bhavaniparvatiambikaadi-shankaracharya

භවානීභුජඞ්ගම්

ಭವಾನೀಭುಜಂಗಂ in Sinhala · සිංහල

🕉️ hindu·📿 17× repetitions·🕐 Fridays, during Navratri, on Purnima, or daily after a bath in the morning·📜 Devotional hymn attributed to Adi Shankaracharya (Sri Vidya / Shakta tradition)

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हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ Englishසිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Devotional hymn attributed to Adi Shankaracharya (Sri Vidya / Shakta tradition) · Adi Shankaracharya · c. 8th century CE (traditional attribution)

The Bhavani Bhujangam belongs to Adi Shankaracharya's celebrated 'Bhujangam' hymns, composed in the serpentine Bhujanga-prayata metre. Like the Soundarya Lahari, it fuses tender devotion with the esoteric science of Sri Vidya and Kundalini yoga: the poet traces the Goddess's presence from the root chakra up the Sushumna to the crown, praising her at once as the beautiful Mother and as the Para-Shakti beyond mind and speech. It closes with one of the most moving surrenders in Shakta literature.

✦ As told in scripture

The hymn itself declares its fruit: one who recites it daily with a settled, devoted mind 'conquers death, attains wisdom and prosperity, and in another body wins liberation.' Devotees cherish the seventeenth verse as a lifeline — calling Bhavani the only boat across the ocean of existence — and recount finding refuge and rescue in her grace through its constant repetition.

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Complete Text with Meaning

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Verse 1

ෂඩාධාරපඞ්කේරුහාන්තර්විරාජත් සුෂුම්නාන්තරාලේ(අ)තිතේජෝල්ලසන්තීම් . සුධාමණ්ඩලං ද්රාවයන්තීං පිබන්තීං සුධාමූර්තිමීඩේ චිදානන්දරූපාම් .. 1..

ṣaḍādhārapaṅkeruhāntarvirājat suṣumnāntarāle'titejollasantīm | sudhāmaṇḍalaṃ drāvayantīṃ pibantīṃ sudhāmūrtimīḍe cidānandarūpām || 1||

Meaning:1. ನಾನು ಆ ನೆಕ್ಟಾರ್-ಸ್ವರೂಪಿಣಿಯನ್ನು, ಚಿದಾನಂದ-ರೂಪಿಣಿಯನ್ನು ಸ್ತುತಿಸುತ್ತೇನೆ — ಆಕೆ ಷಟ್ಚಕ್ರಗಳ ಕಮಲಗಳೊಳಗೆ ಪ್ರಕಾಶಿಸುತ್ತಾಳೆ, ಸುಷುಮ್ನಾ ನಾಡಿಯಲ್ಲಿ ಅಮಿತ ತೇಜಸ್ಸಿನಿಂದ ಬೆಳಗುತ್ತಾಳೆ, ಅಮೃತ ಮಂಡಲವನ್ನು ದ್ರವಿಸಿ ಪಾನ ಮಾಡುತ್ತಾಳೆ.

Verse 2

ජ්වලත්කෝටිබාලාර්කභාසාරුණාඞ්ගීං සුලාවණ්යශෘඞ්ගාරශෝභාභිරාමාම් . මහාපද්මකිඤ්ජල්කමධ්යේ විරාජත්- ත්රිකෝණේ නිෂණ්ණාං භජේ ශ්රීභවානීම් .. 2..

jvalatkoṭibālārkabhāsāruṇāṅgīṃ sulāvaṇyaśṛṅgāraśobhābhirāmām | mahāpadmakiñjalkamadhye virājat- trikoṇe niṣaṇṇāṃ bhaje śrībhavānīm || 2||

