ଅର୍ଧନାରୀନଟେଶ୍ୱର ସ୍ତୋତ୍ରମ୍
अर्धनारीनटेश्वर स्तोत्रम्
Also known as: ardhanari nateshwara stotram · champeya gaura ardha sharira kayai · ardhanarishwara nateshwara stotra · namah shivayai cha namah shivaya · ardha nareeswara ashtakam
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✦ Meaning
The Ardhanari Nateshwara Stotram, attributed to Adi Shankaracharya, is an eight-verse hymn to Ardhanarishvara — the form that is half Shiva and half Parvati. Each verse pairs an attribute of the Goddess with the corresponding attribute of the Lord, ending with the famous refrain 'Namah Shivayai cha Namah Shivaya' (salutations to Her and to Him), celebrating the inseparable union of consciousness and energy. The ninth verse is the phalashruti, promising honour, long life and lasting fortune to its reciter.
Origin & Story
Shaiva-Shakta stotra corpus attributed to Adi Shankaracharya · Adi Shankaracharya (traditionally) · c. 8th century CE
Adi Shankaracharya, who harmonised the worship of Shiva and Shakti within Advaita, composed this hymn to the Ardhanarishvara — the half-male, half-female form of the Divine. Each verse is a deliberate juxtaposition: the Goddess decked in saffron, jewels and silk on one side; the Lord smeared with ash, garlanded with skulls and sky-clad on the other — yet one single body, declaring that the cosmic Father and Mother, the dancer of creation (Lasya) and the dancer of dissolution (Tandava), are forever one.
✦ As told in scripture
It is traditionally told that meditation on the Ardhanarishvara form dissolves the seeker's sense of duality and inner conflict; couples who recite this stotra together are said to be blessed with deep harmony, and devotees report that worship of this united form brings both worldly fortune (the Devi's grace) and liberation (Shiva's grace) together.
Complete Text with Meaning
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चाम्पेयगौरार्धशरीरकायै कर्पूरगौरार्धशरीरकाय। धम्मिल्लकायै च जटाधराय नमः शिवायै च नमः शिवाय॥१॥
Champeya-Gaura-Ardha-Sharira-Kayai Karpura-Gaura-Ardha-Sharira-Kaya Dhammilla-Kayai Cha Jata-Dharaya Namah Shivayai Cha Namah Shivaya (1)
