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tripurasundarilalitasri-vidyaadi-shankaracharya

ତ୍ରିପୁରସୁନ୍ଦର୍ଯଷ୍ଟକମ୍

Tripura Sundari Ashtakam in Odia · ଓଡ଼ିଆ

🕉️ hindu·📿 8× ଜପ·🕐 Fridays, during Navratri, on full-moon (Purnima) days, and as part of daily Sri Vidya / Devi japa·📜 Devotional hymn attributed to Adi Shankaracharya (Sri Vidya / Shakta tradition)
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ଉତ୍ପତ୍ତି ଓ କଥା

Devotional hymn attributed to Adi Shankaracharya (Sri Vidya / Shakta tradition) · Adi Shankaracharya · c. 8th century CE (traditional attribution)

Among Adi Shankaracharya's many hymns to the Divine Mother, the Tripura Sundari Ashtakam stands out for its lyrical beauty and its grounding in Sri Vidya symbolism. The repeated image of the Kadamba forest evokes the Goddess's celestial garden, while references to the six lotuses and the golden orb point to her presence in the subtle body and the Sri Chakra. The hymn is cherished by Sri Vidya upasakas and is often recited as part of formal japa and Devi worship.

ଶାସ୍ତ୍ରରେ କୁହାଯାଇଥିବା ପରି

Practitioners hold that the third verse — which declares the devotee to be 'shielded as if by armour' (kavacita) by the play of the Goddess — makes this Ashtakam a living protective shield. Many Sri Vidya devotees recite it before japa, reporting that obstacles dissolve and the mind settles swiftly into the Mother's presence.

ଅର୍ଥ ସହିତ ସମ୍ପୂର୍ଣ ପାଠ

ଯେକୌଣସି ଧାଡ଼ି କିମ୍ବା ▶ ବଟନ୍ ଛୁଇଁ ଶୁଣନ୍ତୁ

ଶ୍ଳୋକ 1

କଦମ୍ବଵନଚାରିଣୀଂ ମୁନିକଦମ୍ବକାଦମ୍ବିନୀଂ ନିତମ୍ବଜିତଭୂଧରାଂ ସୁରନିତମ୍ବିନୀସେଵିତାମ୍ ନଵାମ୍ବୁରୁହଲୋଚନାମଭିନଵାମ୍ବୁଦଶ୍ଯାମଲାଂ ତ୍ରିଲୋଚନକୁଟୁମ୍ବିନୀଂ ତ୍ରିପୁରସୁନ୍ଦରୀମାଶ୍ରଯେ ୧॥

kadambavanacāriṇīṃ munikadambakādambinīṃ nitambajitabhūdharāṃ suranitambinīsevitām | navāmburuhalocanāmabhinavāmbudaśyāmalāṃ trilocanakuṭumbinīṃ tripurasundarīmāśraye || 1||

ଅର୍ଥ:1. I take refuge in Tripurasundari, the beauty of the three worlds — who wanders in the Kadamba forest, who is a rain-cloud of grace to the assembly of sages, whose form surpasses the mountains, attended by celestial maidens, with eyes like fresh lotuses, dark as a new rain-cloud, the beloved consort of the three-eyed Shiva.

ଶ୍ଳୋକ 2

କଦମ୍ବଵନଵାସିନୀଂ କନକଵଲ୍ଲକୀଧାରିଣୀଂ ମହାର୍ହମଣିହାରିଣୀଂ ମୁଖସମୁଲ୍ଲସଦ୍ଵାରୁଣୀମ୍ ଦଯାଵିଭଵକାରିଣୀଂ ଵିଶଦଲୋଚନୀଂ ଚାରିଣୀଂ ତ୍ରିଲୋଚନକୁଟୁମ୍ବିନୀଂ ତ୍ରିପୁରସୁନ୍ଦରୀମାଶ୍ରଯେ ୨॥

kadambavanavāsinīṃ kanakavallakīdhāriṇīṃ mahārhamaṇihāriṇīṃ mukhasamullasadvāruṇīm | dayāvibhavakāriṇīṃ viśadalocanīṃ cāriṇīṃ trilocanakuṭumbinīṃ tripurasundarīmāśraye || 2||

ଅର୍ଥ:2. I take refuge in Tripurasundari — who dwells in the Kadamba forest, holding a golden veena, wearing a necklace of priceless gems, her face glowing as if with sweet wine, the bestower of the wealth of compassion, with wide clear eyes, the moving (ever-active) one, beloved of three-eyed Shiva.

