saraswatisahasranama1000-namesskanda-purana

𑌸𑌰𑌸𑍍𑌵𑌤𑍀 𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌮𑍍

Saraswati Sahasranama Stotram in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ puranic·📿 1× repetitions·🕐 Early morning before study; especially auspicious on Vasant Panchami, Navaratri and Thursdays·📜 Skanda Purana, Sanatkumara Samhita (Narada-Sanatkumara samvada)

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हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Skanda Purana, Sanatkumara Samhita (Narada-Sanatkumara samvada) · Revealed by the goddess Saraswati to Brahma; narrated by Sanatkumara to Narada · c. 600-1200 CE (Puranic period)

When Brahma had created the three worlds, he found his creation standing frozen and unconscious — for there was as yet no speech. The world-teacher performed austere tapas for ten thousand divine years, until Vani arose, radiant with all meaning, declaring herself Mahavidya, the sovereign of all speech. She taught Brahma her thousand names, promising that whoever pleased her with them would find her his servant; Brahma praised her, won her as his consort, and from that moment the universe was filled with language. Sanatkumara, who had guarded this secret, revealed it to Narada — a hymn whose names run in long alliterative garlands through the letters va, ga, sha, sa, ma, bha, ba, a, ja, ka, ta and ya, punctuated by the goddess's own seed-mantras.

✦ As told in scripture

This sahasranama embodies its own deity in its very structure: the goddess of language is praised in long alphabetical garlands, and at its centre sits a mantra that recites the entire Sanskrit alphabet — from 'am' to 'ksham' — invoking her as Aksharamalika, 'she who wears the letters as her garland'. The text makes a startling promise found in almost no other hymn: that even a person born mute, reciting or hearing it with devotion, becomes eloquent in all learning like a second Brahma — for she who gave speech to a speechless universe can give it to anyone.

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Complete Text with Meaning

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Verse 1

𑌧𑍍𑌯𑌾𑌨𑌮𑍍 । 𑌶𑍍𑌰𑍀𑌮𑌚𑍍𑌚𑌨𑍍𑌦𑌨𑌚𑌰𑍍𑌚𑌿𑌤𑍋𑌜𑍍𑌜𑍍𑌵𑌲𑌵𑌪𑍁𑌃 𑌶𑍁𑌕𑍍𑌲𑌾𑌮𑍍𑌬𑌰𑌾 𑌮𑌲𑍍𑌲𑌿𑌕𑌾- 𑌮𑌾𑌲𑌾𑌲𑌾𑌲𑌿𑌤 𑌕𑍁𑌨𑍍𑌤𑌲𑌾 𑌪𑍍𑌰𑌵𑌿𑌲𑌸𑌨𑍍𑌮𑍁𑌕𑍍𑌤𑌾𑌵𑌲𑍀𑌶𑍋𑌭𑌨𑌾 । 𑌸𑌰𑍍𑌵𑌜𑍍𑌞𑌾𑌨𑌨𑌿𑌧𑌾𑌨𑌪𑍁𑌸𑍍𑌤𑌕𑌧𑌰𑌾 𑌰𑍁𑌦𑍍𑌰𑌾𑌕𑍍𑌷𑌮𑌾𑌲𑌾𑌙𑍍𑌕𑌿𑌤𑌾 𑌵𑌾𑌗𑍍𑌦𑍇𑌵𑍀 𑌵𑌦𑌨𑌾𑌮𑍍𑌬𑍁𑌜𑍇 𑌵𑌸𑌤𑍁 𑌮𑍇 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌮𑌾𑌤𑌾 𑌶𑍁𑌭𑌾 ॥ 𑌶𑍍𑌰𑍀 𑌨𑌾𑌰𑌦 𑌉𑌵𑌾𑌚 – 𑌭𑌗𑌵𑌨𑍍𑌪𑌰𑌮𑍇𑌶𑌾𑌨 𑌸𑌰𑍍𑌵𑌲𑍋𑌕𑍈𑌕𑌨𑌾𑌯𑌕 । 𑌕𑌥𑌂 𑌸𑌰𑌸𑍍𑌵𑌤𑍀 𑌸𑌾𑌕𑍍𑌷𑌾𑌤𑍍𑌪𑍍𑌰𑌸𑌨𑍍𑌨𑌾 𑌪𑌰𑌮𑍇𑌷𑍍𑌠𑌿𑌨𑌃 ॥ 2 ॥ 𑌕𑌥𑌂 𑌦𑍇𑌵𑍍𑌯𑌾 𑌮𑌹𑌾𑌵𑌾𑌣𑍍𑌯𑌾𑌸𑍍𑌸𑌤𑌤𑍍𑌪𑍍𑌰𑌾𑌪 𑌸𑍁𑌦𑍁𑌰𑍍𑌲𑌭𑌮𑍍 । 𑌏𑌤𑌨𑍍𑌮𑍇 𑌵𑌦 𑌤𑌤𑍍𑌤𑍍𑌵𑍇𑌨 𑌮𑌹𑌾𑌯𑍋𑌗𑍀𑌶𑍍𑌵𑌰 𑌪𑍍𑌰𑌭𑍋 ॥ 3 ॥ 𑌶𑍍𑌰𑍀 𑌸𑌨𑌤𑍍𑌕𑍁𑌮𑌾𑌰 𑌉𑌵𑌾𑌚 – 𑌸𑌾𑌧𑍁 𑌪𑍃𑌷𑍍𑌟𑌂 𑌤𑍍𑌵𑌯𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌨𑍍 𑌗𑍁𑌹𑍍𑌯𑌾𑌦𑍍𑌗𑍁𑌹𑍍𑌯𑌮𑌨𑍁𑌤𑍍𑌤𑌮𑌮𑍍 । 𑌮𑌯𑌾𑌨𑍁𑌗𑍋𑌪𑌿𑌤𑌂 𑌯𑌤𑍍𑌨𑌾𑌦𑌿𑌦𑌾𑌨𑍀𑌂 𑌸𑌤𑍍𑌪𑍍𑌰𑌕𑌾𑌶𑍍𑌯𑌤𑍇 ॥ 4 ॥ 𑌪𑍁𑌰𑌾 𑌪𑌿𑌤𑌾𑌮𑌹𑌂 𑌦𑍃𑌷𑍍𑌟𑍍𑌵𑌾 𑌜𑌗𑌤𑍍𑌸𑍍𑌥𑌾𑌵𑌰𑌜𑌙𑍍𑌗𑌮𑌮𑍍 । 𑌨𑌿𑌰𑍍𑌵𑌿𑌕𑌾𑌰𑌂 𑌨𑌿𑌰𑌾𑌭𑌾𑌸𑌂 𑌸𑍍𑌤𑌮𑍍𑌭𑍀𑌭𑍂𑌤𑌮𑌚𑍇𑌤𑌸𑌮𑍍 ॥ 5 ॥ 𑌸𑍃𑌷𑍍𑌟𑍍𑌵𑌾 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌮𑌖𑌿𑌲𑌂 𑌵𑌾𑌗𑌭𑌾𑌵𑌾𑌤𑍍𑌤𑌥𑌾𑌵𑌿𑌧𑌮𑍍 । 𑌆𑌧𑌿𑌕𑍍𑌯𑌾𑌭𑌾𑌵𑌤𑌃 𑌸𑍍𑌵𑌸𑍍𑌯 𑌪𑌰𑌮𑍇𑌷𑍍𑌠𑍀 𑌜𑌗𑌦𑍍𑌗𑍁𑌰𑍁𑌃 ॥ 6 ॥ 𑌦𑌿𑌵𑍍𑌯𑌵𑌰𑍍𑌷𑌾𑌯𑍁𑌤𑌂 𑌤𑍇𑌨 𑌤𑌪𑍋 𑌦𑍁𑌷𑍍𑌕𑌰𑌮𑍁𑌤𑍍𑌤𑌮𑌮𑍍 । 𑌤𑌤𑌃 𑌕𑌦𑌾𑌚𑌿𑌤𑍍𑌸𑌞𑍍𑌜𑌾𑌤𑌾 𑌵𑌾𑌣𑍀 𑌸𑌰𑍍𑌵𑌾𑌰𑍍𑌥𑌶𑍋𑌭𑌿𑌤𑌾 ॥ 7 ॥ 𑌅𑌹𑌮𑌸𑍍𑌮𑌿 𑌮𑌹𑌾𑌵𑌿𑌦𑍍𑌯𑌾 𑌸𑌰𑍍𑌵𑌵𑌾𑌚𑌾𑌮𑌧𑍀𑌶𑍍𑌵𑌰𑍀 । 𑌮𑌮 𑌨𑌾𑌮𑍍𑌨𑌾𑌂 𑌸𑌹𑌸𑍍𑌰𑌂 𑌤𑍁 𑌉𑌪𑌦𑍇𑌕𑍍𑌷𑍍𑌯𑌾𑌮𑍍𑌯𑌨𑍁𑌤𑍍𑌤𑌮𑌮𑍍 ॥ 8 ॥

Dhyanam | Shrimachchandanacharchitojjvalavapuh shuklambara mallika- Malalalita kuntala pravilasanmuktavalishobhana | Sarvajnananidhanapustakadhara rudrakshamalankita Vagdevi vadanambuje vasatu me trailokyamata shubha || Shri narada uvacha – Bhagavanparameshana sarvalokaikanayaka | Katham sarasvati sakshatprasanna parameshthinah || 2 || Katham devya mahavanyassatatprapa sudurlabham | Etanme vada tattvena mahayogishvara prabho || 3 || Shri sanatkumara uvacha – Sadhu prishtam tvaya brahman guhyadguhyamanuttamam | Mayanugopitam yatnadidanim satprakashyate || 4 || Pura pitamaham drishtva jagatsthavarajangamam | Nirvikaram nirabhasam stambhibhutamachetasam || 5 || Srishtva trailokyamakhilam vagabhavattathavidham | Adhikyabhavatah svasya parameshthi jagadguruh || 6 || Divyavarshayutam tena tapo dushkaramuttamam | Tatah kadachitsanjata vani sarvarthashobhita || 7 || Ahamasmi mahavidya sarvavachamadhishvari | Mama namnam sahasram tu upadekshyamyanuttamam || 8 ||

Meaning:The hymn opens with the dhyana: may the auspicious Goddess of Speech, mother of the three worlds, dwell in the lotus of my mouth — her radiant body anointed with sandal, clothed in white, her curls caressed by jasmine garlands, shining with strings of pearls, holding the book that is the treasury of all knowledge and marked with the rudraksha rosary. Narada then asks Sanatkumara how Sarasvati became directly gracious to Brahma and how he obtained that rarest of attainments. Sanatkumara replies that this is the secret of secrets, long guarded, now to be revealed: of old, Brahma, having created the three worlds, beheld the universe standing inert, unmanifest and unconscious for want of speech. Feeling his own creation incomplete, the world-teacher performed the most arduous tapas for ten thousand divine years, until at last Vani appeared, resplendent with all meaning, and declared: 'I am the Great Vidya, sovereign of all speech, and I shall teach you my unsurpassed thousand names.'

Verse 2

𑌅𑌨𑍇𑌨 𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑌾 𑌨𑌿𑌤𑍍𑌯𑌂 𑌪𑌤𑍍𑌨𑍀 𑌤𑌵 𑌭𑌵𑌾𑌮𑍍𑌯𑌹𑌮𑍍 । 𑌤𑍍𑌵𑌯𑌾 𑌸𑍃𑌷𑍍𑌟𑌂 𑌜𑌗𑌤𑍍𑌸𑌰𑍍𑌵𑌂 𑌵𑌾𑌣𑍀𑌯𑍁𑌕𑍍𑌤𑌂 𑌭𑌵𑌿𑌷𑍍𑌯𑌤𑌿 ॥ 9 ॥ 𑌇𑌦𑌂 𑌰𑌹𑌸𑍍𑌯𑌂 𑌪𑌰𑌮𑌂 𑌮𑌮 𑌨𑌾𑌮𑌸𑌹𑌸𑍍𑌰𑌕𑌮𑍍 । 𑌸𑌰𑍍𑌵𑌪𑌾𑌪𑍗𑌘𑌶𑌮𑌨𑌂 𑌮𑌹𑌾𑌸𑌾𑌰𑌸𑍍𑌵𑌤𑌪𑍍𑌰𑌦𑌮𑍍 ॥ 10 ॥ 𑌮𑌹𑌾𑌕𑌵𑌿𑌤𑍍𑌵𑌦𑌂 𑌲𑍋𑌕𑍇 𑌵𑌾𑌗𑍀𑌶𑌤𑍍𑌵𑌪𑍍𑌰𑌦𑌾𑌯𑌕𑌮𑍍 । 𑌤𑍍𑌵𑌂 𑌵𑌾 𑌪𑌰𑌃 𑌪𑍁𑌮𑌾𑌨𑍍𑌯𑌸𑍍𑌤𑍁 𑌸𑍍𑌤𑌵𑍇𑌨𑌾𑌽𑌨𑍇𑌨 𑌤𑍋𑌷𑌯𑍇𑌤𑍍 ॥ 11 ॥ 𑌤𑌸𑍍𑌯𑌾𑌹𑌂 𑌕𑌿𑌙𑍍𑌕𑌰𑍀 𑌸𑌾𑌕𑍍𑌷𑌾𑌦𑍍𑌭𑌵𑌿𑌷𑍍𑌯𑌾𑌮𑌿 𑌨 𑌸𑌂𑌶𑌯𑌃 । 𑌇𑌤𑍍𑌯𑍁𑌕𑍍𑌤𑍍𑌵𑌾𑌨𑍍𑌤𑌰𑍍𑌦𑌧𑍇 𑌵𑌾𑌣𑍀 𑌤𑌦𑌾𑌰𑌭𑍍𑌯 𑌪𑌿𑌤𑌾𑌮𑌹𑌃 ॥ 12 ॥ 𑌸𑍍𑌤𑍁𑌤𑍍𑌵𑌾 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑍇𑌣 𑌦𑌿𑌵𑍍𑌯𑍇𑌨 𑌤𑌤𑍍𑌪𑌤𑌿𑌤𑍍𑌵𑌮𑌵𑌾𑌪𑍍𑌤𑌵𑌾𑌨𑍍 । 𑌵𑌾𑌣𑍀𑌯𑍁𑌕𑍍𑌤𑌂 𑌜𑌗𑌤𑍍𑌸𑌰𑍍𑌵𑌂 𑌤𑌦𑌾𑌰𑌭𑍍𑌯𑌾𑌽𑌭𑌵𑌨𑍍𑌮𑍁𑌨𑍇 ॥ 13 ॥ 𑌤𑌤𑍍𑌤𑍇𑌹𑌂 𑌸𑌮𑍍𑌪𑍍𑌰𑌵𑌕𑍍𑌷𑍍𑌯𑌾𑌮𑌿 𑌶𑍃𑌣𑍁 𑌯𑌤𑍍𑌨𑍇𑌨 𑌨𑌾𑌰𑌦 । 𑌸𑌾𑌵𑌧𑌾𑌨𑌮𑌨𑌾 𑌭𑍂𑌤𑍍𑌵𑌾 𑌕𑍍𑌷𑌣𑌂 𑌶𑍁𑌦𑍍𑌧𑍋 𑌮𑍁𑌨𑍀𑌶𑍍𑌵𑌰𑌃 ॥ 14 ॥

Anena samstuta nityam patni tava bhavamyaham | Tvaya srishtam jagatsarvam vaniyuktam bhavishyati || 9 || Idam rahasyam paramam mama namasahasrakam | Sarvapapaughashamanam mahasarasvatapradam || 10 || Mahakavitvadam loke vagishatvapradayakam | Tvam va parah pumanyastu stavenanena toshayet || 11 || Tasyaham kinkari sakshadbhavishyami na samshayah | Ityuktvantardadhe vani tadarabhya pitamahah || 12 || Stutva stotrena divyena tatpatitvamavaptavan | Vaniyuktam jagatsarvam tadarabhyabhavanmune || 13 || Tatteham sampravakshyami shrinu yatnena narada | Savadhanamana bhutva kshanam shuddho munishvarah || 14 ||

Meaning:The Goddess continues her promise: 'Praised constantly by this hymn, I shall become your consort, and the whole world you have created shall be filled with speech. This supreme secret, my thousand names, quells floods of every sin and bestows the great gift of eloquence — it grants great poethood and lordship over speech. Whoever pleases me with this praise — you or any other — I shall verily become his handmaiden, of this there is no doubt.' So saying, Vani vanished. Brahma praised her with the divine hymn and won her as his consort, and from that time the whole world became joined with speech. 'That very hymn I shall now declare to you,' says Sanatkumara. 'Listen with effort, O Narada — attentive in mind and purified for this moment, O best of sages.'

Verse 3

[ 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌵𑌾𑌗𑍍𑌵𑌾𑌣𑍀 𑌵𑌰𑌦𑌾 𑌵𑌨𑍍𑌦𑍍𑌯𑌾 𑌵𑌰𑌾𑌰𑍋𑌹𑌾 𑌵𑌰𑌪𑍍𑌰𑌦𑌾 । 𑌵𑍃𑌤𑍍𑌤𑌿𑌰𑍍𑌵𑌾𑌗𑍀𑌶𑍍𑌵𑌰𑍀 𑌵𑌾𑌰𑍍𑌤𑌾 𑌵𑌰𑌾 𑌵𑌾𑌗𑍀𑌶𑌵𑌲𑍍𑌲𑌭𑌾 ॥ 1 ॥ 𑌵𑌿𑌶𑍍𑌵𑍇𑌶𑍍𑌵𑌰𑍀 𑌵𑌿𑌶𑍍𑌵𑌵𑌨𑍍𑌦𑍍𑌯𑌾 𑌵𑌿𑌶𑍍𑌵𑍇𑌶𑌪𑍍𑌰𑌿𑌯𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌚 𑌵𑌾𑌗𑍍𑌦𑍇𑌵𑍀 𑌵𑍃𑌦𑍍𑌧𑌿𑌦𑌾 𑌵𑍃𑌦𑍍𑌧𑌿𑌕𑌾𑌰𑌿𑌣𑍀 ॥ 2 ॥ 𑌵𑍃𑌦𑍍𑌧𑌿𑌰𑍍𑌵𑍃𑌦𑍍𑌧𑌾 𑌵𑌿𑌷𑌘𑍍𑌨𑍀 𑌚 𑌵𑍃𑌷𑍍𑌟𑌿𑌰𑍍𑌵𑍃𑌷𑍍𑌟𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌵𑌿𑌶𑍍𑌵𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌵𑌿𑌶𑍍𑌵𑌮𑌾𑌤𑌾 𑌵𑌿𑌶𑍍𑌵𑌧𑌾𑌤𑍍𑌰𑍀 𑌵𑌿𑌨𑌾𑌯𑌕𑌾 ॥ 3 ॥ 𑌵𑌿𑌶𑍍𑌵𑌶𑌕𑍍𑌤𑌿𑌰𑍍𑌵𑌿𑌶𑍍𑌵𑌸𑌾𑌰𑌾 𑌵𑌿𑌶𑍍𑌵𑌾 𑌵𑌿𑌶𑍍𑌵𑌵𑌿𑌭𑌾𑌵𑌰𑍀 । 𑌵𑍇𑌦𑌾𑌨𑍍𑌤𑌵𑍇𑌦𑌿𑌨𑍀 𑌵𑍇𑌦𑍍𑌯𑌾 𑌵𑌿𑌤𑍍𑌤𑌾 𑌵𑍇𑌦𑌤𑍍𑌰𑌯𑌾𑌤𑍍𑌮𑌿𑌕𑌾 ॥ 4 ॥ 𑌵𑍇𑌦𑌜𑍍𑌞𑌾 𑌵𑍇𑌦𑌜𑌨𑌨𑍀 𑌵𑌿𑌶𑍍𑌵𑌾 𑌵𑌿𑌶𑍍𑌵𑌵𑌿𑌭𑌾𑌵𑌰𑍀 । 𑌵𑌰𑍇𑌣𑍍𑌯𑌾 𑌵𑌾𑌙𑍍𑌮𑌯𑍀 𑌵𑍃𑌦𑍍𑌧𑌾 𑌵𑌿𑌶𑌿𑌷𑍍𑌟𑌪𑍍𑌰𑌿𑌯𑌕𑌾𑌰𑌿𑌣𑍀 ॥ 5 ॥ 𑌵𑌿𑌶𑍍𑌵𑌤𑍋𑌵𑌦𑌨𑌾 𑌵𑍍𑌯𑌾𑌪𑍍𑌤𑌾 𑌵𑍍𑌯𑌾𑌪𑌿𑌨𑍀 𑌵𑍍𑌯𑌾𑌪𑌕𑌾𑌤𑍍𑌮𑌿𑌕𑌾 । 𑌵𑍍𑌯𑌾𑌲𑌘𑍍𑌨𑍀 𑌵𑍍𑌯𑌾𑌲𑌭𑍂𑌷𑌾𑌙𑍍𑌗𑍀 𑌵𑌿𑌰𑌜𑌾 𑌵𑍇𑌦𑌨𑌾𑌯𑌿𑌕𑌾 ॥ 6 ॥ 𑌵𑍇𑌦𑌵𑍇𑌦𑌾𑌨𑍍𑌤𑌸𑌂𑌵𑍇𑌦𑍍𑌯𑌾 𑌵𑍇𑌦𑌾𑌨𑍍𑌤𑌜𑍍𑌞𑌾𑌨𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌵𑌿𑌭𑌾𑌵𑌰𑍀 𑌚 𑌵𑌿𑌕𑍍𑌰𑌾𑌨𑍍𑌤𑌾 𑌵𑌿𑌶𑍍𑌵𑌾𑌮𑌿𑌤𑍍𑌰𑌾 𑌵𑌿𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 7 ॥ 𑌵𑌰𑌿𑌷𑍍𑌠𑌾 𑌵𑌿𑌪𑍍𑌰𑌕𑍃𑌷𑍍𑌟𑌾 𑌚 𑌵𑌿𑌪𑍍𑌰𑌵𑌰𑍍𑌯𑌪𑍍𑌰𑌪𑍂𑌜𑌿𑌤𑌾 । 𑌵𑍇𑌦𑌰𑍂𑌪𑌾 𑌵𑍇𑌦𑌮𑌯𑍀 𑌵𑍇𑌦𑌮𑍂𑌰𑍍𑌤𑌿𑌶𑍍𑌚 𑌵𑌲𑍍𑌲𑌭𑌾 ॥ 8 ॥ [ 𑍐 𑌹𑍍𑌰𑍀𑌂 𑌗𑍁𑌰𑍁𑌰𑍂𑌪𑍇 𑌮𑌾𑌂 𑌗𑍃𑌹𑍍𑌣 𑌗𑍃𑌹𑍍𑌣 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌗𑍗𑌰𑍀 𑌗𑍁𑌣𑌵𑌤𑍀 𑌗𑍋𑌪𑍍𑌯𑌾 𑌗𑌨𑍍𑌧𑌰𑍍𑌵𑌨𑌗𑌰𑌪𑍍𑌰𑌿𑌯𑌾 । 𑌗𑍁𑌣𑌮𑌾𑌤𑌾 𑌗𑍁𑌣𑌾𑌨𑍍𑌤𑌸𑍍𑌥𑌾 𑌗𑍁𑌰𑍁𑌰𑍂𑌪𑌾 𑌗𑍁𑌰𑍁𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 9 ॥ [ 𑌗𑍁𑌹𑌾𑌨𑍍𑌤𑌸𑍍𑌥𑌾 ] 𑌗𑍁𑌰𑍁𑌵𑌿𑌦𑍍𑌯𑌾 𑌗𑌾𑌨𑌤𑍁𑌷𑍍𑌟𑌾 𑌗𑌾𑌯𑌕𑌪𑍍𑌰𑌿𑌯𑌕𑌾𑌰𑌿𑌣𑍀 । [ 𑌗𑌿𑌰𑌿𑌵𑌿𑌦𑍍𑌯𑌾 ] 𑌗𑌾𑌯𑌤𑍍𑌰𑍀 𑌗𑌿𑌰𑍀𑌶𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌗𑍀𑌰𑍍𑌗𑌿𑌰𑍀𑌶𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 ॥ 10 ॥

