ಶ್ಯಾಮಲಾನವರತ್ನಮಾಲಿಕಾ
Shyamala Navaratnamalika in Kannada · ಕನ್ನಡ
ನಿಮ್ಮ ಭಾಷೆ/ಲಿಪಿಯಲ್ಲಿ ಓದಿ
ಮೂಲ & ಕಥೆ
Devotional Sri Vidya / Shakta hymn, traditionally attributed to Adi Shankaracharya · Adi Shankaracharya (traditional attribution) · c. 8th century CE (traditional attribution)
Raja-Shyamala (Matangi) is the Goddess of music, speech and the arts in the Sri Vidya tradition, serving as the mantrini — minister and intimate companion — of Lalita Tripurasundari, who directs the celestial music and counsel of the Mother's court. This 'garland of nine gems' distils her worship into nine jewel-like verses overflowing with the imagery of the veena and the seven notes. Together with the longer Shyamala Dandakam, it is a favourite of devotees and of artists who seek her grace before they sing, play or compose.
✦ ಶಾಸ್ತ್ರಗಳಲ್ಲಿ ಹೇಳಿದಂತೆ
Devotees and musicians hold that the grace of Shyamala, invoked through such hymns, loosens the tongue of the dull, perfects the art of the singer and the dancer, and brings the favour of Saraswati herself — for she is the very 'Mother of music' (saṅgīta-mātṛkā) praised in the second verse.
ಅರ್ಥದೊಂದಿಗೆ ಪೂರ್ಣ ಪಾಠ
ಯಾವುದೇ ಸಾಲನ್ನು ಅಥವಾ ▶ ಬಟನ್ ಒತ್ತಿ ಕೇಳಿ
ಓಙ್ಕಾರಪಞ್ಜರಶುಕೀಮುಪನಿಷದುದ್ಯಾನಕೇಲಿಕಲಕಣ್ಠೀಮ್ । ಆಗಮವಿಪಿನಮಯೂರೀಮಾರ್ಯಾಮನ್ತರ್ವಿಭಾವಯೇ ಗೌರೀಮ್ ॥೧॥
oṅkāra-pañjara-śukīm upaniṣad-udyāna-keli-kalakaṇṭhīm | āgama-vipina-mayūrīm āryām antar vibhāvaye gaurīm || 1||
ಅರ್ಥ:1. I meditate within my heart upon the noble fair Goddess Gauri — the parrot in the cage of Om, the sweet-voiced nightingale sporting in the garden of the Upanishads, the peahen roaming the forest of the Agamas.
ದಯಮಾನದೀರ್ಘನಯನಾಂ ದೇಶಿಕರೂಪೇಣ ದರ್ಶಿತಾಭ್ಯುದಯಾಮ್ । ವಾಮಕುಚನಿಹಿತವೀಣಾಂ ವರದಾಂ ಸಙ್ಗೀತಮಾತೃಕಾಂ ವನ್ದೇ ॥೨॥
dayamāna-dīrgha-nayanāṃ deśika-rūpeṇa darśitābhyudayām | vāma-kuca-nihita-vīṇāṃ varadāṃ saṅgīta-mātṛkāṃ vande || 2||
ಅರ್ಥ:2. I bow to her, the Mother of all music, the bestower of boons — with long eyes streaming compassion, who reveals well-being to her devotees by taking the form of a guru, holding the veena against her left bosom.
ಶ್ಯಾಮಲಿಮಸೌಕುಮಾರ್ಯಾಂ ಸೌನ್ದರ್ಯಾನನ್ದಸಮ್ಪದುನ್ಮೇಷಾಮ್ । ತರುಣಿಮಕರುಣಾಪೂರಾಂ ಮದಜಲಕಲ್ಲೋಲಲೋಚನಾಂ ವನ್ದೇ ॥೩॥
śyāmalima-saukumāryāṃ saundaryānanda-sampad-unmeṣām | taruṇima-karuṇā-pūrāṃ mada-jala-kallola-locanāṃ vande || 3||
ಅರ್ಥ:3. I adore her — dark-hued and delicate, the very blossoming of the wealth of the bliss of beauty, a flood of youthful compassion, her eyes rippling like waves of intoxicating joy.
ನಖಮುಖಮುಖರಿತವೀಣಾನಾದರಸಾಸ್ವಾದನವನವೋಲ್ಲಾಸಮ್ । ಮುಖಮಮ್ಬ ಮೋದಯತು ಮಾಂ ಮುಕ್ತಾತಾಟಙ್ಕಮುಗ್ಧಹಸಿತಂ ತೇ ॥೪॥
nakha-mukha-mukharita-vīṇā-nāda-rasāsvādana-navanavollāsam | mukham amba modayatu māṃ muktā-tāṭaṅka-mugdha-hasitaṃ te || 4||
ಅರ್ಥ:4. O Mother, may thy face delight me — ever freshly radiant with the savour of the music streaming from the veena played by thy fingertips, adorned with pearl earrings and a charming, innocent smile.
ಸರಿಗಮಪಧನಿರತಾಂ ತಾಂ ವೀಣಾಸಙ್ಕ್ರಾನ್ತಕಾನ್ತಹಸ್ತಾನ್ತಾಮ್ । ಶಾನ್ತಾಂ ಮೃದುಲಸ್ವಾನ್ತಾಂ ಕುಚಭರತಾನ್ತಾಂ ನಮಾಮಿ ಶಿವಕಾನ್ತಾಮ್ ॥೫॥
sa-ri-ga-ma-pa-dha-ni-ratāṃ tāṃ vīṇā-saṅkrānta-kānta-hastāntām | śāntāṃ mṛdula-svāntāṃ kuca-bhara-tāntāṃ namāmi śiva-kāntām || 5||
ಅರ್ಥ:5. I bow to the beloved of Shiva — ever absorbed in the seven musical notes, her lovely fingers moving over the veena, serene, tender of heart, languid with the weight of her bosom.
