subramanyamurugankartikeyashanmukha

𑌸𑍁𑌬𑍍𑌰𑌹𑍍𑌮𑌣𑍍𑌯 𑌭𑍁𑌜𑌙𑍍𑌗𑌮𑍍

ಸುಬ್ರಹ್ಮಣ್ಯ ಭುಜಂಗಂ in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ hindu·📿 1× repetitions·🕐 Morning or evening; especially Skanda Shashti, Tuesdays and Krittika nakshatra·📜 Composed by Adi Shankaracharya at Tiruchendur

Read in your language / script

हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Composed by Adi Shankaracharya at Tiruchendur · Adi Shankaracharya · Classical (Shankaracharya, c. 8th century, by tradition)

By tradition Adi Shankaracharya composed the Subramanya Bhujangam at the seashore shrine of Tiruchendur. Meditating upon Lord Subrahmanya, he became aware of a self-luminous six-faced light shining within his heart, and the verses flowed from his lips extempore in the Bhujanga metre — it is said he then beheld Adishesha himself worshipping the Lord, and adopted that serpentine metre. The hymn opens, remarkably, with the great Acharya’s own confession of humility before the Lord.

✦ As told in scripture

It is told that this hymn, sung at Tiruchendur by Shankaracharya, has the power of Murugan’s own vel — that one who recites it with faith is shielded from poison, disease and fear, the Lord standing guard as the divine commander of the gods.