[ Aim vada vada vagvadini svaha ] Vagvani varada vandya vararoha varaprada | Vrittirvagishvari varta vara vagishavallabha || 1 || Vishveshvari vishvavandya vishveshapriyakarini | Vagvadini cha vagdevi vriddhida vriddhikarini || 2 || Vriddhirvriddha vishaghni cha vrishtirvrishtipradayini | Vishvaradhya vishvamata vishvadhatri vinayaka || 3 || Vishvashaktirvishvasara vishva vishvavibhavari | Vedantavedini vedya vitta vedatrayatmika || 4 || Vedajna vedajanani vishva vishvavibhavari | Varenya vanmayi vriddha vishishtapriyakarini || 5 || Vishvatovadana vyapta vyapini vyapakatmika | Vyalaghni vyalabhushangi viraja vedanayika || 6 || Vedavedantasamvedya vedantajnanarupini | Vibhavari cha vikranta vishvamitra vidhipriya || 7 || Varishtha viprakrishta cha vipravaryaprapujita | Vedarupa vedamayi vedamurtishcha vallabha || 8 || [ Om hrim gururupe mam grihna grihna aim vada vada vagvadini svaha ] Gauri gunavati gopya gandharvanagarapriya | Gunamata gunantastha gururupa gurupriya || 9 || [ guhantastha ] Guruvidya ganatushta gayakapriyakarini | [ girividya ] Gayatri girisharadhya girgirishapriyankari || 10 ||

Meaning:With the seed-mantra 'Aim vada vada Vagvadini svaha' the thousand names begin, flowing first through the letter va: she is Vak and Vani, speech itself; the giver of boons, the adorable, the bestower; Vagishvari the queen of speech and the beloved of its lord; Vishveshvari the sovereign of the universe, adored by all, mother, supporter and shakti of the world, its essence and its light. She knows Vedanta and is to be known; she is the self of the three Vedas, their knower and their mother; her faces are on every side, she pervades and interpenetrates all; she destroys serpents and poison yet wears serpents as ornaments; she is stainless, the leader of the Vedas, the very form and substance of the Veda. Then with the guru seed-mantra the ga-names begin: Gauri, full of virtues, the hidden one, dear to the gandharva city, mother of the gunas and dwelling within them, the form of the guru and dear to the guru, the guru's own vidya, delighted by song and kind to singers — Gayatri, worshipped by the Lord of the mountain and doing what delights him.

Verse 4

𑌗𑌿𑌰𑌿𑌜𑍍𑌞𑌾 𑌜𑍍𑌞𑌾𑌨𑌵𑌿𑌦𑍍𑌯𑌾 𑌚 𑌗𑌿𑌰𑌿𑌰𑍂𑌪𑌾 𑌗𑌿𑌰𑍀𑌶𑍍𑌵𑌰𑍀 । 𑌗𑍀𑌰𑍍𑌮𑌾𑌤𑌾 𑌗𑌣𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌗𑌣𑌨𑍀𑌯𑌗𑍁𑌣𑌾𑌨𑍍𑌵𑌿𑌤𑌾 ॥ 11 ॥ 𑌗𑍂𑌢𑌰𑍂𑌪𑌾 𑌗𑍁𑌹𑌾 𑌗𑍋𑌪𑍍𑌯𑌾 𑌗𑍋𑌰𑍂𑌪𑌾 𑌗𑍗𑌰𑍍𑌗𑍁𑌣𑌾𑌤𑍍𑌮𑌿𑌕𑌾 । 𑌗𑍁𑌰𑍍𑌵𑍀 𑌗𑍁𑌰𑍍𑌵𑌮𑍍𑌬𑌿𑌕𑌾 𑌗𑍁𑌹𑍍𑌯𑌾 𑌗𑍇𑌯𑌜𑌾 𑌗𑍃𑌹𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 12 ॥ 𑌗𑍃𑌹𑌿𑌣𑍀 𑌗𑍃𑌹𑌦𑍋𑌷𑌘𑍍𑌨𑍀 𑌗𑌵𑌘𑍍𑌨𑍀 𑌗𑍁𑌰𑍁𑌵𑌤𑍍𑌸𑌲𑌾 । 𑌗𑍃𑌹𑌾𑌤𑍍𑌮𑌿𑌕𑌾 𑌗𑍃𑌹𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌗𑍃𑌹𑌬𑌾𑌧𑌾𑌵𑌿𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 13 ॥ 𑌗𑌙𑍍𑌗𑌾 𑌗𑌿𑌰𑌿𑌸𑍁𑌤𑌾 𑌗𑌮𑍍𑌯𑌾 𑌗𑌜𑌯𑌾𑌨𑌾 𑌗𑍁𑌹𑌸𑍍𑌤𑍁𑌤𑌾 । 𑌗𑌰𑍁𑌡𑌾𑌸𑌨𑌸𑌂𑌸𑍇𑌵𑍍𑌯𑌾 𑌗𑍋𑌮𑌤𑍀 𑌗𑍁𑌣𑌶𑌾𑌲𑌿𑌨𑍀 ॥ 14 ॥ [ 𑍐 𑌐𑌂 𑌨𑌮𑌃 𑌶𑌾𑌰𑌦𑍇 𑌶𑍍𑌰𑍀𑌂 𑌶𑍁𑌦𑍍𑌧𑍇 𑌨𑌮𑌃 𑌶𑌾𑌰𑌦𑍇 𑌵𑌂 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌶𑌾𑌰𑌦𑌾 𑌶𑌾𑌶𑍍𑌵𑌤𑍀 𑌶𑍈𑌵𑍀 𑌶𑌾𑌙𑍍𑌕𑌰𑍀 𑌶𑌙𑍍𑌕𑌰𑌾𑌤𑍍𑌮𑌿𑌕𑌾 । 𑌶𑍍𑌰𑍀𑌶𑍍𑌶𑌰𑍍𑌵𑌾𑌣𑍀 𑌶𑌤𑌘𑍍𑌨𑍀 𑌚 𑌶𑌰𑌚𑍍𑌚𑌨𑍍𑌦𑍍𑌰𑌨𑌿𑌭𑌾𑌨𑌨𑌾 ॥ 15 ॥ 𑌶𑌰𑍍𑌮𑌿𑌷𑍍𑌠𑌾 𑌶𑌮𑌨𑌘𑍍𑌨𑍀 𑌚 𑌶𑌤𑌸𑌾𑌹𑌸𑍍𑌰𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌶𑌿𑌵𑌾 𑌶𑌮𑍍𑌭𑍁𑌪𑍍𑌰𑌿𑌯𑌾 𑌶𑍍𑌰𑌦𑍍𑌧𑌾 𑌶𑍍𑌰𑍁𑌤𑌿𑌰𑍂𑌪𑌾 𑌶𑍍𑌰𑍁𑌤𑌿𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 16 ॥ 𑌶𑍁𑌚𑌿𑌷𑍍𑌮𑌤𑍀 𑌶𑌰𑍍𑌮𑌕𑌰𑍀 𑌶𑍁𑌦𑍍𑌧𑌿𑌦𑌾 𑌶𑍁𑌦𑍍𑌧𑌿𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌶𑌿𑌵𑌾 𑌶𑌿𑌵𑌙𑍍𑌕𑌰𑍀 𑌶𑍁𑌦𑍍𑌧𑌾 𑌶𑌿𑌵𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌶𑌿𑌵𑌾𑌤𑍍𑌮𑌿𑌕𑌾 ॥ 17 ॥ 𑌶𑍍𑌰𑍀𑌮𑌤𑍀 𑌶𑍍𑌰𑍀𑌮𑌯𑍀 𑌶𑍍𑌰𑌾𑌵𑍍𑌯𑌾 𑌶𑍍𑌰𑍁𑌤𑌿𑌃 𑌶𑍍𑌰𑌵𑌣𑌗𑍋𑌚𑌰𑌾 । 𑌶𑌾𑌨𑍍𑌤𑌿𑌶𑍍𑌶𑌾𑌨𑍍𑌤𑌿𑌕𑌰𑍀 𑌶𑌾𑌨𑍍𑌤𑌾 𑌶𑌾𑌨𑍍𑌤𑌾𑌚𑌾𑌰𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 ॥ 18 ॥ 𑌶𑍀𑌲𑌲𑌭𑍍𑌯𑌾 𑌶𑍀𑌲𑌵𑌤𑍀 𑌶𑍍𑌰𑍀𑌮𑌾𑌤𑌾 𑌶𑍁𑌭𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌶𑍁𑌭𑌵𑌾𑌣𑍀 𑌶𑍁𑌦𑍍𑌧𑌵𑌿𑌦𑍍𑌯𑌾 𑌶𑍁𑌦𑍍𑌧𑌚𑌿𑌤𑍍𑌤𑌪𑍍𑌰𑌪𑍂𑌜𑌿𑌤𑌾 ॥ 19 ॥ 𑌶𑍍𑌰𑍀𑌕𑌰𑍀 𑌶𑍍𑌰𑍁𑌤𑌪𑌾𑌪𑌘𑍍𑌨𑍀 𑌶𑍁𑌭𑌾𑌕𑍍𑌷𑍀 𑌶𑍁𑌚𑌿𑌵𑌲𑍍𑌲𑌭𑌾 । 𑌶𑌿𑌵𑍇𑌤𑌰𑌘𑍍𑌨𑍀 𑌶𑌬𑌰𑍀 𑌶𑍍𑌰𑌵𑌣𑍀𑌯𑌗𑍁𑌣𑌾𑌨𑍍𑌵𑌿𑌤𑌾 ॥ 20 ॥ [𑌶𑌰𑍍𑌵𑌰𑍀]

Girijna jnanavidya cha girirupa girishvari | Girmata ganasamstutya gananiyagunanvita || 11 || Gudharupa guha gopya gorupa gaurgunatmika | Gurvi gurvambika guhya geyaja grihanashini || 12 || Grihini grihadoshaghni gavaghni guruvatsala | Grihatmika griharadhya grihabadhavinashini || 13 || Ganga girisuta gamya gajayana guhastuta | Garudasanasamsevya gomati gunashalini || 14 || [ Om aim namah sharade shrim shuddhe namah sharade vam aim vada vada vagvadini svaha ] Sharada shashvati shaivi shankari shankaratmika | Shrishsharvani shataghni cha sharachchandranibhanana || 15 || Sharmishtha shamanaghni cha shatasahasrarupini | Shiva shambhupriya shraddha shrutirupa shrutipriya || 16 || Shuchishmati sharmakari shuddhida shuddhirupini | Shiva shivankari shuddha shivaradhya shivatmika || 17 || Shrimati shrimayi shravya shrutih shravanagochara | Shantishshantikari shanta shantacharapriyankari || 18 || Shilalabhya shilavati shrimata shubhakarini | Shubhavani shuddhavidya shuddhachittaprapujita || 19 || Shrikari shrutapapaghni shubhakshi shuchivallabha | Shivetaraghni shabari shravaniyagunanvita || 20 || [sharvari]

Meaning:The ga-names continue: knower of speech, the vidya of knowledge, the mountain's form and its queen, mother of words, praised by the ganas; of hidden form, the cave-dweller, the secret one; she removes the faults and afflictions of the household, is the mistress of the home and adored in it; she is Ganga, the mountain's daughter, riding the elephant, praised by Guha, served by the one on the Garuda seat — Gomati, rich in virtues. Then with the Sharada seed-mantra the sha-names begin: Sharada, the eternal, Shaivi and Shankari, the self of Shankara; Shri, Sharvani, her face like the autumn moon; slayer of death's power, of a hundred thousand forms; Shiva the auspicious, beloved of Shambhu; Shraddha (faith), the form of the shruti and its lover; pure and purifying, giver and form of purity; auspicious and maker of auspiciousness, worshipped by the pure of heart; peace and the maker of peace, delighting in tranquil conduct; attained through virtue, mother of Shri, of auspicious speech and pure vidya, destroying the sins of all who hear of her.

Verse 5

𑌶𑌾𑌰𑍀 𑌶𑌿𑌰𑍀𑌷𑌪𑍁𑌷𑍍𑌪𑌾𑌭𑌾 𑌶𑌮𑌨𑌿𑌷𑍍𑌠𑌾 𑌶𑌮𑌾𑌤𑍍𑌮𑌿𑌕𑌾 । 𑌶𑌮𑌾𑌨𑍍𑌵𑌿𑌤𑌾 𑌶𑌮𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌶𑌿𑌤𑌿𑌕𑌣𑍍𑌠𑌪𑍍𑌰𑌪𑍂𑌜𑌿𑌤𑌾 ॥ 21 ॥ 𑌶𑍁𑌦𑍍𑌧𑌿𑌃 𑌶𑍁𑌦𑍍𑌧𑌿𑌕𑌰𑍀 𑌶𑍍𑌰𑍇𑌷𑍍𑌠𑌾 𑌶𑍍𑌰𑍁𑌤𑌾𑌨𑌨𑍍𑌤𑌾 𑌶𑍁𑌭𑌾𑌵𑌹𑌾 । 𑌸𑌰𑌸𑍍𑌵𑌤𑍀 𑌚 𑌸𑌰𑍍𑌵𑌜𑍍𑌞𑌾 𑌸𑌰𑍍𑌵𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 22 ॥ [ 𑍐 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌸𑌰𑌸𑍍𑌵𑌤𑍀 𑌚 𑌸𑌾𑌵𑌿𑌤𑍍𑌰𑍀 𑌸𑌨𑍍𑌧𑍍𑌯𑌾 𑌸𑌰𑍍𑌵𑍇𑌪𑍍𑌸𑌿𑌤𑌪𑍍𑌰𑌦𑌾 । 𑌸𑌰𑍍𑌵𑌾𑌰𑍍𑌤𑌿𑌘𑍍𑌨𑍀 𑌸𑌰𑍍𑌵𑌮𑌯𑍀 𑌸𑌰𑍍𑌵𑌵𑌿𑌦𑍍𑌯𑌾𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 23 ॥ 𑌸𑌰𑍍𑌵𑍇𑌶𑍍𑌵𑌰𑍀 𑌸𑌰𑍍𑌵𑌪𑍁𑌣𑍍𑌯𑌾 𑌸𑌰𑍍𑌗𑌸𑍍𑌥𑌿𑌤𑍍𑌯𑌨𑍍𑌤𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌸𑌰𑍍𑌵𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌸𑌰𑍍𑌵𑌮𑌾𑌤𑌾 𑌸𑌰𑍍𑌵𑌦𑍇𑌵𑌨𑌿𑌷𑍇𑌵𑌿𑌤𑌾 ॥ 24 ॥ 𑌸𑌰𑍍𑌵𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌪𑍍𑌰𑌦𑌾 𑌸𑌤𑍍𑌯𑌾 𑌸𑌤𑍀 𑌸𑌤𑍍𑌵𑌗𑍁𑌣𑌾𑌶𑍍𑌰𑌯𑌾 । 𑌸𑌰𑍍𑌵𑌕𑍍𑌰𑌮𑌪𑌦𑌾𑌕𑌾𑌰𑌾 𑌸𑌰𑍍𑌵𑌦𑍋𑌷𑌨𑌿𑌷𑍂𑌦𑌿𑌨𑍀 ॥ 25 ॥ [ 𑌸𑍍𑌵𑌰𑌕𑍍𑌰𑌮𑌪𑌦𑌾𑌕𑌾𑌰𑌾 ] 𑌸𑌹𑌸𑍍𑌰𑌾𑌕𑍍𑌷𑍀 𑌸𑌹𑌸𑍍𑌰𑌾𑌸𑍍𑌯𑌾 𑌸𑌹𑌸𑍍𑌰𑌪𑌦𑌸𑌂𑌯𑍁𑌤𑌾 । 𑌸𑌹𑌸𑍍𑌰𑌹𑌸𑍍𑌤𑌾 𑌸𑌾𑌹𑌸𑍍𑌰𑌗𑍁𑌣𑌾𑌲𑌙𑍍𑌕𑍃𑌤𑌵𑌿𑌗𑍍𑌰𑌹𑌾 ॥ 26 ॥ 𑌸𑌹𑌸𑍍𑌰𑌶𑍀𑌰𑍍𑌷𑌾 𑌸𑌦𑍍𑌰𑍂𑌪𑌾 𑌸𑍍𑌵𑌧𑌾 𑌸𑍍𑌵𑌾𑌹𑌾 𑌸𑍁𑌧𑌾𑌮𑌯𑍀 । 𑌷𑌡𑍍𑌗𑍍𑌰𑌨𑍍𑌥𑌿𑌭𑍇𑌦𑌿𑌨𑍀 𑌸𑍇𑌵𑍍𑌯𑌾 𑌸𑌰𑍍𑌵𑌲𑍋𑌕𑍈𑌕𑌪𑍂𑌜𑌿𑌤𑌾 ॥ 27 ॥ 𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌸𑍍𑌤𑍁𑌤𑌿𑌮𑌯𑍀 𑌸𑌾𑌧𑍍𑌯𑌾 𑌸𑌵𑌿𑌤𑍃𑌪𑍍𑌰𑌿𑌯𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌸𑌂𑌶𑌯𑌚𑍍𑌛𑍇𑌦𑌿𑌨𑍀 𑌸𑌾𑌙𑍍𑌖𑍍𑌯𑌵𑍇𑌦𑍍𑌯𑌾 𑌸𑌙𑍍𑌖𑍍𑌯𑌾 𑌸𑌦𑍀𑌶𑍍𑌵𑌰𑍀 ॥ 28 ॥ 𑌸𑌿𑌦𑍍𑌧𑌿𑌦𑌾 𑌸𑌿𑌦𑍍𑌧𑌸𑌮𑍍𑌪𑍂𑌜𑍍𑌯𑌾 𑌸𑌰𑍍𑌵𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌸𑌰𑍍𑌵𑌜𑍍𑌞𑌾 𑌸𑌰𑍍𑌵𑌶𑌕𑍍𑌤𑌿𑌶𑍍𑌚 𑌸𑌰𑍍𑌵𑌸𑌮𑍍𑌪𑌤𑍍𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 29 ॥ 𑌸𑌰𑍍𑌵𑌾𑌽𑌶𑍁𑌭𑌘𑍍𑌨𑍀 𑌸𑍁𑌖𑌦𑌾 𑌸𑍁𑌖𑌸𑌂𑌵𑌿𑌤𑍍𑌸𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌸𑌰𑍍𑌵𑌸𑌮𑍍𑌭𑌾𑌷𑌣𑍀 𑌸𑌰𑍍𑌵𑌜𑌗𑌤𑍍𑌸𑌮𑍍𑌮𑍋𑌹𑌿𑌨𑍀 𑌤𑌥𑌾 ॥ 30 ॥ [ 𑌸𑌰𑍍𑌵𑌸𑌮𑍍𑌭𑍀𑌷𑌣𑍀 ]