ଶ୍ଳୋକ 3

କଦମ୍ବଵନଶାଲଯା କୁଚଭରୋଲ୍ଲସନ୍ମାଲଯା କୁଚୋପମିତଶୈଲଯା ଗୁରୁକୃପାଲସଦ୍ଵେଲଯା ମଦାରୁଣକପୋଲଯା ମଧୁରଗୀତଵାଚାଲଯା କଯାପି ଘନନୀଲଯା କଵଚିତା ଵଯଂ ଲୀଲଯା ୩॥

kadambavanaśālayā kucabharollasanmālayā kucopamitaśailayā gurukṛpālasadvelayā | madāruṇakapolayā madhuragītavācālayā kayāpi ghananīlayā kavacitā vayaṃ līlayā || 3||

ଅର୍ଥ:3. By her who has the Kadamba forest as her abode, with a garland swaying on her bosom, with breasts like twin mountains, radiant with the swelling tide of a Guru's grace, with cheeks flushed as if with wine, ever murmuring sweet song, dark as a dense cloud — by that playful Goddess are we shielded as by armour.

ଶ୍ଳୋକ 4

କଦମ୍ବଵନମଧ୍ଯଗାଂ କନକମଣ୍ଡଲୋପସ୍ଥିତାଂ ଷଡମ୍ବୁରୁହଵାସିନୀଂ ସତତସିଦ୍ଧସୌଦାମିନୀମ୍ ଵିଡମ୍ବିତଜପାରୁଚିଂ ଵିକଚଚନ୍ଦ୍ରଚୂଡାମଣିଂ ତ୍ରିଲୋଚନକୁଟୁମ୍ବିନୀଂ ତ୍ରିପୁରସୁନ୍ଦରୀମାଶ୍ରଯେ ୪॥

kadambavanamadhyagāṃ kanakamaṇḍalopasthitāṃ ṣaḍamburuhavāsinīṃ satatasiddhasaudāminīm | viḍambitajapāruciṃ vikacacandracūḍāmaṇiṃ trilocanakuṭumbinīṃ tripurasundarīmāśraye || 4||

ଅର୍ଥ:4. I take refuge in Tripurasundari — who abides in the midst of the Kadamba forest, seated within a golden disc, dwelling in the six lotuses (chakras), ever flashing like steady lightning, putting to shame the redness of the hibiscus, wearing the blossoming crescent moon as her crest-jewel, the consort of three-eyed Shiva.

ଶ୍ଳୋକ 5

କୁଚାଞ୍ଚିତଵିପଞ୍ଚିକାଂ କୁଟିଲକୁନ୍ତଲାଲଙ୍କୃତାଂ କୁଶେଶଯନିଵାସିନୀଂ କୁଟିଲଚିତ୍ତଵିଦ୍ଵେଷିଣୀମ୍ ମଦାରୁଣଵିଲୋଚନାଂ ମନସିଜାରିସମ୍ମୋହିନୀଂ ମତଙ୍ଗମୁନିକନ୍ଯକାଂ ମଧୁରଭାଷିଣୀମାଶ୍ରଯେ ୫॥

kucāñcitavipañcikāṃ kuṭilakuntalālaṅkṛtāṃ kuśeśayanivāsinīṃ kuṭilacittavidveṣiṇīm | madāruṇavilocanāṃ manasijārisammohinīṃ mataṅgamunikanyakāṃ madhurabhāṣiṇīmāśraye || 5||

ଅର୍ଥ:5. I take refuge in her of sweet speech — who holds a veena to her bosom, adorned with curling tresses, dwelling in the lotus, hostile to the crooked of heart, with eyes red as if with wine, enchanting even Shiva (the foe of Kama), the daughter of the sage Matanga.

