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ganeshaganapatimuthuswami-dikshitarvatapi

ವಾತಾಪಿ ಗಣಪತಿಂ ಭಜೇಽಹಮ್

Vatapi Ganapatim Bhaje in Kannada · ಕನ್ನಡ

🕉️ hindu·📿 3× ಜಪ·🕐 At the start of any undertaking, study, music practice or worship; on Sankashti Chaturthi and Vinayaka Chaturthi·📜 Carnatic kriti by Muthuswami Dikshitar, in raga Hamsadhwani, Adi tala (Sanskrit, early 19th century CE)
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ಮೂಲ & ಕಥೆ

Carnatic kriti by Muthuswami Dikshitar, in raga Hamsadhwani, Adi tala (Sanskrit, early 19th century CE) · Muthuswami Dikshitar · c. 1775-1835 CE

Muthuswami Dikshitar, a master of both music and the Sanskrit tradition, composed this kriti in praise of the Vatapi Ganapati enshrined at Tiruvarur. Tradition relates that this very form of Ganesha was carried from Vatapi (Badami) to the Tamil land. Dikshitar wove into the song the deepest layers of Ganesha's worship — His seat in the Muladhara, His identity with Om and the four forms of speech — making it both a devotional hymn and a profound meditation.

ಶಾಸ್ತ್ರಗಳಲ್ಲಿ ಹೇಳಿದಂತೆ

It is told among musicians that to begin a concert with 'Vatapi Ganapatim' in raga Hamsadhwani is to place the whole performance under Ganesha's protection, so that obstacles dissolve and the music flows; generations of Carnatic artists have honoured this as the auspicious first invocation that never fails.

ಅರ್ಥದೊಂದಿಗೆ ಪೂರ್ಣ ಪಾಠ

ಯಾವುದೇ ಸಾಲನ್ನು ಅಥವಾ ▶ ಬಟನ್ ಒತ್ತಿ ಕೇಳಿ

ಶ್ಲೋಕ 1

ವಾತಾಪಿ ಗಣಪತಿಂ ಭಜೇಽಹಂ ವಾರಣಾಸ್ಯಂ ವರಪ್ರದಂ ಶ್ರೀ

vātāpi gaṇapatiṃ bhaje'haṃ vāraṇāsyaṃ varapradaṃ śrī

ಅರ್ಥ:I worship Ganapati of Vatapi, the elephant-faced bestower of boons.

ಶ್ಲೋಕ 2

ಭೂತಾದಿ ಸಂಸೇವಿತ ಚರಣಂ ಭೂತ ಭೌತಿಕ ಪ್ರಪಞ್ಚ ಭರಣಮ್ ವೀತರಾಗಿಣಂ ವಿನತ ಯೋಗಿನಂ ವಿಶ್ವಕಾರಣಂ ವಿಘ್ನವಾರಣಮ್

bhūtādi saṃsevita caraṇaṃ bhūta bhautika prapañca bharaṇam vītarāgiṇaṃ vinata yoginaṃ viśvakāraṇaṃ vighnavāraṇam

ಅರ್ಥ:His feet are served by the elements and all beings; He sustains the whole universe of matter; He is free of passion, adored by humble yogis, the cause of the cosmos and the remover of all obstacles.

ಶ್ಲೋಕ 3

ಪುರಾ ಕುಮ್ಭ ಸಮ್ಭವ ಮುನಿವರ ಪ್ರಪೂಜಿತಂ ತ್ರಿಕೋಣ ಮಧ್ಯಗತಂ ಮುರಾರಿ ಪ್ರಮುಖಾದ್ಯುಪಾಸಿತಂ ಮೂಲಾಧಾರ ಕ್ಷೇತ್ರಸ್ಥಿತಮ್ ಪರಾದಿ ಚತ್ವಾರಿ ವಾಗಾತ್ಮಕಂ ಪ್ರಣವ ಸ್ವರೂಪ ವಕ್ರತುಣ್ಡಮ್ ನಿರನ್ತರಂ ನಿಟಿಲ ಚನ್ದ್ರಖಣ್ಡಂ ನಿಜ ವಾಮಕರ ವಿಧೃತೇಕ್ಷುದಣ್ಡಮ್ ಕರಾಂಬುಜ ಪಾಶ ಬೀಜಾಪೂರಂ ಕಲುಷ ವಿದೂರಂ ಭೂತಾಕಾರಮ್ ಹರಾದಿ ಗುರುಗುಹ ತೋಷಿತ ಬಿಮ್ಬಂ ಹಂಸಧ್ವನಿ ಭೂಷಿತ ಹೇರಂಬಮ್

purā kumbha sambhava munivara prapūjitaṃ trikoṇa madhyagataṃ murāri pramukhādyupāsitaṃ mūlādhāra kṣetrasthitam parādi catvāri vāgātmakaṃ praṇava svarūpa vakratuṇḍam nirantaraṃ niṭila candrakhaṇḍaṃ nija vāmakara vidhṛtekṣudaṇḍam karāmbuja pāśa bījāpūraṃ kaluṣa vidūraṃ bhūtākāram harādi guruguha toṣita bimbaṃ haṃsadhvani bhūṣita herambam