Shari shirishapushpabha shamanishtha shamatmika | Shamanvita shamaradhya shitikanthaprapujita || 21 || Shuddhih shuddhikari shreshtha shrutananta shubhavaha | Sarasvati cha sarvajna sarvasiddhipradayini || 22 || [ Om aim vada vada vagvadini svaha ] Sarasvati cha savitri sandhya sarvepsitaprada | Sarvartighni sarvamayi sarvavidyapradayini || 23 || Sarveshvari sarvapunya sargasthityantakarini | Sarvaradhya sarvamata sarvadevanishevita || 24 || Sarvaishvaryaprada satya sati satvagunashraya | Sarvakramapadakara sarvadoshanishudini || 25 || [ svarakramapadakara ] Sahasrakshi sahasrasya sahasrapadasamyuta | Sahasrahasta sahasragunalankritavigraha || 26 || Sahasrashirsha sadrupa svadha svaha sudhamayi | Shadgranthibhedini sevya sarvalokaikapujita || 27 || Stutya stutimayi sadhya savitripriyakarini | Samshayachchhedini sankhyavedya sankhya sadishvari || 28 || Siddhida siddhasampujya sarvasiddhipradayini | Sarvajna sarvashaktishcha sarvasampatpradayini || 29 || Sarvashubhaghni sukhada sukhasamvitsvarupini | Sarvasambhashani sarvajagatsammohini tatha || 30 || [ sarvasambhishani ]

Meaning:She shines like the shirisha blossom, is grounded in tranquillity and reached by tranquillity, worshipped by the white-throated Shiva; purity itself and its maker, the highest, of famed endlessness, bringer of good. Then, with her own seed-mantra, comes the great name Sarasvati — the all-knowing giver of every siddhi: she is Savitri and Sandhya, granter of all that is wished; destroyer of every distress, made of all things, bestower of all vidyas; sovereign of all, all merit, the cause of creation, preservation and dissolution; adored by all, mother of all, served by all the gods, giver of all lordship — Satya the true, Sati, resting in sattva. She is thousand-eyed, thousand-faced, thousand-footed, thousand-handed, thousand-headed — the cosmic Person in feminine form; svadha and svaha, filled with nectar; the piercer of the six knots (granthis) of the subtle body; praised and made of praise, the cutter of doubts, known through Sankhya, number itself; giver of siddhis worshipped by siddhas, all-knowing, all-powerful, giver of all wealth; destroyer of all inauspiciousness, giver of joy, whose very form is the awareness of bliss, who converses with all and enchants all the worlds.

Verse 6

𑌸𑌰𑍍𑌵𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 𑌸𑌰𑍍𑌵𑌶𑍁𑌭𑌦𑌾 𑌸𑌰𑍍𑌵𑌮𑌙𑍍𑌗𑌲𑌾 । 𑌸𑌰𑍍𑌵𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑌯𑍀 𑌸𑌰𑍍𑌵𑌤𑍀𑌰𑍍𑌥𑌪𑍁𑌣𑍍𑌯𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 31 ॥ 𑌸𑌰𑍍𑌵𑌪𑍁𑌣𑍍𑌯𑌮𑌯𑍀 𑌸𑌰𑍍𑌵𑌵𑍍𑌯𑌾𑌧𑌿𑌘𑍍𑌨𑍀 𑌸𑌰𑍍𑌵𑌕𑌾𑌮𑌦𑌾 । 𑌸𑌰𑍍𑌵𑌵𑌿𑌘𑍍𑌨𑌹𑌰𑍀 𑌸𑌰𑍍𑌵𑌵𑌨𑍍𑌦𑌿𑌤𑌾 𑌸𑌰𑍍𑌵𑌮𑌙𑍍𑌗𑌲𑌾 ॥ 32 ॥ 𑌸𑌰𑍍𑌵𑌮𑌨𑍍𑌤𑍍𑌰𑌕𑌰𑍀 𑌸𑌰𑍍𑌵𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌃 𑌸𑌰𑍍𑌵𑌗𑍁𑌣𑌾𑌨𑍍𑌵𑌿𑌤𑌾 । 𑌸𑌰𑍍𑌵𑌾𑌨𑌨𑍍𑌦𑌮𑌯𑍀 𑌸𑌰𑍍𑌵𑌜𑍍𑌞𑌾𑌨𑌦𑌾 𑌸𑌤𑍍𑌯𑌨𑌾𑌯𑌿𑌕𑌾 ॥ 33 ॥ 𑌸𑌰𑍍𑌵𑌜𑍍𑌞𑌾𑌨𑌮𑌯𑍀 𑌸𑌰𑍍𑌵𑌰𑌾𑌜𑍍𑌯𑌦𑌾 𑌸𑌰𑍍𑌵𑌮𑍁𑌕𑍍𑌤𑌿𑌦𑌾 । 𑌸𑍁𑌪𑍍𑌰𑌭𑌾 𑌸𑌰𑍍𑌵𑌦𑌾 𑌸𑌰𑍍𑌵𑌾 𑌸𑌰𑍍𑌵𑌲𑍋𑌕𑌵𑌶𑌙𑍍𑌕𑌰𑍀 ॥ 34 ॥ 𑌸𑍁𑌭𑌗𑌾 𑌸𑍁𑌨𑍍𑌦𑌰𑍀 𑌸𑌿𑌦𑍍𑌧𑌾 𑌸𑌿𑌦𑍍𑌧𑌾𑌮𑍍𑌬𑌾 𑌸𑌿𑌦𑍍𑌧𑌮𑌾𑌤𑍃𑌕𑌾 । 𑌸𑌿𑌦𑍍𑌧𑌮𑌾𑌤𑌾 𑌸𑌿𑌦𑍍𑌧𑌵𑌿𑌦𑍍𑌯𑌾 𑌸𑌿𑌦𑍍𑌧𑍇𑌶𑍀 𑌸𑌿𑌦𑍍𑌧𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 35 ॥ 𑌸𑍁𑌰𑍂𑌪𑌿𑌣𑍀 𑌸𑍁𑌖𑌮𑌯𑍀 𑌸𑍇𑌵𑌕𑌪𑍍𑌰𑌿𑌯𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌸𑍍𑌵𑌾𑌮𑌿𑌨𑍀 𑌸𑌰𑍍𑌵𑌦𑌾 𑌸𑍇𑌵𑍍𑌯𑌾 𑌸𑍍𑌥𑍂𑌲𑌸𑍂𑌕𑍍𑌷𑍍𑌮𑌾𑌪𑌰𑌾𑌮𑍍𑌬𑌿𑌕𑌾 ॥ 36 ॥ 𑌸𑌾𑌰𑌰𑍂𑌪𑌾 𑌸𑌰𑍋𑌰𑍂𑌪𑌾 𑌸𑌤𑍍𑌯𑌭𑍂𑌤𑌾 𑌸𑌮𑌾𑌶𑍍𑌰𑌯𑌾 । 𑌸𑌿𑌤𑌾𑌽𑌸𑌿𑌤𑌾 𑌸𑌰𑍋𑌜𑌾𑌕𑍍𑌷𑍀 𑌸𑌰𑍋𑌜𑌾𑌸𑌨𑌵𑌲𑍍𑌲𑌭𑌾 ॥ 37 ॥ 𑌸𑌰𑍋𑌰𑍁𑌹𑌾𑌭𑌾 𑌸𑌰𑍍𑌵𑌾𑌙𑍍𑌗𑍀 𑌸𑍁𑌰𑍇𑌨𑍍𑌦𑍍𑌰𑌾𑌦𑌿𑌪𑍍𑌰𑌪𑍂𑌜𑌿𑌤𑌾 । [ 𑍐 𑌹𑍍𑌰𑍀𑌂 𑌐𑌂 𑌮𑌹𑌾𑌸𑌰𑌸𑍍𑌵𑌤𑌿 𑌸𑌾𑌰𑌸𑍍𑌵𑌤𑌪𑍍𑌰𑌦𑍇 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌮𑌹𑌾𑌦𑍇𑌵𑍀 𑌮𑌹𑍇𑌶𑌾𑌨𑍀 𑌮𑌹𑌾𑌸𑌾𑌰𑌸𑍍𑌵𑌤𑌪𑍍𑌰𑌦𑌾 ॥ 38 ॥ 𑌮𑌹𑌾𑌸𑌰𑌸𑍍𑌵𑌤𑍀 𑌮𑍁𑌕𑍍𑌤𑌾 𑌮𑍁𑌕𑍍𑌤𑌿𑌦𑌾 𑌮𑍋𑌹𑌨𑌾𑌶𑌿𑌨𑍀 । [ 𑌮𑌲𑌨𑌾𑌶𑌿𑌨𑍀 ] 𑌮𑌹𑍇𑌶𑍍𑌵𑌰𑍀 𑌮𑌹𑌾𑌨𑌨𑍍𑌦𑌾 𑌮𑌹𑌾𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑌯𑍀 𑌮𑌹𑍀 ॥ 39 ॥ 𑌮𑌹𑌾𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌰𑍍𑌮𑌹𑌾𑌵𑌿𑌦𑍍𑌯𑌾 𑌮𑌾𑌤𑌾 𑌮𑌨𑍍𑌦𑌰𑌵𑌾𑌸𑌿𑌨𑍀 । 𑌮𑌨𑍍𑌤𑍍𑌰𑌗𑌮𑍍𑌯𑌾 𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑌾𑌤𑌾 𑌮𑌹𑌾𑌮𑌨𑍍𑌤𑍍𑌰𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 40 ॥

Sarvapriyankari sarvashubhada sarvamangala | Sarvamantramayi sarvatirthapunyaphalaprada || 31 || Sarvapunyamayi sarvavyadhighni sarvakamada | Sarvavighnahari sarvavandita sarvamangala || 32 || Sarvamantrakari sarvalakshmih sarvagunanvita | Sarvanandamayi sarvajnanada satyanayika || 33 || Sarvajnanamayi sarvarajyada sarvamuktida | Suprabha sarvada sarva sarvalokavashankari || 34 || Subhaga sundari siddha siddhamba siddhamatrika | Siddhamata siddhavidya siddheshi siddharupini || 35 || Surupini sukhamayi sevakapriyakarini | Svamini sarvada sevya sthulasukshmaparambika || 36 || Sararupa sarorupa satyabhuta samashraya | Sitasita sarojakshi sarojasanavallabha || 37 || Saroruhabha sarvangi surendradiprapujita | [ Om hrim aim mahasarasvati sarasvataprade aim vada vada vagvadini svaha ] Mahadevi maheshani mahasarasvataprada || 38 || Mahasarasvati mukta muktida mohanashini | [ malanashini ] Maheshvari mahananda mahamantramayi mahi || 39 || Mahalakshmirmahavidya mata mandaravasini | Mantragamya mantramata mahamantraphalaprada || 40 ||

Meaning:The sarva-names cascade on: doing what is dear to all, giving every good, all-auspicious, made of all mantras, granting the merit of all holy waters; all-meritorious, destroying every disease, granting every desire, removing every obstacle; saluted by all, the Lakshmi of all, possessed of every virtue, made of all bliss, giver of all knowledge, the true leader; giver of every kingdom and of complete liberation, radiant, the all, bringing all worlds under benign sway. She is Subhaga the fortunate, Sundari the beautiful, the accomplished one — mother of siddhas, siddha-vidya, queen and form of the perfected; lovely, made of happiness, kind to those who serve her; the mistress ever to be served, the supreme Mother both gross and subtle; the form of essence, the form of the lake (saras), truly existent, the common refuge; white and dark, lotus-eyed, beloved of the lotus-seated Brahma, lustrous as the lotus, perfect in every limb, worshipped by Indra and the gods. Then with the Mahasarasvati seed-mantra the ma-names begin: Mahadevi, Maheshani, bestower of the great gift of eloquence; Mahasarasvati, herself free and giver of freedom, destroyer of delusion; Maheshvari, great bliss, made of the great mantras, the Earth; Mahalakshmi and Mahavidya, the Mother dwelling on Mandara; reached through mantra, mother of mantras, giver of the fruit of the great mantras.

Verse 7

𑌮𑌹𑌾𑌮𑍁𑌕𑍍𑌤𑌿𑌰𑍍𑌮𑌹𑌾𑌨𑌿𑌤𑍍𑌯𑌾 𑌮𑌹𑌾𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌮𑌹𑌾𑌸𑌿𑌦𑍍𑌧𑌾 𑌮𑌹𑌾𑌮𑌾𑌤𑌾 𑌮𑌹𑌦𑌾𑌕𑌾𑌰𑌸𑌂𑌯𑍁𑌤𑌾 ॥ 41 ॥ 𑌮𑌹𑍀 𑌮𑌹𑍇𑌶𑍍𑌵𑌰𑍀 𑌮𑍂𑌰𑍍𑌤𑌿𑌰𑍍𑌮𑍋𑌕𑍍𑌷𑌦𑌾 𑌮𑌣𑌿𑌭𑍂𑌷𑌣𑌾 । 𑌮𑍇𑌨𑌕𑌾 𑌮𑌾𑌨𑌿𑌨𑍀 𑌮𑌾𑌨𑍍𑌯𑌾 𑌮𑍃𑌤𑍍𑌯𑍁𑌘𑍍𑌨𑍀 𑌮𑍇𑌰𑍁𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 42 ॥ 𑌮𑌦𑌿𑌰𑌾𑌕𑍍𑌷𑍀 𑌮𑌦𑌾𑌵𑌾𑌸𑌾 𑌮𑌖𑌰𑍂𑌪𑌾 𑌮𑌖𑍇𑌶𑍍𑌵𑌰𑍀 । [ 𑌮𑌹𑍇𑌶𑍍𑌵𑌰𑍀 ] 𑌮𑌹𑌾𑌮𑍋𑌹𑌾 𑌮𑌹𑌾𑌮𑌾𑌯𑌾 𑌮𑌾𑌤𑍄𑌣𑌾𑌂 𑌮𑍂𑌰𑍍𑌧𑍍𑌨𑌿𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌾 ॥ 43 ॥ 𑌮𑌹𑌾𑌪𑍁𑌣𑍍𑌯𑌾 𑌮𑍁𑌦𑌾𑌵𑌾𑌸𑌾 𑌮𑌹𑌾𑌸𑌮𑍍𑌪𑌤𑍍𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌮𑌣𑌿𑌪𑍂𑌰𑍈𑌕𑌨𑌿𑌲𑌯𑌾 𑌮𑌧𑍁𑌰𑍂𑌪𑌾 𑌮𑌦𑍋𑌤𑍍𑌕𑌟𑌾 ॥ 44 ॥ [ 𑌮𑌹𑍋𑌤𑍍𑌕𑌟𑌾 ] 𑌮𑌹𑌾𑌸𑍂𑌕𑍍𑌷𑍍𑌮𑌾 𑌮𑌹𑌾𑌶𑌾𑌨𑍍𑌤𑌾 𑌮𑌹𑌾𑌶𑌾𑌨𑍍𑌤𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌮𑍁𑌨𑌿𑌸𑍍𑌤𑍁𑌤𑌾 𑌮𑍋𑌹𑌹𑌨𑍍𑌤𑍍𑌰𑍀 𑌮𑌾𑌧𑌵𑍀 𑌮𑌾𑌧𑌵𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 45 ॥ 𑌮𑌾 𑌮𑌹𑌾𑌦𑍇𑌵𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌮𑌹𑌿𑌷𑍀𑌗𑌣𑌪𑍂𑌜𑌿𑌤𑌾 । 𑌮𑍃𑌷𑍍𑌟𑌾𑌨𑍍𑌨𑌦𑌾 𑌚 𑌮𑌾𑌹𑍇𑌨𑍍𑌦𑍍𑌰𑍀 𑌮𑌹𑍇𑌨𑍍𑌦𑍍𑌰𑌪𑌦𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 46 ॥ 𑌮𑌤𑌿𑌰𑍍𑌮𑌤𑌿𑌪𑍍𑌰𑌦𑌾 𑌮𑍇𑌧𑌾 𑌮𑌰𑍍𑌤𑍍𑌯𑌲𑍋𑌕𑌨𑌿𑌵𑌾𑌸𑌿𑌨𑍀 । 𑌮𑍁𑌖𑍍𑌯𑌾 𑌮𑌹𑌾𑌨𑌿𑌵𑌾𑌸𑌾 𑌚 𑌮𑌹𑌾𑌭𑌾𑌗𑍍𑌯𑌜𑌨𑌾𑌶𑍍𑌰𑌿𑌤𑌾 ॥ 47 ॥ 𑌮𑌹𑌿𑌲𑌾 𑌮𑌹𑌿𑌮𑌾 𑌮𑍃𑌤𑍍𑌯𑍁𑌹𑌾𑌰𑍀 𑌮𑍇𑌧𑌾𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌮𑍇𑌧𑍍𑌯𑌾 𑌮𑌹𑌾𑌵𑍇𑌗𑌵𑌤𑍀 𑌮𑌹𑌾𑌮𑍋𑌕𑍍𑌷𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 48 ॥ 𑌮𑌹𑌾𑌪𑍍𑌰𑌭𑌾𑌭𑌾 𑌮𑌹𑌤𑍀 𑌮𑌹𑌾𑌦𑍇𑌵𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 । 𑌮𑌹𑌾𑌪𑍋𑌷𑌾 𑌮𑌹𑌰𑍍𑌥𑌿𑌶𑍍𑌚 𑌮𑍁𑌕𑍍𑌤𑌾𑌹𑌾𑌰𑌵𑌿𑌭𑍂𑌷𑌣𑌾 ॥ 49 ॥ [ 𑌮𑌹𑌰𑍍𑌦𑍍𑌧𑌿𑌶𑍍𑌚 ] 𑌮𑌾𑌣𑌿𑌕𑍍𑌯𑌭𑍂𑌷𑌣𑌾 𑌮𑌨𑍍𑌤𑍍𑌰𑌾 𑌮𑍁𑌖𑍍𑌯𑌚𑌨𑍍𑌦𑍍𑌰𑌾𑌰𑍍𑌧𑌶𑍇𑌖𑌰𑌾 । 𑌮𑌨𑍋𑌰𑍂𑌪𑌾 𑌮𑌨𑌶𑍍𑌶𑍁𑌦𑍍𑌧𑌿𑌃 𑌮𑌨𑌶𑍍𑌶𑍁𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 50 ॥

Mahamuktirmahanitya mahasiddhipradayini | Mahasiddha mahamata mahadakarasamyuta || 41 || Mahi maheshvari murtirmokshada manibhushana | Menaka manini manya mrityughni merurupini || 42 || Madirakshi madavasa makharupa makheshvari | [ maheshvari ] Mahamoha mahamaya matrinam murdhnisamsthita || 43 || Mahapunya mudavasa mahasampatpradayini | Manipuraikanilaya madhurupa madotkata || 44 || [ mahotkata ] Mahasukshma mahashanta mahashantipradayini | Munistuta mohahantri madhavi madhavapriya || 45 || Ma mahadevasamstutya mahishiganapujita | Mrishtannada cha mahendri mahendrapadadayini || 46 || Matirmatiprada medha martyalokanivasini | Mukhya mahanivasa cha mahabhagyajanashrita || 47 || Mahila mahima mrityuhari medhapradayini | Medhya mahavegavati mahamokshaphalaprada || 48 || Mahaprabhabha mahati mahadevapriyankari | Mahaposha maharthishcha muktaharavibhushana || 49 || [ maharddhishcha ] Manikyabhushana mantra mukhyachandrardhashekhara | Manorupa manashshuddhih manashshuddhipradayini || 50 ||

Meaning:She is the great liberation and the great eternity, bestower of the great siddhis, the great accomplished one, the great Mother joined to the vastness of the Great (mahat); the Earth, Maheshvari, form itself, giver of moksha, jewel-adorned; Menaka, the honoured and proud one, destroyer of death, of Meru's form. Her eyes are intoxicating, joy is her dwelling; she is the form and queen of the sacrifice; the great bewilderment and the great Maya, standing at the head of the Mothers; of great merit, abode of gladness, giver of great riches; dwelling in the Manipura lotus, honey-sweet, mighty in rapture; the most subtle, the greatly peaceful, giver of great peace; praised by the munis, slayer of delusion, Madhavi dear to Madhava. She is Ma (Lakshmi), praised by Mahadeva, worshipped by queens; giver of delicious food, Mahendri who bestows Indra's throne; intellect and its giver, wisdom (medha), dwelling among mortals; the foremost, of great abode, refuge of the greatly fortunate; woman and greatness, remover of death, bestower of intelligence, pure, swift beyond measure, giver of the great fruit of liberation; of great radiance, the vast one, delighting Mahadeva; the great nourisher, great prosperity, adorned with pearl necklaces and ruby ornaments — mantra itself, crowned with the crescent moon; the form of mind, the purity of mind and the giver of that purity.

