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shivabhujangamshankaracharyadakshinamurti

๐‘Œถ๐‘๐‘Œฐ๐‘€ ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œญ๐‘๐‘Œœ๐‘Œ™๐‘๐‘Œ—๐‘Œช๐‘๐‘Œฐ๐‘Œฏ๐‘Œพ๐‘Œค ๐‘Œธ๐‘๐‘Œค๐‘‹๐‘Œค๐‘๐‘Œฐ๐‘Œฎ๐‘

Shiva Bhujanga Prayata Stotram in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 9ร— repetitionsยท๐Ÿ• Pradosha Kaal (twilight), Mondays, and Maha Shivaratriยท๐Ÿ“œ Shaiva stotra corpus attributed to Adi Shankaracharya
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Origin & Story

Shaiva stotra corpus attributed to Adi Shankaracharya ยท Adi Shankaracharya (traditionally) ยท c. 8th century CE

Adi Shankaracharya, the founder of the Advaita Vedanta tradition and establisher of the four mathas, composed numerous lyrical stotras during his travels across India. Several of these โ€” to Shiva, Vishnu, Devi, Ganesha and Subrahmanya โ€” were set in the elegant Bhujanga-prayata metre. This hymn celebrates Shiva as 'Shankara', the auspicious Guru who, like Dakshinamurti, silently bestows Self-knowledge upon seekers, while also adoring his Ardhanarishvara form united with Bhavani.

โœฆ As told in scripture

Devotees hold that because the hymn invokes Shiva as Mrityunjaya โ€” the conqueror of death โ€” and ends with the promise that its reciter 'conquers death by Shambhu's grace', earnest recitation during illness or danger is believed to grant protection, fearlessness, and a peaceful, liberated end.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Verse 1

๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ๐‘Œธ๐‘Œพ๐‘Œ—๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘Œพ๐‘Œถ๐‘๐‘Œ•๐‘Œพ๐‘Œต๐‘๐‘Œฏ๐‘Œช๐‘๐‘Œฐ๐‘Œฆ๐‘Œพ๐‘Œฏ ๐‘Œช๐‘๐‘Œฐ๐‘Œฃ๐‘Œฎ๐‘๐‘Œฐ๐‘Œพ๐‘Œ–๐‘Œฟ๐‘Œฒ๐‘Œพ๐‘Œญ๐‘€๐‘Œท๐‘๐‘ŒŸ๐‘Œธ๐‘Œจ๐‘๐‘Œฆ๐‘Œพ๐‘Œฏ๐‘Œ•๐‘Œพ๐‘Œฏเฅค ๐‘Œฏ๐‘Œค๐‘€๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘ˆ๐‘Œฐ๐‘๐‘Œช๐‘Œพ๐‘Œธ๐‘๐‘Œฏ๐‘Œพ๐‘Œ™๐‘๐‘Œ˜๐‘๐‘Œฐ๐‘Œฟ๐‘Œช๐‘Œพ๐‘Œฅ๐‘‹๐‘Œฐ๐‘๐‘Œน๐‘Œพ๐‘Œฏ ๐‘Œช๐‘๐‘Œฐ๐‘Œฌ๐‘‹๐‘Œง๐‘Œช๐‘๐‘Œฐ๐‘Œฆ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏเฅฅเฏงเฅฅ

Kripa-Sagaraya-Ashu-Kavya-Pradaya Pranamra-Akhila-Abhishta-Sandayakaya Yatindrair-Upasya-Anghri-Pathoruhaya Prabodha-Pradatre Namah Shankaraya (1)

Meaning:Salutations to Shankara, the ocean of compassion, who swiftly grants the gift of poetry, who fulfils every wish of those who bow to him, whose lotus feet are worshipped by the greatest of sages, and who bestows the awakening of Self-knowledge.