Meaning:2. ನಾನು ಶ್ರೀಭವಾನಿಯನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ, ಆಕೆಯ ಅಂಗಗಳು ಕೋಟಿ ಉದಯ ಬಾಲಸೂರ್ಯರ ಕಾಂತಿಯಂತೆ ಅರುಣವರ್ಣವಾಗಿವೆ, ಪರಿಪೂರ್ಣ ಲಾವಣ್ಯ, ಶೃಂಗಾರ ಶೋಭೆಯಿಂದ ಅಭಿರಾಮವಾಗಿದ್ದಾಳೆ, ಮಹಾಪದ್ಮದ ಕಿಂಜಲ್ಕಗಳ ಮಧ್ಯದಲ್ಲಿ ಪ್ರಕಾಶಿಸುವ ತ್ರಿಕೋಣದ ಮೇಲೆ ಆಸೀನಳಾಗಿದ್ದಾಳೆ.

Verse 3

ක්වණත්කිඞ්කිණීනූපුරෝද්භාසිරත්න- ප්රභාලීඪලාක්ෂාර්ද්රපාදාබ්ජයුග්මාම් . අජේශාච්යුතාද්යෛඃ සුරෛඃ සේව්යමානාං මහාත්රිපුරාං ශ්රීශිවාං භාවයාමි .. 3..

kvaṇatkiṅkiṇīnūpurodbhāsiratna- prabhālīḍhalākṣārdrapādābjayugmām | ajeśācyutādyaiḥ suraiḥ sevyamānāṃ mahātripurāṃ śrīśivāṃ bhāvayāmi || 3||

Meaning:3. ನಾನು ಮಹಾತ್ರಿಪುರೆಯನ್ನು, ಮಂಗಳಕರ ಶ್ರೀಶಿವ-ಶಕ್ತಿಯನ್ನು ಧ್ಯಾನಿಸುತ್ತೇನೆ, ಆಕೆಯ ಪಾದಕಮಲಗಳು — ಲತ್ತುಕದಿಂದ ತೊಯ್ದು, ಸದ್ದು ಮಾಡುವ ಗೆಜ್ಜೆಗಳ ಕಾಲಂದುಗೆಗಳ ರತ್ನಪ್ರಭೆಯಿಂದ ದೀಪ್ತವಾಗಿ — ಬ್ರಹ್ಮ, ಶಿವ, ವಿಷ್ಣು ಮೊದಲಾದ ದೇವತೆಗಳಿಂದ ಸೇವಿಸಲ್ಪಡುತ್ತವೆ.

Verse 4

සුශෝණාම්බරාබද්ධනීවීවිරාජන්- මහාරත්නකාඤ්චීකලාපං නිතම්බම් . ස්ඵුරද්දක්ෂිණාවර්තනාභිං ච තස්යා භජේ වල්ලරීවද්විශාලං ත්රිවල්ලීම් .. 4..

suśoṇāmbarābaddhanīvīvirājan- mahāratnakāñcīkalāpaṃ nitambam | sphuraddakṣiṇāvartanābhiṃ ca tasyā bhaje vallarīvadviśālaṃ trivallīm || 4||

Meaning:4. ನಾನು ಆಕೆಯ ನಿತಂಬವನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ, ಇದು ಕೆಂಪು ರೇಷ್ಮೆಯ ಗಂಟು, ಮಹಾರತ್ನ ಕಾಂಚಿಯಿಂದ ಶೋಭಿಸುತ್ತದೆ, ಆಕೆಯ ನಾಭಿ ಬಲಕ್ಕೆ ಸುರುಳಿಯಾಗಿದೆ, ಆಕೆಯ ತ್ರಿವಳಿ ಹೂ ಬಿಟ್ಟ ಬಳ್ಳಿಯಂತೆ ವಿಶಾಲವಾಗಿ, ಮನೋಹರವಾಗಿದೆ.