Verse 8

𑌮𑌹𑌾𑌕𑌾𑌰𑍁𑌣𑍍𑌯𑌸𑌮𑍍𑌪𑍂𑌰𑍍𑌣𑌾 𑌮𑌨𑍋𑌨𑌮𑌨𑌵𑌨𑍍𑌦𑌿𑌤𑌾 । 𑌮𑌹𑌾𑌪𑌾𑌤𑌕𑌜𑌾𑌲𑌘𑍍𑌨𑍀 𑌮𑍁𑌕𑍍𑌤𑌿𑌦𑌾 𑌮𑍁𑌕𑍍𑌤𑌭𑍂𑌷𑌣𑌾 ॥ 51 ॥ 𑌮𑌨𑍋𑌨𑍍𑌮𑌨𑍀 𑌮𑌹𑌾𑌸𑍍𑌥𑍂𑌲𑌾 𑌮𑌹𑌾𑌕𑍍𑌰𑌤𑍁𑌫𑌲𑌪𑍍𑌰𑌦𑌾 । 𑌮𑌹𑌾𑌪𑍁𑌣𑍍𑌯𑌫𑌲𑌪𑍍𑌰𑌾𑌪𑍍𑌯𑌾 𑌮𑌾𑌯𑌾𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 52 ॥ 𑌮𑌹𑌾𑌨𑌸𑌾 𑌮𑌹𑌾𑌮𑍇𑌧𑌾 𑌮𑌹𑌾𑌮𑍋𑌦𑌾 𑌮𑌹𑍇𑌶𑍍𑌵𑌰𑍀 । 𑌮𑌾𑌲𑌾𑌧𑌰𑍀 𑌮𑌹𑍋𑌪𑌾𑌯𑌾 𑌮𑌹𑌾𑌤𑍀𑌰𑍍𑌥𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 53 ॥ 𑌮𑌹𑌾𑌮𑌙𑍍𑌗𑌲𑌸𑌮𑍍𑌪𑍂𑌰𑍍𑌣𑌾 𑌮𑌹𑌾𑌦𑌾𑌰𑌿𑌦𑍍𑌰𑍍𑌯𑌨𑌾𑌶𑌿𑌨𑍀 । 𑌮𑌹𑌾𑌮𑌖𑌾 𑌮𑌹𑌾𑌮𑍇𑌘𑌾 𑌮𑌹𑌾𑌕𑌾𑌲𑍀 𑌮𑌹𑌾𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 54 ॥ 𑌮𑌹𑌾𑌭𑍂𑌷𑌾 𑌮𑌹𑌾𑌦𑍇𑌹𑌾 𑌮𑌹𑌾𑌰𑌾𑌜𑍍𑌞𑍀 𑌮𑍁𑌦𑌾𑌲𑌯𑌾 । [ 𑍐 𑌹𑍍𑌰𑍀𑌂 𑌐𑌂 𑌨𑌮𑍋 𑌭𑌗𑌵𑌤𑌿 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌭𑍂𑌰𑌿𑌦𑌾 𑌭𑌾𑌗𑍍𑌯𑌦𑌾 𑌭𑍋𑌗𑍍𑌯𑌾 𑌭𑍋𑌗𑍍𑌯𑌦𑌾 𑌭𑍋𑌗𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 55 ॥ 𑌭𑌵𑌾𑌨𑍀 𑌭𑍂𑌤𑌿𑌦𑌾 𑌭𑍂𑌤𑌿𑌃 𑌭𑍂𑌮𑌿𑌰𑍍𑌭𑍂𑌮𑌿𑌸𑍁𑌨𑌾𑌯𑌿𑌕𑌾 । 𑌭𑍂𑌤𑌧𑌾𑌤𑍍𑌰𑍀 𑌭𑌯𑌹𑌰𑍀 𑌭𑌕𑍍𑌤𑌸𑌾𑌰𑌸𑍍𑌵𑌤𑌪𑍍𑌰𑌦𑌾 ॥ 56 ॥ 𑌭𑍁𑌕𑍍𑌤𑌿𑌰𑍍𑌭𑍁𑌕𑍍𑌤𑌿𑌪𑍍𑌰𑌦𑌾 𑌭𑍋𑌕𑍍𑌤𑍍𑌰𑍀 𑌭𑌕𑍍𑌤𑌿𑌰𑍍𑌭𑌕𑍍𑌤𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । [𑌭𑍇𑌕𑍀] 𑌭𑌕𑍍𑌤𑌸𑌾𑌯𑍁𑌜𑍍𑌯𑌦𑌾 𑌭𑌕𑍍𑌤𑌸𑍍𑌵𑌰𑍍𑌗𑌦𑌾 𑌭𑌕𑍍𑌤𑌰𑌾𑌜𑍍𑌯𑌦𑌾 ॥ 57 ॥ 𑌭𑌾𑌗𑍀𑌰𑌥𑍀 𑌭𑌵𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌭𑌾𑌗𑍍𑌯𑌾𑌸𑌜𑍍𑌜𑌨𑌪𑍂𑌜𑌿𑌤𑌾 । 𑌭𑌵𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌭𑌾𑌨𑍁𑌮𑌤𑍀 𑌭𑌵𑌸𑌾𑌗𑌰𑌤𑌾𑌰𑌿𑌣𑍀 ॥ 58 ॥ 𑌭𑍂𑌤𑌿𑌰𑍍𑌭𑍂𑌷𑌾 𑌚 𑌭𑍂𑌤𑍇𑌶𑍀 𑌭𑌾𑌲𑌲𑍋𑌚𑌨𑌪𑍂𑌜𑌿𑌤𑌾 । [ 𑌫𑌾𑌲𑌲𑍋𑌚𑌨𑌪𑍂𑌜𑌿𑌤𑌾 ] 𑌭𑍂𑌤𑌾 𑌭𑌵𑍍𑌯𑌾 𑌭𑌵𑌿𑌷𑍍𑌯𑌾 𑌚 𑌭𑌵𑌵𑌿𑌦𑍍𑌯𑌾 𑌭𑌵𑌾𑌤𑍍𑌮𑌿𑌕𑌾 ॥ 59 ॥ 𑌬𑌾𑌧𑌾𑌪𑌹𑌾𑌰𑌿𑌣𑍀 𑌬𑌨𑍍𑌧𑍁𑌰𑍂𑌪𑌾 𑌭𑍁𑌵𑌨𑌪𑍂𑌜𑌿𑌤𑌾 । 𑌭𑌵𑌘𑍍𑌨𑍀 𑌭𑌕𑍍𑌤𑌿𑌲𑌭𑍍𑌯𑌾 𑌚 𑌭𑌕𑍍𑌤𑌰𑌕𑍍𑌷𑌣𑌤𑌤𑍍𑌪𑌰𑌾 ॥ 60 ॥

Mahakarunyasampurna manonamanavandita | Mahapatakajalaghni muktida muktabhushana || 51 || Manonmani mahasthula mahakratuphalaprada | Mahapunyaphalaprapya mayatripuranashini || 52 || Mahanasa mahamedha mahamoda maheshvari | Maladhari mahopaya mahatirthaphalaprada || 53 || Mahamangalasampurna mahadaridryanashini | Mahamakha mahamegha mahakali mahapriya || 54 || Mahabhusha mahadeha maharajni mudalaya | [ Om hrim aim namo bhagavati aim vada vada vagvadini svaha ] Bhurida bhagyada bhogya bhogyada bhogadayini || 55 || Bhavani bhutida bhutih bhumirbhumisunayika | Bhutadhatri bhayahari bhaktasarasvataprada || 56 || Bhuktirbhuktiprada bhoktri bhaktirbhaktipradayini | [bheki] Bhaktasayujyada bhaktasvargada bhaktarajyada || 57 || Bhagirathi bhavaradhya bhagyasajjanapujita | Bhavastutya bhanumati bhavasagaratarini || 58 || Bhutirbhusha cha bhuteshi bhalalochanapujita | [ phalalochanapujita ] Bhuta bhavya bhavishya cha bhavavidya bhavatmika || 59 || Badhapaharini bandhurupa bhuvanapujita | Bhavaghni bhaktilabhya cha bhaktarakshanatatpara || 60 ||

Meaning:She is filled with great compassion, saluted by the bowing of minds, destroyer of the webs of great sins, giver of liberation and the ornament of the liberated; Manonmani (the mind beyond mind), the great gross form, giver of the fruit of the great sacrifices, attained through great merit, destroyer of Maya's three cities; the great abundance, great intelligence and great gladness, Maheshvari; garland-wearing, the great means, giver of the fruit of the great pilgrimages; complete in great auspiciousness, destroyer of great poverty; the great sacrifice, the great cloud, Mahakali, the greatly beloved; of great adornments and great body, the great Queen, the abode of delight. Then with the Bhagavati seed-mantra the bha-names begin: giver of plenty and of fortune, herself the enjoyable and the giver of every enjoyment; Bhavani, giver of well-being, prosperity itself, the Earth and its noble lady; nourisher of beings, remover of fear, bestower of eloquence upon her devotees; enjoyment and its giver, the enjoyer, devotion and the giver of devotion; granting her devotees union with God, heaven and dominion; Bhagirathi (Ganga), worshipped by Bhava, adored by the fortunate and the good, praised by Shiva, luminous, the ferry across the ocean of worldly existence; prosperity and ornament, queen of beings, worshipped by the one with the eye in his forehead; the past, the present and the future, the knowledge of becoming and its very self; remover of afflictions, kin to all, worshipped by the worlds, destroyer of rebirth, attainable through devotion, intent on protecting her devotees.

Verse 9

𑌭𑌕𑍍𑌤𑌾𑌰𑍍𑌤𑌿𑌶𑌮𑌨𑍀 𑌭𑌾𑌗𑍍𑌯𑌾 𑌭𑍋𑌗𑌦𑌾𑌨𑌕𑍃𑌤𑍋𑌦𑍍𑌯𑌮𑌾 । 𑌭𑍁𑌜𑌙𑍍𑌗𑌭𑍂𑌷𑌣𑌾 𑌭𑍀𑌮𑌾 𑌭𑍀𑌮𑌾𑌕𑍍𑌷𑍀 𑌭𑍀𑌮𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 61 ॥ 𑌭𑌾𑌵𑌿𑌨𑍀 𑌭𑍍𑌰𑌾𑌤𑍃𑌰𑍂𑌪𑌾 𑌚 𑌭𑌾𑌰𑌤𑍀 𑌭𑌵𑌨𑌾𑌯𑌿𑌕𑌾 । 𑌭𑌾𑌷𑌾 𑌭𑌾𑌷𑌾𑌵𑌤𑍀 𑌭𑍀𑌷𑍍𑌮𑌾 𑌭𑍈𑌰𑌵𑍀 𑌭𑍈𑌰𑌵𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 62 ॥ 𑌭𑍂𑌤𑌿𑌰𑍍𑌭𑌾𑌸𑌿𑌤𑌸𑌰𑍍𑌵𑌾𑌙𑍍𑌗𑍀 𑌭𑍂𑌤𑌿𑌦𑌾 𑌭𑍂𑌤𑌿𑌨𑌾𑌯𑌿𑌕𑌾 । 𑌭𑌾𑌸𑍍𑌵𑌤𑍀 𑌭𑌗𑌮𑌾𑌲𑌾 𑌚 𑌭𑌿𑌕𑍍𑌷𑌾𑌦𑌾𑌨𑌕𑍃𑌤𑍋𑌦𑍍𑌯𑌮𑌾 ॥ 63 ॥ 𑌭𑌿𑌕𑍍𑌷𑍁𑌰𑍂𑌪𑌾 𑌭𑌕𑍍𑌤𑌿𑌕𑌰𑍀 𑌭𑌕𑍍𑌤𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌭𑍍𑌰𑌾𑌨𑍍𑌤𑌿𑌘𑍍𑌨𑌾 𑌭𑍍𑌰𑌾𑌨𑍍𑌤𑌿𑌰𑍂𑌪𑌾 𑌚 𑌭𑍂𑌤𑌿𑌦𑌾 𑌭𑍂𑌤𑌿𑌕𑌾𑌰𑌿𑌣𑍀 ॥ 64 ॥ 𑌭𑌿𑌕𑍍𑌷𑌣𑍀𑌯𑌾 𑌭𑌿𑌕𑍍𑌷𑍁𑌮𑌾𑌤𑌾 𑌭𑌾𑌗𑍍𑌯𑌵𑌦𑍍𑌦𑍃𑌷𑍍𑌟𑌿𑌗𑍋𑌚𑌰𑌾 । 𑌭𑍋𑌗𑌵𑌤𑍀 𑌭𑍋𑌗𑌰𑍂𑌪𑌾 𑌭𑍋𑌗𑌮𑍋𑌕𑍍𑌷𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 65 ॥ 𑌭𑍋𑌗𑌶𑍍𑌰𑌾𑌨𑍍𑌤𑌾 𑌭𑌾𑌗𑍍𑌯𑌵𑌤𑍀 𑌭𑌕𑍍𑌤𑌾𑌘𑍗𑌘𑌵𑌿𑌨𑌾𑌶𑌿𑌨𑍀 । [ 𑍐 𑌐𑌂 𑌕𑍍𑌲𑍀𑌂 𑌸𑍗𑌃 𑌬𑌾𑌲𑍇 𑌬𑍍𑌰𑌾𑌹𑍍𑌮𑍀 𑌬𑍍𑌰𑌹𑍍𑌮𑌪𑌤𑍍𑌨𑍀 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌬𑍍𑌰𑌾𑌹𑍍𑌮𑍀 𑌬𑍍𑌰𑌹𑍍𑌮𑌸𑍍𑌵𑌰𑍂𑌪𑌾 𑌚 𑌬𑍃𑌹𑌤𑍀 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌲𑍍𑌲𑌭𑌾 ॥ 66 ॥ 𑌬𑍍𑌰𑌹𑍍𑌮𑌦𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌮𑌾𑌤𑌾 𑌚 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍀 𑌬𑍍𑌰𑌹𑍍𑌮𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌬𑍍𑌰𑌹𑍍𑌮𑍇𑌶𑍀 𑌬𑍍𑌰𑌹𑍍𑌮𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑍇𑌦𑍍𑌯𑌾 𑌬𑍁𑌧𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 67 ॥ 𑌬𑌾𑌲𑍇𑌨𑍍𑌦𑍁𑌶𑍇𑌖𑌰𑌾 𑌬𑌾𑌲𑌾 𑌬𑌲𑌿𑌪𑍂𑌜𑌾𑌕𑌰𑌪𑍍𑌰𑌿𑌯𑌾 । 𑌬𑌲𑌦𑌾 𑌬𑌿𑌨𑍍𑌦𑍁𑌰𑍂𑌪𑌾 𑌚 𑌬𑌾𑌲𑌸𑍂𑌰𑍍𑌯𑌸𑌮𑌪𑍍𑌰𑌭𑌾 ॥ 68 ॥ 𑌬𑍍𑌰𑌹𑍍𑌮𑌰𑍂𑌪𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌮𑌯𑍀 𑌬𑍍𑌰𑌧𑍍𑌨𑌮𑌣𑍍𑌡𑌲𑌮𑌧𑍍𑌯𑌗𑌾 । 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍀 𑌬𑍁𑌦𑍍𑌧𑌿𑌦𑌾 𑌬𑍁𑌦𑍍𑌧𑌿𑌰𑍍𑌬𑍁𑌦𑍍𑌧𑌿𑌰𑍂𑌪𑌾 𑌬𑍁𑌧𑍇𑌶𑍍𑌵𑌰𑍀 ॥ 69 ॥ 𑌬𑌨𑍍𑌧𑌕𑍍𑌷𑌯𑌕𑌰𑍀 𑌬𑌾𑌧𑌾𑌨𑌾𑌶𑌿𑌨𑍀 𑌬𑌨𑍍𑌧𑍁𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌬𑌿𑌨𑍍𑌦𑍍𑌵𑌾𑌲𑌯𑌾 𑌬𑌿𑌨𑍍𑌦𑍁𑌭𑍂𑌷𑌾 𑌬𑌿𑌨𑍍𑌦𑍁𑌨𑌾𑌦𑌸𑌮𑌨𑍍𑌵𑌿𑌤𑌾 ॥ 70 ॥

Bhaktartishamani bhagya bhogadanakritodyama | Bhujangabhushana bhima bhimakshi bhimarupini || 61 || Bhavini bhratrirupa cha bharati bhavanayika | Bhasha bhashavati bhishma bhairavi bhairavapriya || 62 || Bhutirbhasitasarvangi bhutida bhutinayika | Bhasvati bhagamala cha bhikshadanakritodyama || 63 || Bhikshurupa bhaktikari bhaktalakshmipradayini | Bhrantighna bhrantirupa cha bhutida bhutikarini || 64 || Bhikshaniya bhikshumata bhagyavaddrishtigochara | Bhogavati bhogarupa bhogamokshaphalaprada || 65 || Bhogashranta bhagyavati bhaktaghaughavinashini | [ Om aim klim sauh bale brahmi brahmapatni aim vada vada vagvadini svaha ] Brahmi brahmasvarupa cha brihati brahmavallabha || 66 || Brahmada brahmamata cha brahmani brahmadayini | Brahmeshi brahmasamstutya brahmavedya budhapriya || 67 || Balendushekhara bala balipujakarapriya | Balada bindurupa cha balasuryasamaprabha || 68 || Brahmarupa brahmamayi bradhnamandalamadhyaga | Brahmani buddhida buddhirbuddhirupa budheshvari || 69 || Bandhakshayakari badhanashini bandhurupini | Bindvalaya bindubhusha bindunadasamanvita || 70 ||

Meaning:She stills the anguish of her devotees, is fortune itself, ever diligent in granting enjoyment; serpent-adorned, Bhima the formidable, fierce-eyed, of terrifying form — yet Bhavini the radiant, sisterly kin, Bharati, the mansion's mistress; language itself and rich in language; Bhishma the awesome, Bhairavi, beloved of Bhairava; her whole body luminous, giver of prosperity, its queen; Bhasvati the shining, garlanded with light, diligent in the giving of alms; the mendicant's form, maker of devotion, bestower of Lakshmi upon her devotees; destroyer of delusion though wearing its form; worthy of alms, mother of monks, visible only to the eyes of the fortunate; full of enjoyment, its very form, giver of the fruits of both enjoyment and liberation; resting beyond pleasure, possessed of fortune, destroyer of the heaped sins of her devotees. Then with the Brahmi seed-mantra the b-names begin: Brahmi, of the very form of Brahman, Brihati the vast, beloved of Brahma; giver of Brahman-knowledge, mother of Brahma, Brahmani; queen of Brahman, praised by Brahma, known through Brahman, dear to the wise; Bala the maiden crowned with the young moon, pleased by offerings; giver of strength, the form of the bindu, radiant as the rising sun; the form and substance of Brahman, moving in the centre of the solar orb; Brahmani, giver of intellect, intellect itself, its form, the queen of the wise; destroyer of bonds and afflictions, kind as a kinswoman; dwelling in the bindu, adorned by the bindu, united with bindu and nada.