Verse 2

๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œพ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฐ๐‘‚๐‘Œช๐‘Œพ๐‘Œฏ ๐‘Œš๐‘Œฟ๐‘Œจ๐‘๐‘Œฎ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œฟ๐‘Œ•๐‘‹๐‘Œฆ๐‘๐‘Œฏ- ๐‘Œค๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘‡๐‘Œถ๐‘Œช๐‘Œฐ๐‘๐‘Œฏ๐‘Œพ๐‘Œฏ๐‘Œฐ๐‘‚๐‘Œช๐‘Œพ๐‘Œฏ ๐‘Œค๐‘๐‘Œญ๐‘๐‘Œฏ๐‘Œฎ๐‘เฅค ๐‘Œฎ๐‘๐‘Œฆ๐‘Œพ ๐‘Œ—๐‘€๐‘Œฏ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘Œพ๐‘Œฏ ๐‘Œต๐‘‡๐‘Œฆ๐‘‹๐‘Œค๐‘๐‘Œค๐‘Œฎ๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘ˆ๐‘Œƒ ๐‘Œถ๐‘๐‘Œฐ๐‘Œฟ๐‘Œค๐‘Œพ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฆ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏเฅฅเฏจเฅฅ

Chidananda-Rupaya Chinmudrik-Odyat- Karaya-Isha-Paryaya-Rupaya Tubhyam Muda Giyamanaya Vedottamangaih Shrita-Ananda-Datre Namah Shankaraya (2)

Meaning:Salutations to Shankara, whose very form is consciousness and bliss, whose hand is raised in the Chin-mudra of knowledge, who is another name for the Supreme Lord, and who is joyfully sung by the Upanishads, the bestower of bliss upon his devotees.

Verse 3

๐‘Œœ๐‘ŒŸ๐‘Œพ๐‘Œœ๐‘‚๐‘ŒŸ๐‘Œฎ๐‘Œง๐‘๐‘Œฏ๐‘‡ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ ๐‘Œฏ๐‘Œพ ๐‘Œธ๐‘๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘Œพ๐‘Œ‚ ๐‘Œง๐‘๐‘Œจ๐‘€ ๐‘Œธ๐‘Œพ๐‘Œฆ๐‘๐‘Œฏ ๐‘Œ•๐‘Œฐ๐‘๐‘Œฎ๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œฐ๐‘‚๐‘Œช๐‘Œธ๐‘๐‘Œฏ ๐‘Œถ๐‘Œฎ๐‘๐‘Œญ๐‘‹๐‘Œƒเฅค ๐‘Œ—๐‘Œฒ๐‘‡ ๐‘Œฎ๐‘Œฒ๐‘๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œต๐‘๐‘Œฏ๐‘Œพ๐‘Œœ๐‘Œค๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œต๐‘Œฟ๐‘Œญ๐‘Œพ๐‘Œค๐‘€๐‘Œค๐‘Œฟ ๐‘Œฎ๐‘Œจ๐‘๐‘Œฏ๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏเฅฅเฏฉเฅฅ

Jata-Juta-Madhye Pura Ya Suranam Dhuni Sadya Karmandi-Rupasya Shambhoh Gale Mallika-Malika-Vyajatas-Te Vibhati-Iti Manye Namah Shankaraya (3)

Meaning:In the midst of his matted locks once flowed the celestial river of the gods; now, on the throat of Shambhu in his ascetic form, that same Ganga seems to shine in the guise of a garland of jasmine โ€” salutations to Shankara.

Verse 4

๐‘Œค๐‘ŒŸ๐‘Œฟ๐‘Œฒ๐‘๐‘Œฒ๐‘‹๐‘Œฒ๐‘Œ•๐‘‡๐‘Œถ๐‘Œช๐‘๐‘Œฐ๐‘Œต๐‘Œพ๐‘Œฒ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘Œ‚ ๐‘Œฒ๐‘Œธ๐‘Œš๐‘๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œ•๐‘‹๐‘ŒŸ๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œ•๐‘Œพ๐‘Œถ๐‘Œพ๐‘Œง๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘Œฎ๐‘เฅค ๐‘Œธ๐‘๐‘Œง๐‘Œพ๐‘Œธ๐‘Œพ๐‘Œฐ๐‘Œธ๐‘—๐‘Œ–๐‘๐‘Œฏ๐‘Œพ๐‘Œจ๐‘๐‘Œ•๐‘‚๐‘Œฒ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œฎ๐‘Œฐ๐‘Œพ๐‘Œฎ๐‘Œฟ ๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘Œจ๐‘๐‘Œจ๐‘Œ‚ ๐‘Œธ๐‘Œฆ๐‘Œพ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œ‚ ๐‘Œฒ๐‘‹๐‘Œ•๐‘Œจ๐‘Œพ๐‘Œฅ๐‘Œฎ๐‘เฅฅเฏชเฅฅ