Verse 5

ලසද්වෘත්තගම්භීරනාභීසරෝජං නිජාඞ්ගෝද්භවස්ථූලරෝමාවලීභිඃ . භ්රමද්භ්රමරාඩම්බරං සුන්දරාඛ්යං භජේ තත්තටිත්කෝටිකාන්තං භවාන්යාඃ .. 5..

lasadvṛttagambhīranābhīsarojaṃ nijāṅgodbhavasthūlaromāvalībhiḥ | bhramadbhramarāḍambaraṃ sundarākhyaṃ bhaje tattaṭitkoṭikāntaṃ bhavānyāḥ || 5||

Meaning:5. ನಾನು ಭವಾನಿಯ ಆ ನಾಭಿ-ಕಮಲವನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ — ದುಂಡಗೆ, ಆಳವಾಗಿ, ಸುಂದರವಾಗಿ — ಶರೀರದಿಂದ ಹುಟ್ಟಿದ ರೋಮಾವಳಿ ದುಂಬಿಗಳ ಗುಂಪಿನಂತೆ ಸುತ್ತುವರಿದು — ಕೋಟಿ ಮಿಂಚುಗಳ ಕಾಂತಿಯಂತೆ ಸುಂದರವಾಗಿದೆ.

Verse 6

කුචෞ කුඞ්කුමාගාරගර්භප්රවාලෞ පරාභීතිමුද්රාකරස්යෝපකණ්ඨෞ . රමාමන්දිරෞ චාමරාරාතිකුම්භෞ භජේ චන්දනාලිප්තකෞ භව්යරූපෞ .. 6..

kucau kuṅkumāgāragarbhapravālau parābhītimudrākarasyopakaṇṭhau | ramāmandirau cāmarārātikumbhau bhaje candanāliptakau bhavyarūpau || 6||

Meaning:6. ನಾನು ಆಕೆಯ ಎರಡು ಕುಚಗಳನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ, ಇವು ಕುಂಕುಮ ನಿಧಿಯಂತೆ ಹವಳದ ಕೆಂಪಾಗಿವೆ, ಅಭಯ-ವರದ ಮುದ್ರೆಗಳ ಹಸ್ತದ ಸಮೀಪದಲ್ಲಿವೆ, ರಮಾ (ಲಕ್ಷ್ಮಿ) ಮಂದಿರಗಳು, ಗಜಕುಂಭಗಳಂತಿವೆ, ಚಂದನ ಲೇಪಿಸಿ, ಭವ್ಯರೂಪವಾಗಿವೆ.

Verse 7

ලලාටශ්රියං වල්ලභෛකානුභාවාං භුජාමූලවින්යස්තචූතාග්රකෝටිම් . කලඞ්කාධිවාසං හසච්චන්ද්රබිම්බං ශ්රියේ නෞමි කස්තූරිකාතිප්රසන්නම් .. 7..

lalāṭaśriyaṃ vallabhaikānubhāvāṃ bhujāmūlavinyastacūtāgrakoṭim | kalaṅkādhivāsaṃ hasaccandrabimbaṃ śriye naumi kastūrikātiprasannam || 7||

Meaning:7. ಶ್ರೀ (ಸಮೃದ್ಧಿ)ಗಾಗಿ ನಾನು ಆಕೆಯ ಲಲಾಟ ಶೋಭೆಗೆ ನಮಸ್ಕರಿಸುತ್ತೇನೆ — ವಲ್ಲಭ (ಶಿವ)ನಿಗೆ ಅನುಪಮವಾದದ್ದು, ಭುಜಮೂಲದ ಮೇಲೆ ಇಟ್ಟ ಮಾವಿನ-ಚಿಗುರಿನ ತುದಿಯೊಂದಿಗೆ, ಕಳಂಕ (ಚಂದ್ರಕಲೆ) ನೆಲೆಯಾದ ನಗುವ ಚಂದ್ರಬಿಂಬದಂತೆ, ಕಸ್ತೂರಿಯಿಂದ ಅತಿ ಪ್ರಸನ್ನವಾಗಿದೆ.