Verse 10

𑌬𑍀𑌜𑌰𑍂𑌪𑌾 𑌬𑍀𑌜𑌮𑌾𑌤𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌣𑍍𑌯𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌬𑌹𑍁𑌰𑍂𑌪𑌾 𑌬𑌲𑌵𑌤𑍀 𑌬𑍍𑌰𑌹𑍍𑌮𑌜𑍍𑌞𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌚𑌾𑌰𑌿𑌣𑍀 ॥ 71 ॥ [𑌬𑍍𑌰𑌹𑍍𑌮𑌜𑌾] 𑌬𑍍𑌰𑌹𑍍𑌮𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌿𑌦𑍍𑌯𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍍𑌡𑌾𑌧𑌿𑌪𑌵𑌲𑍍𑌲𑌭𑌾 । 𑌬𑍍𑌰𑌹𑍍𑌮𑍇𑌶𑌵𑌿𑌷𑍍𑌣𑍁𑌰𑍂𑌪𑌾 𑌚 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌿𑌷𑍍𑌣𑍍𑌵𑍀𑌶𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌾 ॥ 72 ॥ 𑌬𑍁𑌦𑍍𑌧𑌿𑌰𑍂𑌪𑌾 𑌬𑍁𑌧𑍇𑌶𑌾𑌨𑍀 𑌬𑌨𑍍𑌧𑍀 𑌬𑌨𑍍𑌧𑌵𑌿𑌮𑍋𑌚𑌨𑍀 । [ 𑍐 𑌹𑍍𑌰𑍀𑌂 𑌐𑌂 𑌅𑌂 𑌆𑌂 𑌇𑌂 𑌈𑌂 𑌉𑌂 𑌊𑌂 𑌋𑌂 𑍠𑌂 ~𑌲𑍁𑌂 ~𑌲𑍂𑌂 𑌏𑌂 𑌐𑌂 𑍐 𑌔𑌂 𑌕𑌂 𑌖𑌂 𑌗𑌂 𑌘𑌂 𑌙𑌂 𑌚𑌂 𑌛𑌂 𑌜𑌂 𑌝𑌂 𑌞𑌂 𑌟𑌂 𑌠𑌂 𑌡𑌂 𑌢𑌂 𑌣𑌂 𑌤𑌂 𑌥𑌂 𑌦𑌂 𑌧𑌂 𑌨𑌂 𑌪𑌂 𑌫𑌂 𑌬𑌂 𑌭𑌂 𑌮𑌂 𑌯𑌂 𑌰𑌂 𑌲𑌂 𑌵𑌂 𑌶𑌂 𑌷𑌂 𑌸𑌂 𑌹𑌂 𑌲𑌂 𑌕𑍍𑌷𑌂 𑌅𑌕𑍍𑌷𑌮𑌾𑌲𑍇 𑌅𑌕𑍍𑌷𑌰𑌮𑌾𑌲𑌿𑌕𑌾 𑌸𑌮𑌲𑌙𑍍𑌕𑍃𑌤𑍇 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌅𑌕𑍍𑌷𑌮𑌾𑌲𑌾𑌽𑌕𑍍𑌷𑌰𑌾𑌕𑌾𑌰𑌾𑌽𑌕𑍍𑌷𑌰𑌾𑌽𑌕𑍍𑌷𑌰𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 73 ॥ 𑌅𑌨𑌨𑍍𑌤𑌾𑌽𑌨𑌨𑍍𑌦𑌸𑍁𑌖𑌦𑌾𑌽𑌨𑌨𑍍𑌤𑌚𑌨𑍍𑌦𑍍𑌰𑌨𑌿𑌭𑌾𑌨𑌨𑌾 । 𑌅𑌨𑌨𑍍𑌤𑌮𑌹𑌿𑌮𑌾𑌽𑌘𑍋𑌰𑌾𑌨𑌨𑍍𑌤𑌗𑌮𑍍𑌭𑍀𑌰𑌸𑌮𑍍𑌮𑌿𑌤𑌾 ॥ 74 ॥ 𑌅𑌦𑍃𑌷𑍍𑌟𑌾𑌽𑌦𑍃𑌷𑍍𑌟𑌦𑌾𑌽𑌨𑌨𑍍𑌤𑌾𑌦𑍃𑌷𑍍𑌟𑌭𑌾𑌗𑍍𑌯𑌫𑌲𑌪𑍍𑌰𑌦𑌾 । [ 𑌦𑍃𑌷𑍍𑌟𑌿𑌦𑌾 ] 𑌅𑌰𑍁𑌨𑍍𑌧𑌤𑍍𑌯𑌵𑍍𑌯𑌯𑍀𑌨𑌾𑌥𑌾𑌽𑌨𑍇𑌕𑌸𑌦𑍍𑌗𑍁𑌣𑌸𑌂𑌯𑍁𑌤𑌾 ॥ 75 ॥ 𑌅𑌨𑍇𑌕𑌭𑍂𑌷𑌣𑌾𑌽𑌦𑍃𑌶𑍍𑌯𑌾𑌽𑌨𑍇𑌕𑌲𑍇𑌖𑌨𑌿𑌷𑍇𑌵𑌿𑌤𑌾 । 𑌅𑌨𑌨𑍍𑌤𑌾𑌽𑌨𑌨𑍍𑌤𑌸𑍁𑌖𑌦𑌾𑌽𑌘𑍋𑌰𑌾𑌽𑌘𑍋𑌰𑌸𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 76 ॥ 𑌅𑌶𑍇𑌷𑌦𑍇𑌵𑌤𑌾𑌰𑍂𑌪𑌾𑌽𑌮𑍃𑌤𑌰𑍂𑌪𑌾𑌽𑌮𑍃𑌤𑍇𑌶𑍍𑌵𑌰𑍀 । 𑌅𑌨𑌵𑌦𑍍𑌯𑌾𑌽𑌨𑍇𑌕𑌹𑌸𑍍𑌤𑌾𑌽𑌨𑍇𑌕𑌮𑌾𑌣𑌿𑌕𑍍𑌯𑌭𑍂𑌷𑌣𑌾 ॥ 77 ॥ 𑌅𑌨𑍇𑌕𑌵𑌿𑌘𑍍𑌨𑌸𑌂𑌹𑌰𑍍𑌤𑍍𑌰𑍀 𑌤𑍍𑌵𑌨𑍇𑌕𑌾𑌭𑌰𑌣𑌾𑌨𑍍𑌵𑌿𑌤𑌾 । 𑌅𑌵𑌿𑌦𑍍𑌯𑌾𑌜𑍍𑌞𑌾𑌨𑌸𑌂𑌹𑌰𑍍𑌤𑍍𑌰𑍀 𑌹𑍍𑌯𑌵𑌿𑌦𑍍𑌯𑌾𑌜𑌾𑌲𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 78 ॥ 𑌅𑌭𑌿𑌰𑍂𑌪𑌾𑌨𑌵𑌦𑍍𑌯𑌾𑌙𑍍𑌗𑍀 𑌹𑍍𑌯𑌪𑍍𑌰𑌤𑌰𑍍𑌕𑍍𑌯𑌗𑌤𑌿𑌪𑍍𑌰𑌦𑌾 । 𑌅𑌕𑌲𑌙𑍍𑌕𑌰𑍂𑌪𑌿𑌣𑍀 𑌚 𑌹𑍍𑌯𑌨𑍁𑌗𑍍𑌰𑌹𑌪𑌰𑌾𑌯𑌣𑌾 ॥ 79 ॥ 𑌅𑌮𑍍𑌬𑌰𑌸𑍍𑌥𑌾𑌽𑌮𑍍𑌬𑌰𑌮𑌯𑌾𑌽𑌮𑍍𑌬𑌰𑌮𑌾𑌲𑌾𑌽𑌮𑍍𑌬𑍁𑌜𑍇𑌕𑍍𑌷𑌣𑌾 । 𑌅𑌮𑍍𑌬𑌿𑌕𑌾𑌽𑌬𑍍𑌜𑌕𑌰𑌾𑌽𑌬𑍍𑌜𑌸𑍍𑌥𑌾𑌽𑌂𑌶𑍁𑌮𑌤𑍍𑌯𑌽𑌂𑌶𑍁𑌶𑌤𑌾𑌨𑍍𑌵𑌿𑌤𑌾 ॥ 80 ॥

Bijarupa bijamata brahmanya brahmakarini | Bahurupa balavati brahmajna brahmacharini || 71 || [brahmaja] Brahmastutya brahmavidya brahmandadhipavallabha | Brahmeshavishnurupa cha brahmavishnvishasamsthita || 72 || Buddhirupa budheshani bandhi bandhavimochani | [ Om hrim aim am am im im um um rim rim ~lum ~lum em aim Om aum kam kham gam gham nam cham chham jam jham nam tam tham dam dham nam tam tham dam dham nam pam pham bam bham mam yam ram lam vam sham sham sam ham lam ksham akshamale aksharamalika samalankrite vada vada vagvadini svaha ] Akshamalaksharakaraksharaksharaphalaprada || 73 || Anantanandasukhadanantachandranibhanana | Anantamahimaghoranantagambhirasammita || 74 || Adrishtadrishtadanantadrishtabhagyaphalaprada | [ drishtida ] Arundhatyavyayinathanekasadgunasamyuta || 75 || Anekabhushanadrishyanekalekhanishevita | Anantanantasukhadaghoraghorasvarupini || 76 || Asheshadevatarupamritarupamriteshvari | Anavadyanekahastanekamanikyabhushana || 77 || Anekavighnasamhartri tvanekabharananvita | Avidyajnanasamhartri hyavidyajalanashini || 78 || Abhirupanavadyangi hyapratarkyagatiprada | Akalankarupini cha hyanugrahaparayana || 79 || Ambarasthambaramayambaramalambujekshana | Ambikabjakarabjasthamshumatyamshushatanvita || 80 ||

Meaning:She is the seed-form and the mother of seeds, devoted to Brahman and the maker of Brahman; many-formed and mighty, the knower of Brahman, the celibate seeker; praised by Brahma, Brahmavidya itself, the beloved of the universe's lord; the form of Brahma, Vishnu and Shiva, abiding in all three; the form of intelligence, queen of the wise, both binder and releaser from bondage. Then comes the great matrika seed-mantra, in which every letter of the Sanskrit alphabet from 'am' to 'ksham' is recited — invoking her as Aksharamalika, 'she who is garlanded with the letters themselves'. The a-names follow: the rosary of syllables, the shape of the letters, the Imperishable (akshara) and the giver of its fruit; Ananta the endless, giver of endless bliss, her face like countless moons, of infinite greatness, deep beyond all measure; the unseen and the giver of unseen destiny's fruit; Arundhati; possessed of countless virtues and countless ornaments, invisible, served by countless scriptures; endless giver of endless joy, both formidable and gentle; the form of all the deities, the form of nectar and its sovereign; faultless, many-handed, adorned with many gems; destroyer of many obstacles, decked with many ornaments, the slayer of ignorance and the cutter of avidya's nets; beautiful and flawless of limb, granting the state beyond all reasoning; of unstained form, wholly devoted to grace; dwelling in the sky and made of sky, sky-garlanded, lotus-eyed; Ambika the Mother, lotus in hand, seated on the lotus, radiant with a hundred rays.

Verse 11

𑌅𑌮𑍍𑌬𑍁𑌜𑌾𑌽𑌨𑌵𑌰𑌾𑌽𑌖𑌣𑍍𑌡𑌾𑌽𑌮𑍍𑌬𑍁𑌜𑌾𑌸𑌨𑌮𑌹𑌾𑌪𑍍𑌰𑌿𑌯𑌾 । 𑌅𑌜𑌰𑌾𑌽𑌮𑌰𑌸𑌂𑌸𑍇𑌵𑍍𑌯𑌾𑌽𑌜𑌰𑌸𑍇𑌵𑌿𑌤𑌪𑌦𑍍𑌯𑍁𑌗𑌾 ॥ 81 ॥ 𑌅𑌤𑍁𑌲𑌾𑌰𑍍𑌥𑌪𑍍𑌰𑌦𑌾𑌽𑌰𑍍𑌥𑍈𑌕𑍍𑌯𑌾𑌽𑌤𑍍𑌯𑍁𑌦𑌾𑌰𑌾𑌤𑍍𑌵𑌭𑌯𑌾𑌨𑍍𑌵𑌿𑌤𑌾 । 𑌅𑌨𑌾𑌥𑌵𑌤𑍍𑌸𑌲𑌾𑌽𑌨𑌨𑍍𑌤𑌪𑍍𑌰𑌿𑌯𑌾𑌽𑌨𑌨𑍍𑌤𑍇𑌪𑍍𑌸𑌿𑌤𑌪𑍍𑌰𑌦𑌾 ॥ 82 ॥ 𑌅𑌮𑍍𑌬𑍁𑌜𑌾𑌕𑍍𑌷𑍍𑌯𑌮𑍍𑌬𑍁𑌰𑍂𑌪𑌾𑌽𑌮𑍍𑌬𑍁𑌜𑌾𑌤𑍋𑌦𑍍𑌭𑌵𑌮𑌹𑌾𑌪𑍍𑌰𑌿𑌯𑌾 । 𑌅𑌖𑌣𑍍𑌡𑌾 𑌤𑍍𑌵𑌮𑌰𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾𑌽𑌮𑌰𑌨𑌾𑌯𑌕𑌪𑍂𑌜𑌿𑌤𑌾 ॥ 83 ॥ 𑌅𑌜𑍇𑌯𑌾 𑌤𑍍𑌵𑌜𑌸𑌙𑍍𑌕𑌾𑌶𑌾𑌽𑌜𑍍𑌞𑌾𑌨𑌨𑌾𑌶𑌿𑌨𑍍𑌯𑌭𑍀𑌷𑍍𑌟𑌦𑌾 । 𑌅𑌕𑍍𑌤𑌾𑌘𑌨𑍇𑌨 𑌚𑌾𑌽𑌸𑍍𑌤𑍍𑌰𑍇𑌶𑍀 𑌹𑍍𑌯𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌨𑌾𑌶𑌿𑌨𑍀 𑌤𑌥𑌾 ॥ 84 ॥ 𑌅𑌨𑌨𑍍𑌤𑌸𑌾𑌰𑌾𑌽𑌨𑌨𑍍𑌤𑌶𑍍𑌰𑍀𑌰𑌨𑌨𑍍𑌤𑌵𑌿𑌧𑌿𑌪𑍂𑌜𑌿𑌤𑌾 । 𑌅𑌭𑍀𑌷𑍍𑌟𑌾𑌮𑌰𑍍𑌤𑍍𑌯𑌸𑌮𑍍𑌪𑍂𑌜𑍍𑌯𑌾 𑌹𑍍𑌯𑌸𑍍𑌤𑍋𑌦𑌯𑌵𑌿𑌵𑌰𑍍𑌜𑌿𑌤𑌾 ॥ 85 ॥ 𑌆𑌸𑍍𑌤𑌿𑌕𑌸𑍍𑌵𑌾𑌨𑍍𑌤𑌨𑌿𑌲𑌯𑌾𑌽𑌸𑍍𑌤𑍍𑌰𑌰𑍂𑌪𑌾𑌽𑌸𑍍𑌤𑍍𑌰𑌵𑌤𑍀 𑌤𑌥𑌾 । 𑌅𑌸𑍍𑌖𑌲𑌤𑍍𑌯𑌸𑍍𑌖𑌲𑌦𑍍𑌰𑍂𑌪𑌾𑌽𑌸𑍍𑌖𑌲𑌦𑍍𑌵𑌿𑌦𑍍𑌯𑌾𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 86 ॥ 𑌅𑌸𑍍𑌖𑌲𑌤𑍍𑌸𑌿𑌦𑍍𑌧𑌿𑌦𑌾𑌽𑌽𑌨𑌨𑍍𑌦𑌾𑌽𑌮𑍍𑌬𑍁𑌜𑌾𑌤𑌾𑌽𑌽𑌮𑌰𑌨𑌾𑌯𑌿𑌕𑌾 । 𑌅𑌮𑍇𑌯𑌾𑌽𑌶𑍇𑌷𑌪𑌾𑌪𑌘𑍍𑌨𑍍𑌯𑌕𑍍𑌷𑌯𑌸𑌾𑌰𑌸𑍍𑌵𑌤𑌪𑍍𑌰𑌦𑌾 ॥ 87 ॥ [ 𑍐 𑌜𑍍𑌯𑌾𑌂 𑌹𑍍𑌰𑍀𑌂 𑌜𑌯 𑌜𑌯 𑌜𑌗𑌨𑍍𑌮𑌾𑌤𑌃 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌜𑌯𑌾 𑌜𑌯𑌨𑍍𑌤𑍀 𑌜𑌯𑌦𑌾 𑌜𑌨𑍍𑌮𑌕𑌰𑍍𑌮𑌵𑌿𑌵𑌰𑍍𑌜𑌿𑌤𑌾 । 𑌜𑌗𑌤𑍍𑌪𑍍𑌰𑌿𑌯𑌾 𑌜𑌗𑌨𑍍𑌮𑌾𑌤𑌾 𑌜𑌗𑌦𑍀𑌶𑍍𑌵𑌰𑌵𑌲𑍍𑌲𑌭𑌾 ॥ 88 ॥ 𑌜𑌾𑌤𑌿𑌰𑍍𑌜𑌯𑌾 𑌜𑌿𑌤𑌾𑌮𑌿𑌤𑍍𑌰𑌾 𑌜𑌪𑍍𑌯𑌾 𑌜𑌪𑌨𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌜𑍀𑌵𑌨𑍀 𑌜𑍀𑌵𑌨𑌿𑌲𑌯𑌾 𑌜𑍀𑌵𑌾𑌖𑍍𑌯𑌾 𑌜𑍀𑌵𑌧𑌾𑌰𑌿𑌣𑍀 ॥ 89 ॥ 𑌜𑌾𑌹𑍍𑌨𑌵𑍀 𑌜𑍍𑌯𑌾 𑌜𑌪𑌵𑌤𑍀 𑌜𑌾𑌤𑌿𑌰𑍂𑌪𑌾 𑌜𑌯𑌪𑍍𑌰𑌦𑌾 । 𑌜𑌨𑌾𑌰𑍍𑌦𑌨𑌪𑍍𑌰𑌿𑌯𑌕𑌰𑍀 𑌜𑍋𑌷𑌨𑍀𑌯𑌾 𑌜𑌗𑌤𑍍𑌸𑍍𑌥𑌿𑌤𑌾 ॥ 90 ॥

Ambujanavarakhandambujasanamahapriya | Ajaramarasamsevyajarasevitapadyuga || 81 || Atularthapradarthaikyatyudaratvabhayanvita | Anathavatsalanantapriyanantepsitaprada || 82 || Ambujakshyamburupambujatodbhavamahapriya | Akhanda tvamarastutyamaranayakapujita || 83 || Ajeya tvajasankashajnananashinyabhishtada | Aktaghanena chastreshi hyalakshminashini tatha || 84 || Anantasaranantashriranantavidhipujita | Abhishtamartyasampujya hyastodayavivarjita || 85 || Astikasvantanilayastrarupastravati tatha | Askhalatyaskhaladrupaskhaladvidyapradayini || 86 || Askhalatsiddhidanandambujatamaranayika | Ameyasheshapapaghnyakshayasarasvataprada || 87 || [ Om jyam hrim jaya jaya jaganmatah aim vada vada vagvadini svaha ] Jaya jayanti jayada janmakarmavivarjita | Jagatpriya jaganmata jagadishvaravallabha || 88 || Jatirjaya jitamitra japya japanakarini | Jivani jivanilaya jivakhya jivadharini || 89 || Jahnavi jya japavati jatirupa jayaprada | Janardanapriyakari joshaniya jagatsthita || 90 ||

Meaning:Lotus-born, most excellent, indivisible, greatly dear to the lotus-throned; unaging, served by the immortals, her feet attended by the ageless; giver of incomparable wealth, the unity of all meaning, boundlessly generous, joined with fearlessness; tender to the orphaned, dear to Ananta, granting endless desires; lotus-eyed and water-formed, greatly dear to the lotus-born; whole and unbroken, praised by the immortals, worshipped by their chief; unconquerable, like the Unborn, destroyer of ignorance, granter of wishes; lady of weapons, destroyer of misfortune (alakshmi); of endless essence and endless splendour, worshipped with endless rites; adored by the immortals, free from rising and setting; dwelling in the hearts of the faithful, the form of the astra and its wielder; the unfailing one, of unfailing form, giver of unfailing knowledge and unfailing siddhi; bliss itself, lotus-born, queen of the immortals; immeasurable, destroyer of all sins, bestower of imperishable eloquence. Then with the Jaya seed-mantra — 'victory, victory, O Mother of the world' — the ja-names begin: Jaya and Jayanti, giver of victory, free from birth and karma; dear to the world, mother of the world, beloved of the world's Lord; lineage and conquest, with enemies conquered; fit for japa and inspiring japa; the giver of life, the abode of life, called life itself, the supporter of the living; Jahnavi (Ganga), the bowstring, rich in japa, the form of all births, giver of victory; doing what delights Janardana, worthy of devotion, established in the world.