Tatil-Lola-Kesha-Pravala-Prabha-Angam Lasach-Chandra-Koti-Prakasha-Adhika-Angam Sudha-Sara-Saukhya-Anukulam Smarami Prasannam Sada Shankaram Loka-Natham (4)

Meaning:I remember the ever-gracious Shankara, Lord of the worlds, whose limbs glow like coral amid hair that flashes like lightning, whose body outshines a crore of moons, and who is the very source of nectarine bliss.

Verse 5

๐‘Œช๐‘๐‘Œฐ๐‘Œต๐‘Œพ๐‘Œฒ๐‘Œช๐‘๐‘Œฐ๐‘Œต๐‘Œพ๐‘Œน๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œพ๐‘Œถ๐‘‹๐‘Œฃ๐‘Œฎ๐‘Œฐ๐‘๐‘Œง๐‘Œ‚ ๐‘Œฎ๐‘Œฐ๐‘๐‘Œค๐‘๐‘Œต๐‘Œจ๐‘๐‘Œฎ๐‘Œฃ๐‘Œฟ๐‘Œถ๐‘๐‘Œฐ๐‘€๐‘Œฎ๐‘Œน๐‘Œƒ๐‘Œถ๐‘๐‘Œฏ๐‘Œพ๐‘Œฎ๐‘Œฎ๐‘Œฐ๐‘๐‘Œง๐‘Œฎ๐‘เฅค ๐‘Œ—๐‘๐‘Œฃ๐‘Œธ๐‘๐‘Œฏ๐‘‚๐‘Œค๐‘Œฎ๐‘‡๐‘Œค๐‘Œฆ๐‘๐‘Œต๐‘Œช๐‘๐‘Œƒ ๐‘Œถ๐‘ˆ๐‘Œต๐‘Œฎ๐‘Œจ๐‘๐‘Œค๐‘Œƒ ๐‘Œธ๐‘๐‘Œฎ๐‘Œฐ๐‘Œพ๐‘Œฎ๐‘Œฟ ๐‘Œธ๐‘๐‘Œฎ๐‘Œฐ๐‘Œพ๐‘Œช๐‘Œค๐‘๐‘Œค๐‘Œฟ๐‘Œธ๐‘Œฎ๐‘๐‘Œช๐‘Œค๐‘๐‘Œค๐‘Œฟ๐‘Œน๐‘‡๐‘Œค๐‘‹๐‘Œƒเฅฅเฏซเฅฅ

Pravala-Pravaha-Prabha-Shona-Mardham Marutvan-Mani-Shri-Mahah-Shyama-Mardham Gunasyutam-Etad-Vapuh Shaivam-Antah Smarami Smara-Apatti-Sampatti-Hetoh (5)

Meaning:One half of his body is red like a flowing stream of coral, the other half dark like the lustre of a sapphire gem; I meditate upon this conjoined Shaiva form (Ardhanarishvara) for the attainment of the fortune that conquers desire.