Meaning:ସେହି ଦେବୀ ଓ ସେହି ଦେବଙ୍କୁ ନମସ୍କାର — ଯାହାଙ୍କ ଅର୍ଧ ଶରୀର ଚମ୍ପା ଫୁଲ ପରି ସ୍ୱର୍ଣବର୍ଣ (ପାର୍ବତୀ) ଏବଂ ଯାହାଙ୍କ ଅର୍ଧ ଶରୀର କର୍ପୂର ପରି ଶ୍ୱେତ (ଶିବ); ଯିଏ ସୁନ୍ଦର ବେଣୀ-କେଶଯୁକ୍ତା ଏବଂ ଯିଏ ଜଟାଧାରୀ।
कस्तूरिकाकुङ्कुमचर्चितायै चितारजःपुञ्जविचर्चिताय। कृतस्मरायै विकृतस्मराय नमः शिवायै च नमः शिवाय॥२॥
Kasturika-Kunkuma-Charchitayai Chita-Rajah-Punja-Vicharchitaya Krita-Smarayai Vikrita-Smaraya Namah Shivayai Cha Namah Shivaya (2)
Meaning:ନମସ୍କାର — ଯିଏ କସ୍ତୁରୀ ଓ କୁଙ୍କୁମରେ ଚର୍ଚିତା ଏବଂ ଯିଏ ଚିତାଭସ୍ମରେ ଲିପ୍ତ; ଯିଏ କାମକୁ ଉତ୍ପନ୍ନ କରନ୍ତି ଏବଂ ଯିଏ କାମଦେବଙ୍କୁ ବିକୃତ (ଭସ୍ମ) କରିଛନ୍ତି।
झणत्क्वणत्कङ्कणनूपुरायै पादाब्जराजत्फणिनूपुराय। हेमाङ्गदायै भुजगाङ्गदाय नमः शिवायै च नमः शिवाय॥३॥
Jhanat-Kvanat-Kankana-Nupurayai Pada-Abja-Rajat-Phani-Nupuraya Hema-Angadayai Bhujaga-Angadaya Namah Shivayai Cha Namah Shivaya (3)
Meaning:ନମସ୍କାର — ଯାହାଙ୍କ କଙ୍କଣ ଓ ନୂପୁର ଝଣଝଣ କରେ ଏବଂ ଯାହାଙ୍କ ଚରଣ-କମଳରେ ସର୍ପ ନୂପୁରରୂପେ ଶୋଭା ପାଏ; ଯିଏ ସ୍ୱର୍ଣ-ଅଙ୍ଗଦ ଧାରିଣୀ ଏବଂ ଯିଏ ଭୁଜଙ୍ଗ-ଅଙ୍ଗଦ ଧାରୀ।
विशालनीलोत्पललोचनायै विकासिपङ्केरुहलोचनाय। समेक्षणायै विषमेक्षणाय नमः शिवायै च नमः शिवाय॥४॥
Vishala-Nila-Utpala-Lochanayai Vikasi-Pankeruha-Lochanaya Samekshanayai Vishamekshanaya Namah Shivayai Cha Namah Shivaya (4)
Meaning:ନମସ୍କାର — ଯାହାଙ୍କ ନେତ୍ର ବିଶାଳ ନୀଳକମଳସଦୃଶ ଏବଂ ଯାହାଙ୍କ ନେତ୍ର ବିକଶିତ କମଳସଦୃଶ; ଯାହାଙ୍କ ସମ (ଦୁଇ) ନେତ୍ର ଏବଂ ଯାହାଙ୍କ ବିଷମ (ତିନି) ନେତ୍ର।
मन्दारमालाकलितालकायै कपालमालाङ्कितकन्धराय। दिव्याम्बरायै च दिगम्बराय नमः शिवायै च नमः शिवाय॥५॥
Mandara-Mala-Kalita-Alakayai Kapala-Mala-Ankita-Kandharaya Divya-Ambarayai Cha Digambaraya Namah Shivayai Cha Namah Shivaya (5)
Meaning:ନମସ୍କାର — ଯାହାଙ୍କ କେଶ ମନ୍ଦାର-ମାଳାରେ ଅଳଙ୍କୃତ ଏବଂ ଯାହାଙ୍କ କଣ୍ଠ କପାଳ-ମାଳାରେ ଅଙ୍କିତ; ଯିଏ ଦିବ୍ୟ ବସ୍ତ୍ର ଧାରିଣୀ ଏବଂ ଯିଏ ଦିଗମ୍ବର।
अम्भोधरश्यामलकुन्तलायै तडित्प्रभाताम्रजटाधराय। निरीश्वरायै निखिलेश्वराय नमः शिवायै च नमः शिवाय॥६॥
Ambhodhara-Shyamala-Kuntalayai Tadit-Prabha-Tamra-Jata-Dharaya Nir-Ishvarayai Nikhila-Ishvaraya Namah Shivayai Cha Namah Shivaya (6)
Meaning:ନମସ୍କାର — ଯାହାଙ୍କ କେଶ ମେଘ ପରି ଶ୍ୟାମ ଏବଂ ଯାହାଙ୍କ ଜଟା ବିଦ୍ୟୁତ ପରି ତାମ୍ରବର୍ଣ; ଯିଏ ନିରୀଶ୍ୱରା (ସ୍ୱୟଂ ପରା) ଏବଂ ଯିଏ ନିଖିଲେଶ୍ୱର।
प्रपञ्चसृष्ट्युन्मुखलास्यकायै समस्तसंहारकताण्डवाय। जगज्जनन्यै जगदेकपित्रे नमः शिवायै च नमः शिवाय॥७॥
Prapancha-Srishti-Unmukha-Lasya-Kayai Samasta-Samhara-Kata-Tandavaya Jagaj-Jananyai Jagad-Eka-Pitre Namah Shivayai Cha Namah Shivaya (7)