0all time

The Mantra

Tap any line — or the ▶ button — to hear it recited

𑌸𑌦𑌾 𑌬𑌾𑌲𑌰𑍂𑌪𑌾𑌽𑌪𑌿 𑌵𑌿𑌘𑍍𑌨𑌾𑌦𑍍𑌰𑌿𑌹𑌨𑍍𑌤𑍍𑌰𑍀 𑌮𑌹𑌾𑌦𑌨𑍍𑌤𑌿𑌵𑌕𑍍𑌤𑍍𑌰𑌾𑌽𑌪𑌿 𑌪𑌞𑍍𑌚𑌾𑌸𑍍𑌯𑌮𑌾𑌨𑍍𑌯𑌾 । 𑌵𑌿𑌧𑍀𑌨𑍍𑌦𑍍𑌰𑌾𑌦𑌿𑌮𑍃𑌗𑍍𑌯𑌾 𑌗𑌣𑍇𑌶𑌾𑌭𑌿𑌧𑌾 𑌮𑍇 𑌵𑌿𑌧𑌤𑍍𑌤𑌾𑌂 𑌶𑍍𑌰𑌿𑌯𑌂 𑌕𑌾𑌽𑌪𑌿 𑌕𑌲𑍍𑌯𑌾𑌣𑌮𑍂𑌰𑍍𑌤𑌿𑌃 ॥ ௧॥ 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌶𑌬𑍍𑌦𑌂 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌚𑌾𑌰𑍍𑌥𑌂 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌪𑌦𑍍𑌯𑌂 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌗𑌦𑍍𑌯𑌮𑍍 । 𑌚𑌿𑌦𑍇𑌕𑌾 𑌷𑌡𑌾𑌸𑍍𑌯𑌾 𑌹𑍃𑌦𑌿 𑌦𑍍𑌯𑍋𑌤𑌤𑍇 𑌮𑍇 𑌮𑍁𑌖𑌾𑌨𑍍𑌨𑌿𑌃𑌸𑌰𑌨𑍍𑌤𑍇 𑌗𑌿𑌰𑌶𑍍𑌚𑌾𑌪𑌿 𑌚𑌿𑌤𑍍𑌰𑌮𑍍 ॥ ௨॥ 𑌮𑌯𑍂𑌰𑌾𑌧𑌿𑌰𑍂𑌢𑌂 𑌮𑌹𑌾𑌵𑌾𑌕𑍍𑌯𑌗𑍂𑌢𑌂 𑌮𑌨𑍋𑌹𑌾𑌰𑌿𑌦𑍇𑌹𑌂 𑌮𑌹𑌚𑍍𑌚𑌿𑌤𑍍𑌤𑌗𑍇𑌹𑌮𑍍 । 𑌮𑌹𑍀𑌦𑍇𑌵𑌦𑍇𑌵𑌂 𑌮𑌹𑌾𑌵𑍇𑌦𑌭𑌾𑌵𑌂 𑌮𑌹𑌾𑌦𑍇𑌵𑌬𑌾𑌲𑌂 𑌭𑌜𑍇 𑌲𑍋𑌕𑌪𑌾𑌲𑌮𑍍 ॥ ௩॥ 𑌯𑌦𑌾 𑌸𑌨𑍍𑌨𑌿𑌧𑌾𑌨𑌂 𑌗𑌤𑌾 𑌮𑌾𑌨𑌵𑌾 𑌮𑍇 𑌭𑌵𑌾𑌮𑍍𑌭𑍋𑌧𑌿𑌪𑌾𑌰𑌂 𑌗𑌤𑌾𑌸𑍍𑌤𑍇 𑌤𑌦𑍈𑌵 । 𑌇𑌤𑌿 𑌵𑍍𑌯𑌞𑍍𑌜𑌯𑌨𑍍𑌸𑌿𑌨𑍍𑌧𑍁𑌤𑍀𑌰𑍇 𑌯 𑌆𑌸𑍍𑌤𑍇 𑌤𑌮𑍀𑌡𑍇 𑌪𑌵𑌿𑌤𑍍𑌰𑌂 𑌪𑌰𑌾𑌶𑌕𑍍𑌤𑌿𑌪𑍁𑌤𑍍𑌰𑌮𑍍 ॥ ௪॥ 𑌯𑌥𑌾𑌬𑍍𑌧𑍇𑌸𑍍𑌤𑌰𑌙𑍍𑌗𑌾 𑌲𑌯𑌂 𑌯𑌾𑌨𑍍𑌤𑌿 𑌤𑍁𑌙𑍍𑌗𑌾- 𑌸𑍍𑌤𑌥𑍈𑌵𑌾𑌪𑌦𑌃 𑌸𑌨𑍍𑌨𑌿𑌧𑍗 𑌸𑍇𑌵𑌤𑌾𑌂 𑌮𑍇 । 𑌇𑌤𑍀𑌵𑍋𑌰𑍍𑌮𑌿𑌪𑌙𑍍𑌕𑍍𑌤𑍀𑌰𑍍𑌨𑍃𑌣𑌾𑌂 𑌦𑌰𑍍𑌶𑌯𑌨𑍍𑌤𑌂 𑌸𑌦𑌾 𑌭𑌾𑌵𑌯𑍇 𑌹𑍃𑌤𑍍𑌸𑌰𑍋𑌜𑍇 𑌗𑍁𑌹𑌂 𑌤𑌮𑍍 ॥ ௫॥ 𑌗𑌿𑌰𑍗 𑌮𑌨𑍍𑌨𑌿𑌵𑌾𑌸𑍇 𑌨𑌰𑌾 𑌯𑍇𑌽𑌧𑌿𑌰𑍂𑌢𑌾- 𑌸𑍍𑌤𑌦𑌾 𑌪𑌰𑍍𑌵𑌤𑍇 𑌰𑌾𑌜𑌤𑍇 𑌤𑍇𑌽𑌧𑌿𑌰𑍂𑌢𑌾𑌃 । 𑌇𑌤𑍀𑌵 𑌬𑍍𑌰𑍁𑌵𑌨𑍍𑌗𑌨𑍍𑌧𑌶𑍈𑌲𑌾𑌧𑌿𑌰𑍂𑌢𑌃 𑌸 𑌦𑍇𑌵𑍋 𑌮𑍁𑌦𑍇 𑌮𑍇 𑌸𑌦𑌾 𑌷𑌣𑍍𑌮𑍁𑌖𑍋𑌽𑌸𑍍𑌤𑍁 ॥ ௬॥ 𑌮𑌹𑌾𑌮𑍍𑌭𑍋𑌧𑌿𑌤𑍀𑌰𑍇 𑌮𑌹𑌾𑌪𑌾𑌪𑌚𑍋𑌰𑍇 𑌮𑍁𑌨𑍀𑌨𑍍𑌦𑍍𑌰𑌾𑌨𑍁𑌕𑍂𑌲𑍇 𑌸𑍁𑌗𑌨𑍍𑌧𑌾𑌖𑍍𑌯𑌶𑍈𑌲𑍇 । 𑌗𑍁𑌹𑌾𑌯𑌾𑌂 𑌵𑌸𑌨𑍍𑌤𑌂 𑌸𑍍𑌵𑌭𑌾𑌸𑌾 𑌲𑌸𑌨𑍍𑌤𑌂 𑌜𑌨𑌾𑌰𑍍𑌤𑌿𑌂 𑌹𑌰𑌨𑍍𑌤𑌂 𑌶𑍍𑌰𑌯𑌾𑌮𑍋 𑌗𑍁𑌹𑌂 𑌤𑌮𑍍 ॥ ௭॥ 𑌲𑌸𑌤𑍍𑌸𑍍𑌵𑌰𑍍𑌣𑌗𑍇𑌹𑍇 𑌨𑍃𑌣𑌾𑌂 𑌕𑌾𑌮𑌦𑍋𑌹𑍇 𑌸𑍁𑌮𑌸𑍍𑌤𑍋𑌮𑌸𑌞𑍍𑌛𑌨𑍍𑌨𑌮𑌾𑌣𑌿𑌕𑍍𑌯𑌮𑌞𑍍𑌚𑍇 । 𑌸𑌮𑍁𑌦𑍍𑌯𑌤𑍍𑌸𑌹𑌸𑍍𑌰𑌾𑌰𑍍𑌕𑌤𑍁𑌲𑍍𑌯𑌪𑍍𑌰𑌕𑌾𑌶𑌂 𑌸𑌦𑌾 𑌭𑌾𑌵𑌯𑍇 𑌕𑌾𑌰𑍍𑌤𑌿𑌕𑍇𑌯𑌂 𑌸𑍁𑌰𑍇𑌶𑌮𑍍 ॥ ௮॥ 𑌰𑌣𑌦𑍍𑌧𑌂𑌸𑌕𑍇 𑌮𑌞𑍍𑌜𑍁𑌲𑍇𑌽𑌤𑍍𑌯𑌨𑍍𑌤𑌶𑍋𑌣𑍇 𑌮𑌨𑍋𑌹𑌾𑌰𑌿𑌲𑌾𑌵𑌣𑍍𑌯𑌪𑍀𑌯𑍂𑌷𑌪𑍂𑌰𑍍𑌣𑍇 । 𑌮𑌨𑌃𑌷𑌟𑍍𑌪𑌦𑍋 𑌮𑍇 𑌭𑌵𑌕𑍍𑌲𑍇𑌶𑌤𑌪𑍍𑌤𑌃 𑌸𑌦𑌾 𑌮𑍋𑌦𑌤𑌾𑌂 𑌸𑍍𑌕𑌨𑍍𑌦 𑌤𑍇 𑌪𑌾𑌦𑌪𑌦𑍍𑌮𑍇 ॥ ௯॥ 𑌸𑍁𑌵𑌰𑍍𑌣𑌾𑌭𑌦𑌿𑌵𑍍𑌯𑌾𑌮𑍍𑌬𑌰𑍈𑌰𑍍𑌭𑌾𑌸𑌮𑌾𑌨𑌾𑌂 𑌕𑍍𑌵𑌣𑌤𑍍𑌕𑌿𑌙𑍍𑌕𑌿𑌣𑍀𑌮𑍇𑌖𑌲𑌾𑌶𑍋𑌭𑌮𑌾𑌨𑌾𑌮𑍍 । 𑌲𑌸𑌦𑍍𑌧𑍇𑌮𑌪𑌟𑍍𑌟𑍇𑌨 𑌵𑌿𑌦𑍍𑌯𑍋𑌤𑌮𑌾𑌨𑌾𑌂 𑌕𑌟𑌿𑌂 𑌭𑌾𑌵𑌯𑍇 𑌸𑍍𑌕𑌨𑍍𑌦 𑌤𑍇 𑌦𑍀𑌪𑍍𑌯𑌮𑌾𑌨𑌾𑌮𑍍 ॥ ௧௦ ॥ 𑌪𑍁𑌲𑌿𑌨𑍍𑌦𑍇𑌶𑌕𑌨𑍍𑌯𑌾𑌘𑌨𑌾𑌭𑍋𑌗𑌤𑍁𑌙𑍍𑌗- 𑌸𑍍𑌤𑌨𑌾𑌲𑌿𑌙𑍍𑌗𑌨𑌾𑌸𑌕𑍍𑌤𑌕𑌾𑌶𑍍𑌮𑍀𑌰𑌰𑌾𑌗𑌮𑍍 । 