Verse 8

භජේ වක්ත්රමබ්ජප්රභාජාලලෝලං ලසද්වාරිජාක්ෂීයුගං විභ්රමාක්ෂම් . ලලාටාන්තරාලම්බිමාණික්යභූෂං වහන්තීං චලත්කුණ්ඩලෝද්යෝතගණ්ඩම් .. 8..

bhaje vaktramabjaprabhājālalolaṃ lasadvārijākṣīyugaṃ vibhramākṣam | lalāṭāntarālambimāṇikyabhūṣaṃ vahantīṃ calatkuṇḍalodyotagaṇḍam || 8||

Meaning:8. ನಾನು ಆಕೆಯ ಮುಖವನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ, ಇದು ಕಮಲ-ಕಾಂತಿ ಜಾಲದಿಂದ ಚಂಚಲವಾಗಿದೆ, ದೀಪ್ತ ಕಮಲನಯನಗಳು, ವಿಭ್ರಮಯುತ ನೇತ್ರಗಳನ್ನು ಧರಿಸುತ್ತದೆ, ಲಲಾಟದ ಮೇಲೆ ತೂಗುವ ಮಾಣಿಕ್ಯದಿಂದ ಭೂಷಿತವಾಗಿ, ಚಲಿಸುವ ಕುಂಡಲಗಳ ಕಾಂತಿಯಿಂದ ಆಕೆಯ ಕೆನ್ನೆಗಳು ಬೆಳಗುತ್ತವೆ.

Verse 9

සුඵුල්ලාරවින්දායතාක්ෂීං සුවක්ෂෝ- රුහාං චාරුහාසාං සුකර්ණාවතංසාම් . සුමධ්යාං සුවෘත්තස්තනීං සුස්මිතාස්යාං භජේ ශ්රීමහේශීං භවානීං භවානීම් .. 9..

suphullāravindāyatākṣīṃ suvakṣo- ruhāṃ cāruhāsāṃ sukarṇāvataṃsām | sumadhyāṃ suvṛttastanīṃ susmitāsyāṃ bhaje śrīmaheśīṃ bhavānīṃ bhavānīm || 9||

Meaning:9. ನಾನು ಶ್ರೀಮಹೇಶಿಯನ್ನು, ಭವಾನಿಯನ್ನು, ಭವಾನಿಯನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ — ಅರಳಿದ ಕಮಲಗಳಂತೆ ದೀರ್ಘ ನೇತ್ರಗಳು, ಸುಂದರ ವಕ್ಷ, ಮನೋಹರ ಹಾಸ, ಸುಂದರ ಕರ್ಣಾಭರಣಗಳು, ಸಣ್ಣ ಸೊಂಟ, ಚೆನ್ನಾಗಿ ವೃತ್ತ ಸ್ತನಗಳು, ಮಧುರ ಮುಗುಳ್ನಗೆಯ ಮುಖದೊಂದಿಗೆ.

Verse 10

සුනාසාපුටං සුන්දරභ්රූලලාටං තරඞ්ගායතාක්ෂං සුධාධෞතගණ්ඩම් . සුබිම්බාධරං කුන්දදන්තප්රභාඪ්යං භජේ චන්ද්රචූඩාලසත්කේශපාශම් .. 10..

sunāsāpuṭaṃ sundarabhrūlalāṭaṃ taraṅgāyatākṣaṃ sudhādhautagaṇḍam | subimbādharaṃ kundadantaprabhāḍhyaṃ bhaje candracūḍālasatkeśapāśam || 10||

Meaning:10. ನಾನು ಆಕೆಯನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ — ಸುಂದರ ನಾಸಾಪುಟ, ಮನೋಹರ ಹುಬ್ಬುಗಳು, ಲಲಾಟ, ಅಲೆಗಳಂತೆ ದೀರ್ಘ ನೇತ್ರಗಳು, ಅಮೃತದಿಂದ ತೊಳೆದಂತಹ ಕೆನ್ನೆಗಳು, ತೊಂಡೆಹಣ್ಣಿನಂತೆ ಅಧರ, ಮಲ್ಲಿಗೆಯಂತೆ ದಂತಕಾಂತಿ, ಚಂದ್ರಚೂಡದಿಂದ ಶೋಭಿಸುವ ಕೇಶಪಾಶದೊಂದಿಗೆ.