ଶ୍ଳୋକ 6

ସ୍ମରେତ୍ପ୍ରଥମପୁଷ୍ପିଣୀଂ ରୁଧିରବିନ୍ଦୁନୀଲାମ୍ବରାଂ ଗୃହୀତମଧୁପାତ୍ରିକାଂ ମଦଵିଘୂର୍ଣନେତ୍ରାଞ୍ଚଲାମ୍ ଘନସ୍ତନଭରୋନ୍ନତାଂ ଗଲିତଚୂଲିକାଂ ଶ୍ଯାମଲାଂ ତ୍ରିଲୋଚନକୁଟୁମ୍ବିନୀଂ ତ୍ରିପୁରସୁନ୍ଦରୀମାଶ୍ରଯେ ୬॥

smaretprathamapuṣpiṇīṃ rudhirabindunīlāmbarāṃ gṛhītamadhupātrikāṃ madavighūrṇanetrāñcalām | ghanastanabharonnatāṃ galitacūlikāṃ śyāmalāṃ trilocanakuṭumbinīṃ tripurasundarīmāśraye || 6||

ଅର୍ଥ:6. I take refuge in Tripurasundari, consort of three-eyed Shiva — meditated upon as one in first bloom, clad in garments blue as a drop of blood, holding a goblet of honey-wine, the corners of her eyes rolling with intoxication, lofty with the weight of full breasts, her hair-knot loosened, dark of hue.

ଶ୍ଳୋକ 7

ସକୁଙ୍କୁମଵିଲେପନାମଲିକଚୁମ୍ବିକସ୍ତୂରିକାଂ ସମନ୍ଦହସିତେକ୍ଷଣାଂ ସଶରଚାପପାଶାଙ୍କୁଶାମ୍ ଅଶେଷଜନମୋହିନୀମରୁଣମାଲ୍ଯଭୂଷାମ୍ବରାଂ ଜପାକୁସୁମଭାସୁରାଂ ଜପଵିଧୌ ସ୍ମରାମ୍ଯମ୍ବିକାମ୍ ୭॥

sakuṅkumavilepanāmalikacumbikastūrikāṃ samandahasitekṣaṇāṃ saśaracāpapāśāṅkuśām | aśeṣajanamohinīmaruṇamālyabhūṣāmbarāṃ japākusumabhāsurāṃ japavidhau smarāmyambikām || 7||

ଅର୍ଥ:7. In the rite of japa I meditate on Mother Ambika — anointed with saffron, her brow kissed by musk, with a faintly smiling glance, bearing arrow, bow, noose and goad, the enchantress of all beings, adorned with crimson garlands, ornaments and raiment, radiant as the hibiscus blossom.

ଶ୍ଳୋକ 8

ପୁରନ୍ଦରପୁରନ୍ଧ୍ରିକାଂ ଚିକୁରବନ୍ଧସୈରନ୍ଧ୍ରିକାଂ ପିତାମହପତିଵ୍ରତାଂ ପଟୁପଟୀରଚର୍ଚାରତାମ୍ ମୁକୁନ୍ଦରମଣୀମଣୀଲସଦଲଙ୍କ୍ରିଯାକାରିଣୀଂ ଭଜାମି ଭୁଵନାମ୍ବିକାଂ ସୁରଵଧୂଟିକାଚେଟିକାମ୍ ୮॥

purandarapurandhrikāṃ cikurabandhasairandhrikāṃ pitāmahapativratāṃ paṭupaṭīracarcāratām | mukundaramaṇīmaṇīlasadalaṅkriyākāriṇīṃ bhajāmi bhuvanāmbikāṃ suravadhūṭikāceṭikām || 8||

ଅର୍ଥ:8. I worship Bhuvanambika, the Mother of the worlds — she who is the noble lady of Indra's city, the skilled hair-dresser, the devoted consort of Shiva (lord of the Grandsire Brahma), delighting in fragrant sandal-paste, adorned with gleaming jewels like Mukunda's beloved (Lakshmi), attended by the youthful women of the gods.