Verse 12

𑌜𑌗𑌜𑍍𑌜𑍍𑌯𑍇𑌷𑍍𑌠𑌾 𑌜𑌗𑌨𑍍𑌮𑌾𑌯𑌾 𑌜𑍀𑌵𑌨𑌤𑍍𑌰𑌾𑌣𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌜𑍀𑌵𑌾𑌤𑍁𑌲𑌤𑌿𑌕𑌾 𑌜𑍀𑌵𑌜𑌨𑍍𑌮𑍀 𑌜𑌨𑍍𑌮𑌨𑌿𑌬𑌰𑍍𑌹𑌣𑍀 ॥ 91 ॥ 𑌜𑌾𑌡𑍍𑌯𑌵𑌿𑌧𑍍𑌵𑌂𑌸𑌨𑌕𑌰𑍀 𑌜𑌗𑌦𑍍𑌯𑍋𑌨𑌿𑌰𑍍𑌜𑌯𑌾𑌤𑍍𑌮𑌿𑌕𑌾 । 𑌜𑌗𑌦𑌾𑌨𑌨𑍍𑌦𑌜𑌨𑌨𑍀 𑌜𑌮𑍍𑌬𑍂𑌶𑍍𑌚 𑌜𑌲𑌜𑍇𑌕𑍍𑌷𑌣𑌾 ॥ 92 ॥ 𑌜𑌯𑌨𑍍𑌤𑍀 𑌜𑌙𑍍𑌗𑌪𑍂𑌗𑌘𑍍𑌨𑍀 𑌜𑌨𑌿𑌤𑌜𑍍𑌞𑌾𑌨𑌵𑌿𑌗𑍍𑌰𑌹𑌾 । 𑌜𑌟𑌾 𑌜𑌟𑌾𑌵𑌤𑍀 𑌜𑌪𑍍𑌯𑌾 𑌜𑌪𑌕𑌰𑍍𑌤𑍃𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 ॥ 93 ॥ 𑌜𑌪𑌕𑍃𑌤𑍍𑌪𑌾𑌪𑌸𑌂𑌹𑌰𑍍𑌤𑍍𑌰𑍀 𑌜𑌪𑌕𑍃𑌤𑍍𑌫𑌲𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌜𑌪𑌾𑌪𑍁𑌷𑍍𑌪𑌸𑌮𑌪𑍍𑌰𑌖𑍍𑌯𑌾 𑌜𑌪𑌾𑌕𑍁𑌸𑍁𑌮𑌧𑌾𑌰𑌿𑌣𑍀 ॥ 94 ॥ 𑌜𑌨𑌨𑍀 𑌜𑌨𑍍𑌮𑌰𑌹𑌿𑌤𑌾 𑌜𑍍𑌯𑍋𑌤𑌿𑌰𑍍𑌵𑍃𑌤𑍍𑌯𑌭𑌿𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌜𑌟𑌾𑌜𑍂𑌟𑌨𑌚𑌨𑍍𑌦𑍍𑌰𑌾𑌰𑍍𑌧𑌾 𑌜𑌗𑌤𑍍𑌸𑍃𑌷𑍍𑌟𑌿𑌕𑌰𑍀 𑌤𑌥𑌾 ॥ 95 ॥ 𑌜𑌗𑌤𑍍𑌤𑍍𑌰𑌾𑌣𑌕𑌰𑍀 𑌜𑌾𑌡𑍍𑌯𑌧𑍍𑌵𑌂𑌸𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌜𑌯𑍇𑌶𑍍𑌵𑌰𑍀 । 𑌜𑌗𑌦𑍍𑌬𑍀𑌜𑌾 𑌜𑌯𑌾𑌵𑌾𑌸𑌾 𑌜𑌨𑍍𑌮𑌭𑍂𑌰𑍍𑌜𑌨𑍍𑌮𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 96 ॥ 𑌜𑌨𑍍𑌮𑌾𑌨𑍍𑌤𑍍𑌯𑌰𑌹𑌿𑌤𑌾 𑌜𑍈𑌤𑍍𑌰𑍀 𑌜𑌗𑌦𑍍𑌯𑍋𑌨𑌿𑌰𑍍𑌜𑌪𑌾𑌤𑍍𑌮𑌿𑌕𑌾 । 𑌜𑌯𑌲𑌕𑍍𑌷𑌣𑌸𑌮𑍍𑌪𑍂𑌰𑍍𑌣𑌾 𑌜𑌯𑌦𑌾𑌨𑌕𑍃𑌤𑍋𑌦𑍍𑌯𑌮𑌾 ॥ 97 ॥ 𑌜𑌮𑍍𑌭𑌰𑌾𑌦𑍍𑌯𑌾𑌦𑌿𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌜𑌮𑍍𑌭𑌾𑌰𑌿𑌫𑌲𑌦𑌾𑌯𑌿𑌨𑍀 । 𑌜𑌗𑌤𑍍𑌤𑍍𑌰𑌯𑌹𑌿𑌤𑌾 𑌜𑍍𑌯𑍇𑌷𑍍𑌠𑌾 𑌜𑌗𑌤𑍍𑌤𑍍𑌰𑌯𑌵𑌶𑌙𑍍𑌕𑌰𑍀 ॥ 98 ॥ 𑌜𑌗𑌤𑍍𑌤𑍍𑌰𑌯𑌾𑌮𑍍𑌬𑌾 𑌜𑌗𑌤𑍀 𑌜𑍍𑌵𑌾𑌲𑌾 𑌜𑍍𑌵𑌾𑌲𑌿𑌤𑌲𑍋𑌚𑌨𑌾 । 𑌜𑍍𑌵𑌾𑌲𑌿𑌨𑍀 𑌜𑍍𑌵𑌲𑌨𑌾𑌭𑌾𑌸𑌾 𑌜𑍍𑌵𑌲𑌨𑍍𑌤𑍀 𑌜𑍍𑌵𑌲𑌨𑌾𑌤𑍍𑌮𑌿𑌕𑌾 ॥ 99 ॥ 𑌜𑌿𑌤𑌾𑌰𑌾𑌤𑌿𑌸𑍁𑌰𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌜𑌿𑌤𑌕𑍍𑌰𑍋𑌧𑌾 𑌜𑌿𑌤𑍇𑌨𑍍𑌦𑍍𑌰𑌿𑌯𑌾 । 𑌜𑌰𑌾𑌮𑌰𑌣𑌶𑍂𑌨𑍍𑌯𑌾 𑌚 𑌜𑌨𑌿𑌤𑍍𑌰𑍀 𑌜𑌨𑍍𑌮𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 100 ॥

Jagajjyeshtha jaganmaya jivanatranakarini | Jivatulatika jivajanmi janmanibarhani || 91 || Jadyavidhvamsanakari jagadyonirjayatmika | Jagadanandajanani jambushcha jalajekshana || 92 || Jayanti jangapugaghni janitajnanavigraha | Jata jatavati japya japakartripriyankari || 93 || Japakritpapasamhartri japakritphaladayini | Japapushpasamaprakhya japakusumadharini || 94 || Janani janmarahita jyotirvrityabhidayini | Jatajutanachandrardha jagatsrishtikari tatha || 95 || Jagattranakari jadyadhvamsakartri jayeshvari | Jagadbija jayavasa janmabhurjanmanashini || 96 || Janmantyarahita jaitri jagadyonirjapatmika | Jayalakshanasampurna jayadanakritodyama || 97 || Jambharadyadisamstutya jambhariphaladayini | Jagattrayahita jyeshtha jagattrayavashankari || 98 || Jagattrayamba jagati jvala jvalitalochana | Jvalini jvalanabhasa jvalanti jvalanatmika || 99 || Jitaratisurastutya jitakrodha jitendriya | Jaramaranashunya cha janitri janmanashini || 100 ||

Meaning:She is the eldest of the world and the world's Maya, the rescuer of life; the creeper of healing, the life of the living, the destroyer of rebirth; the smasher of dullness (jadya), the womb of the world, the soul of victory; mother of the world's joy, the rose-apple tree, lotus-eyed; Jayanti, destroyer of hostile hordes, embodiment of awakened knowledge; wearing matted locks, fit for japa, delighting those who perform japa; destroying the sins of reciters and granting the fruit of their japa; bright as the japa (hibiscus) flower and wearing hibiscus blossoms; the mother who is herself unborn, the bestower of the ways of light; the half-moon in the matted crest, the maker of the world's creation and its protector, the destroyer of inertia, the queen of victory; the seed of the world, the abode of triumph, the birthplace of all and the ender of birth; free from birth and death, the conqueror, the world's womb, the soul of japa; complete with every mark of victory, ever diligent in granting it; praised by Indra and the first gods, granting the fruit that Indra seeks; benefactress of the three worlds, the eldest, subduer of the three worlds, mother of the three worlds, the universe itself; flame and flame-eyed, Jvalini blazing like fire, burning, the very self of fire; praised by the gods who conquered their foes, having conquered anger and mastered the senses; free from old age and death, the mother of all, the destroyer of birth.

Verse 13

𑌜𑌲𑌜𑌾𑌭𑌾 𑌜𑌲𑌮𑌯𑍀 𑌜𑌲𑌜𑌾𑌸𑌨𑌵𑌲𑍍𑌲𑌭𑌾 । 𑌜𑌲𑌜𑌸𑍍𑌥𑌾 𑌜𑌪𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌜𑌨𑌮𑌙𑍍𑌗𑌲𑌕𑌾𑌰𑌿𑌣𑍀 ॥ 101 ॥ [ 𑌐𑌂 𑌕𑍍𑌲𑍀𑌂 𑌸𑍗𑌃 𑌕𑌲𑍍𑌯𑌾𑌣𑍀 𑌕𑌾𑌮𑌧𑌾𑌰𑌿𑌣𑍀 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌕𑌾𑌮𑌿𑌨𑍀 𑌕𑌾𑌮𑌰𑍂𑌪𑌾 𑌚 𑌕𑌾𑌮𑍍𑌯𑌾 𑌕𑌾𑌮𑍍𑌯𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 । [ 𑌕𑌾𑌮𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ] 𑌕𑌮𑍗𑌲𑍀 𑌕𑌾𑌮𑌦𑌾 𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌕𑍍𑌰𑌤𑍁𑌕𑌰𑍍𑌮𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 102 ॥ 𑌕𑍃𑌤𑌘𑍍𑌨𑌘𑍍𑌨𑍀 𑌕𑍍𑌰𑌿𑌯𑌾𑌰𑍂𑌪𑌾 𑌕𑌾𑌰𑍍𑌯𑌕𑌾𑌰𑌣𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌕𑌞𑍍𑌜𑌾𑌕𑍍𑌷𑍀 𑌕𑌰𑍁𑌣𑌾𑌰𑍂𑌪𑌾 𑌕𑍇𑌵𑌲𑌾𑌮𑌰𑌸𑍇𑌵𑌿𑌤𑌾 ॥ 103 ॥ 𑌕𑌲𑍍𑌯𑌾𑌣𑌕𑌾𑌰𑌿𑌣𑍀 𑌕𑌾𑌨𑍍𑌤𑌾 𑌕𑌾𑌨𑍍𑌤𑌿𑌦𑌾 𑌕𑌾𑌨𑍍𑌤𑌿𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌕𑌮𑌲𑌾 𑌕𑌮𑌲𑌾𑌵𑌾𑌸𑌾 𑌕𑌮𑌲𑍋𑌤𑍍𑌪𑌲𑌮𑌾𑌲𑌿𑌨𑍀 ॥ 104 ॥ 𑌕𑍁𑌮𑍁𑌦𑍍𑌵𑌤𑍀 𑌚 𑌕𑌲𑍍𑌯𑌾𑌣𑍀 𑌕𑌾𑌨𑍍𑌤𑌿𑌃 𑌕𑌾𑌮𑍇𑌶𑌵𑌲𑍍𑌲𑌭𑌾 । [ 𑌕𑌾𑌨𑍍𑌤𑌾 ] 𑌕𑌾𑌮𑍇𑌶𑍍𑌵𑌰𑍀 𑌕𑌮𑌲𑌿𑌨𑍀 𑌕𑌾𑌮𑌦𑌾 𑌕𑌾𑌮𑌬𑌨𑍍𑌧𑌿𑌨𑍀 ॥ 105 ॥ 𑌕𑌾𑌮𑌧𑍇𑌨𑍁𑌃 𑌕𑌾𑌞𑍍𑌚𑌨𑌾𑌕𑍍𑌷𑍀 𑌕𑌾𑌞𑍍𑌚𑌨𑌾𑌭𑌾 𑌕𑌲𑌾𑌨𑌿𑌧𑌿𑌃 । 𑌕𑍍𑌰𑌿𑌯𑌾 𑌕𑍀𑌰𑍍𑌤𑌿𑌕𑌰𑍀 𑌕𑍀𑌰𑍍𑌤𑌿𑌃 𑌕𑍍𑌰𑌤𑍁𑌶𑍍𑌰𑍇𑌷𑍍𑌠𑌾 𑌕𑍃𑌤𑍇𑌶𑍍𑌵𑌰𑍀 ॥ 106 ॥ 𑌕𑍍𑌰𑌤𑍁𑌸𑌰𑍍𑌵𑌕𑍍𑌰𑌿𑌯𑌾𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌕𑍍𑌰𑌤𑍁𑌕𑍃𑌤𑍍𑌪𑍍𑌰𑌿𑌯𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌕𑍍𑌲𑍇𑌶𑌨𑌾𑌶𑌕𑌰𑍀 𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌕𑌰𑍍𑌮𑌦𑌾 𑌕𑌰𑍍𑌮𑌬𑌨𑍍𑌧𑌿𑌨𑍀 ॥ 107 ॥ 𑌕𑌰𑍍𑌮𑌬𑌨𑍍𑌧𑌹𑌰𑍀 𑌕𑍃𑌷𑍍𑌟𑌾 𑌕𑍍𑌲𑌮𑌘𑍍𑌨𑍀 𑌕𑌞𑍍𑌜𑌲𑍋𑌚𑌨𑌾 । 𑌕𑌨𑍍𑌦𑌰𑍍𑌪𑌜𑌨𑌨𑍀 𑌕𑌾𑌨𑍍𑌤𑌾 𑌕𑌰𑍁𑌣𑌾 𑌕𑌰𑍁𑌣𑌾𑌵𑌤𑍀 ॥ 108 ॥ 𑌕𑍍𑌲𑍀𑌙𑍍𑌕𑌾𑌰𑌿𑌣𑍀 𑌕𑍃𑌪𑌾𑌕𑌾𑌰𑌾 𑌕𑍃𑌪𑌾𑌸𑌿𑌨𑍍𑌧𑍁𑌃 𑌕𑍃𑌪𑌾𑌵𑌤𑍀 । 𑌕𑌰𑍁𑌣𑌾𑌰𑍍𑌦𑍍𑌰𑌾 𑌕𑍀𑌰𑍍𑌤𑌿𑌕𑌰𑍀 𑌕𑌲𑍍𑌮𑌷𑌘𑍍𑌨𑍀 𑌕𑍍𑌰𑌿𑌯𑌾𑌕𑌰𑍀 ॥ 109 ॥ 𑌕𑍍𑌰𑌿𑌯𑌾𑌶𑌕𑍍𑌤𑌿𑌃 𑌕𑌾𑌮𑌰𑍂𑌪𑌾 𑌕𑌮𑌲𑍋𑌤𑍍𑌪𑌲𑌗𑌨𑍍𑌧𑌿𑌨𑍀 । 𑌕𑌲𑌾 𑌕𑌲𑌾𑌵𑌤𑍀 𑌕𑍂𑌰𑍍𑌮𑍀 𑌕𑍂𑌟𑌸𑍍𑌥𑌾 𑌕𑌞𑍍𑌜𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌾 ॥ 110 ॥

Jalajabha jalamayi jalajasanavallabha | Jalajastha japaradhya janamangalakarini || 101 || [ Aim klim sauh kalyani kamadharini vada vada vagvadini svaha ] Kamini kamarupa cha kamya kamyapradayini | [ kamapradayini ] Kamauli kamada kartri kratukarmaphalaprada || 102 || Kritaghnaghni kriyarupa karyakaranarupini | Kanjakshi karunarupa kevalamarasevita || 103 || Kalyanakarini kanta kantida kantirupini | Kamala kamalavasa kamalotpalamalini || 104 || Kumudvati cha kalyani kantih kameshavallabha | [ kanta ] Kameshvari kamalini kamada kamabandhini || 105 || Kamadhenuh kanchanakshi kanchanabha kalanidhih | Kriya kirtikari kirtih kratushreshtha kriteshvari || 106 || Kratusarvakriyastutya kratukritpriyakarini | Kleshanashakari kartri karmada karmabandhini || 107 || Karmabandhahari krishta klamaghni kanjalochana | Kandarpajanani kanta karuna karunavati || 108 || Klinkarini kripakara kripasindhuh kripavati | Karunardra kirtikari kalmashaghni kriyakari || 109 || Kriyashaktih kamarupa kamalotpalagandhini | Kala kalavati kurmi kutastha kanjasamsthita || 110 ||

Meaning:Radiant as the lotus, made of the waters, beloved of the lotus-seated one, standing upon the lotus, worshipped through japa, bringer of blessing to all people. Then with the Kalyani seed-mantra the ka-names begin: Kamini the loving, of desirable form, the desirable one who grants all desires; giver of what is wished, the doer, bestower of the fruit of rite and action; slayer of the ungrateful, the form of action and of cause and effect together; lotus-eyed, the very shape of compassion, served by the immortals alone; worker of welfare, the beloved, giver and form of beauty; Kamala, the dwelling of Kamala, garlanded with lotus and water-lily; Kumudvati, Kalyani the beneficent, radiance itself, beloved of Kamesha; Kameshvari, Kamalini, giver of desires and also their binder; Kamadhenu the wish-granting cow, golden-eyed, golden-glowing, the treasury of arts (kalanidhi); action and the maker of fame, fame itself, the best of sacrifices, queen of all that is done; praised in every sacrificial rite, delighting the performers of sacrifice; destroyer of afflictions, the doer, giver of karma and binder of karma — and the remover of karma's bonds; the tilled furrow, destroyer of weariness, lotus-eyed; the mother of Kandarpa (love), beloved, compassion itself and full of compassion; maker of the syllable klim, the shape of grace, the ocean of mercy, rich in kindness; melting with compassion, maker of fame, destroyer of stain, the performer of action; the power of action (kriya-shakti), of desirable form, fragrant with lotus and lily; kala the digit, mistress of the digits, the tortoise-goddess, the immovable ground (kutastha), seated upon the lotus.

Verse 14

𑌕𑌾𑌲𑌿𑌕𑌾 𑌕𑌲𑍍𑌮𑌷𑌘𑍍𑌨𑍀 𑌚 𑌕𑌮𑌨𑍀𑌯𑌜𑌟𑌾𑌨𑍍𑌵𑌿𑌤𑌾 । 𑌕𑌰𑌪𑌦𑍍𑌮𑌾 𑌕𑌰𑌾𑌭𑍀𑌷𑍍𑌟𑌪𑍍𑌰𑌦𑌾 𑌕𑍍𑌰𑌤𑍁𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 111 ॥ 𑌕𑍗𑌶𑌿𑌕𑍀 𑌕𑍋𑌶𑌦𑌾 𑌕𑌾𑌵𑍍𑌯𑌾 𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌕𑍋𑌶𑍇𑌶𑍍𑌵𑌰𑍀 𑌕𑍃𑌶𑌾 । [ 𑌕𑌨𑍍𑌯𑌾 ] 𑌕𑍂𑌰𑍍𑌮𑌯𑌾𑌨𑌾 𑌕𑌲𑍍𑌪𑌲𑌤𑌾 𑌕𑌾𑌲𑌕𑍂𑌟𑌵𑌿𑌨𑌾𑌶𑌿𑌨𑍀 ॥ 112 ॥ 𑌕𑌲𑍍𑌪𑍋𑌦𑍍𑌯𑌾𑌨𑌵𑌤𑍀 𑌕𑌲𑍍𑌪𑌵𑌨𑌸𑍍𑌥𑌾 𑌕𑌲𑍍𑌪𑌕𑌾𑌰𑌿𑌣𑍀 । 𑌕𑌦𑌮𑍍𑌬𑌕𑍁𑌸𑍁𑌮𑌾𑌭𑌾𑌸𑌾 𑌕𑌦𑌮𑍍𑌬𑌕𑍁𑌸𑍁𑌮𑌪𑍍𑌰𑌿𑌯𑌾 ॥ 113 ॥ 𑌕𑌦𑌮𑍍𑌬𑍋𑌦𑍍𑌯𑌾𑌨𑌮𑌧𑍍𑌯𑌸𑍍𑌥𑌾 𑌕𑍀𑌰𑍍𑌤𑌿𑌦𑌾 𑌕𑍀𑌰𑍍𑌤𑌿𑌭𑍂𑌷𑌣𑌾 । 𑌕𑍁𑌲𑌮𑌾𑌤𑌾 𑌕𑍁𑌲𑌾𑌵𑌾𑌸𑌾 𑌕𑍁𑌲𑌾𑌚𑌾𑌰𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 ॥ 114 ॥ 𑌕𑍁𑌲𑌨𑌾𑌥𑌾 𑌕𑌾𑌮𑌕𑌲𑌾 𑌕𑌲𑌾𑌨𑌾𑌥𑌾 𑌕𑌲𑍇𑌶𑍍𑌵𑌰𑍀 । 𑌕𑍁𑌨𑍍𑌦𑌮𑌨𑍍𑌦𑌾𑌰𑌪𑍁𑌷𑍍𑌪𑌾𑌭𑌾 𑌕𑌪𑌰𑍍𑌦𑌸𑍍𑌥𑌿𑌤𑌚𑌨𑍍𑌦𑍍𑌰𑌿𑌕𑌾 ॥ 115 ॥ 𑌕𑌵𑌿𑌤𑍍𑌵𑌦𑌾 𑌕𑌾𑌮𑍍𑌯𑌮𑌾𑌤𑌾 𑌕𑌵𑌿𑌮𑌾𑌤𑌾 𑌕𑌲𑌾𑌪𑍍𑌰𑌦𑌾 । [𑌕𑌾𑌵𑍍𑌯𑌮𑌾𑌤𑌾] [ 𑍐 𑌸𑍗𑌃 𑌕𑍍𑌲𑍀𑌂 𑌐𑌂 𑌤𑌤𑍋 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌤𑌰𑍁𑌣𑍀 𑌤𑌰𑍁𑌣𑍀𑌤𑌾𑌤𑌾 𑌤𑌾𑌰𑌾𑌧𑌿𑌪𑌸𑌮𑌾𑌨𑌨𑌾 ॥ 116 ॥ 𑌤𑍃𑌪𑍍𑌤𑌿𑌸𑍍𑌤𑍃𑌪𑍍𑌤𑌿𑌪𑍍𑌰𑌦𑌾 𑌤𑌰𑍍𑌕𑍍𑌯𑌾 𑌤𑌪𑌨𑍀 𑌤𑌾𑌪𑌿𑌨𑍀 𑌤𑌥𑌾 । 𑌤𑌰𑍍𑌪𑌣𑍀 𑌤𑍀𑌰𑍍𑌥𑌰𑍂𑌪𑌾 𑌚 𑌤𑍍𑌰𑌿𑌪𑌦𑌾 𑌤𑍍𑌰𑌿𑌦𑌶𑍇𑌶𑍍𑌵𑌰𑍀 ॥ 117 ॥ [ 𑌤𑍍𑌰𑌿𑌦𑌶𑌾 ] 𑌤𑍍𑌰𑌿𑌦𑌿𑌵𑍇𑌶𑍀 𑌤𑍍𑌰𑌿𑌜𑌨𑌨𑍀 𑌤𑍍𑌰𑌿𑌮𑌾𑌤𑌾 𑌤𑍍𑌰𑍍𑌯𑌮𑍍𑌬𑌕𑍇𑌶𑍍𑌵𑌰𑍀 । 𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑌾 𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑍇𑌶𑌾𑌨𑍀 𑌤𑍍𑌰𑍍𑌯𑌮𑍍𑌬𑌕𑌾 𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑌾𑌮𑍍𑌬𑌿𑌕𑌾 ॥ 118 ॥ 𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑌶𑍍𑌰𑍀𑌸𑍍𑌤𑍍𑌰𑌯𑍀𑌰𑍂𑌪𑌾 𑌤𑍍𑌰𑌯𑍀𑌵𑍇𑌦𑍍𑌯𑌾 𑌤𑍍𑌰𑌯𑍀𑌶𑍍𑌵𑌰𑍀 । 𑌤𑍍𑌰𑌯𑍍𑌯𑌨𑍍𑌤𑌵𑍇𑌦𑌿𑌨𑍀 𑌤𑌾𑌮𑍍𑌰𑌾 𑌤𑌾𑌪𑌤𑍍𑌰𑌿𑌤𑌯𑌹𑌾𑌰𑌿𑌣𑍀 ॥ 119 ॥ 𑌤𑌮𑌾𑌲𑌸𑌦𑍃𑌶𑍀 𑌤𑍍𑌰𑌾𑌤𑌾 𑌤𑌰𑍁𑌣𑌾𑌦𑌿𑌤𑍍𑌯𑌸𑌨𑍍𑌨𑌿𑌭𑌾 । 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌵𑍍𑌯𑌾𑌪𑌿𑌨𑍀 𑌤𑍃𑌪𑍍𑌤𑌾 𑌤𑍃𑌪𑍍𑌤𑌿𑌕𑍃𑌤𑍍𑌤𑌤𑍍𑌤𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 120 ॥