Verse 11

පරාශක්තිරාජ්ඤීසමාක්රාන්තවිශ්වාං පරාං භෝගමෝක්ෂප්රදාං ශාම්භවීං තාම් . පරාකාරකාමේශ්වරීං කාමකෝටිං භජේ චිත්ස්වරූපාං ජගන්මාතරං ශ්රීම් .. 11..

parāśaktirājñīsamākrāntaviśvāṃ parāṃ bhogamokṣapradāṃ śāmbhavīṃ tām | parākārakāmeśvarīṃ kāmakoṭiṃ bhaje citsvarūpāṃ jaganmātaraṃ śrīm || 11||

Meaning:11. ನಾನು ಶ್ರೀಯನ್ನು, ಜಗನ್ಮಾತೆಯನ್ನು, ಚಿದ್ರೂಪಿಣಿಯನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ — ಪರಾಶಕ್ತಿ, ಸಮಸ್ತ ವಿಶ್ವದ ಮೇಲೆ ಅಧಿಷ್ಠಿತ ರಾಜ್ಞಿ, ಭೋಗ ಮೋಕ್ಷ ಎರಡನ್ನೂ ಕರುಣಿಸುವ ಶಾಂಭವಿ, ಪರಾ ಕಾಮೇಶ್ವರಿ, ಕಾಮಕೋಟಿ.

Verse 12

ශ්රුතීනාං මුහුර්භූෂණං තර්කගම්යං මනෝවාක්පථාතීතමත්යන්තදූරම් . නිජානන්දබීජං සදා බුද්ධිනිෂ්ඨං නිරාකාරමෝඞ්කාරගම්යං භජේ(අ)හම් .. 12..

śrutīnāṃ muhurbhūṣaṇaṃ tarkagamyaṃ manovākpathātītamatyantadūram | nijānandabījaṃ sadā buddhiniṣṭhaṃ nirākāramoṅkāragamyaṃ bhaje'ham || 12||

Meaning:12. ನಾನು ಅದನ್ನು ಉಪಾಸಿಸುತ್ತೇನೆ, ಇದು ವೇದಗಳಿಗೆ ಸದಾ ಭೂಷಣ, ತರ್ಕದಿಂದ ಗ್ರಾಹ್ಯವಾದರೂ ಮನೋವಾಕ್ಕುಗಳ ಪಥಕ್ಕೆ ಅತೀತ, ಅತ್ಯಂತ ದೂರ, ನಿಜಾನಂದ ಬೀಜ, ಸದಾ ಬುದ್ಧಿಯಲ್ಲಿ ನಿಷ್ಠಿತ, ನಿರಾಕಾರ, ಓಂಕಾರದ ಮೂಲಕ ಗಮ್ಯ.

Verse 13

මහායෝගපීඨේ පරිභ්රාජමානේ නිෂණ්ණං ශිවේනාපි සාම්යං වහන්තීම් . සහස්රාරපද්මේ සදා භාවයාමි ප්රබුද්ධාං පරාං චිච්ඡරීරාං භවානීම් .. 13..

mahāyogapīṭhe paribhrājamāne niṣaṇṇaṃ śivenāpi sāmyaṃ vahantīm | sahasrārapadme sadā bhāvayāmi prabuddhāṃ parāṃ cicchharīrāṃ bhavānīm || 13||

Meaning:13. ನಾನು ದೇದೀಪ್ಯಮಾನ ಮಹಾಯೋಗಪೀಠದಲ್ಲಿ, ಸಹಸ್ರಾರ-ಕಮಲದಲ್ಲಿ, ಸದಾ ಭವಾನಿಯನ್ನು ಧ್ಯಾನಿಸುತ್ತೇನೆ — ಪ್ರಬುದ್ಧ, ಪರಾ, ಚಿತ್-ಶರೀರಿಣಿಯಾದ ಆಕೆ ಅಲ್ಲಿ ಶಿವನೊಂದಿಗೆ ಸಾಮ್ಯ ವಹಿಸಿ ವಿರಾಜಿಸುತ್ತಾಳೆ.