ଶବ୍ଦ-ଶବ୍ଦ ଅର୍ଥ

ଉଚ୍ଚାରଣ ଶୁଣିବାକୁ ଯେକୌଣସି ଶବ୍ଦରେ କ୍ଲିକ୍ କରନ୍ତୁ

କଦମ୍ବଵନଚାରିଣୀମ୍🔊kadamba-vana-cāriṇīmshe who roams in the forest of Kadamba trees
ମୁନିକଦମ୍ବକାଦମ୍ବିନୀମ୍🔊muni-kadamba-kādambinīmshe who is like a rain-cloud (of grace) to the multitude of sages
ନିତମ୍ବଜିତଭୂଧରାମ୍🔊nitamba-jita-bhūdharāmwhose hips surpass (are heavier/grander than) the mountains
ସୁରନିତମ୍ବିନୀସେଵିତାମ୍🔊sura-nitambinī-sevitāmserved by the beautiful women of the gods (celestial maidens)
ନଵାମ୍ବୁରୁହଲୋଚନାମ୍🔊navāmburuha-locanāmwith eyes like fresh lotuses
ଅଭିନଵାମ୍ବୁଦଶ୍ଯାମଲାମ୍🔊abhinavāmbuda-śyāmalāmdark-hued like a fresh rain-cloud
ତ୍ରିଲୋଚନକୁଟୁମ୍ବିନୀମ୍🔊trilocana-kuṭumbinīmthe consort (household-partner) of the three-eyed Lord Shiva
ତ୍ରିପୁରସୁନ୍ଦରୀମ୍ ଆଶ୍ରଯେ🔊tripurasundarīm āśrayeI take refuge in Tripurasundari (the beauty of the three worlds)
କନକଵଲ୍ଲକୀଧାରିଣୀମ୍🔊kanaka-vallakī-dhāriṇīmholding a golden veena (vallaki lute)
ମହାର୍ହମଣିହାରିଣୀମ୍🔊mahārha-maṇi-hāriṇīmwearing a necklace of priceless gems
ଦଯାଵିଭଵକାରିଣୀମ୍🔊dayā-vibhava-kāriṇīmthe bestower of the glory of compassion
କୁଚଭରୋଲ୍ଲସନ୍ମାଲଯା🔊kucabhara-ullasan-mālayāwith a garland resting upon her full bosom
ଗୁରୁକୃପାଲସଦ୍ଵେଲଯା🔊guru-kṛpā-lasad-velayāshining with a tide of profound grace
କନକମଣ୍ଡଲୋପସ୍ଥିତାମ୍🔊kanaka-maṇḍala-upasthitāmseated within a golden orb/disc
ଷଡମ୍ବୁରୁହଵାସିନୀମ୍🔊ṣaḍ-amburuha-vāsinīmdwelling in the six lotuses (the six chakras)
ସତତସିଦ୍ଧସୌଦାମିନୀମ୍🔊satata-siddha-saudāminīmever like an established flash of lightning
ଵିକଚଚନ୍ଦ୍ରଚୂଡାମଣିମ୍🔊vikaca-candra-cūḍāmaṇimwearing the radiant crescent moon as a crest-jewel
ମନସିଜାରିସମ୍ମୋହିନୀମ୍🔊manasija-ari-sammohinīmshe who enchants even Shiva, the foe of Manmatha (the mind-born god of love)
ମତଙ୍ଗମୁନିକନ୍ଯକାମ୍🔊mataṅga-muni-kanyakāmthe daughter of the sage Matanga (Matangi / Shyamala aspect)
ସଶରଚାପପାଶାଙ୍କୁଶାମ୍🔊sa-śara-cāpa-pāśa-aṅkuśāmbearing the arrows, bow, noose and goad
ଜପାକୁସୁମଭାସୁରାମ୍🔊japā-kusuma-bhāsurāmradiant like the red hibiscus flower
ଭୁଵନାମ୍ବିକାମ୍🔊bhuvana-ambikāmthe Mother of all the worlds

Tripura Sundari Ashtakam ପାଠର ଲାଭ

Invokes Tripurasundari (Lalita), the supreme Goddess of the Sri Vidya tradition, in a concise eight-verse form