Kalika kalmashaghni cha kamaniyajatanvita | Karapadma karabhishtaprada kratuphalaprada || 111 || Kaushiki koshada kavya kartri kosheshvari krisha | [ kanya ] Kurmayana kalpalata kalakutavinashini || 112 || Kalpodyanavati kalpavanastha kalpakarini | Kadambakusumabhasa kadambakusumapriya || 113 || Kadambodyanamadhyastha kirtida kirtibhushana | Kulamata kulavasa kulacharapriyankari || 114 || Kulanatha kamakala kalanatha kaleshvari | Kundamandarapushpabha kapardasthitachandrika || 115 || Kavitvada kamyamata kavimata kalaprada | [kavyamata] [ Om sauh klim aim tato vada vada vagvadini svaha ] Taruni tarunitata taradhipasamanana || 116 || Triptistriptiprada tarkya tapani tapini tatha | Tarpani tirtharupa cha tripada tridasheshvari || 117 || [ tridasha ] Tridiveshi trijanani trimata tryambakeshvari | Tripura tripureshani tryambaka tripurambika || 118 || Tripurashristrayirupa trayivedya trayishvari | Trayyantavedini tamra tapatritayaharini || 119 || Tamalasadrishi trata tarunadityasannibha | Trailokyavyapini tripta triptikrittattvarupini || 120 ||

Meaning:She is Kalika, the destroyer of sin, with beautiful matted locks; lotus-handed, granting with her own hands all that is asked, giver of the sacrifice's fruit; Kaushiki, the giver of treasure, the poetic one, the doer, queen of treasuries, the slender; riding the tortoise, the wish-fulfilling creeper, the destroyer of the kalakuta poison; owner of the kalpa gardens, dwelling in the kalpa groves, the maker of the aeons; radiant as kadamba blossoms and loving them, throned amid the kadamba garden; giver of fame and adorned by fame; mother of the kula, its dwelling, delighting in the kula's ways; mistress of the kula, the kama-kala, queen of the arts and their lady; bright as kunda and mandara flowers, the moonbeam resting in Shiva's matted crest; giver of poetic genius, mother of all that is desirable, mother of poets, bestower of the arts. Then with its seed-mantra the ta-names begin: Taruni the ever-young, protectress of the young, her face like the moon; contentment and its giver, reachable by right reasoning; the burning and the scorching, the offerer of libations, the form of the holy fords; the three-strided, queen of the thirty gods and of heaven, mother of the three, Tryambakeshvari; Tripura and the sovereign of Tripura, the three-eyed, mother of the three cities; the splendour of Tripura, the form of the triple Veda, known through it and ruling it, the knower of Vedanta; copper-bright, the remover of the three-fold afflictions; dark as the tamala tree, the saviouress, glowing like the morning sun; pervading the three worlds, contented and granting contentment, the very form of tattva.

Verse 15

𑌤𑍁𑌰𑍍𑌯𑌾 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌤𑍍𑌰𑌿𑌗𑍁𑌣𑌾 𑌤𑍍𑌰𑌿𑌗𑍁𑌣𑍇𑌶𑍍𑌵𑌰𑍀 । 𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑌘𑍍𑌨𑍀 𑌤𑍍𑌰𑌿𑌮𑌾𑌤𑌾 𑌚 𑌤𑍍𑌰𑍍𑌯𑌮𑍍𑌬𑌕𑌾 𑌤𑍍𑌰𑌿𑌗𑍁𑌣𑌾𑌨𑍍𑌵𑌿𑌤𑌾 ॥ 121 ॥ 𑌤𑍃𑌷𑍍𑌣𑌾𑌚𑍍𑌛𑍇𑌦𑌕𑌰𑍀 𑌤𑍃𑌪𑍍𑌤𑌾 𑌤𑍀𑌕𑍍𑌷𑍍𑌣𑌾 𑌤𑍀𑌕𑍍𑌷𑍍𑌣𑌸𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 । 𑌤𑍁𑌲𑌾 𑌤𑍁𑌲𑌾𑌦𑌿𑌰𑌹𑌿𑌤𑌾 𑌤𑌤𑍍𑌤𑌦𑍍𑌬𑍍𑌰𑌹𑍍𑌮𑌸𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 122 ॥ 𑌤𑍍𑌰𑌾𑌣𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌤𑍍𑌰𑌿𑌪𑌾𑌪𑌘𑍍𑌨𑍀 𑌤𑍍𑌰𑌿𑌦𑌶𑌾 𑌤𑍍𑌰𑌿𑌦𑌶𑌾𑌨𑍍𑌵𑌿𑌤𑌾 । 𑌤𑌥𑍍𑌯𑌾 𑌤𑍍𑌰𑌿𑌶𑌕𑍍𑌤𑌿𑌸𑍍𑌤𑍍𑌰𑌿𑌪𑌦𑌾 𑌤𑍁𑌰𑍍𑌯𑌾 𑌤𑍍𑌰𑍈𑌲𑍋𑌕𑍍𑌯𑌸𑍁𑌨𑍍𑌦𑌰𑍀 ॥ 123 ॥ 𑌤𑍇𑌜𑌸𑍍𑌕𑌰𑍀 𑌤𑍍𑌰𑌿𑌮𑍂𑌰𑍍𑌤𑍍𑌯𑌾𑌦𑍍𑌯𑌾 𑌤𑍇𑌜𑍋𑌰𑍂𑌪𑌾 𑌤𑍍𑌰𑌿𑌧𑌾𑌮𑌤𑌾 । 𑌤𑍍𑌰𑌿𑌚𑌕𑍍𑌰𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌤𑍍𑌰𑌿𑌭𑌗𑌾 𑌤𑍁𑌰𑍍𑌯𑌾𑌤𑍀𑌤𑌫𑌲𑌪𑍍𑌰𑌦𑌾 ॥ 124 ॥ 𑌤𑍇𑌜𑌸𑍍𑌵𑌿𑌨𑍀 𑌤𑌾𑌪𑌹𑌾𑌰𑍀 𑌤𑌾𑌪𑍋𑌪𑌪𑍍𑌲𑌵𑌨𑌾𑌶𑌿𑌨𑍀 । 𑌤𑍇𑌜𑍋𑌗𑌰𑍍𑌭𑌾 𑌤𑌪𑌸𑍍𑌸𑌾𑌰𑌾 𑌤𑍍𑌰𑌿𑌪𑍁𑌰𑌾𑌰𑌿𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 ॥ 125 ॥ 𑌤𑌨𑍍𑌵𑍀 𑌤𑌾𑌪𑌸𑌸𑌨𑍍𑌤𑍁𑌷𑍍𑌟𑌾 𑌤𑌪𑌨𑌾𑌙𑍍𑌗𑌜𑌭𑍀𑌤𑌿𑌨𑍁𑌤𑍍 । 𑌤𑍍𑌰𑌿𑌲𑍋𑌚𑌨𑌾 𑌤𑍍𑌰𑌿𑌮𑌾𑌰𑍍𑌗𑌾 𑌚 𑌤𑍃𑌤𑍀𑌯𑌾 𑌤𑍍𑌰𑌿𑌦𑌶𑌸𑍍𑌤𑍁𑌤𑌾 ॥ 126 ॥ 𑌤𑍍𑌰𑌿𑌸𑍁𑌨𑍍𑌦𑌰𑍀 𑌤𑍍𑌰𑌿𑌪𑌥𑌗𑌾 𑌤𑍁𑌰𑍀𑌯𑌪𑌦𑌦𑌾𑌯𑌿𑌨𑍀 । [ 𑍐 𑌹𑍍𑌰𑍀𑌂 𑌶𑍍𑌰𑍀𑌂 𑌕𑍍𑌲𑍀𑌂 𑌐𑌂 𑌨𑌮𑌶𑍍𑌶𑍁𑌦𑍍𑌧𑌫𑌲𑌦𑍇 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌶𑍁𑌭𑌾 𑌶𑍁𑌭𑌾𑌵𑌤𑍀 𑌶𑌾𑌨𑍍𑌤𑌾 𑌶𑌾𑌨𑍍𑌤𑌿𑌦𑌾 𑌶𑍁𑌭𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 127 ॥ 𑌶𑍀𑌤𑌲𑌾 𑌶𑍂𑌲𑌿𑌨𑍀 𑌶𑍀𑌤𑌾 𑌶𑍍𑌰𑍀𑌮𑌤𑍀 𑌚 𑌶𑍁𑌭𑌾𑌨𑍍𑌵𑌿𑌤𑌾 । [ 𑍐 𑌐𑌂 𑌯𑌾𑌂 𑌯𑍀𑌂 𑌯𑍂𑌂 𑌯𑍈𑌂 𑌯𑍗𑌂 𑌯𑌃 𑌐𑌂 𑌵𑌦 𑌵𑌦 𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀 𑌸𑍍𑌵𑌾𑌹𑌾 ] 𑌯𑍋𑌗𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌦𑌾 𑌯𑍋𑌗𑍍𑌯𑌾 𑌯𑌜𑍍𑌞𑍇𑌨𑌪𑌰𑌿𑌪𑍂𑌰𑌿𑌤𑌾 ॥ 128 ॥ 𑌯𑌜𑍍𑌞𑌾 𑌯𑌜𑍍𑌞𑌮𑌯𑍀 𑌯𑌕𑍍𑌷𑍀 𑌯𑌕𑍍𑌷𑌿𑌣𑍀 𑌯𑌕𑍍𑌷𑌿𑌵𑌲𑍍𑌲𑌭𑌾 । 𑌯𑌜𑍍𑌞𑌪𑍍𑌰𑌿𑌯𑌾 𑌯𑌜𑍍𑌞𑌪𑍂𑌜𑍍𑌯𑌾 𑌯𑌜𑍍𑌞𑌤𑍁𑌷𑍍𑌟𑌾 𑌯𑌮𑌸𑍍𑌤𑍁𑌤𑌾 ॥ 129 ॥ 𑌯𑌾𑌮𑌿𑌨𑍀𑌯𑌪𑍍𑌰𑌭𑌾 𑌯𑌾𑌮𑍍𑌯𑌾 𑌯𑌜𑌨𑍀𑌯𑌾 𑌯𑌶𑌸𑍍𑌕𑌰𑍀 । 𑌯𑌜𑍍𑌞𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌯𑌜𑍍𑌞𑌰𑍂𑌪𑌾 𑌯𑌶𑍋𑌦𑌾 𑌯𑌜𑍍𑌞𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑌾 ॥ 130 ॥

Turya trailokyasamstutya triguna triguneshvari | Tripuraghni trimata cha tryambaka trigunanvita || 121 || Trishnachchhedakari tripta tikshna tikshnasvarupini | Tula tuladirahita tattadbrahmasvarupini || 122 || Tranakartri tripapaghni tridasha tridashanvita | Tathya trishaktistripada turya trailokyasundari || 123 || Tejaskari trimurtyadya tejorupa tridhamata | Trichakrakartri tribhaga turyatitaphalaprada || 124 || Tejasvini tapahari tapopaplavanashini | Tejogarbha tapassara tripuraripriyankari || 125 || Tanvi tapasasantushta tapanangajabhitinut | Trilochana trimarga cha tritiya tridashastuta || 126 || Trisundari tripathaga turiyapadadayini | [ Om hrim shrim klim aim namashshuddhaphalade aim vada vada vagvadini svaha ] Shubha shubhavati shanta shantida shubhadayini || 127 || Shitala shulini shita shrimati cha shubhanvita | [ Om aim yam yim yum yaim yaum yah aim vada vada vagvadini svaha ] Yogasiddhiprada yogya yajnenaparipurita || 128 || Yajna yajnamayi yakshi yakshini yakshivallabha | Yajnapriya yajnapujya yajnatushta yamastuta || 129 || Yaminiyaprabha yamya yajaniya yashaskari | Yajnakartri yajnarupa yashoda yajnasamstuta || 130 ||

Meaning:She is Turya, the fourth state beyond waking, dream and sleep, praised by the three worlds; the three gunas and their sovereign; destroyer of Tripura, the triple mother, three-eyed, endowed with the three qualities; the cutter of craving, the satisfied, the sharp one of piercing form; the balance and yet beyond all measure, the very form of each and every Brahman; the rescuer, destroyer of the three sins, the thirty gods and joined with them; the truth, the three shaktis, the three-strided; Turya again, the beauty of the three worlds; the maker of light, the first of the trinity, the form of splendour, of the three abodes; maker of the three chakras, threefold in fortune, giver of the fruit beyond even the fourth state; the brilliant, the remover of burning, the destroyer of affliction and calamity; light-wombed, the essence of tapas, delighting the Enemy of Tripura; slender, pleased by ascetics, dispelling the fear of Yama; three-eyed, the three paths, the third, praised by the thirty; thrice-beautiful, flowing in three streams, the giver of the turiya state. Then with the Shuddha seed-mantra the shubha-names sound: the auspicious and blessed, the peaceful, giver of peace and of good; Shitala the cooling, the trident-bearer, the cool, the glorious, joined with all that is good. And with the Yam seed-mantra the ya-names begin: giver of the attainments of yoga, the worthy, fulfilled through yajna; the sacrifice itself and made of sacrifice, Yakshi, beloved of the yakshas; dear to the yajna, worshipped and delighted in it, praised by Yama; the radiance of night, the southern one, worthy of worship, the maker of renown; performer and form of the sacrifice, Yashoda the giver of fame, hymned in the yajna.

Verse 16

𑌯𑌜𑍍𑌞𑍇𑌶𑍀 𑌯𑌜𑍍𑌞𑌫𑌲𑌦𑌾 𑌯𑍋𑌗𑌯𑍋𑌨𑌿𑌰𑍍𑌯𑌜𑍁𑌸𑍍𑌸𑍍𑌤𑍁𑌤𑌾 । 𑌯𑌮𑌿𑌸𑍇𑌵𑍍𑌯𑌾 𑌯𑌮𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌯𑌮𑌿𑌪𑍂𑌜𑍍𑌯𑌾 𑌯𑌮𑍀𑌶𑍍𑌵𑌰𑍀 ॥ 131 ॥ 𑌯𑍋𑌗𑌿𑌨𑍀 𑌯𑍋𑌗𑌰𑍂𑌪𑌾 𑌚 𑌯𑍋𑌗𑌕𑌰𑍍𑌤𑍃𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 । 𑌯𑍋𑌗𑌯𑍁𑌕𑍍𑌤𑌾 𑌯𑍋𑌗𑌮𑌯𑍀 𑌯𑍋𑌗𑌯𑍋𑌗𑍀𑌶𑍍𑌵𑌰𑌾𑌮𑍍𑌬𑌿𑌕𑌾 ॥ 132 ॥ 𑌯𑍋𑌗𑌜𑍍𑌞𑌾𑌨𑌮𑌯𑍀 𑌯𑍋𑌨𑌿𑌰𑍍𑌯𑌮𑌾𑌦𑍍𑌯𑌷𑍍𑌟𑌾𑌙𑍍𑌗𑌯𑍋𑌗𑌤𑌾 । 𑌯𑌨𑍍𑌤𑍍𑌰𑌿𑌤𑌾𑌘𑍗𑌘𑌸𑌂𑌹𑌾𑌰𑌾 𑌯𑌮𑌲𑍋𑌕𑌨𑌿𑌵𑌾𑌰𑌿𑌣𑍀 ॥ 133 ॥ 𑌯𑌷𑍍𑌟𑌿𑌵𑍍𑌯𑌷𑍍𑌟𑍀𑌶𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌯𑌮𑌾𑌦𑍍𑌯𑌷𑍍𑌟𑌾𑌙𑍍𑌗𑌯𑍋𑌗𑌯𑍁𑌕𑍍 । 𑌯𑍋𑌗𑍀𑌶𑍍𑌵𑌰𑍀 𑌯𑍋𑌗𑌮𑌾𑌤𑌾 𑌯𑍋𑌗𑌸𑌿𑌦𑍍𑌧𑌾 𑌚 𑌯𑍋𑌗𑌦𑌾 ॥ 134 ॥ 𑌯𑍋𑌗𑌾𑌰𑍂𑌢𑌾 𑌯𑍋𑌗𑌮𑌯𑍀 𑌯𑍋𑌗𑌰𑍂𑌪𑌾 𑌯𑌵𑍀𑌯𑌸𑍀 । 𑌯𑌨𑍍𑌤𑍍𑌰𑌰𑍂𑌪𑌾 𑌚 𑌯𑌨𑍍𑌤𑍍𑌰𑌸𑍍𑌥𑌾 𑌯𑌨𑍍𑌤𑍍𑌰𑌪𑍂𑌜𑍍𑌯𑌾 𑌚 𑌯𑌨𑍍𑌤𑍍𑌰𑌿𑌕𑌾 ॥ 135 ॥ [ 𑌯𑌨𑍍𑌤𑍍𑌰𑌿𑌤𑌾 ] 𑌯𑍁𑌗𑌕𑌰𑍍𑌤𑍍𑌰𑍀 𑌯𑍁𑌗𑌮𑌯𑍀 𑌯𑍁𑌗𑌧𑌰𑍍𑌮𑌵𑌿𑌵𑌰𑍍𑌜𑌿𑌤𑌾 । 𑌯𑌮𑍁𑌨𑌾 𑌯𑌾𑌮𑌿𑌨𑍀 𑌯𑌾𑌮𑍍𑌯𑌾 𑌯𑌮𑍁𑌨𑌾𑌜𑌲𑌮𑌧𑍍𑌯𑌗𑌾 ॥ 136 ॥ [ 𑌯𑌮𑌿𑌨𑍀 ] 𑌯𑌾𑌤𑌾𑌯𑌾𑌤𑌪𑍍𑌰𑌶𑌮𑌨𑍀 𑌯𑌾𑌤𑌨𑌾𑌨𑌾𑌨𑍍𑌨𑌿𑌕𑍃𑌨𑍍𑌤𑌨𑍀 । 𑌯𑍋𑌗𑌾𑌵𑌾𑌸𑌾 𑌯𑍋𑌗𑌿𑌵𑌨𑍍𑌦𑍍𑌯𑌾 𑌯𑌤𑍍𑌤𑌚𑍍𑌛𑌬𑍍𑌦𑌸𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 137 ॥ 𑌯𑍋𑌗𑌕𑍍𑌷𑍇𑌮𑌮𑌯𑍀 𑌯𑌨𑍍𑌤𑍍𑌰𑌾 𑌯𑌾𑌵𑌦𑌕𑍍𑌷𑌰𑌮𑌾𑌤𑍃𑌕𑌾 । 𑌯𑌾𑌵𑌤𑍍𑌪𑌦𑌮𑌯𑍀 𑌯𑌾𑌵𑌚𑍍𑌛𑌬𑍍𑌦𑌰𑍂𑌪𑌾 𑌯𑌥𑍇𑌶𑍍𑌵𑌰𑍀 ॥ 138 ॥ 𑌯𑌤𑍍𑌤𑌦𑍀𑌯𑌾 𑌯𑌕𑍍𑌷𑌵𑌨𑍍𑌦𑍍𑌯𑌾 𑌯𑌦𑍍𑌵𑌿𑌦𑍍𑌯𑌾 𑌯𑌤𑌿𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑌾 । 𑌯𑌾𑌵𑌦𑍍𑌵𑌿𑌦𑍍𑌯𑌾𑌮𑌯𑍀 𑌯𑌾𑌵𑌦𑍍𑌵𑌿𑌦𑍍𑌯𑌾𑌬𑍃𑌨𑍍𑌦𑌸𑍁𑌵𑌨𑍍𑌦𑌿𑌤𑌾 ॥ 139 ॥ 𑌯𑍋𑌗𑌿𑌹𑍃𑌤𑍍𑌪𑌦𑍍𑌮𑌨𑌿𑌲𑌯𑌾 𑌯𑍋𑌗𑌿𑌵𑌰𑍍𑌯𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 । 𑌯𑍋𑌗𑌿𑌵𑌨𑍍𑌦𑍍𑌯𑌾 𑌯𑍋𑌗𑌿𑌮𑌾𑌤𑌾 𑌯𑍋𑌗𑍀𑌶𑌫𑌲𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 140 ॥