ಅವಟುತಟಘಟಿತಚೂಲೀತಾಡಿತತಾಳೀಪಲಾಶತಾಟಙ್ಕಾಮ್ । ವೀಣಾವಾದನಲೇಶಾಕಮ್ಪಿತಶೀರ್ಷಾಂ ನಮಾಮಿ ಮಾತಙ್ಗೀಮ್ ॥೬॥
avaṭu-taṭa-ghaṭita-cūlī-tāḍita-tāḷī-palāśa-tāṭaṅkām | vīṇā-vādana-leśā-kampita-śīrṣāṃ namāmi mātaṅgīm || 6||
ಅರ್ಥ:6. I bow to Matangi — her earrings of palmyra-leaf shape striking against the curls clustered at her cheeks, her head swaying ever so slightly with the playing of the veena.
ವೀಣಾರವಾನುಷಙ್ಗಂ ವಿಕಲಕಚಾಮೋದಮಾಧುರೀಭೃಙ್ಗಮ್ । ಕರುಣಾಪೂರತರಙ್ಗಂ ಕಲಯೇ ಮಾತಙ್ಗಕನ್ಯಕಾಪಾಙ್ಗಮ್ ॥೭॥
vīṇā-ravānuṣaṅgaṃ vikala-kacāmoda-mādhurī-bhṛṅgam | karuṇā-pūra-taraṅgaṃ kalaye mātaṅga-kanyakāpāṅgam || 7||
ಅರ್ಥ:7. I contemplate the side-long glance of the daughter of Matanga — keeping company with the music of the veena, a bee drawn to the sweet fragrance of her loosened tresses, a wave in the flood of compassion.
ಮೇಚಕಮಾಸೇಚನಕಂ ಮಿಥ್ಯಾದೃಷ್ಟಾನ್ತಮಧ್ಯಭಾಗಂ ತೇ । ಮಾತಸ್ತವ ಸ್ವರೂಪಂ ಮಙ್ಗಲಸಙ್ಗೀತಸೌರಭಂ ವನ್ದೇ ॥೮॥
mecakam āsecanakaṃ mithyā-dṛṣṭānta-madhya-bhāgaṃ te | mātas tava svarūpaṃ maṅgala-saṅgīta-saurabhaṃ vande || 8||
ಅರ್ಥ:8. O Mother, I adore thy form — dark and ever-delighting, never sating the eyes, its waist so slender that any comparison is but a false illusion, fragrant with auspicious music.
ಮಣಿಭಙ್ಗಮೇಚಕಾಙ್ಗೀಂ ಮಾತಙ್ಗೀಂ ನೌಮಿ ಸಿದ್ಧಮಾತಙ್ಗೀಮ್ । ಯೌವನವನಸಾರಙ್ಗೀಂ ಸಙ್ಗೀತಾಮ್ಭೋರುಹಾನುಭವಭೃಙ್ಗೀಮ್ ॥೯॥
maṇi-bhaṅga-mecakāṅgīṃ mātaṅgīṃ naumi siddha-mātaṅgīm | yauvana-vana-sāraṅgīṃ saṅgītāmbhoruhānubhava-bhṛṅgīm || 9||
ಅರ್ಥ:9. I praise Matangi, the Siddha-Matangi — her limbs dark as a sapphire freshly cut, the doe of the forest of youth, the bee that drinks the bliss of the lotus of music.
ಪದ-ಪದ ಅರ್ಥ
ಉಚ್ಚಾರಣೆ ಕೇಳಲು ಯಾವುದೇ ಪದವನ್ನು ಕ್ಲಿಕ್ ಮಾಡಿ
Shyamala Navaratnamalika ಪಾರಾಯಣದ ಪ್ರಯೋಜನಗಳು
Invokes Raja-Shyamala (Matangi), the Sri Vidya Goddess of music, learning, speech and the fine arts
Especially cherished by musicians, singers, dancers and students for mastery of the arts and eloquence
Each verse is a compact, musical meditation on the Goddess and her veena
Cultivates devotion, refinement of mind and a love of sacred music
A worthy shorter companion to the Shyamala Dandakam for daily recitation
Believed to bestow the grace of Saraswati-like wisdom and the fulfilment of creative pursuits
Recited during Shyamala worship and Navaratri for the Mother's blessings
Shyamala Navaratnamalika ಪಾರಾಯಣ ವಿಧಿ
Sit before an image of Shyamala (Matangi) holding the veena, with a lamp and flowers. Recite the nine verses slowly, dwelling on the imagery of each — the parrot of Om, the veena, the seven notes, the compassionate glance. Musicians and students often chant it before practice or performance to invoke the Goddess of the arts. It may be recited once or three times daily, and is especially auspicious during Navaratri.
ಪದೇ ಪದೇ ಕೇಳುವ ಪ್ರಶ್ನೆಗಳು
ಇವನ್ನೂ ಓದಿ
ॐ
ಪೂರ್ಣ Shyamala Navaratnamalikaವನ್ನು ಶ್ಲೋಕ-ಶ್ಲೋಕ ಅರ್ಥದೊಂದಿಗೆ ಓದಿ, ಅಥವಾ ಇನ್ನಷ್ಟು ಪವಿತ್ರ ಪಾಠಗಳನ್ನು ನೋಡಿ