ಅರ್ಥ:Worshipped of old by the great sage Agastya, seated at the centre of the mystic triangle, adored by Vishnu (Murari) and the foremost gods, abiding in the Muladhara chakra; He is the embodiment of the four forms of speech (Para, Pashyanti, Madhyama, Vaikhari), the curved-trunked One whose form is the very Pranava (Om), with a crescent moon ever upon His brow, holding a sugarcane stalk in His left hand, bearing in His lotus-hands the noose and the pomegranate; far removed from all impurity, whose form is the elements themselves, whose image delights Lord Shiva and Guruguha (Skanda) — Heramba, adorned by (the raga) Hamsadhwani. Him I adore.

ಪದ-ಪದ ಅರ್ಥ

ಉಚ್ಚಾರಣೆ ಕೇಳಲು ಯಾವುದೇ ಪದವನ್ನು ಕ್ಲಿಕ್ ಮಾಡಿ

ವಾತಾಪಿ ಗಣಪತಿಂ🔊vātāpi gaṇapatiṃGanapati of Vatapi (the deity at Tiruvarur whose icon, by tradition, came from Vatapi/Badami).
ಭಜೇಽಹಮ್🔊bhaje'hamI worship / I adore.
ವಾರಣಾಸ್ಯಂ🔊vāraṇāsyaṃHe of the elephant face (varana = elephant, asya = face).
ವರಪ್ರದಂ🔊varapradaṃThe bestower of boons.
ಭೂತಾದಿ ಸಂಸೇವಿತ ಚರಣಂ🔊bhūtādi saṃsevita caraṇaṃWhose feet are served by the elements (bhutas) and all beings.
ಭೂತ ಭೌತಿಕ ಪ್ರಪಞ್ಚ ಭರಣಮ್🔊bhūta bhautika prapañca bharaṇamThe sustainer of the whole material universe of elements and their products.
ವೀತರಾಗಿಣಂ🔊vītarāgiṇaṃHe who is free from all passion / desirelessness.
ವಿನತ ಯೋಗಿನಂ🔊vinata yoginaṃHe before whom the yogis bow / who is adored by humble yogis.
ವಿಶ್ವಕಾರಣಂ ವಿಘ್ನವಾರಣಮ್🔊viśvakāraṇaṃ vighnavāraṇamThe cause of the universe and the remover of obstacles.
ಪುರಾ ಕುಮ್ಭ ಸಮ್ಭವ ಮುನಿವರ ಪ್ರಪೂಜಿತಂ🔊purā kumbha sambhava munivara prapūjitaṃWorshipped of old by the great sage Agastya (born of a pot, kumbha-sambhava).
ತ್ರಿಕೋಣ ಮಧ್ಯಗತಂ🔊trikoṇa madhyagataṃSeated at the centre of the triangle (the mystic yantra).
ಮೂಲಾಧಾರ ಕ್ಷೇತ್ರಸ್ಥಿತಮ್🔊mūlādhāra kṣetrasthitamAbiding in the Muladhara chakra (the root centre at the base of the spine).
ಪರಾದಿ ಚತ್ವಾರಿ ವಾಗಾತ್ಮಕಂ🔊parādi catvāri vāgātmakaṃEmbodying the four forms of speech — Para, Pashyanti, Madhyama and Vaikhari.
ಪ್ರಣವ ಸ್ವರೂಪ ವಕ್ರತುಣ್ಡಮ್🔊praṇava svarūpa vakratuṇḍamThe curved-trunked One whose very form is the Pranava (Om).
ನಿಟಿಲ ಚನ್ದ್ರಖಣ್ಡಂ🔊niṭila candrakhaṇḍaṃWith a crescent (slice) of the moon upon His forehead.
ನಿಜ ವಾಮಕರ ವಿಧೃತೇಕ್ಷುದಣ್ಡಮ್🔊nija vāmakara vidhṛtekṣudaṇḍamHolding a stalk of sugarcane in His own left hand.
ಕರಾಂಬುಜ ಪಾಶ ಬೀಜಾಪೂರಂ🔊karāmbuja pāśa bījāpūraṃBearing in His lotus-hands the noose (pasha) and a pomegranate fruit (bijapura).
ಕಲುಷ ವಿದೂರಂ ಭೂತಾಕಾರಮ್🔊kaluṣa vidūraṃ bhūtākāramFar removed from all impurity, whose form is the very elements.
ಹರಾದಿ ಗುರುಗುಹ ತೋಷಿತ ಬಿಮ್ಬಂ🔊harādi guruguha toṣita bimbaṃWhose image delights Shiva (Hara) and Guruguha (Skanda / the composer's signature).
ಹಂಸಧ್ವನಿ ಭೂಷಿತ ಹೇರಂಬಮ್🔊haṃsadhvani bhūṣita herambamHeramba (Ganesha) adorned by (the raga) Hamsadhwani — also 'graced by the sound of the swan'.

