શ્યામલાનવરત્નમાલિકા
Shyamala Navaratnamalika in Gujarati · ગુજરાતી
તમારી ભાષા/લિપિમાં વાંચો
ઉત્પત્તિ અને કથા
Devotional Sri Vidya / Shakta hymn, traditionally attributed to Adi Shankaracharya · Adi Shankaracharya (traditional attribution) · c. 8th century CE (traditional attribution)
Raja-Shyamala (Matangi) is the Goddess of music, speech and the arts in the Sri Vidya tradition, serving as the mantrini — minister and intimate companion — of Lalita Tripurasundari, who directs the celestial music and counsel of the Mother's court. This 'garland of nine gems' distils her worship into nine jewel-like verses overflowing with the imagery of the veena and the seven notes. Together with the longer Shyamala Dandakam, it is a favourite of devotees and of artists who seek her grace before they sing, play or compose.
✦ શાસ્ત્રોમાં કહ્યા પ્રમાણે
Devotees and musicians hold that the grace of Shyamala, invoked through such hymns, loosens the tongue of the dull, perfects the art of the singer and the dancer, and brings the favour of Saraswati herself — for she is the very 'Mother of music' (saṅgīta-mātṛkā) praised in the second verse.
અર્થ સહિત સંપૂર્ણ પાઠ
કોઈપણ પંક્તિ અથવા ▶ બટન દબાવી સાંભળો
ઓઙ્કારપઞ્જરશુકીમુપનિષદુદ્યાનકેલિકલકણ્ઠીમ્ । આગમવિપિનમયૂરીમાર્યામન્તર્વિભાવયે ગૌરીમ્ ॥૧॥
oṅkāra-pañjara-śukīm upaniṣad-udyāna-keli-kalakaṇṭhīm | āgama-vipina-mayūrīm āryām antar vibhāvaye gaurīm || 1||
અર્થ:1. I meditate within my heart upon the noble fair Goddess Gauri — the parrot in the cage of Om, the sweet-voiced nightingale sporting in the garden of the Upanishads, the peahen roaming the forest of the Agamas.
દયમાનદીર્ઘનયનાં દેશિકરૂપેણ દર્શિતાભ્યુદયામ્ । વામકુચનિહિતવીણાં વરદાં સઙ્ગીતમાતૃકાં વન્દે ॥૨॥
dayamāna-dīrgha-nayanāṃ deśika-rūpeṇa darśitābhyudayām | vāma-kuca-nihita-vīṇāṃ varadāṃ saṅgīta-mātṛkāṃ vande || 2||
અર્થ:2. I bow to her, the Mother of all music, the bestower of boons — with long eyes streaming compassion, who reveals well-being to her devotees by taking the form of a guru, holding the veena against her left bosom.
શ્યામલિમસૌકુમાર્યાં સૌન્દર્યાનન્દસમ્પદુન્મેષામ્ । તરુણિમકરુણાપૂરાં મદજલકલ્લોલલોચનાં વન્દે ॥૩॥
śyāmalima-saukumāryāṃ saundaryānanda-sampad-unmeṣām | taruṇima-karuṇā-pūrāṃ mada-jala-kallola-locanāṃ vande || 3||
અર્થ:3. I adore her — dark-hued and delicate, the very blossoming of the wealth of the bliss of beauty, a flood of youthful compassion, her eyes rippling like waves of intoxicating joy.
નખમુખમુખરિતવીણાનાદરસાસ્વાદનવનવોલ્લાસમ્ । મુખમમ્બ મોદયતુ માં મુક્તાતાટઙ્કમુગ્ધહસિતં તે ॥૪॥
nakha-mukha-mukharita-vīṇā-nāda-rasāsvādana-navanavollāsam | mukham amba modayatu māṃ muktā-tāṭaṅka-mugdha-hasitaṃ te || 4||
અર્થ:4. O Mother, may thy face delight me — ever freshly radiant with the savour of the music streaming from the veena played by thy fingertips, adorned with pearl earrings and a charming, innocent smile.
સરિગમપધનિરતાં તાં વીણાસઙ્ક્રાન્તકાન્તહસ્તાન્તામ્ । શાન્તાં મૃદુલસ્વાન્તાં કુચભરતાન્તાં નમામિ શિવકાન્તામ્ ॥૫॥
sa-ri-ga-ma-pa-dha-ni-ratāṃ tāṃ vīṇā-saṅkrānta-kānta-hastāntām | śāntāṃ mṛdula-svāntāṃ kuca-bhara-tāntāṃ namāmi śiva-kāntām || 5||
અર્થ:5. I bow to the beloved of Shiva — ever absorbed in the seven musical notes, her lovely fingers moving over the veena, serene, tender of heart, languid with the weight of her bosom.