Verse 14

ඉදං යස්තු නිත්යං සමාධාය චිත්තං පඨේද්භක්තියුක්තෝ භවානීභුජඞ්ගම් . ස මෘත්යුං විජිත්යාපි මේධාං ශ්රියං ච සමාසාද්ය දේහාන්තරේ මුක්තිමේති .. 14..

idaṃ yastu nityaṃ samādhāya cittaṃ paṭhedbhaktiyukto bhavānībhujaṅgam | sa mṛtyuṃ vijityāpi medhāṃ śriyaṃ ca samāsādya dehāntare muktimeti || 14||

Meaning:14. ಭಕ್ತಿಯುಕ್ತನಾಗಿ ಚಿತ್ತವನ್ನು ಏಕಾಗ್ರಗೊಳಿಸಿ ನಿತ್ಯ ಈ ಭವಾನೀಭುಜಂಗವನ್ನು ಯಾರು ಪಠಿಸುತ್ತಾರೋ, ಅವರು ಮೃತ್ಯುವನ್ನೂ ಗೆದ್ದು ಮೇಧೆ ಮತ್ತು ಶ್ರೀಯನ್ನು ಪಡೆದು, ದೇಹಾಂತರದ ನಂತರ ಮುಕ್ತಿ ಪಡೆಯುತ್ತಾರೆ.

Verse 15

කවිත්වං ච වාග්මිත්වමේධාදිකං ච ප්රසන්නා භවානී දදාත්යේව තස්මෛ . ඉදං ස්තෝත්රරාජං පඨන්ති ප්රකාමං නරා යේ නිතාන්තං ප්රසීදේන්මහේශී .. 15..

kavitvaṃ ca vāgmitvamedhādikaṃ ca prasannā bhavānī dadātyeva tasmai | idaṃ stotrarājaṃ paṭhanti prakāmaṃ narā ye nitāntaṃ prasīdenmaheśī || 15||

Meaning:15. ಪ್ರಸನ್ನ ಭವಾನಿ ಅವನಿಗೆ ಕವಿತ್ವ, ವಾಗ್ಮಿತ್ವ, ಮೇಧೆ ಮೊದಲಾದವುಗಳನ್ನು ಖಂಡಿತ ಕರುಣಿಸುತ್ತಾಳೆ. ಈ ಸ್ತೋತ್ರರಾಜವನ್ನು ಇಷ್ಟಾನುಸಾರ ಪಠಿಸುವ ಮನುಜರ ಮೇಲೆ ಮಹೇಶಿ ನಿತಾಂತ ಪ್ರಸನ್ನಳಾಗಲಿ.

Verse 16

භවානි ත්වදීයාඞ්ඝ්රිසේවානුරක්තාන් ජනාන්පාහි කාරුණ්යපූර්ණෛඃ කටාක්ෂෛඃ . ජගන්මාතරස්මාදෘශාං පාමරාණාං ගතිස්ත්වං විනා නෛව ලෝකේ මදම්බ .. 16..

bhavāni tvadīyāṅghrisevānuraktān janānpāhi kāruṇyapūrṇaiḥ kaṭākṣaiḥ | jaganmātarasmādṛśāṃ pāmarāṇāṃ gatistvaṃ vinā naiva loke madamba || 16||

Meaning:16. ಓ ಭವಾನಿ! ನಿನ್ನ ಪಾದಸೇವೆಯಲ್ಲಿ ಅನುರಕ್ತರಾದ ಜನರನ್ನು ಕರುಣಾಪೂರ್ಣ ಕಟಾಕ್ಷಗಳಿಂದ ರಕ್ಷಿಸು. ಓ ಜಗನ್ಮಾತೆ! ನಮ್ಮಂತಹ ಪಾಮರರಿಗೆ ಲೋಕದಲ್ಲಿ ನೀನಲ್ಲದೆ ಬೇರೆ ಗತಿ ಇಲ್ಲ, ಓ ನನ್ನ ತಾಯಿ.