𑌨𑌮𑌸𑍍𑌯𑌾𑌮𑍍𑌯𑌹𑌂 𑌤𑌾𑌰𑌕𑌾𑌰𑍇 𑌤𑌵𑍋𑌰𑌃 𑌸𑍍𑌵𑌭𑌕𑍍𑌤𑌾𑌵𑌨𑍇 𑌸𑌰𑍍𑌵𑌦𑌾 𑌸𑌾𑌨𑍁𑌰𑌾𑌗𑌮𑍍 ॥ ௧௧॥ 𑌵𑌿𑌧𑍗 𑌕𑍢𑌪𑍍𑌤𑌦𑌣𑍍𑌡𑌾𑌨𑍍 𑌸𑍍𑌵𑌲𑍀𑌲𑌾𑌧𑍃𑌤𑌾𑌣𑍍𑌡𑌾- 𑌨𑍍𑌨𑌿𑌰𑌸𑍍𑌤𑍇𑌭𑌶𑍁𑌣𑍍𑌡𑌾𑌨𑍍 𑌦𑍍𑌵𑌿𑌷𑌤𑍍𑌕𑌾𑌲𑌦𑌣𑍍𑌡𑌾𑌨𑍍 । 𑌹𑌤𑍇𑌨𑍍𑌦𑍍𑌰𑌾𑌰𑌿𑌷𑌣𑍍𑌡𑌾𑌞𑍍𑌜𑌗𑌤𑍍𑌤𑍍𑌰𑌾𑌣𑌶𑍗𑌣𑍍𑌡𑌾𑌨𑍍 𑌸𑌦𑌾 𑌤𑍇 𑌪𑍍𑌰𑌚𑌣𑍍𑌡𑌾𑌨𑍍 𑌶𑍍𑌰𑌯𑍇 𑌬𑌾𑌹𑍁𑌦𑌣𑍍𑌡𑌾𑌨𑍍 ॥ ௧௨॥ 𑌸𑌦𑌾 𑌶𑌾𑌰𑌦𑌾𑌃 𑌷𑌣𑍍𑌮𑍃𑌗𑌾𑌙𑍍𑌕𑌾 𑌯𑌦𑌿 𑌸𑍍𑌯𑍁𑌃 𑌸𑌮𑍁𑌦𑍍𑌯𑌨𑍍𑌤 𑌏𑌵 𑌸𑍍𑌥𑌿𑌤𑌾𑌶𑍍𑌚𑍇𑌤𑍍𑌸𑌮𑌨𑍍𑌤𑌾𑌤𑍍 । 𑌸𑌦𑌾 𑌪𑍂𑌰𑍍𑌣𑌬𑌿𑌮𑍍𑌬𑌾𑌃 𑌕𑌲𑌙𑍍𑌕𑍈𑌶𑍍𑌚 𑌹𑍀𑌨𑌾- 𑌸𑍍𑌤𑌦𑌾 𑌤𑍍𑌵𑌨𑍍𑌮𑍁𑌖𑌾𑌨𑌾𑌂 𑌬𑍍𑌰𑍁𑌵𑍇 𑌸𑍍𑌕𑌨𑍍𑌦 𑌸𑌾𑌮𑍍𑌯𑌮𑍍 ॥ ௧௩॥ 𑌸𑍍𑌫𑍁𑌰𑌨𑍍𑌮𑌨𑍍𑌦𑌹𑌾𑌸𑍈𑌃 𑌸𑌹𑌂𑌸𑌾𑌨𑌿 𑌚𑌞𑍍𑌚- 𑌤𑍍𑌕𑌟𑌾𑌕𑍍𑌷𑌾𑌵𑌲𑍀𑌭𑍃𑌙𑍍𑌗𑌸𑌙𑍍𑌘𑍋𑌜𑍍𑌜𑍍𑌵𑌲𑌾𑌨𑌿 । 𑌸𑍁𑌧𑌾𑌸𑍍𑌯𑌨𑍍𑌦𑌿𑌬𑌿𑌮𑍍𑌬𑌾𑌧𑌰𑌾𑌣𑍀𑌶𑌸𑍂𑌨𑍋 𑌤𑌵𑌾𑌲𑍋𑌕𑌯𑍇 𑌷𑌣𑍍𑌮𑍁𑌖𑌾𑌮𑍍𑌭𑍋𑌰𑍁𑌹𑌾𑌣𑌿 ॥ ௧௪॥ 𑌵𑌿𑌶𑌾𑌲𑍇𑌷𑍁 𑌕𑌰𑍍𑌣𑌾𑌨𑍍𑌤𑌦𑍀𑌰𑍍𑌘𑍇𑌷𑍍𑌵𑌜𑌸𑍍𑌰𑌂 𑌦𑌯𑌾𑌸𑍍𑌯𑌨𑍍𑌦𑌿𑌷𑍁 𑌦𑍍𑌵𑌾𑌦𑌶𑌸𑍍𑌵𑍀𑌕𑍍𑌷𑌣𑍇𑌷𑍁 । 𑌮𑌯𑍀𑌷𑌤𑍍𑌕𑌟𑌾𑌕𑍍𑌷𑌃 𑌸𑌕𑍃𑌤𑍍𑌪𑌾𑌤𑌿𑌤𑌶𑍍𑌚𑍇- 𑌦𑍍𑌭𑌵𑍇𑌤𑍍𑌤𑍇 𑌦𑌯𑌾𑌶𑍀𑌲 𑌕𑌾 𑌨𑌾𑌮 𑌹𑌾𑌨𑌿𑌃 ॥ ௧௫॥ 𑌸𑍁𑌤𑌾𑌙𑍍𑌗𑍋𑌦𑍍𑌭𑌵𑍋 𑌮𑍇𑌽𑌸𑌿 𑌜𑍀𑌵𑍇𑌤𑌿 𑌷𑌡𑍍𑌧𑌾 𑌜𑌪𑌨𑍍𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑍀𑌶𑍋 𑌮𑍁𑌦𑌾 𑌜𑌿𑌘𑍍𑌰𑌤𑍇 𑌯𑌾𑌨𑍍 । 𑌜𑌗𑌦𑍍𑌭𑌾𑌰𑌭𑍃𑌦𑍍𑌭𑍍𑌯𑍋 𑌜𑌗𑌨𑍍𑌨𑌾𑌥 𑌤𑍇𑌭𑍍𑌯𑌃 𑌕𑌿𑌰𑍀𑌟𑍋𑌜𑍍𑌜𑍍𑌵𑌲𑍇𑌭𑍍𑌯𑍋 𑌨𑌮𑍋 𑌮𑌸𑍍𑌤𑌕𑍇𑌭𑍍𑌯𑌃 ॥ ௧௬॥ 𑌸𑍍𑌫𑍁𑌰𑌦𑍍𑌰𑌤𑍍𑌨𑌕𑍇𑌯𑍂𑌰𑌹𑌾𑌰𑌾𑌭𑌿𑌰𑌾𑌮- 𑌶𑍍𑌚𑌲𑌤𑍍𑌕𑍁𑌣𑍍𑌡𑌲𑌶𑍍𑌰𑍀𑌲𑌸𑌦𑍍𑌗𑌣𑍍𑌡𑌭𑌾𑌗𑌃 । 𑌕𑌟𑍗 𑌪𑍀𑌤𑌵𑌾𑌸𑌾𑌃 𑌕𑌰𑍇 𑌚𑌾𑌰𑍁𑌶𑌕𑍍𑌤𑌿𑌃 𑌪𑍁𑌰𑌸𑍍𑌤𑌾𑌨𑍍𑌮𑌮𑌾𑌸𑍍𑌤𑌾𑌂 𑌪𑍁𑌰𑌾𑌰𑍇𑌸𑍍𑌤𑌨𑍂𑌜𑌃 ॥ ௧௭॥ 𑌇𑌹𑌾𑌯𑌾𑌹𑌿 𑌵𑌤𑍍𑌸𑍇𑌤𑌿 𑌹𑌸𑍍𑌤𑌾𑌨𑍍𑌪𑍍𑌰𑌸𑌾𑌰𑍍𑌯𑌾- 𑌹𑍍𑌵𑌯𑌤𑍍𑌯𑌾𑌦𑌰𑌾𑌚𑍍𑌛𑌙𑍍𑌕𑌰𑍇 𑌮𑌾𑌤𑍁𑌰𑌙𑍍𑌕𑌾𑌤𑍍 । 𑌸𑌮𑍁𑌤𑍍𑌪𑌤𑍍𑌯 𑌤𑌾𑌤𑌂 𑌶𑍍𑌰𑌯𑌨𑍍𑌤𑌂 𑌕𑍁𑌮𑌾𑌰𑌂 𑌹𑌰𑌾𑌶𑍍𑌲𑌿𑌷𑍍𑌟𑌗𑌾𑌤𑍍𑌰𑌂 𑌭𑌜𑍇 𑌬𑌾𑌲𑌮𑍂𑌰𑍍𑌤𑌿𑌮𑍍 ॥ ௧௮॥ 𑌕𑍁𑌮𑌾𑌰𑍇𑌶𑌸𑍂𑌨𑍋 𑌗𑍁𑌹 𑌸𑍍𑌕𑌨𑍍𑌦 𑌸𑍇𑌨𑌾- 𑌪𑌤𑍇 𑌶𑌕𑍍𑌤𑌿𑌪𑌾𑌣𑍇 𑌮𑌯𑍂𑌰𑌾𑌧𑌿𑌰𑍂𑌢 । 𑌪𑍁𑌲𑌿𑌨𑍍𑌦𑌾𑌤𑍍𑌮𑌜𑌾𑌕𑌾𑌨𑍍𑌤 𑌭𑌕𑍍𑌤𑌾𑌰𑍍𑌤𑌿𑌹𑌾𑌰𑌿𑌨𑍍 𑌪𑍍𑌰𑌭𑍋 𑌤𑌾𑌰𑌕𑌾𑌰𑍇 𑌸𑌦𑌾 𑌰𑌕𑍍𑌷 𑌮𑌾𑌂 𑌤𑍍𑌵𑌮𑍍 ॥ ௧௯ ॥ 𑌪𑍍𑌰𑌶𑌾𑌨𑍍𑌤𑍇𑌨𑍍𑌦𑍍𑌰𑌿𑌯𑍇 𑌨𑌷𑍍𑌟𑌸𑌂𑌜𑍍𑌞𑍇 𑌵𑌿𑌚𑍇𑌷𑍍𑌟𑍇 𑌕𑌫𑍋𑌦𑍍𑌗𑌾𑌰𑌿𑌵𑌕𑍍𑌤𑍍𑌰𑍇 𑌭𑌯𑍋𑌤𑍍𑌕𑌮𑍍𑌪𑌿𑌗𑌾𑌤𑍍𑌰𑍇 । 𑌪𑍍𑌰𑌯𑌾𑌣𑍋𑌨𑍍𑌮𑍁𑌖𑍇 𑌮𑌯𑍍𑌯𑌨𑌾𑌥𑍇 𑌤𑌦𑌾𑌨𑍀𑌂 𑌦𑍍𑌰𑍁𑌤𑌂 𑌮𑍇 𑌦𑌯𑌾𑌲𑍋 𑌭𑌵𑌾𑌗𑍍𑌰𑍇 𑌗𑍁𑌹 𑌤𑍍𑌵𑌮𑍍 ॥ ௨௦॥ 𑌕𑍃𑌤𑌾𑌨𑍍𑌤𑌸𑍍𑌯 𑌦𑍂𑌤𑍇𑌷𑍁 𑌚𑌣𑍍𑌡𑍇𑌷𑍁 𑌕𑍋𑌪𑌾- 𑌦𑍍𑌦𑌹 𑌚𑍍𑌛𑌿𑌨𑍍𑌦𑍍𑌧𑌿 𑌭𑌿𑌨𑍍𑌦𑍍𑌧𑍀𑌤𑌿 𑌮𑌾𑌂 𑌤𑌰𑍍𑌜𑌯𑌤𑍍𑌸𑍁 । 𑌮𑌯𑍂𑌰𑌂 𑌸𑌮𑌾𑌰𑍁𑌹𑍍𑌯 𑌮𑌾 𑌭𑍈𑌰𑌿𑌤𑌿 𑌤𑍍𑌵𑌂 𑌪𑍁𑌰𑌃 𑌶𑌕𑍍𑌤𑌿𑌪𑌾𑌣𑌿𑌰𑍍𑌮𑌮𑌾𑌯𑌾𑌹𑌿 𑌶𑍀𑌘𑍍𑌰𑌮𑍍 ॥ ௨௧॥ 𑌪𑍍𑌰𑌣𑌮𑍍𑌯𑌾𑌸𑌕𑍃𑌤𑍍𑌪𑌾𑌦𑌯𑍋𑌸𑍍𑌤𑍇 𑌪𑌤𑌿𑌤𑍍𑌵𑌾 𑌪𑍍𑌰𑌸𑌾𑌦𑍍𑌯 𑌪𑍍𑌰𑌭𑍋 𑌪𑍍𑌰𑌾𑌰𑍍𑌥𑌯𑍇𑌽𑌨𑍇𑌕𑌵𑌾𑌰𑌮𑍍 । 