અવટુતટઘટિતચૂલીતાડિતતાળીપલાશતાટઙ્કામ્ । વીણાવાદનલેશાકમ્પિતશીર્ષાં નમામિ માતઙ્ગીમ્ ॥૬॥
avaṭu-taṭa-ghaṭita-cūlī-tāḍita-tāḷī-palāśa-tāṭaṅkām | vīṇā-vādana-leśā-kampita-śīrṣāṃ namāmi mātaṅgīm || 6||
અર્થ:6. I bow to Matangi — her earrings of palmyra-leaf shape striking against the curls clustered at her cheeks, her head swaying ever so slightly with the playing of the veena.
વીણારવાનુષઙ્ગં વિકલકચામોદમાધુરીભૃઙ્ગમ્ । કરુણાપૂરતરઙ્ગં કલયે માતઙ્ગકન્યકાપાઙ્ગમ્ ॥૭॥
vīṇā-ravānuṣaṅgaṃ vikala-kacāmoda-mādhurī-bhṛṅgam | karuṇā-pūra-taraṅgaṃ kalaye mātaṅga-kanyakāpāṅgam || 7||
અર્થ:7. I contemplate the side-long glance of the daughter of Matanga — keeping company with the music of the veena, a bee drawn to the sweet fragrance of her loosened tresses, a wave in the flood of compassion.
મેચકમાસેચનકં મિથ્યાદૃષ્ટાન્તમધ્યભાગં તે । માતસ્તવ સ્વરૂપં મઙ્ગલસઙ્ગીતસૌરભં વન્દે ॥૮॥
mecakam āsecanakaṃ mithyā-dṛṣṭānta-madhya-bhāgaṃ te | mātas tava svarūpaṃ maṅgala-saṅgīta-saurabhaṃ vande || 8||
અર્થ:8. O Mother, I adore thy form — dark and ever-delighting, never sating the eyes, its waist so slender that any comparison is but a false illusion, fragrant with auspicious music.
મણિભઙ્ગમેચકાઙ્ગીં માતઙ્ગીં નૌમિ સિદ્ધમાતઙ્ગીમ્ । યૌવનવનસારઙ્ગીં સઙ્ગીતામ્ભોરુહાનુભવભૃઙ્ગીમ્ ॥૯॥
maṇi-bhaṅga-mecakāṅgīṃ mātaṅgīṃ naumi siddha-mātaṅgīm | yauvana-vana-sāraṅgīṃ saṅgītāmbhoruhānubhava-bhṛṅgīm || 9||
અર્થ:9. I praise Matangi, the Siddha-Matangi — her limbs dark as a sapphire freshly cut, the doe of the forest of youth, the bee that drinks the bliss of the lotus of music.
શબ્દ-શબ્દ અર્થ
ઉચ્ચારણ સાંભળવા કોઈપણ શબ્દ પર ક્લિક કરો
Shyamala Navaratnamalika પાઠના લાભ
Invokes Raja-Shyamala (Matangi), the Sri Vidya Goddess of music, learning, speech and the fine arts
Especially cherished by musicians, singers, dancers and students for mastery of the arts and eloquence
Each verse is a compact, musical meditation on the Goddess and her veena
Cultivates devotion, refinement of mind and a love of sacred music
A worthy shorter companion to the Shyamala Dandakam for daily recitation
Believed to bestow the grace of Saraswati-like wisdom and the fulfilment of creative pursuits
Recited during Shyamala worship and Navaratri for the Mother's blessings
Shyamala Navaratnamalika જપ વિધિ
Sit before an image of Shyamala (Matangi) holding the veena, with a lamp and flowers. Recite the nine verses slowly, dwelling on the imagery of each — the parrot of Om, the veena, the seven notes, the compassionate glance. Musicians and students often chant it before practice or performance to invoke the Goddess of the arts. It may be recited once or three times daily, and is especially auspicious during Navaratri.
વારંવાર પુછાતા પ્રશ્નો
આ પણ વાંચો
ॐ
સંપૂર્ણ Shyamala Navaratnamalika શ્લોક-શ્લોક અર્થ સહિત વાંચો, અથવા વધુ પવિત્ર પાઠ જુઓ