Verse 17

භවානි ත්වදීයං පදාම්භෝජපෝතං ප්රපන්නාය යාච්ඡම්භවේ දේහි මාතඃ . භවාම්භෝධිමග්නං සමුද්ධර්තුමීශේ භවානි ත්වමේකා ගතිර්මේ භවානි .. 17..

bhavāni tvadīyaṃ padāmbhojapotaṃ prapannāya yācchambhave dehi mātaḥ | bhavāmbhodhimagnaṃ samuddhartumīśe bhavāni tvamekā gatirme bhavāni || 17||

Meaning:17. ಓ ಭವಾನಿ! ಶರಣಾಗತನಾದ ನನಗೆ ಶಿವನ ಬಳಿಗೆ ಸೇರಿಸುವ ನಿನ್ನ ಪಾದಾಂಭೋಜ ನೌಕೆಯನ್ನು ಕರುಣಿಸು, ಓ ಮಾತೆ. ಭವಸಾಗರದಲ್ಲಿ ಮುಳುಗಿದವನನ್ನು ಉದ್ಧರಿಸಲು ನೀನು ಸಮರ್ಥಳು. ಓ ಭವಾನಿ! ನೀನೇ ನನ್ನ ಏಕೈಕ ಗತಿ, ಓ ಭವಾನಿ.

Word-by-Word Meaning

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ෂඩාධාරපඞ්කේරුහාන්තර්විරාජත්🔊ṣaḍ-ādhāra-paṅkeruha-antar-virājatshining within the lotuses of the six support-centres (the six chakras)

සුෂුම්නාන්තරාලේ🔊suṣumnā-antarālein the interior of the Sushumna (central channel)

සුධාමණ්ඩලං ද්රාවයන්තීං පිබන්තීම්🔊sudhā-maṇḍalaṃ drāvayantīṃ pibantīmshe who melts and drinks the orb of nectar (the moon/amrita)

සුධාමූර්තිම් ඊඩේ චිදානන්දරූපාම්🔊sudhā-mūrtim īḍe cidānanda-rūpāmI praise her, the embodiment of nectar, whose form is Consciousness-Bliss

ජ්වලත්කෝටිබාලාර්කභාසාරුණාඞ්ගීම්🔊jvalat-koṭi-bālārka-bhāsā-aruṇa-aṅgīmwhose body glows red like the splendour of a crore of rising young suns

ත්රිකෝණේ නිෂණ්ණාං භජේ ශ්රීභවානීම්🔊trikoṇe niṣaṇṇāṃ bhaje śrī-bhavānīmI worship Sri Bhavani, seated in the triangle (at the heart of the great lotus)

ක්වණත්කිඞ්කිණීනූපුර🔊kvaṇat-kiṅkiṇī-nūpurawith tinkling anklets set with little bells

අජේශාච්යුතාද්යෛඃ සුරෛඃ සේව්යමානාම්🔊aja-īśa-acyuta-ādyaiḥ suraiḥ sevyamānāmserved by Brahma, Shiva, Vishnu and the other gods

මහාත්රිපුරාං ශ්රීශිවාං භාවයාමි🔊mahā-tripurāṃ śrī-śivāṃ bhāvayāmiI meditate on Maha Tripura, the auspicious Shiva (Shakti)

මහාරත්නකාඤ්චීකලාපං නිතම්බම්🔊mahā-ratna-kāñcī-kalāpaṃ nitambamher hips girded with a girdle (kanchi) of great gems

කුචෞ කුඞ්කුමාගාරගර්භප්රවාලෞ🔊kucau kuṅkuma-āgāra-garbha-pravālauher bosom, red as coral, like a treasury filled with saffron

රමාමන්දිරෞ🔊ramā-mandirauthe very abode of Lakshmi (prosperity)

හසච්චන්ද්රබිම්බම්🔊hasat-candra-bimbam(her forehead) like the smiling orb of the moon

කස්තූරිකාතිප්රසන්නම්🔊kastūrikā-ati-prasannamvery pleasing with a mark of musk (kasturi tilaka)