Verse 6

๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œถ๐‘Œฎ๐‘๐‘Œญ๐‘‹ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘€๐‘Œถ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œถ๐‘‚๐‘Œฒ๐‘Œฟ๐‘Œจ๐‘ ๐‘Œค๐‘๐‘Œต๐‘Œฆ๐‘€๐‘Œฏ๐‘Œ‚ ๐‘Œธ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘Œ‚ ๐‘Œต๐‘Œฟ๐‘Œญ๐‘Œพ๐‘Œค๐‘€๐‘Œค๐‘Œฟ ๐‘Œฎ๐‘Œจ๐‘๐‘Œฏ๐‘‡เฅค ๐‘Œญ๐‘Œต๐‘Œพ๐‘Œจ๐‘๐‘Œฏ๐‘‡๐‘Œค๐‘Œฟ ๐‘Œต๐‘Œฐ๐‘๐‘Œฃ๐‘Œค๐‘๐‘Œฐ๐‘Œฏ๐‘Œ‚ ๐‘Œค๐‘‡ ๐‘Œธ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œต๐‘Œฟ๐‘Œญ๐‘‹ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏเฅฅเฏฌเฅฅ

Mahadeva Shambho Girisha Trishulin Tvadiyam Samastam Vibhati-Iti Manye Bhavani-Eti Varna-Trayam Te Samastam Namaste Namaste Vibho Shankaraya (6)

Meaning:O Mahadeva, Shambhu, Lord of the mountain, wielder of the trident โ€” I realise that all this universe shines as your own; the three syllables 'Bha-va-ni' too are wholly yours. Salutations, salutations to you, O all-pervading Shankara.

Verse 7

๐‘Œฐ๐‘๐‘Œš๐‘Œ‚ ๐‘Œค๐‘‡ ๐‘Œฆ๐‘Œง๐‘Œพ๐‘Œจ๐‘Œธ๐‘๐‘Œฏ ๐‘Œช๐‘Œพ๐‘Œฆ๐‘Œพ๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œจ๐‘๐‘Œฆ๐‘‡ ๐‘Œจ๐‘Œฟ๐‘Œฎ๐‘Œ—๐‘๐‘Œจ๐‘Œธ๐‘๐‘Œฏ ๐‘Œฏ๐‘‹๐‘Œ—๐‘€๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œต๐‘ƒ๐‘Œจ๐‘๐‘Œฆ๐‘ˆ๐‘Œฐ๐‘Œœ๐‘Œธ๐‘๐‘Œฐ๐‘Œฎ๐‘เฅค ๐‘Œธ๐‘Œฎ๐‘๐‘Œฆ๐‘๐‘Œฏ๐‘Œค๐‘๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ๐‘Œช๐‘‚๐‘Œฐ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘‡๐‘Œ•๐‘๐‘Œท๐‘Œฃ๐‘Œธ๐‘๐‘Œฏ ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œฎ๐‘Œน๐‘‡๐‘Œถ๐‘Œพ๐‘Œฏ ๐‘Œค๐‘๐‘Œญ๐‘๐‘Œฏ๐‘Œฎ๐‘เฅฅเฏญเฅฅ

Rucham Te Dadhanasya Pada-Aravinde Nimagnasya Yogindra-Vrindair-Ajasram Samudyat-Kripa-Pura-Purna-Ikshanasya Namaste Namaste Maheshaya Tubhyam (7)

Meaning:Salutations again and again to you, O Mahesha, whose lotus feet the hosts of supreme yogis are forever absorbed in, and whose eyes brim over with a flood of rising compassion.

Verse 8

๐‘Œญ๐‘Œต๐‘Œพ๐‘Œฎ๐‘๐‘Œญ๐‘‹๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œ—๐‘๐‘Œจ๐‘Œพ๐‘Œจ๐‘ ๐‘Œœ๐‘Œจ๐‘Œพ๐‘Œจ๐‘ ๐‘Œฆ๐‘๐‘Œƒ๐‘Œ–๐‘Œฏ๐‘๐‘Œ•๐‘๐‘Œค๐‘Œพ๐‘Œจ๐‘ ๐‘Œœ๐‘Œ—๐‘Œจ๐‘๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œฐ๐‘Œƒ ๐‘Œช๐‘Œพ๐‘Œน๐‘Œฟ ๐‘Œฆ๐‘‡๐‘Œต๐‘‡๐‘Œค๐‘Œฟ ๐‘Œ•๐‘‡๐‘Œš๐‘Œฟ๐‘Œค๐‘เฅค ๐‘Œจ๐‘Œฎ๐‘Œจ๐‘๐‘Œค๐‘€๐‘Œค๐‘Œฟ ๐‘Œฎ๐‘Œจ๐‘๐‘Œฏ๐‘‡ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘€๐‘Œถ๐‘Œพ๐‘Œ™๐‘๐‘Œ•๐‘Œธ๐‘Œ‚๐‘Œธ๐‘๐‘Œฅ๐‘Œพ๐‘Œ‚ ๐‘Œญ๐‘Œต๐‘Œพ๐‘Œจ๐‘€๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œฏ๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏเฅฅเฏฎเฅฅ

Bhava-Ambhodhi-Magnan Janan Duhkha-Yuktan Jagan-Matarah Pahi Deva-Iti Kechit Namanti-Iti Manye Girisha-Anka-Samstham Bhavanim Namasye Namah Shankaraya (8)

Meaning:Some cry, 'O Divine Mother, save these afflicted beings drowning in the ocean of existence!' โ€” and bowing thus, I worship Bhavani who is seated at the side of the Lord of the mountain. Salutations to Shankara.

Verse 9

๐‘Œ‡๐‘Œฆ๐‘Œ‚ ๐‘Œฏ๐‘‹ ๐‘Œญ๐‘๐‘Œœ๐‘Œ™๐‘๐‘Œ—๐‘Œช๐‘๐‘Œฐ๐‘Œฏ๐‘Œพ๐‘Œค๐‘Œ‚ ๐‘Œช๐‘Œ ๐‘‡๐‘Œฆ๐‘๐‘Œต๐‘Œพ ๐‘Œถ๐‘ƒ๐‘Œฃ๐‘‹๐‘Œค๐‘‡ ๐‘Œธ๐‘Œฎ๐‘Œพ๐‘Œง๐‘Œพ๐‘Œฏ ๐‘Œš๐‘Œฟ๐‘Œค๐‘๐‘Œค๐‘Œ‚ ๐‘Œฎ๐‘Œจ๐‘๐‘Œท๐‘๐‘Œฏ๐‘Œƒเฅค ๐‘Œธ ๐‘Œฎ๐‘ƒ๐‘Œค๐‘๐‘Œฏ๐‘๐‘Œ‚ ๐‘Œต๐‘Œฟ๐‘Œœ๐‘Œฟ๐‘Œค๐‘๐‘Œฏ๐‘Œพ๐‘Œถ๐‘ ๐‘Œถ๐‘Œฎ๐‘๐‘Œญ๐‘‹๐‘Œƒ ๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘Œพ๐‘Œฆ๐‘Œพ๐‘Œค๐‘ ๐‘Œš๐‘Œฟ๐‘Œฐ๐‘Œ‚ ๐‘Œฆ๐‘‡๐‘Œต๐‘Œฆ๐‘‡๐‘Œต๐‘Œธ๐‘๐‘Œฏ ๐‘Œธ๐‘Œพ๐‘Œฏ๐‘๐‘Œœ๐‘๐‘Œฏ๐‘Œฎ๐‘‡๐‘Œค๐‘Œฟเฅฅเฏฏเฅฅ

Idam Yo Bhujanga-Prayatam Pathed-Va Shrinote Samadhaya Chittam Manushyah Sa Mrityum Vijitya-Ashu Shambhoh Prasadat Chiram Deva-Devasya Sayujyam-Eti (9)

Meaning:Whoever recites or listens to this hymn in the Bhujanga-prayata metre with a concentrated mind quickly conquers death by the grace of Shambhu and, in time, attains eternal union with the God of gods.