𑌨 𑌵𑌕𑍍𑌤𑍁𑌂 𑌕𑍍𑌷𑌮𑍋𑌽𑌹𑌂 𑌤𑌦𑌾𑌨𑍀𑌂 𑌕𑍃𑌪𑌾𑌬𑍍𑌧𑍇 𑌨 𑌕𑌾𑌰𑍍𑌯𑌾𑌨𑍍𑌤𑌕𑌾𑌲𑍇 𑌮𑌨𑌾𑌗𑌪𑍍𑌯𑍁𑌪𑍇𑌕𑍍𑌷𑌾 ॥ ௨௨॥ 𑌸𑌹𑌸𑍍𑌰𑌾𑌣𑍍𑌡𑌭𑍋𑌕𑍍𑌤𑌾 𑌤𑍍𑌵𑌯𑌾 𑌶𑍂𑌰𑌨𑌾𑌮𑌾 𑌹𑌤𑌸𑍍𑌤𑌾𑌰𑌕𑌃 𑌸𑌿𑌂𑌹𑌵𑌕𑍍𑌤𑍍𑌰𑌶𑍍𑌚 𑌦𑍈𑌤𑍍𑌯𑌃 । 𑌮𑌮𑌾𑌨𑍍𑌤𑌰𑍍𑌹𑍃𑌦𑌿𑌸𑍍𑌥𑌂 𑌮𑌨𑌃𑌕𑍍𑌲𑍇𑌶𑌮𑍇𑌕𑌂 𑌨 𑌹𑌂𑌸𑌿 𑌪𑍍𑌰𑌭𑍋 𑌕𑌿𑌂 𑌕𑌰𑍋𑌮𑌿 𑌕𑍍𑌵 𑌯𑌾𑌮𑌿 ॥ ௨௩ ॥ 𑌅𑌹𑌂 𑌸𑌰𑍍𑌵𑌦𑌾 𑌦𑍁𑌃𑌖𑌭𑌾𑌰𑌾𑌵𑌸𑌨𑍍𑌨𑍋 𑌭𑌵𑌾𑌨𑍍𑌦𑍀𑌨𑌬𑌨𑍍𑌧𑍁𑌸𑍍𑌤𑍍𑌵𑌦𑌨𑍍𑌯𑌂 𑌨 𑌯𑌾𑌚𑍇 । 𑌭𑌵𑌦𑍍𑌭𑌕𑍍𑌤𑌿𑌰𑍋𑌧𑌂 𑌸𑌦𑌾 𑌕𑍢𑌪𑍍𑌤𑌬𑌾𑌧𑌂 𑌮𑌮𑌾𑌧𑌿𑌂 𑌦𑍍𑌰𑍁𑌤𑌂 𑌨𑌾𑌶𑌯𑍋𑌮𑌾𑌸𑍁𑌤 𑌤𑍍𑌵𑌮𑍍 ॥ ௨௪ ॥ 𑌅𑌪𑌸𑍍𑌮𑌾𑌰𑌕𑍁𑌷𑍍𑌠𑌕𑍍𑌷𑌯𑌾𑌰𑍍𑌶𑌃 𑌪𑍍𑌰𑌮𑍇𑌹- 𑌜𑍍𑌵𑌰𑍋𑌨𑍍𑌮𑌾𑌦𑌗𑍁𑌲𑍍𑌮𑌾𑌦𑌿𑌰𑍋𑌗𑌾 𑌮𑌹𑌾𑌨𑍍𑌤𑌃 । 𑌪𑌿𑌶𑌾𑌚𑌾𑌶𑍍𑌚 𑌸𑌰𑍍𑌵𑍇 𑌭𑌵𑌤𑍍𑌪𑌤𑍍𑌰𑌭𑍂𑌤𑌿𑌂 𑌵𑌿𑌲𑍋𑌕𑍍𑌯 𑌕𑍍𑌷𑌣𑌾𑌤𑍍𑌤𑌾𑌰𑌕𑌾𑌰𑍇 𑌦𑍍𑌰𑌵𑌨𑍍𑌤𑍇 ॥ ௨௫॥ 𑌦𑍃𑌶𑌿 𑌸𑍍𑌕𑌨𑍍𑌦𑌮𑍂𑌰𑍍𑌤𑌿𑌃 𑌶𑍍𑌰𑍁𑌤𑍗 𑌸𑍍𑌕𑌨𑍍𑌦𑌕𑍀𑌰𑍍𑌤𑌿- 𑌰𑍍𑌮𑍁𑌖𑍇 𑌮𑍇 𑌪𑌵𑌿𑌤𑍍𑌰𑌂 𑌸𑌦𑌾 𑌤𑌚𑍍𑌚𑌰𑌿𑌤𑍍𑌰𑌮𑍍 । 𑌕𑌰𑍇 𑌤𑌸𑍍𑌯 𑌕𑍃𑌤𑍍𑌯𑌂 𑌵𑌪𑍁𑌸𑍍𑌤𑌸𑍍𑌯 𑌭𑍃𑌤𑍍𑌯𑌂 𑌗𑍁𑌹𑍇 𑌸𑌨𑍍𑌤𑍁 𑌲𑍀𑌨𑌾 𑌮𑌮𑌾𑌶𑍇𑌷𑌭𑌾𑌵𑌾𑌃 ॥ ௨௬॥ 𑌮𑍁𑌨𑍀𑌨𑌾𑌮𑍁𑌤𑌾𑌹𑍋 𑌨𑍃𑌣𑌾𑌂 𑌭𑌕𑍍𑌤𑌿𑌭𑌾𑌜𑌾- 𑌮𑌭𑍀𑌷𑍍𑌟𑌪𑍍𑌰𑌦𑌾𑌃 𑌸𑌨𑍍𑌤𑌿 𑌸𑌰𑍍𑌵𑌤𑍍𑌰 𑌦𑍇𑌵𑌾𑌃 । 𑌨𑍃𑌣𑌾𑌮𑌨𑍍𑌤𑍍𑌯𑌜𑌾𑌨𑌾𑌮𑌪𑌿 𑌸𑍍𑌵𑌾𑌰𑍍𑌥𑌦𑌾𑌨𑍇 𑌗𑍁𑌹𑌾𑌦𑍍𑌦𑍇𑌵𑌮𑌨𑍍𑌯𑌂 𑌨 𑌜𑌾𑌨𑍇 𑌨 𑌜𑌾𑌨𑍇 ॥ ௨௭॥ 𑌕𑌲𑌤𑍍𑌰𑌂 𑌸𑍁𑌤𑌾 𑌬𑌨𑍍𑌧𑍁𑌵𑌰𑍍𑌗𑌃 𑌪𑌶𑍁𑌰𑍍𑌵𑌾 𑌨𑌰𑍋 𑌵𑌾𑌥 𑌨𑌾𑌰𑌿 𑌗𑍃𑌹𑍇 𑌯𑍇 𑌮𑌦𑍀𑌯𑌾𑌃 । 𑌯𑌜𑌨𑍍𑌤𑍋 𑌨𑌮𑌨𑍍𑌤𑌃 𑌸𑍍𑌤𑍁𑌵𑌨𑍍𑌤𑍋 𑌭𑌵𑌨𑍍𑌤𑌂 𑌸𑍍𑌮𑌰𑌨𑍍𑌤𑌶𑍍𑌚 𑌤𑍇 𑌸𑌨𑍍𑌤𑍁 𑌸𑌰𑍍𑌵𑍇 𑌕𑍁𑌮𑌾𑌰 ॥ ௨௮॥ 𑌮𑍃𑌗𑌾𑌃 𑌪𑌕𑍍𑌷𑌿𑌣𑍋 𑌦𑌂𑌶𑌕𑌾 𑌯𑍇 𑌚 𑌦𑍁𑌷𑍍𑌟𑌾- 𑌸𑍍𑌤𑌥𑌾 𑌵𑍍𑌯𑌾𑌧𑌯𑍋 𑌬𑌾𑌧𑌕𑌾 𑌯𑍇 𑌮𑌦𑌙𑍍𑌗𑍇 । 𑌭𑌵𑌚𑍍𑌛𑌕𑍍𑌤𑌿𑌤𑍀𑌕𑍍𑌷𑍍𑌣𑌾𑌗𑍍𑌰𑌭𑌿𑌨𑍍𑌨𑌾𑌃 𑌸𑍁𑌦𑍂𑌰𑍇 𑌵𑌿𑌨𑌶𑍍𑌯𑌨𑍍𑌤𑍁 𑌤𑍇 𑌚𑍂𑌰𑍍𑌣𑌿𑌤𑌕𑍍𑌰𑍗𑌞𑍍𑌚𑌶𑍈𑌲 ॥ ௨௯॥ 𑌜𑌨𑌿𑌤𑍍𑌰𑍀 𑌪𑌿𑌤𑌾 𑌚 𑌸𑍍𑌵𑌪𑍁𑌤𑍍𑌰𑌾𑌪𑌰𑌾𑌧𑌂 𑌸𑌹𑍇𑌤𑍇 𑌨 𑌕𑌿𑌂 𑌦𑍇𑌵𑌸𑍇𑌨𑌾𑌧𑌿𑌨𑌾𑌥 । 𑌅𑌹𑌂 𑌚𑌾𑌤𑌿𑌬𑌾𑌲𑍋 𑌭𑌵𑌾𑌨𑍍 𑌲𑍋𑌕𑌤𑌾𑌤𑌃 𑌕𑍍𑌷𑌮𑌸𑍍𑌵𑌾𑌪𑌰𑌾𑌧𑌂 𑌸𑌮𑌸𑍍𑌤𑌂 𑌮𑌹𑍇𑌶 ॥ ௩௦॥ 𑌨𑌮𑌃 𑌕𑍇𑌕𑌿𑌨𑍇 𑌶𑌕𑍍𑌤𑌯𑍇 𑌚𑌾𑌪𑌿 𑌤𑍁𑌭𑍍𑌯𑌂 𑌨𑌮𑌶𑍍𑌛𑌾𑌗 𑌤𑍁𑌭𑍍𑌯𑌂 𑌨𑌮𑌃 𑌕𑍁𑌕𑍍𑌕𑍁𑌟𑌾𑌯 । 𑌨𑌮𑌃 𑌸𑌿𑌨𑍍𑌧𑌵𑍇 𑌸𑌿𑌨𑍍𑌧𑍁𑌦𑍇𑌶𑌾𑌯 𑌤𑍁𑌭𑍍𑌯𑌂 𑌪𑍁𑌨𑌃 𑌸𑍍𑌕𑌨𑍍𑌦𑌮𑍂𑌰𑍍𑌤𑍇 𑌨𑌮𑌸𑍍𑌤𑍇 𑌨𑌮𑍋𑌽𑌸𑍍𑌤𑍁 ॥ ௩௧॥ 𑌜𑌯𑌾𑌨𑌨𑍍𑌦𑌭𑍂𑌮𑌞𑍍𑌜𑌯𑌾𑌪𑌾𑌰𑌧𑌾𑌮- 𑌞𑍍𑌜𑌯𑌾𑌮𑍋𑌘𑌕𑍀𑌰𑍍𑌤𑍇 𑌜𑌯𑌾𑌨𑌨𑍍𑌦𑌮𑍂𑌰𑍍𑌤𑍇 । 𑌜𑌯𑌾𑌨𑌨𑍍𑌦𑌸𑌿𑌨𑍍𑌧𑍋 𑌜𑌯𑌾𑌶𑍇𑌷𑌬𑌨𑍍𑌧𑍋 𑌜𑌯 𑌤𑍍𑌵𑌂 𑌸𑌦𑌾 𑌮𑍁𑌕𑍍𑌤𑌿𑌦𑌾𑌨𑍇𑌶𑌸𑍂𑌨𑍋 ॥ ௩௨॥ 𑌭𑍁𑌜𑌙𑍍𑌗𑌾𑌖𑍍𑌯𑌵𑍃𑌤𑍍𑌤𑍇𑌨 𑌕𑍢𑌪𑍍𑌤𑌂 𑌸𑍍𑌤𑌵𑌂 𑌯𑌃 𑌪𑌠𑍇𑌦𑍍𑌭𑌕𑍍𑌤𑌿𑌯𑍁𑌕𑍍𑌤𑍋 𑌗𑍁𑌹𑌂 𑌸𑌮𑍍𑌪𑍍𑌰𑌣𑌮𑍍𑌯 । 𑌸𑍁𑌪𑍁𑌤𑍍𑌰𑌾𑌨𑍍𑌕𑌲𑌤𑍍𑌰𑌂 𑌧𑌨𑌂 𑌦𑍀𑌰𑍍𑌘𑌮𑌾𑌯𑍁- 𑌰𑍍𑌲𑌭𑍇𑌤𑍍𑌸𑍍𑌕𑌨𑍍𑌦𑌸𑌾𑌯𑍁𑌜𑍍𑌯𑌮𑌨𑍍𑌤𑍇 𑌨𑌰𑌃 𑌸𑌃 ॥ ௩௩॥ ॥ 𑌇𑌤𑌿 𑌶𑍍𑌰𑍀𑌮𑌚𑍍𑌛𑌙𑍍𑌕𑌰𑌭𑌗𑌵𑌤𑌃 𑌕𑍃𑌤𑍗