Vatapi Ganapatim Bhaje ಪಾರಾಯಣದ ಪ್ರಯೋಜನಗಳು

Sung as the auspicious first piece in Carnatic music concerts, invoking Ganesha to remove obstacles from the performance.

Recited before beginning any new venture, study or worship to seek Ganesha's blessings for success.

Its profound tantric imagery (Muladhara, the four forms of speech, the Pranava) makes it a meditation on Ganesha's cosmic nature.

Believed to bestow wisdom, eloquence (vak-siddhi) and the removal of inner and outer hindrances.

A treasured masterpiece of devotion and music together, deepening love for Ganesha through the beauty of raga Hamsadhwani.

Vatapi Ganapatim Bhaje ಪಾರಾಯಣ ವಿಧಿ

ಜಪ ಸಂಖ್ಯೆ3ಬಾರಿ
ಉತ್ತಮ ಸಮಯAt the start of any undertaking, study, music practice or worship; on Sankashti Chaturthi and Vinayaka Chaturthi

Recite or sing before an image of Lord Ganesha, ideally at the beginning of any new work or concert. If sung, it is set in raga Hamsadhwani; if recited, chant clearly with attention to the meaning, visualising Ganesha holding the noose, sugarcane and pomegranate. As an invocation to the remover of obstacles, it is fittingly offered first, before all other prayers.

ಪದೇ ಪದೇ ಕೇಳುವ ಪ್ರಶ್ನೆಗಳು

ಈ ಪುಟದಲ್ಲಿ ಪೂರ್ಣ Vatapi Ganapatim Bhaje ಕನ್ನಡ ಲಿಪಿಯಲ್ಲಿ ಇದೆ — ಅವೇ ಮೂಲ ಶ್ಲೋಕಗಳು, ಅಕ್ಷರ-ಅಕ್ಷರ ಲಿಪ್ಯಂತರಗೊಂಡು, ನೀವು ಸುಲಭವಾಗಿ ಓದಿ ಪಠಿಸಬಹುದು. ಯಾವುದೇ ಸಾಲನ್ನು (ಅಥವಾ ▶ ಬಟನ್) ಒತ್ತಿ ಅದರ ಪಠಣ ಕೇಳಿ.
ಹೌದು — ಲಿಪಿ ಮಾತ್ರ ಬದಲಾಗುತ್ತದೆ; ಪದಗಳು ಮತ್ತು ಅವುಗಳ ಅರ್ಥ ಮೂಲವೇ. ಈ ಪುಟದ ಶ್ಲೋಕ-ಶ್ಲೋಕ ಅರ್ಥ, ಪ್ರಯೋಜನಗಳು, ಪಾರಾಯಣ ವಿಧಿ ಹಾಗೆಯೇ ಅನ್ವಯಿಸುತ್ತವೆ.
It is a famous Sanskrit kriti (devotional song) in praise of Lord Ganesha, composed by Muthuswami Dikshitar (1775-1835) in the raga Hamsadhwani. It is among the most popular Carnatic compositions and is traditionally sung at the very start of a concert as an invocation to Ganesha.
Vatapi Ganapati refers to the deity worshipped at the Thyagaraja temple in Tiruvarur. Tradition holds that the icon was brought from Vatapi (Badami) by the general Paranjyoti (later the saint Siruthondar). Dikshitar's kriti honours this very form of Ganesha.
Muthuswami Dikshitar was one of the 'Trinity' of Carnatic music, alongside Tyagaraja and Syama Sastri. A great devotee and master of Sanskrit, his compositions are noted for their depth of devotion, scriptural and tantric content, and majestic musical settings. His signature 'mudra' is 'Guruguha'.
Because Ganesha is the remover of obstacles and is invoked first before any auspicious undertaking. Set in the bright, auspicious raga Hamsadhwani, 'Vatapi Ganapatim' is the ideal opening piece, seeking the Lord's grace for a successful performance.

ಇವನ್ನೂ ಓದಿ

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ಪೂರ್ಣ Vatapi Ganapatim Bhajeವನ್ನು ಶ್ಲೋಕ-ಶ್ಲೋಕ ಅರ್ಥದೊಂದಿಗೆ ಓದಿ, ಅಥವಾ ಇನ್ನಷ್ಟು ಪವಿತ್ರ ಪಾಠಗಳನ್ನು ನೋಡಿ