Recited as a protective hymn — the third verse declares the devotee is 'shielded as by armour' by her grace

Especially recommended during japa and Devi worship, as verse seven is offered 'in the rite of japa'

Cultivates intense devotion and meditative visualisation of the Goddess

Believed to bestow grace, beauty, eloquence and the wealth of compassion (daya-vibhava)

Aids inner ascent through the six chakras, where the Goddess is described as dwelling

Brings prosperity and auspiciousness, befitting Rajarajeshwari, the sovereign Mother of the worlds

Tripura Sundari Ashtakam ପାଠ ବିଧି

ଜପ ସଂଖ୍ୟା8ଥର
ଉତ୍ତମ ସମୟFridays, during Navratri, on full-moon (Purnima) days, and as part of daily Sri Vidya / Devi japa

Recite the eight verses seated before an image or Sri Chakra of the Goddess, ideally after lighting a lamp and offering kumkum and red flowers. Visualise each detail — the Kadamba forest, the golden orb, the weapons of sugarcane bow and flower-arrows — as you chant. The seventh verse is traditionally offered during japa. The hymn may be recited once, or 3, 9 or 11 times; conclude by bowing to Bhuvanambika, the Mother of the worlds.

ବାରମ୍ବାର ପଚରାଯାଉଥିବା ପ୍ରଶ୍ନ

ଏହି ପୃଷ୍ଠାରେ ସମ୍ପୂର୍ଣ Tripura Sundari Ashtakam ଓଡ଼ିଆ ଲିପିରେ ଦିଆଯାଇଛି — ସେହି ମୂଳ ଶ୍ଳୋକ, ଅକ୍ଷର-ଅକ୍ଷର ଲିପ୍ୟନ୍ତରିତ, ଯାହାଦ୍ୱାରା ଆପଣ ସହଜରେ ପଢ଼ି ଜପ କରିପାରିବେ। ଯେକୌଣସି ଧାଡ଼ି (କିମ୍ବା ▶ ବଟନ୍) ଛୁଇଁ ତାହାର ପାଠ ଶୁଣନ୍ତୁ।
ହଁ — କେବଳ ଲିପି ବଦଳେ; ଶବ୍ଦ ଓ ସେମାନଙ୍କ ଅର୍ଥ ମୂଳ ହିଁ ରହେ। ଏହି ପୃଷ୍ଠାର ଶ୍ଳୋକ-ଶ୍ଳୋକ ଅର୍ଥ, ଲାଭ ଓ ପାଠ ବିଧି ସମାନ ଭାବେ ପ୍ରଯୁଜ୍ୟ।
Tripura Sundari, also called Lalita, Rajarajeshwari and Maha Tripurasundari, is the supreme Goddess of the Sri Vidya tradition — 'the beautiful one of the three worlds (or three cities)'. She is the same Devi worshipped through the Lalita Sahasranama and the Sri Chakra.
It is traditionally attributed to Adi Shankaracharya, who composed several hymns to the Divine Mother in the Sri Vidya tradition. Each verse paints the Goddess in vivid, melodious Sanskrit.
No. The other entry (Tripurasundari Stotram) is the 'Dvadasha Shloki', a different twelve-verse hymn focusing on the matrika letters. This Ashtakam — beginning 'Kadamba vana charinim' — is Shankaracharya's eight-verse hymn describing the Goddess's beauty and form.
Tripurasundari holds the sugarcane bow (representing the mind), five flower-arrows (the five senses/tanmatras), the noose (pasha, attachment/desire) and the goad (ankusha, repulsion/control) — symbols central to Sri Vidya.

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ଉପଯୋଗୀ ଲାଗିଲା କି? ପ୍ରିୟଜନଙ୍କ ସହ ବାଣ୍ଟନ୍ତୁ 🙏

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ସମ୍ପୂର୍ଣ Tripura Sundari Ashtakam ଶ୍ଳୋକ-ଶ୍ଳୋକ ଅର୍ଥ ସହିତ ପଢ଼ନ୍ତୁ, କିମ୍ବା ଅଧିକ ପବିତ୍ର ପାଠ ଦେଖନ୍ତୁ