Word-by-Word Meaning

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๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ๐‘Œธ๐‘Œพ๐‘Œ—๐‘Œฐ๐‘Œพ๐‘Œฏ๐Ÿ”ŠKripa-SagarayaTo the ocean of compassion
๐‘Œ†๐‘Œถ๐‘๐‘Œ•๐‘Œพ๐‘Œต๐‘๐‘Œฏ๐‘Œช๐‘๐‘Œฐ๐‘Œฆ๐‘Œพ๐‘Œฏ๐Ÿ”ŠAshu-Kavya-PradayaWho swiftly grants the gift of poetry (eloquence)
๐‘Œช๐‘๐‘Œฐ๐‘Œฃ๐‘Œฎ๐‘๐‘Œฐ-๐‘Œ…๐‘Œ–๐‘Œฟ๐‘Œฒ-๐‘Œ…๐‘Œญ๐‘€๐‘Œท๐‘๐‘ŒŸ-๐‘Œธ๐‘Œจ๐‘๐‘Œฆ๐‘Œพ๐‘Œฏ๐‘Œ•๐‘Œพ๐‘Œฏ๐Ÿ”ŠPranamra-Akhila-Abhishta-SandayakayaWho fulfils every desire of those who bow to him
๐‘Œฏ๐‘Œค๐‘€๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘ˆ๐‘Œƒ ๐‘Œ‰๐‘Œช๐‘Œพ๐‘Œธ๐‘๐‘Œฏ-๐‘Œ…๐‘Œ™๐‘๐‘Œ˜๐‘๐‘Œฐ๐‘Œฟ-๐‘Œช๐‘Œพ๐‘Œฅ๐‘‹๐‘Œฐ๐‘๐‘Œน๐‘Œพ๐‘Œฏ๐Ÿ”ŠYatindraih Upasya-Anghri-PathoruhayaWhose lotus feet are worshipped by the foremost of ascetics
๐‘Œช๐‘๐‘Œฐ๐‘Œฌ๐‘‹๐‘Œง๐‘Œช๐‘๐‘Œฐ๐‘Œฆ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡๐Ÿ”ŠPrabodha-PradatreTo the bestower of awakening (Self-knowledge)
๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏ๐Ÿ”ŠNamah ShankarayaSalutations to Shankara (Shiva, the doer of good)
๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œพ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฐ๐‘‚๐‘Œช๐‘Œพ๐‘Œฏ๐Ÿ”ŠChidananda-RupayaTo the one whose form is consciousness and bliss
๐‘Œš๐‘Œฟ๐‘Œจ๐‘๐‘Œฎ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œฟ๐‘Œ•๐‘‹๐‘Œฆ๐‘๐‘Œฏ๐‘Œค๐‘๐‘Œ•๐‘Œฐ๐‘Œพ๐‘Œฏ๐Ÿ”ŠChinmudrika-Udyat-KarayaWhose hand is raised in the Chin-mudra (gesture of knowledge)
๐‘Œต๐‘‡๐‘Œฆ๐‘‹๐‘Œค๐‘๐‘Œค๐‘Œฎ๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘ˆ๐‘Œƒ๐Ÿ”ŠVedottamangaihBy the Upanishads (the crowning portion of the Vedas)
๐‘Œœ๐‘ŒŸ๐‘Œพ๐‘Œœ๐‘‚๐‘ŒŸ๐‘Œฎ๐‘Œง๐‘๐‘Œฏ๐‘‡๐Ÿ”ŠJata-Juta-MadhyeIn the midst of the matted locks
๐‘Œง๐‘๐‘Œจ๐‘€๐Ÿ”ŠDhuniThe river (Ganga)
๐‘Œฎ๐‘Œฒ๐‘๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘Œพ๐Ÿ”ŠMallika-MalikaA garland of jasmine flowers
๐‘Œช๐‘๐‘Œฐ๐‘Œต๐‘Œพ๐‘Œฒ๐‘Œช๐‘๐‘Œฐ๐‘Œต๐‘Œพ๐‘Œน๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œพ๐‘Œถ๐‘‹๐‘Œฃ๐‘Œฎ๐‘๐Ÿ”ŠPravala-Pravaha-Prabha-ShonamRed like a flowing stream of coral (one half of the body)
๐‘Œถ๐‘๐‘Œฏ๐‘Œพ๐‘Œฎ๐‘Œฎ๐‘๐Ÿ”ŠShyamamDark blue, like a sapphire (the other half)
๐‘Œ—๐‘๐‘Œฃ๐‘Œธ๐‘๐‘Œฏ๐‘‚๐‘Œค๐‘Œฎ๐‘๐Ÿ”ŠGunasyutamWoven together as one (the Ardhanarishvara form)
๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œถ๐‘‚๐‘Œฒ๐‘Œฟ๐‘Œจ๐‘๐Ÿ”ŠTrishulinO wielder of the trident
๐‘Œช๐‘Œพ๐‘Œฆ๐‘Œพ๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œจ๐‘๐‘Œฆ๐‘‡ ๐‘Œจ๐‘Œฟ๐‘Œฎ๐‘Œ—๐‘๐‘Œจ๐‘Œธ๐‘๐‘Œฏ๐Ÿ”ŠPada-Aravinde NimagnasyaOf him who is immersed at the lotus feet
๐‘Œญ๐‘Œต๐‘Œพ๐‘Œฎ๐‘๐‘Œญ๐‘‹๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œ—๐‘๐‘Œจ๐‘Œพ๐‘Œจ๐‘๐Ÿ”ŠBhava-Ambhodhi-MagnanThose drowning in the ocean of worldly existence
๐‘Œฎ๐‘ƒ๐‘Œค๐‘๐‘Œฏ๐‘๐‘Œ‚ ๐‘Œต๐‘Œฟ๐‘Œœ๐‘Œฟ๐‘Œค๐‘๐‘Œฏ๐Ÿ”ŠMrityum VijityaHaving conquered death
๐‘Œธ๐‘Œพ๐‘Œฏ๐‘๐‘Œœ๐‘๐‘Œฏ๐‘Œฎ๐‘‡๐‘Œค๐‘Œฟ๐Ÿ”ŠSayujyam-EtiAttains union (oneness) with the Lord

