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𑌨𑌾𑌸𑌦𑍀𑌯 𑌸𑍂𑌕𑍍𑌤𑌮𑍍

Nasadiya Suktam (Hymn of Creation) in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ vedic·📿 7× repetitions·🕐 Early morning (Brahma Muhurta) or quiet evening, during contemplative study·📜 Rigveda, Mandala 10, Sukta 129

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हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Rigveda, Mandala 10, Sukta 129 · Rishi Parameshthi Prajapati (traditional) · c. 1500-1200 BCE

The Nasadiya Sukta appears near the close of the Rigveda, in its tenth and most philosophical Mandala. Traditionally ascribed to the seer Parameshthi Prajapati, it marks a turning point in Vedic thought — from the praise of individual deities toward abstract reflection on the one ultimate source of all. Rather than asserting a creation myth, the seer poses a chain of unanswerable questions, arriving at the One (Tad Ekam) that existed before the duality of being and non-being, and confessing the limits of even divine knowledge.

✦ As told in scripture

Sages hold that the very questions of the Nasadiya Sukta are its power: by refusing easy answers it lifts the mind beyond words to the silent wonder of Brahman. Seekers report that contemplating its closing verse — 'He alone knows, or perhaps even He knows not' — dissolves intellectual pride and opens a deep, peaceful awareness of the mystery underlying all existence.

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Complete Text with Meaning

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Verse 1

𑌨𑌾𑌸𑌦𑌾𑌸𑍀𑌨𑍍𑌨𑍋 𑌸𑌦𑌾𑌸𑍀𑌤𑍍𑌤𑌦𑌾𑌨𑍀𑌂 𑌨𑌾𑌸𑍀𑌦𑍍𑌰𑌜𑍋 𑌨𑍋 𑌵𑍍𑌯𑍋𑌮𑌾 𑌪𑌰𑍋 𑌯𑌤𑍍। 𑌕𑌿𑌮𑌾𑌵𑌰𑍀𑌵𑌃 𑌕𑍁𑌹 𑌕𑌸𑍍𑌯 𑌶𑌰𑍍𑌮𑌨𑍍𑌨𑌮𑍍𑌭𑌃 𑌕𑌿𑌮𑌾𑌸𑍀𑌦𑍍𑌗𑌹𑌨𑌂 𑌗𑌭𑍀𑌰𑌮𑍍॥௧॥

Nasadasinno sadasittadanim nasidrajo no vyoma paro yat; Kimavarivah kuha kasya sharmannambhah kimasidgahanam gabhiram. (1)

Meaning:Then there was neither the non-existent nor the existent; there was no realm of air, no sky beyond it. What stirred? Where? In whose shelter? Was there water, unfathomably deep?

Verse 2

𑌨 𑌮𑍃𑌤𑍍𑌯𑍁𑌰𑌾𑌸𑍀𑌦𑌮𑍃𑌤𑌂 𑌨 𑌤𑌰𑍍𑌹𑌿 𑌨 𑌰𑌾𑌤𑍍𑌰𑍍𑌯𑌾 𑌅𑌹𑍍𑌨 𑌆𑌸𑍀𑌤𑍍𑌪𑍍𑌰𑌕𑍇𑌤𑌃। 𑌆𑌨𑍀𑌦𑌵𑌾𑌤𑌂 𑌸𑍍𑌵𑌧𑌯𑌾 𑌤𑌦𑍇𑌕𑌂 𑌤𑌸𑍍𑌮𑌾𑌦𑍍𑌧𑌾𑌨𑍍𑌯𑌨𑍍𑌨 𑌪𑌰𑌃 𑌕𑌿𑌂 𑌚𑌨𑌾𑌸॥௨॥

Na mrityurasidamritam na tarhi na ratrya ahna asitpraketah; Anidavatam svadhaya tadekam tasmaddhanyanna parah kim chanasa. (2)

Meaning:There was neither death nor immortality then; there was no distinguishing mark of night or day. That One breathed, windless, by its own power; other than that there was nothing whatsoever.

Verse 3

𑌤𑌮 𑌆𑌸𑍀𑌤𑍍𑌤𑌮𑌸𑌾 𑌗𑍂𑌳𑍍𑌹𑌮𑌗𑍍𑌰𑍇𑌽𑌪𑍍𑌰𑌕𑍇𑌤𑌂 𑌸𑌲𑌿𑌲𑌂 𑌸𑌰𑍍𑌵𑌮𑌾 𑌇𑌦𑌮𑍍। 𑌤𑍁𑌚𑍍𑌛𑍍𑌯𑍇𑌨𑌾𑌭𑍍𑌵𑌪𑌿𑌹𑌿𑌤𑌂 𑌯𑌦𑌾𑌸𑍀𑌤𑍍𑌤𑌪𑌸𑌸𑍍𑌤𑌨𑍍𑌮𑌹𑌿𑌨𑌾𑌜𑌾𑌯𑌤𑍈𑌕𑌮𑍍॥௩॥

Tama asittamasa gulhamagre'praketam salilam sarvama idam; Tuchyenabhvapihitam yadasittapasastanmahinajayataikam. (3)

Meaning:Darkness there was, hidden by darkness in the beginning; all this was an unillumined flood. That One, which was covered by the void, was born through the power of heat (tapas).