සුඵුල්ලාරවින්දායතාක්ෂීම්🔊suphulla-aravinda-āyata-akṣīmwith long eyes like fully-blossomed lotuses

භජේ ශ්රීමහේශීං භවානීං භවානීම්🔊bhaje śrī-maheśīṃ bhavānīṃ bhavānīmI worship Bhavani, Bhavani, the great sovereign Goddess Maheshi

චන්ද්රචූඩාලසත්කේශපාශම්🔊candra-cūḍā-lasat-keśa-pāśamwhose mass of hair shines with the crescent moon as its crest

පරාං භෝගමෝක්ෂප්රදාං ශාම්භවීම්🔊parāṃ bhoga-mokṣa-pradāṃ śāmbhavīmthe supreme Shambhavi, granter of both enjoyment (bhoga) and liberation (moksha)

මනෝවාක්පථාතීතම් අත්යන්තදූරම්🔊mano-vāk-patha-atītam atyanta-dūrambeyond the path of mind and speech, utterly far (transcendent)

සහස්රාරපද්මේ සදා භාවයාමි🔊sahasrāra-padme sadā bhāvayāmiI ever meditate upon her in the thousand-petalled lotus (Sahasrara)

භවානි ත්වමේකා ගතිර්මේ භවානි🔊bhavāni tvam-ekā gatir-me bhavāniO Bhavani, you alone are my refuge, O Bhavani

Benefits of Chanting ಭವಾನೀಭುಜಂಗಂ

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Promises victory over the fear of death and the attainment of liberation (verse 14)

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Bestows poetic genius (kavitva), eloquence (vagmitva) and sharp intellect (medha) (verse 15)

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Grants both worldly enjoyment (bhoga) and final liberation (moksha), as Bhavani is Bhoga-Moksha-prada

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A complete head-to-foot (or foot-to-head) meditation on the Goddess, ideal for visualisation

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Aids the inner ascent of awareness from the Muladhara through the chakras to the Sahasrara

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Cultivates deep devotion and the spirit of total surrender (sharanagati) to the Divine Mother

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Brings prosperity (Shri) and the protective grace of the Goddess's compassionate side-glances

How to Chant ಭವಾನೀಭುಜಂಗಂ

Repetitions17times

Best TimeFridays, during Navratri, on Purnima, or daily after a bath in the morning

Sit before an image or Sri Chakra of the Goddess after bathing. Recite the seventeen verses slowly with a composed, devoted mind (the hymn itself says it should be read 'samadhaya chittam' — with a settled mind). Follow the description from her feet upward through the chakras, visualising each form, and end in the spirit of surrender of the closing verses. It is traditionally recited daily; concluding with the final 'Bhavani tvam eka gatir me Bhavani' as a heartfelt prayer.

Frequently Asked Questions

This page shows the complete ಭವಾನೀಭುಜಂಗಂ written in the Sinhala script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

'Bhujanga' means serpent, and 'Bhujanga-prayata' ('the gliding of a serpent') is the name of the Sanskrit metre in which the hymn is composed — a flowing four-foot metre. So 'Bhavani Bhujangam' means the hymn to Bhavani set in the Bhujanga-prayata metre, the same metre used in Shankaracharya's Subramanya Bhujangam.

It is traditionally attributed to Adi Shankaracharya, who composed several 'Bhujangam' hymns. It praises Goddess Bhavani (Parvati) with intricate Sri Vidya and Kundalini imagery, describing her presence in the chakras.

The Bhavani Bhujangam follows the rise of the Goddess as Kundalini-Shakti — beginning in the six chakras and the Sushumna and culminating in the thousand-petalled Sahasrara lotus, where she is one with Shiva. It blends a head-to-foot devotional description with deep yogic and Sri Vidya symbolism.

The last verse ends with 'Bhavani tvam eka gatir me Bhavani' — 'O Bhavani, you alone are my refuge, O Bhavani' — one of the best-loved expressions of total surrender to the Divine Mother.