Ghalin Lotangan Meaning — Line by Line
घालीन लोटांगण
Every verse and every word explained in English & Hindi
Meaning — Line by Line
Every verse of Ghalin Lotangan with its English meaning. Tap any word to hear it, or ▶ to recite the verse.
Ghalin Lotangan Vandin Charan |
घालीन लोटांगण वंदीन चरण । डोळ्यांनी पाहीन रूप तुझे ॥ प्रेमे आलिंगिन आनंदे पूजिन । भावे ओवाळीन म्हणे नामा ॥
Ghalin Lotangan Vandin Charan | Dolyanni Pahin Roop Tuze || Preme Aalingin Aanande Poojin | Bhave Ovalin Mhane Nama ||
MeaningI shall prostrate myself full-length and reverently bow to Your feet; I shall behold Your form with my own eyes. With love I shall embrace You, with joy I shall worship You, and with heartfelt devotion I shall wave the lamp before You — so says Nama (Namdev).
Tvameva Mata Cha Pita Tvameva |
त्वमेव माता च पिता त्वमेव । त्वमेव बंधुश्च सखा त्वमेव ॥ त्वमेव विद्या द्रविणं त्वमेव । त्वमेव सर्वं मम देवदेव ॥
Tvameva Mata Cha Pita Tvameva | Tvameva Bandhushcha Sakha Tvameva || Tvameva Vidya Dravinam Tvameva | Tvameva Sarvam Mama Deva-Deva ||
MeaningYou alone are my mother and my father; You alone are my kinsman and my friend; You alone are my knowledge and my wealth; You alone are my everything, O God of gods.
Kayena Vacha Manasendriyairva |
कायेन वाचा मनसेन्द्रियैर्वा । बुद्ध्यात्मना वा प्रकृतेः स्वभावात् ॥ करोमि यद्यत्सकलं परस्मै । नारायणायेति समर्पयामि ॥
Kayena Vacha Manasendriyairva | Buddhyatmana Va Prakriteh Svabhavat || Karomi Yadyat-Sakalam Parasmai | Narayanayeti Samarpayami ||
MeaningWhatever I do — by body, by speech, by mind and senses, by intellect and soul, or out of the natural impulse of my nature — all of it I offer to the Supreme, unto Narayana.
Word-by-Word Breakdown
Origin & History
Source: Marathi aarti tradition (Varkari sampradaya); opening verse by Sant Namdev
Author: Sant Namdev (opening verse); traditional Sanskrit shlokas
Period: 13th century CE and later
Ghalin Lotangan has become the universal closing prayer of worship throughout Maharashtra. Its first verse is by Sant Namdev, the weaver-saint and companion of Dnyaneshwar, who pours out the whole of devotion — to prostrate, to gaze, to embrace, to worship and to wave the lamp before the Lord. To this is joined the timeless Sanskrit shloka 'Tvameva Mata' declaring the Lord to be one's every relation, and 'Kayena Vacha' offering all of one's deeds to Narayana. Sung at the end of every aarti, it transforms ritual worship into heartfelt self-surrender.
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