Yajneshi yajnaphalada yogayoniryajusstuta | Yamisevya yamaradhya yamipujya yamishvari || 131 || Yogini yogarupa cha yogakartripriyankari | Yogayukta yogamayi yogayogishvarambika || 132 || Yogajnanamayi yoniryamadyashtangayogata | Yantritaghaughasamhara yamalokanivarini || 133 || Yashtivyashtishasamstutya yamadyashtangayogayuk | Yogishvari yogamata yogasiddha cha yogada || 134 || Yogarudha yogamayi yogarupa yaviyasi | Yantrarupa cha yantrastha yantrapujya cha yantrika || 135 || [ yantrita ] Yugakartri yugamayi yugadharmavivarjita | Yamuna yamini yamya yamunajalamadhyaga || 136 || [ yamini ] Yatayataprashamani yatananannikrintani | Yogavasa yogivandya yattachchhabdasvarupini || 137 || Yogakshemamayi yantra yavadaksharamatrika | Yavatpadamayi yavachchhabdarupa yatheshvari || 138 || Yattadiya yakshavandya yadvidya yatisamstuta | Yavadvidyamayi yavadvidyabrindasuvandita || 139 || Yogihritpadmanilaya yogivaryapriyankari | Yogivandya yogimata yogishaphaladayini || 140 ||

Meaning:Queen of the sacrifice and giver of its fruit, the womb of yoga, praised by the Yajur Veda; served by the self-restrained, worshipped by Yama, adored by the disciplined, the sovereign of restraint; Yogini, the form of yoga, delighting those who practise it; joined in yoga, made of yoga, the Mother of yoga and of the lords of yoga; made of yoga-knowledge, the womb, the eightfold yoga beginning with yama; destroying the flood of sins it restrains, warding off the world of Yama; praised by the lords of whole and part, endowed with the eight limbs of yoga; Yogeshvari, the mother of yoga, perfected in yoga and its giver; mounted upon yoga, made of yoga, the form of yoga, the ever-youthful; the form of the yantra, dwelling within the yantra, worshipped in the yantra, the mistress of the yantra; the maker of the yugas and their substance, yet untouched by the dharmas of the ages; Yamuna and the night, the southern quarter, standing in the midst of Yamuna's waters; the calmer of the comings and goings of rebirth, the cutter of all torments; the abode of yoga, saluted by yogis, the very form of the words 'yat' and 'tat'; made of welfare and security (yoga-kshema), the yantra itself, the matrix of all letters that exist; made of all words, the form of all sound, sovereign over all that is; whatever is 'that' or 'this' is hers; saluted by yakshas, she is whatever vidya there is, praised by the ascetics; made of all knowledge whatsoever, saluted by the assemblies of all the vidyas; dwelling in the lotus of the yogis' hearts, delighting the best of yogis; saluted by yogis, the Mother of yogis, giver of the fruit to the lords of yoga.

Verse 17

𑌯𑌕𑍍𑌷𑌵𑌨𑍍𑌦𑍍𑌯𑌾 𑌯𑌕𑍍𑌷𑌪𑍂𑌜𑍍𑌯𑌾 𑌯𑌕𑍍𑌷𑌰𑌾𑌜𑌸𑍁𑌪𑍂𑌜𑌿𑌤𑌾 । 𑌯𑌜𑍍𑌞𑌰𑍂𑌪𑌾 𑌯𑌜𑍍𑌞𑌤𑍁𑌷𑍍𑌟𑌾 𑌯𑌾𑌯𑌜𑍂𑌕𑌸𑍍𑌵𑌰𑍂𑌪𑌿𑌣𑍀 ॥ 141 ॥ 𑌯𑌨𑍍𑌤𑍍𑌰𑌾𑌰𑌾𑌧𑍍𑌯𑌾 𑌯𑌨𑍍𑌤𑍍𑌰𑌮𑌧𑍍𑌯𑌾 𑌯𑌨𑍍𑌤𑍍𑌰𑌕𑌰𑍍𑌤𑍃𑌪𑍍𑌰𑌿𑌯𑌙𑍍𑌕𑌰𑍀 । 𑌯𑌨𑍍𑌤𑍍𑌰𑌾𑌰𑍂𑌢𑌾 𑌯𑌨𑍍𑌤𑍍𑌰𑌪𑍂𑌜𑍍𑌯𑌾 𑌯𑍋𑌗𑌿𑌧𑍍𑌯𑌾𑌨𑌪𑌰𑌾𑌯𑌣𑌾 ॥ 142 ॥ 𑌯𑌜𑌨𑍀𑌯𑌾 𑌯𑌮𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌯𑍋𑌗𑌯𑍁𑌕𑍍𑌤𑌾 𑌯𑌶𑌸𑍍𑌕𑌰𑍀 । 𑌯𑍋𑌗𑌬𑌦𑍍𑌧𑌾 𑌯𑌤𑌿𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌾 𑌯𑍋𑌗𑌜𑍍𑌞𑌾 𑌯𑍋𑌗𑌨𑌾𑌯𑌕𑍀 ॥ 143 ॥ 𑌯𑍋𑌗𑌿𑌜𑍍𑌞𑌾𑌨𑌪𑍍𑌰𑌦𑌾 𑌯𑌕𑍍𑌷𑍀 𑌯𑌮𑌬𑌾𑌧𑌾𑌵𑌿𑌨𑌾𑌶𑌿𑌨𑍀 । 𑌯𑍋𑌗𑌿𑌕𑌾𑌮𑍍𑌯𑌪𑍍𑌰𑌦𑌾𑌤𑍍𑌰𑍀 𑌚 𑌯𑍋𑌗𑌿𑌮𑍋𑌕𑍍𑌷𑌪𑍍𑌰𑌦𑌾𑌯𑌿𑌨𑍀 ॥ 144 ॥

Yakshavandya yakshapujya yaksharajasupujita | Yajnarupa yajnatushta yayajukasvarupini || 141 || Yantraradhya yantramadhya yantrakartripriyankari | Yantrarudha yantrapujya yogidhyanaparayana || 142 || Yajaniya yamastutya yogayukta yashaskari | Yogabaddha yatistutya yogajna yoganayaki || 143 || Yogijnanaprada yakshi yamabadhavinashini | Yogikamyapradatri cha yogimokshapradayini || 144 ||

Meaning:The final names complete the garland: saluted by the yakshas, worshipped by them and honoured by their king; the form of the yajna, delighted by the yajna, the very embodiment of the constant sacrificer; worshipped through the yantra, dwelling at the yantra's centre, delighting those who fashion the yantra; mounted upon the yantra, worshipped in the yantra, absorbed in the meditation of the yogis; worthy of all worship, praised by Yama, joined in yoga, the maker of fame; bound in yoga, praised by the renunciants, the knower of yoga and its leader; the giver of knowledge to yogis, Yakshi, the destroyer of Yama's torments; the bestower of all that yogis desire — and the giver, at the last, of the yogis' liberation.

Verse 18

𑌫𑌲𑌶𑍍𑌰𑍁𑌤𑌿𑌃 𑌇𑌤𑌿 𑌨𑌾𑌮𑍍𑌨𑌾𑌂 𑌸𑌰𑌸𑍍𑌵𑌤𑍍𑌯𑌾𑌃 𑌸𑌹𑌸𑍍𑌰𑌂 𑌸𑌮𑍁𑌦𑍀𑌰𑌿𑌤𑌮𑍍 । 𑌮𑌨𑍍𑌤𑍍𑌰𑌾𑌤𑍍𑌮𑌕𑌂 𑌮𑌹𑌾𑌗𑍋𑌪𑍍𑌯𑌂 𑌮𑌹𑌾𑌸𑌾𑌰𑌸𑍍𑌵𑌤𑌪𑍍𑌰𑌦𑌮𑍍 ॥ 1 ॥ 𑌯𑌃 𑌪𑌠𑍇𑌚𑍍𑌛𑍃𑌣𑍁𑌯𑌾𑌦𑍍𑌭𑌕𑍍𑌤𑍍𑌯𑌾𑌤𑍍𑌤𑍍𑌰𑌿𑌕𑌾𑌲𑌂 𑌸𑌾𑌧𑌕𑌃 𑌪𑍁𑌮𑌾𑌨𑍍 । 𑌸𑌰𑍍𑌵𑌵𑌿𑌦𑍍𑌯𑌾𑌨𑌿𑌧𑌿𑌃 𑌸𑌾𑌕𑍍𑌷𑌾𑌤𑍍 𑌸 𑌏𑌵 𑌭𑌵𑌤𑌿 𑌧𑍍𑌰𑍁𑌵𑌮𑍍 ॥ 2 ॥ 𑌲𑌭𑌤𑍇 𑌸𑌮𑍍𑌪𑌦𑌃 𑌸𑌰𑍍𑌵𑌾𑌃 𑌪𑍁𑌤𑍍𑌰𑌪𑍗𑌤𑍍𑌰𑌾𑌦𑌿𑌸𑌂𑌯𑍁𑌤𑌾𑌃 । 𑌮𑍂𑌕𑍋𑌽𑌪𑌿 𑌸𑌰𑍍𑌵𑌵𑌿𑌦𑍍𑌯𑌾𑌸𑍁 𑌚𑌤𑍁𑌰𑍍𑌮𑍁𑌖 𑌇𑌵𑌾𑌪𑌰𑌃 ॥ 3 ॥ 𑌭𑍂𑌤𑍍𑌵𑌾 𑌪𑍍𑌰𑌾𑌪𑍍𑌨𑍋𑌤𑌿 𑌸𑌾𑌨𑍍𑌨𑌿𑌧𑍍𑌯𑌂 𑌅𑌨𑍍𑌤𑍇 𑌧𑌾𑌤𑍁𑌰𑍍𑌮𑍁𑌨𑍀𑌶𑍍𑌵𑌰 । 𑌸𑌰𑍍𑌵𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑌯𑌂 𑌸𑌰𑍍𑌵𑌵𑌿𑌦𑍍𑌯𑌾𑌮𑌾𑌨𑌫𑌲𑌪𑍍𑌰𑌦𑌮𑍍 ॥ 4 ॥ 𑌮𑌹𑌾𑌕𑌵𑌿𑌤𑍍𑌵𑌦𑌂 𑌪𑍁𑌂𑌸𑌾𑌂 𑌮𑌹𑌾𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌦𑌾𑌯𑌕𑌮𑍍 । 𑌕𑌸𑍍𑌮𑍈 𑌚𑌿𑌨𑍍𑌨 𑌪𑍍𑌰𑌦𑌾𑌤𑌵𑍍𑌯𑌂 𑌪𑍍𑌰𑌾𑌣𑍈𑌃 𑌕𑌣𑍍𑌠𑌗𑌤𑍈𑌰𑌪𑌿 ॥ 5 ॥ 𑌮𑌹𑌾𑌰𑌹𑌸𑍍𑌯𑌂 𑌸𑌤𑌤𑌂 𑌵𑌾𑌣𑍀𑌨𑌾𑌮𑌸𑌹𑌸𑍍𑌰𑌕𑌮𑍍 । 𑌸𑍁𑌸𑌿𑌦𑍍𑌧𑌮𑌸𑍍𑌮𑌦𑌾𑌦𑍀𑌨𑌾𑌂 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌤𑍇 𑌸𑌮𑍁𑌦𑍀𑌰𑌿𑌤𑌮𑍍 ॥ 6 ॥ 𑌇𑌤𑌿 𑌶𑍍𑌰𑍀𑌸𑍍𑌕𑌾𑌨𑍍𑌦𑌪𑍁𑌰𑌾𑌣𑌾𑌨𑍍𑌤𑌰𑍍𑌗𑌤 𑌶𑍍𑌰𑍀𑌸𑌨𑌤𑍍𑌕𑍁𑌮𑌾𑌰 𑌸𑌂𑌹𑌿𑌤𑌾𑌯𑌾𑌂 𑌨𑌾𑌰𑌦 𑌸𑌨𑌤𑍍𑌕𑍁𑌮𑌾𑌰 𑌸𑌂𑌵𑌾𑌦𑍇 𑌶𑍍𑌰𑍀 𑌸𑌰𑌸𑍍𑌵𑌤𑍀 𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌸𑌮𑍍𑌪𑍂𑌰𑍍𑌣𑌮𑍍 ॥

Phalashrutih Iti namnam sarasvatyah sahasram samudiritam | Mantratmakam mahagopyam mahasarasvatapradam || 1 || Yah pathechchhrinuyadbhaktyattrikalam sadhakah puman | Sarvavidyanidhih sakshat sa eva bhavati dhruvam || 2 || Labhate sampadah sarvah putrapautradisamyutah | Mukopi sarvavidyasu chaturmukha ivaparah || 3 || Bhutva prapnoti sannidhyam ante dhaturmunishvara | Sarvamantramayam sarvavidyamanaphalapradam || 4 || Mahakavitvadam pumsam mahasiddhipradayakam | Kasmai chinna pradatavyam pranaih kanthagatairapi || 5 || Maharahasyam satatam vaninamasahasrakam | Susiddhamasmadadinam stotram te samudiritam || 6 || Iti shriskandapuranantargata shrisanatkumara samhitayam narada sanatkumara samvade shri sarasvati sahasranama stotram sampurnam ||

Meaning:The phalashruti declares the fruit: 'Thus have the thousand names of Sarasvati been uttered — mantra-embodied, greatly secret, bestowing the great gift of eloquence. The seeker who reads or hears them with devotion at the three junctions of the day verily becomes the very treasury of all knowledge. He obtains all riches, together with sons and grandsons; even one born mute becomes, in every branch of learning, like a second four-faced Brahma, and at the end attains the presence of the Creator himself, O best of sages. Made of all mantras, granting the full measure of every vidya, giver of great poethood and of the great siddhis — this hymn must not be given to just anyone, even were one's life-breath caught in the throat. This great secret, the thousand names of Vani, fully potent for us and for our line, has now been declared to you.' Thus ends the Sri Sarasvati Sahasranama Stotram, from the Sanatkumara Samhita of the Skanda Purana, in the dialogue of Narada and Sanatkumara.

Word-by-Word Meaning

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𑌸𑌰𑌸𑍍𑌵𑌤𑍀🔊SarasvatiThe flowing one — goddess of speech, learning and wisdom

𑌵𑌾𑌗𑍍𑌦𑍇𑌵𑍀🔊VagdeviThe goddess of speech

𑌵𑌾𑌗𑍍𑌵𑌾𑌦𑌿𑌨𑍀🔊VagvadiniShe who makes speech flow — invoked in the hymn's seed-mantra

𑌵𑌰𑌦𑌾🔊VaradaGiver of boons

𑌵𑌾𑌗𑍀𑌶𑍍𑌵𑌰𑍀🔊VagishvariSovereign queen of speech

𑌶𑌾𑌰𑌦𑌾🔊SharadaThe autumnal one — Saraswati as bestower of ripened wisdom

𑌗𑌾𑌯𑌤𑍍𑌰𑍀🔊GayatriThe saving song, mother of the Vedas

𑌮𑌹𑌾𑌵𑌿𑌦𑍍𑌯𑌾🔊MahavidyaThe great knowledge

𑌬𑍍𑌰𑌾𑌹𑍍𑌮𑍀🔊BrahmiThe shakti of Brahma, of the very nature of Brahman

𑌭𑌾𑌰𑌤𑍀🔊BharatiGoddess of eloquence and of the land of Bharata

𑌵𑍇𑌦𑌜𑌨𑌨𑍀🔊VedajananiMother of the Vedas

𑌅𑌕𑍍𑌷𑌰𑌮𑌾𑌲𑌿𑌕𑌾🔊AksharamalikaShe who is garlanded with the letters of the alphabet

𑌬𑍁𑌦𑍍𑌧𑌿𑌦𑌾🔊BuddhidaGiver of intelligence

𑌮𑌹𑌾𑌕𑌵𑌿𑌤𑍍𑌵𑌦𑌮𑍍🔊Mahakavitvadam(This hymn is) the bestower of great poetic genius

Benefits of Chanting Saraswati Sahasranama Stotram

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The phalashruti promises that the devoted reciter becomes a veritable treasury of all knowledge

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Traditionally chanted by students, scholars, poets, musicians and speakers for mastery of learning and eloquence

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The text declares that even one born mute becomes eloquent like a second Brahma through this hymn

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Removes floods of sins and bestows maha-sarasvata — the great gift of inspired speech

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Grants great poetic genius (mahakavitva) and success in every branch of vidya

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Recitation on Vasant Panchami and before study or examinations is considered especially fruitful

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Bestows wealth, family happiness and, at the end, the presence of the Creator himself

How to Chant Saraswati Sahasranama Stotram

Repetitions1times

Best TimeEarly morning before study; especially auspicious on Vasant Panchami, Navaratri and Thursdays

Sit facing east or north after bathing, with an image or yantra of Saraswati and, if possible, a book and pen placed before her as symbols of vidya. Begin with the dhyana verse meditating on the white-clad goddess holding the book of all knowledge, then recite the thousand names slowly and clearly, honouring the interspersed seed-mantras ('Aim vada vada Vagvadini svaha') as given in the text. The phalashruti recommends recitation at the three junctions of the day (morning, noon, evening) for the fullest fruit. Students may recite it before beginning study; a single daily recitation with devotion is sufficient.

Frequently Asked Questions

This page shows the complete Saraswati Sahasranama Stotram written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

It is a hymn of one thousand names of Saraswati, the goddess of speech, learning and wisdom, found in the Sanatkumara Samhita of the Skanda Purana as a dialogue between the sages Narada and Sanatkumara. Its names flow in long alphabetical garlands — va, ga, sha, sa, ma, bha, ba, a, ja, ka, ta and ya — interwoven with seed-mantras of the goddess.

The hymn relates that after Brahma created the three worlds, the universe stood inert and unconscious because speech did not yet exist. Brahma performed tapas for ten thousand divine years until Vani (Saraswati) appeared, taught him her thousand names, and — pleased by his praise — became his consort, whereupon the whole creation was filled with speech.

Its phalashruti says the devoted reciter becomes a treasury of all knowledge, gains wealth and family happiness, and that even a mute person becomes eloquent in all learning like a second Brahma. It especially promises maha-kavitva — great poetic genius — and lordship of speech.

It is ideal for students, teachers, writers, musicians and anyone seeking clarity of speech and mind. Traditional times are early morning before study, the three sandhyas, Thursdays, Navaratri, and above all Vasant Panchami, Saraswati's festival.

They are bija-mantras (seed syllables) of Saraswati, such as 'Aim vada vada Vagvadini svaha', placed at the head of each alphabetical section — including one that strings together the entire Sanskrit alphabet, invoking her as Aksharamalika, 'garlanded with the letters'. Reciters traditionally include them as given.