Benefits of Chanting Shiva Bhujanga Prayata Stotram

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Invokes Shiva as the supreme Guru (Dakshinamurti) who bestows Self-knowledge and awakening

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Said to swiftly grant the gift of eloquence and poetry (ashu-kavya)

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The phalashruti promises victory over death and eventual union (sayujya) with the Lord

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Cultivates one-pointed devotion through its flowing, musical Bhujanga-prayata metre

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Fulfils the heartfelt wishes of those who bow with surrender

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Calms the mind and steadies it in the remembrance of Shiva and Bhavani

How to Chant Shiva Bhujanga Prayata Stotram

Repetitions9times
Best TimePradosha Kaal (twilight), Mondays, and Maha Shivaratri

Recite all nine verses with a calm, concentrated mind, ideally before a Shiva Lingam or an image of Dakshinamurti. The hymn is set in the Bhujanga-prayata metre (four feet of laghu-guru-guru per line), so let the recitation flow smoothly and rhythmically. The final (ninth) verse is the phalashruti and is included in the recitation. Daily chanting, or weekly on Mondays, is traditional.

Frequently Asked Questions

This page shows the complete Shiva Bhujanga Prayata Stotram written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It is traditionally attributed to Adi Shankaracharya (8th century CE), the great Advaita Vedanta teacher, who composed many devotional stotras in the Bhujanga-prayata metre on Shiva, Vishnu, Devi, Subrahmanya and others.
Bhujanga-prayata literally means 'the gliding of a serpent'. It is the name of the Sanskrit metre in which the hymn is composed โ€” each line has four feet of one short and two long syllables, giving a smooth, undulating, snake-like rhythm.
Both are Shiva hymns in the serpent metre, but they are distinct compositions. This Bhujanga-prayata Stotram is the shorter nine-verse hymn beginning 'Kripa-sagaraya' that addresses Shiva as the gracious Guru Shankara; the longer Shivabhujangam (beginning 'Kadachit-kadamba...') is a separate, lengthier work.
The ninth verse is the phalashruti (declaration of fruits). It states that one who recites or hears this stotra with a focused mind quickly conquers death by Shiva's grace and ultimately attains sayujya โ€” eternal union with the God of gods.

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Read the full Shiva Bhujanga Prayata Stotram with verse-by-verse meaning, or explore more sacred texts