sadā bālarūpā'pi vighnādrihantrī mahādantivaktrā'pi pañcāsyamānyā | vidhīndrādimṛgyā gaṇeśābhidhā me vidhattāṃ śriyaṃ kā'pi kalyāṇamūrtiḥ || 1|| na jānāmi śabdaṃ na jānāmi cārthaṃ na jānāmi padyaṃ na jānāmi gadyam | cidekā ṣaḍāsyā hṛdi dyotate me mukhānniḥsarante giraścāpi citram || 2|| mayūrādhirūḍhaṃ mahāvākyagūḍhaṃ manohāridehaṃ mahaccittageham | mahīdevadevaṃ mahāvedabhāvaṃ mahādevabālaṃ bhaje lokapālam || 3|| yadā sannidhānaṃ gatā mānavā me bhavāmbhodhipāraṃ gatāste tadaiva | iti vyañjayansindhutīre ya āste tamīḍe pavitraṃ parāśaktiputram || 4|| yathābdhestaraṅgā layaṃ yānti tuṅgā- stathaivāpadaḥ sannidhau sevatāṃ me | itīvormipaṅktīrnṛṇāṃ darśayantaṃ sadā bhāvaye hṛtsaroje guhaṃ tam || 5|| girau mannivāse narā ye'dhirūḍhā- stadā parvate rājate te'dhirūḍhāḥ | itīva bruvangandhaśailādhirūḍhaḥ sa devo mude me sadā ṣaṇmukho'stu || 6|| mahāmbhodhitīre mahāpāpacore munīndrānukūle sugandhākhyaśaile | guhāyāṃ vasantaṃ svabhāsā lasantaṃ janārtiṃ harantaṃ śrayāmo guhaṃ tam || 7|| lasatsvarṇagehe nṛṇāṃ kāmadohe sumastomasañchannamāṇikyamañce | samudyatsahasrārkatulyaprakāśaṃ sadā bhāvaye kārtikeyaṃ sureśam || 8|| raṇaddhaṃsake mañjule'tyantaśoṇe manohārilāvaṇyapīyūṣapūrṇe | manaḥṣaṭpado me bhavakleśataptaḥ sadā modatāṃ skanda te pādapadme || 9|| suvarṇābhadivyāmbarairbhāsamānāṃ kvaṇatkiṅkiṇīmekhalāśobhamānām | lasaddhemapaṭṭena vidyotamānāṃ kaṭiṃ bhāvaye skanda te dīpyamānām || 10 || pulindeśakanyāghanābhogatuṅga- stanāliṅganāsaktakāśmīrarāgam | namasyāmyahaṃ tārakāre tavoraḥ svabhaktāvane sarvadā sānurāgam || 11|| vidhau kḷptadaṇḍān svalīlādhṛtāṇḍā- nnirastebhaśuṇḍān dviṣatkāladaṇḍān | hatendrāriṣaṇḍāñjagattrāṇaśauṇḍān sadā te pracaṇḍān śraye bāhudaṇḍān || 12|| sadā śāradāḥ ṣaṇmṛgāṅkā yadi syuḥ samudyanta eva sthitāścetsamantāt | sadā pūrṇabimbāḥ kalaṅkaiśca hīnā- stadā tvanmukhānāṃ bruve skanda sāmyam || 13|| sphuranmandahāsaiḥ sahaṃsāni cañca- tkaṭākṣāvalībhṛṅgasaṅghojjvalāni | sudhāsyandibimbādharāṇīśasūno tavālokaye ṣaṇmukhāmbhoruhāṇi || 14|| viśāleṣu karṇāntadīrgheṣvajasraṃ dayāsyandiṣu dvādaśasvīkṣaṇeṣu | mayīṣatkaṭākṣaḥ sakṛtpātitaśce- dbhavette dayāśīla kā nāma hāniḥ || 15|| sutāṅgodbhavo me'si jīveti ṣaḍdhā japanmantramīśo mudā jighrate yān | jagadbhārabhṛdbhyo jagannātha tebhyaḥ kirīṭojjvalebhyo namo mastakebhyaḥ || 16|| sphuradratnakeyūrahārābhirāma- ścalatkuṇḍalaśrīlasadgaṇḍabhāgaḥ | kaṭau pītavāsāḥ kare cāruśaktiḥ purastānmamāstāṃ purārestanūjaḥ || 17|| ihāyāhi vatseti hastānprasāryā- hvayatyādarācchaṅkare māturaṅkāt | samutpatya tātaṃ śrayantaṃ kumāraṃ harāśliṣṭagātraṃ bhaje bālamūrtim || 18|| kumāreśasūno guha skanda senā- pate śaktipāṇe mayūrādhirūḍha | pulindātmajākānta bhaktārtihārin prabho tārakāre sadā rakṣa māṃ tvam || 19 || praśāntendriye naṣṭasaṃjñe viceṣṭe kaphodgārivaktre bhayotkampigātre | prayāṇonmukhe mayyanāthe tadānīṃ drutaṃ me dayālo bhavāgre guha tvam || 20|| kṛtāntasya dūteṣu caṇḍeṣu kopā- ddaha cchinddhi bhinddhīti māṃ tarjayatsu | mayūraṃ samāruhya mā bhairiti tvaṃ puraḥ śaktipāṇirmamāyāhi śīghram || 21|| praṇamyāsakṛtpādayoste patitvā prasādya prabho prārthaye'nekavāram | na vaktuṃ kṣamo'haṃ tadānīṃ kṛpābdhe na kāryāntakāle manāgapyupekṣā || 22|| sahasrāṇḍabhoktā tvayā śūranāmā hatastārakaḥ siṃhavaktraśca daityaḥ | mamāntarhṛdisthaṃ manaḥkleśamekaṃ na haṃsi prabho kiṃ karomi kva yāmi || 23 || ahaṃ sarvadā duḥkhabhārāvasanno bhavāndīnabandhustvadanyaṃ na yāce | bhavadbhaktirodhaṃ sadā kḷptabādhaṃ mamādhiṃ drutaṃ nāśayomāsuta tvam || 24 || apasmārakuṣṭhakṣayārśaḥ prameha- jvaronmādagulmādirogā mahāntaḥ | piśācāśca sarve bhavatpatrabhūtiṃ vilokya kṣaṇāttārakāre dravante || 25|| dṛśi skandamūrtiḥ śrutau skandakīrti- rmukhe me pavitraṃ sadā taccaritram | kare tasya kṛtyaṃ vapustasya bhṛtyaṃ guhe santu līnā mamāśeṣabhāvāḥ || 26|| munīnāmutāho nṛṇāṃ bhaktibhājā- mabhīṣṭapradāḥ santi sarvatra devāḥ | nṛṇāmantyajānāmapi svārthadāne guhāddevamanyaṃ na jāne na jāne || 27|| kalatraṃ sutā bandhuvargaḥ paśurvā naro vātha nāri gṛhe ye madīyāḥ | yajanto namantaḥ stuvanto bhavantaṃ smarantaśca te santu sarve kumāra || 28|| mṛgāḥ pakṣiṇo daṃśakā ye ca duṣṭā- stathā vyādhayo bādhakā ye madaṅge | bhavacchaktitīkṣṇāgrabhinnāḥ sudūre vinaśyantu te cūrṇitakrauñcaśaila || 29|| janitrī pitā ca svaputrāparādhaṃ sahete na kiṃ devasenādhinātha | ahaṃ cātibālo bhavān lokatātaḥ kṣamasvāparādhaṃ samastaṃ maheśa || 30|| namaḥ kekine śaktaye cāpi tubhyaṃ namaśchāga tubhyaṃ namaḥ kukkuṭāya | namaḥ sindhave sindhudeśāya tubhyaṃ punaḥ skandamūrte namaste namo'stu || 31|| jayānandabhūmañjayāpāradhāma- ñjayāmoghakīrte jayānandamūrte | jayānandasindho jayāśeṣabandho jaya tvaṃ sadā muktidāneśasūno || 32|| bhujaṅgākhyavṛttena kḷptaṃ stavaṃ yaḥ paṭhedbhaktiyukto guhaṃ sampraṇamya | suputrānkalatraṃ dhanaṃ dīrghamāyu- rlabhetskandasāyujyamante naraḥ saḥ || 33|| || iti śrīmacchaṅkarabhagavataḥ kṛtau

