑌹𑌰𑌾𑌣𑌿 । 𑌆𑌦𑌾𑌯 𑌪𑌾𑌦𑌯𑍁𑌗 𑌮𑌰𑍍𑌚𑌯𑌿𑌤𑍁𑌂 𑌪𑍍𑌰𑌪𑌨𑍍𑌨𑌾𑌃 𑌶𑍇𑌷𑌾𑌦𑍍𑌰𑌿 𑌶𑍇𑌖𑌰 𑌵𑌿𑌭𑍋 𑌤𑌵 𑌸𑍁𑌪𑍍𑌰𑌭𑌾𑌤𑌂 ॥ 5 ॥🔊Atryadi Sapta Rishayassamupasya Sandhyam Akasha Sindhu Kamalani Manoharani | Adaya Padayuga Marcayitum Prapannah Sheshadri Shekhara Vibho Tava Suprabhatam || 5 ||The seven sages, Atri and the rest, having finished their twilight prayers, draw near bearing the lovely lotuses of the celestial Ganga to worship Your feet — O Lord crowning the Sheshadri hill, may Your dawn be blessed.

Benefits of Chanting Venkateswara Suprabhatam

✦

The traditional way to begin the day with the Lord — sung at dawn to awaken Venkateswara (Balaji), filling the morning with His presence and grace.

✦

Recited daily by devotees of Tirupati Balaji for an auspicious start to the day, peace of mind and the Lord’s blessings.

✦

Believed to bring prosperity, protection and the fulfilment of prayers to those who recite it with devotion each morning.

✦

A gentle, melodious hymn that anyone can learn — ideal for the morning puja and for instilling devotion in the home.

✦

Most auspicious in the Brahma Muhurta (pre-dawn) and at sunrise, and on Saturdays, the day of Venkateswara.

How to Chant Venkateswara Suprabhatam

Repetitions1times

Best TimeAt dawn / Brahma Muhurta; especially Saturdays and during Tirumala pilgrimage

FaceEast

Recite at dawn after bathing, facing east before an image of Lord Venkateswara (Balaji). Begin with the awakening verse "Kausalya supraja Rama" and continue gently through the hymn, as though lovingly waking the Lord. Light a lamp and offer flowers; it is traditionally followed by the Venkateswara Stotram, Prapatti and Mangalasasanam. It may be sung or recited softly to start the day with the Lord’s remembrance.

Frequently Asked Questions

This page shows the complete Venkateswara Suprabhatam written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

It is the morning "awakening" (suprabhatam) hymn of Lord Venkateswara of Tirumala (Tirupati Balaji), sung at the temple every dawn to rouse the Lord. It opens with the famous Ramayana verse "Kausalya supraja Rama" and was composed by Prativadi Bhayankara Annangaracharya.

At dawn (Brahma Muhurta) to begin the day, after bathing, before an image of Balaji — and especially on Saturdays, the day of Venkateswara. It is sung daily at the Tirumala temple as the first service of the morning.

It is the verse with which the sage Vishwamitra awakens Rama in the Ramayana: "O Rama, noble son of Kausalya, the dawn is breaking in the east; arise, O best of men, the daily duties to the gods must be performed." The Suprabhatam borrows it to awaken Venkateswara.