Meaning:ନମସ୍କାର — ଯାହାଙ୍କ ଲାସ୍ୟ ନୃତ୍ୟରେ ଜଗତର ସୃଷ୍ଟି ଉନ୍ମୁଖ ହୁଏ ଏବଂ ଯାହାଙ୍କ ତାଣ୍ଡବରେ ସମସ୍ତ ସଂହାର ହୁଏ; ଯିଏ ଜଗଜ୍ଜନନୀ ଏବଂ ଯିଏ ଜଗତର ଏକମାତ୍ର ପିତା।
प्रदीप्तरत्नोज्ज्वलकुण्डलायै स्फुरन्महापन्नगभूषणाय। शिवान्वितायै च शिवान्विताय नमः शिवायै च नमः शिवाय॥८॥
Pradipta-Ratna-Ujjvala-Kundalayai Sphuran-Maha-Pannaga-Bhushanaya Shiva-Anvitayai Cha Shiva-Anvitaya Namah Shivayai Cha Namah Shivaya (8)
Meaning:ନମସ୍କାର — ଯିଏ ପ୍ରଦୀପ୍ତ ରତ୍ନରେ ଉଜ୍ଜ୍ୱଳ କୁଣ୍ଡଳ ଧାରିଣୀ ଏବଂ ଯିଏ ସ୍ଫୁରିତ ମହାସର୍ପରେ ଭୂଷିତ; ଯିଏ ଶିବଙ୍କ ସହ ଯୁକ୍ତା ଏବଂ ଯିଏ ଶିବା (ଶକ୍ତି) ଙ୍କ ସହ ଯୁକ୍ତ।
एतत्पठेदष्टकमिष्टदं यो भक्त्या स मान्यो भुवि दीर्घजीवी। प्राप्नोति सौभाग्यमनन्तकालं भूयात्सदा तस्य समस्तसिद्धिः॥९॥
Etat-Pathed-Ashtakam-Ishtadam Yo Bhaktya Sa Manyo Bhuvi Dirgha-Jivi Prapnoti Saubhagyam-Ananta-Kalam Bhuyat-Sada Tasya Samasta-Siddhih (9)
Meaning:ଯିଏ ଭକ୍ତିପୂର୍ବକ ଏହି ଇଷ୍ଟଦାୟକ ଅଷ୍ଟକ ପାଠ କରନ୍ତି ସେ ପୃଥିବୀରେ ମାନନୀୟ ଓ ଦୀର୍ଘଜୀବୀ ହୁଅନ୍ତି; ସେ ଅନନ୍ତ କାଳ ସୌଭାଗ୍ୟ ପ୍ରାପ୍ତ କରନ୍ତି, ଏବଂ ସଦା ତାଙ୍କୁ ସମସ୍ତ ସିଦ୍ଧି ଲାଭ ହେଉ।
Word-by-Word Meaning
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Benefits of Chanting ଅର୍ଧନାରୀନଟେଶ୍ୱର ସ୍ତୋତ୍ରମ୍
Honours the inseparable union of Shiva and Shakti (consciousness and energy)
Considered highly auspicious for married couples and for marital harmony
The phalashruti promises honour on earth, long life and everlasting good fortune
Balances the masculine and feminine energies within the seeker
Cultivates devotion to the integrated Divine — neither Shiva alone nor Devi alone
Its rhythmic paired structure makes it a beautiful, memorable daily prayer
How to Chant ଅର୍ଧନାରୀନଟେଶ୍ୱର ସ୍ତୋତ୍ରମ୍
Recite all eight verses with devotion, dwelling on the paired imagery of the Goddess and the Lord in each line, and complete with the ninth phalashruti verse. It may be chanted before an Ardhanarishvara image or a Shiva Lingam. Because every verse closes with 'Namah Shivayai cha Namah Shivaya', let that refrain settle the mind into the awareness that Shiva and Shakti are one. Daily recitation, or weekly on Mondays and Fridays, is traditional, and it is especially recited by couples for harmony.
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