Meaning:ಸುಬ್ರಹ್ಮಣ್ಯ ಭುಜಂಗಂ ಭಗವಾನ್ ಸುಬ್ರಹ್ಮಣ್ಯನ (ಮುರುಗನ್, ಕಾರ್ತಿಕೇಯ, ಷಡಾನನ ಷಣ್ಮುಖ) ಪ್ರಸಿದ್ಧ ಸ್ತುತಿಯಾಗಿದ್ದು, ಇದನ್ನು ಆದಿ ಶಂಕರಾಚಾರ್ಯರು ತಿರುಚೆಂದೂರಿನಲ್ಲಿ ರಚಿಸಿದರು. ಭಗವಂತನನ್ನು ಧ್ಯಾನಿಸುತ್ತಿರುವಾಗ ಶಂಕರಾಚಾರ್ಯರಿಗೆ ತಮ್ಮ ಹೃದಯದಲ್ಲಿ ಷಣ್ಮುಖನ ಸ್ವಯಂಪ್ರಕಾಶ ತೇಜಸ್ಸು ಗೋಚರಿಸಿತೆಂದೂ, ತರಂಗಾಕಾರ ಭುಜಂಗ ('ಸರ್ಪ') ಛಂದಸ್ಸಿನಲ್ಲಿ ಈ ಶ್ಲೋಕಗಳು ಅವರ ಮುಖದಿಂದ ಅನಾಯಾಸವಾಗಿ ಹೊಮ್ಮಿದವೆಂದೂ ಸಂಪ್ರದಾಯ ಹೇಳುತ್ತದೆ — ಇದು ಸ್ವತಃ ಆದಿಶೇಷನು ಭಗವಂತನನ್ನು ಆರಾಧಿಸುವುದನ್ನು ಕಂಡು ಪ್ರೇರಿತವಾಯಿತೆಂದು ಹೇಳಲಾಗುತ್ತದೆ. ಇದು ಗಣೇಶನ ಆವಾಹನೆಯಿಂದಲೂ, ಆಚಾರ್ಯರ ವಿನಮ್ರತೆಯ ಪ್ರಸಿದ್ಧ ಶ್ಲೋಕದಿಂದಲೂ ('ನನಗೆ ಶಬ್ದ ತಿಳಿಯದು, ಅರ್ಥ ತಿಳಿಯದು, ಪದ್ಯ ತಿಳಿಯದು, ಗದ್ಯ ತಿಳಿಯದು…') ಆರಂಭವಾಗಿ, ನಂತರ ಮುರುಗನ ಸೌಂದರ್ಯ, ಅವನ ವೇಲ್ (ಶೂಲ), ನವಿಲು, ಅವನ ಕರುಣೆ, ಅವನ ಪಾದಗಳ ಸ್ತುತಿಯಿಂದ ತುಂಬಿಹೋಗುತ್ತದೆ — ಶರಣಾಗತಿಯ ಪ್ರಾರ್ಥನೆಯೊಂದಿಗೆ ಮುಗಿಯುತ್ತದೆ. ಇದು ದಕ್ಷಿಣ ಭಾರತದ ಅತ್ಯಂತ ಪ್ರಿಯ ಮುರುಗನ್ ಸ್ತುತಿಗಳಲ್ಲಿ ಒಂದು ಮತ್ತು ಆರೋಗ್ಯ, ರಕ್ಷಣೆ, ಭಯ ಹಾಗೂ ರೋಗ ನಿವಾರಣೆಯನ್ನು ಕರುಣಿಸುತ್ತದೆಂದು ನಂಬಲಾಗಿದೆ.

Word-by-Word Meaning

Click any word to hear its pronunciation

𑌸𑌦𑌾 𑌬𑌾𑌲𑌰𑍂𑌪𑌾𑌽𑌪𑌿 𑌵𑌿𑌘𑍍𑌨𑌾𑌦𑍍𑌰𑌿𑌹𑌨𑍍𑌤𑍍𑌰𑍀 𑌮𑌹𑌾𑌦𑌨𑍍𑌤𑌿𑌵𑌕𑍍𑌤𑍍𑌰𑌾𑌽𑌪𑌿 𑌪𑌞𑍍𑌚𑌾𑌸𑍍𑌯𑌮𑌾𑌨𑍍𑌯𑌾 । 𑌵𑌿𑌧𑍀𑌨𑍍𑌦𑍍𑌰𑌾𑌦𑌿𑌮𑍃𑌗𑍍𑌯𑌾 𑌗𑌣𑍇𑌶𑌾𑌭𑌿𑌧𑌾 𑌮𑍇 𑌵𑌿𑌧𑌤𑍍𑌤𑌾𑌂 𑌶𑍍𑌰𑌿𑌯𑌂 𑌕𑌾𑌽𑌪𑌿 𑌕𑌲𑍍𑌯𑌾𑌣𑌮𑍂𑌰𑍍𑌤𑌿𑌃 ॥ ௧॥🔊sadā bālarūpā'pi vighnādrihantrī mahādantivaktrā'pi pañcāsyamānyā | vidhīndrādimṛgyā gaṇeśābhidhā me vidhattāṃ śriyaṃ kā'pi kalyāṇamūrtiḥ || 1||Though ever child-like in form, He shatters the mountains of obstacles; though elephant-faced, He is honoured even by His five-faced father Shiva; sought by Brahma, Indra and all the gods — may that Ganesha of auspicious form and boundless glory grant me prosperity. (The opening invocation of Ganesha.)

𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌶𑌬𑍍𑌦𑌂 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌚𑌾𑌰𑍍𑌥𑌂 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌪𑌦𑍍𑌯𑌂 𑌨 𑌜𑌾𑌨𑌾𑌮𑌿 𑌗𑌦𑍍𑌯𑌮𑍍 । 𑌚𑌿𑌦𑍇𑌕𑌾 𑌷𑌡𑌾𑌸𑍍𑌯𑌾 𑌹𑍃𑌦𑌿 𑌦𑍍𑌯𑍋𑌤𑌤𑍇 𑌮𑍇 𑌮𑍁𑌖𑌾𑌨𑍍𑌨𑌿𑌃𑌸𑌰𑌨𑍍𑌤𑍇 𑌗𑌿𑌰𑌶𑍍𑌚𑌾𑌪𑌿 𑌚𑌿𑌤𑍍𑌰𑌮𑍍 ॥ ௨॥🔊na jānāmi śabdaṃ na jānāmi cārthaṃ na jānāmi padyaṃ na jānāmi gadyam | cidekā ṣaḍāsyā hṛdi dyotate me mukhānniḥsarante giraścāpi citram || 2||I know not the science of sound, nor the meaning of texts, nor verse, nor prose; yet a single effulgence of six faces shines within my heart, and from my mouth, wondrously, words pour forth. (Shankaracharya’s humility before Lord Subrahmanya.)

𑌮𑌯𑍂𑌰𑌾𑌧𑌿𑌰𑍂𑌢𑌂 𑌮𑌹𑌾𑌵𑌾𑌕𑍍𑌯𑌗𑍂𑌢𑌂 𑌮𑌨𑍋𑌹𑌾𑌰𑌿𑌦𑍇𑌹𑌂 𑌮𑌹𑌚𑍍𑌚𑌿𑌤𑍍𑌤𑌗𑍇𑌹𑌮𑍍 । 𑌮𑌹𑍀𑌦𑍇𑌵𑌦𑍇𑌵𑌂 𑌮𑌹𑌾𑌵𑍇𑌦𑌭𑌾𑌵𑌂 𑌮𑌹𑌾𑌦𑍇𑌵𑌬𑌾𑌲𑌂 𑌭𑌜𑍇 𑌲𑍋𑌕𑌪𑌾𑌲𑌮𑍍 ॥ ௩॥🔊mayūrādhirūḍhaṃ mahāvākyagūḍhaṃ manohāridehaṃ mahaccittageham | mahīdevadevaṃ mahāvedabhāvaṃ mahādevabālaṃ bhaje lokapālam || 3||I worship the Protector of the worlds — mounted upon the peacock, hidden within the great Vedic sayings (maha-vakya), of enchanting form, enshrined in the hearts of the great; God of the gods, the very essence of the great Vedas, the son of Mahadeva (Shiva).

𑌭𑍁𑌜𑌙𑍍𑌗𑌾𑌖𑍍𑌯𑌵𑍃𑌤𑍍𑌤𑍇𑌨 𑌕𑍢𑌪𑍍𑌤𑌂 𑌸𑍍𑌤𑌵𑌂 𑌯𑌃 𑌪𑌠𑍇𑌦𑍍𑌭𑌕𑍍𑌤𑌿𑌯𑍁𑌕𑍍𑌤𑍋 𑌗𑍁𑌹𑌂 𑌸𑌮𑍍𑌪𑍍𑌰𑌣𑌮𑍍𑌯 । 𑌸𑍁𑌪𑍁𑌤𑍍𑌰𑌾𑌨𑍍𑌕𑌲𑌤𑍍𑌰𑌂 𑌧𑌨𑌂 𑌦𑍀𑌰𑍍𑌘𑌮𑌾𑌯𑍁- 𑌰𑍍𑌲𑌭𑍇𑌤𑍍𑌸𑍍𑌕𑌨𑍍𑌦𑌸𑌾𑌯𑍁𑌜𑍍𑌯𑌮𑌨𑍍𑌤𑍇 𑌨𑌰𑌃 𑌸𑌃 ॥ ௩௩॥🔊bhujaṅgākhyavṛttena kḷptaṃ stavaṃ yaḥ paṭhedbhaktiyukto guhaṃ sampraṇamya | suputrānkalatraṃ dhanaṃ dīrghamāyu- rlabhetskandasāyujyamante naraḥ saḥ || 33||Whoever, filled with devotion, recites this hymn set in the Bhujanga metre and bows low to Guha (Murugan), obtains noble sons, a good spouse, wealth and long life — and at the last, union with Skanda himself (Skanda-sayujya). (The closing phala-shruti.)

Benefits of Chanting ಸುಬ್ರಹ್ಮಣ್ಯ ಭುಜಂಗಂ

✦

A supremely loved hymn to Lord Murugan (Subrahmanya) by Adi Shankaracharya — its recitation is held to bring the Lord’s grace, courage and protection.

✦

Traditionally recited for health and the removal of disease, fear and the troubles of poison and affliction — Murugan, the divine commander, wards off all harm.

✦

Cultivates devotion and surrender, ending as a heartfelt plea for refuge at the Lord’s feet.

✦

Especially powerful on Skanda Shashti, on Tuesdays and Krittika nakshatra days, and in the six sacred abodes (Arupadai Veedu) of Murugan.

✦

A melodious Bhujanga-metre hymn, beloved across Tamil Nadu and South India, suitable for daily recitation.

How to Chant ಸುಬ್ರಹ್ಮಣ್ಯ ಭುಜಂಗಂ

Repetitions1times

Best TimeMorning or evening; especially Skanda Shashti, Tuesdays and Krittika nakshatra

FaceEast

Bathe and sit facing east before an image of Lord Murugan (Subrahmanya) with His vel. Light a lamp and recite the verses slowly and with devotion, feeling each as a plea to the six-faced Lord. It is especially recited during Skanda Shashti and at Murugan’s shrines. Conclude with a prayer for His refuge and protection.

Frequently Asked Questions

This page shows the complete ಸುಬ್ರಹ್ಮಣ್ಯ ಭುಜಂಗಂ written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

It is a hymn of 33 verses to Lord Subrahmanya (Murugan / Kartikeya, the six-faced Shanmukha), composed by Adi Shankaracharya at Tiruchendur in the undulating Bhujanga ("serpent") metre. It praises the Lord’s form, His vel and peacock, and His grace, and ends as a plea for refuge.

It was composed by Adi Shankaracharya. "Bhujanga" means serpent; the hymn is in the Bhujanga-prayata metre, whose flowing rhythm resembles a serpent’s movement — said to have been inspired by the sight of Adishesha worshipping the Lord.

It is recited for the grace and protection of Lord Murugan — for courage, health, and the removal of fear, disease and affliction. It is held especially powerful on Skanda Shashti, on Tuesdays and on Krittika nakshatra days.