Verse 4

𑌕𑌾𑌮𑌸𑍍𑌤𑌦𑌗𑍍𑌰𑍇 𑌸𑌮𑌵𑌰𑍍𑌤𑌤𑌾𑌧𑌿 𑌮𑌨𑌸𑍋 𑌰𑍇𑌤𑌃 𑌪𑍍𑌰𑌥𑌮𑌂 𑌯𑌦𑌾𑌸𑍀𑌤𑍍। 𑌸𑌤𑍋 𑌬𑌨𑍍𑌧𑍁𑌮𑌸𑌤𑌿 𑌨𑌿𑌰𑌵𑌿𑌨𑍍𑌦𑌨𑍍𑌹𑍃𑌦𑌿 𑌪𑍍𑌰𑌤𑍀𑌷𑍍𑌯𑌾 𑌕𑌵𑌯𑍋 𑌮𑌨𑍀𑌷𑌾॥௪॥

Kamastadagre samavartatadhi manaso retah prathamam yadasit; Sato bandhumasati niravindanhridi pratishya kavayo manisha. (4)

Meaning:Desire arose in It in the beginning — that was the first seed of mind. The wise, searching in their hearts with contemplation, found the bond of the existent in the non-existent.

Verse 5

𑌤𑌿𑌰𑌶𑍍𑌚𑍀𑌨𑍋 𑌵𑌿𑌤𑌤𑍋 𑌰𑌶𑍍𑌮𑌿𑌰𑍇𑌷𑌾𑌮𑌧𑌃 𑌸𑍍𑌵𑌿𑌦𑌾𑌸𑍀𑌦𑍁𑌪𑌰𑌿 𑌸𑍍𑌵𑌿𑌦𑌾𑌸𑍀𑌤𑍍। 𑌰𑍇𑌤𑍋𑌧𑌾 𑌆𑌸𑌨𑍍𑌮𑌹𑌿𑌮𑌾𑌨 𑌆𑌸𑌨𑍍𑌤𑍍𑌸𑍍𑌵𑌧𑌾 𑌅𑌵𑌸𑍍𑌤𑌾𑌤𑍍𑌪𑍍𑌰𑌯𑌤𑌿𑌃 𑌪𑌰𑌸𑍍𑌤𑌾𑌤𑍍॥௫॥

Tirashchino vitato rashmiresham adhah svidasidupari svidasit; Retodha asanmahimana asantsvadha avastatprayatih parastat. (5)

Meaning:Their cord was stretched across: was there a below? was there an above? There were seed-bearers, there were mighty powers — impulse below, gift above.

Verse 6

𑌕𑍋 𑌅𑌦𑍍𑌧𑌾 𑌵𑍇𑌦 𑌕 𑌇𑌹 𑌪𑍍𑌰 𑌵𑍋𑌚𑌤𑍍𑌕𑍁𑌤 𑌆𑌜𑌾𑌤𑌾 𑌕𑍁𑌤 𑌇𑌯𑌂 𑌵𑌿𑌸𑍃𑌷𑍍𑌟𑌿𑌃। 𑌅𑌰𑍍𑌵𑌾𑌗𑍍𑌦𑍇𑌵𑌾 𑌅𑌸𑍍𑌯 𑌵𑌿𑌸𑌰𑍍𑌜𑌨𑍇𑌨𑌾𑌥𑌾 𑌕𑍋 𑌵𑍇𑌦 𑌯𑌤 𑌆𑌬𑌭𑍂𑌵॥௬॥

Ko addha veda ka iha pra vochatkuta ajata kuta iyam visrishtih; Arvagdeva asya visarjanenatha ko veda yata ababhuva. (6)

Meaning:Who truly knows? Who here can declare it — whence it was born, whence this creation came? The gods came after the creation of this world; who then knows whence it arose?

Verse 7

𑌇𑌯𑌂 𑌵𑌿𑌸𑍃𑌷𑍍𑌟𑌿𑌰𑍍𑌯𑌤 𑌆𑌬𑌭𑍂𑌵 𑌯𑌦𑌿 𑌵𑌾 𑌦𑌧𑍇 𑌯𑌦𑌿 𑌵𑌾 𑌨। 𑌯𑍋 𑌅𑌸𑍍𑌯𑌾𑌧𑍍𑌯𑌕𑍍𑌷𑌃 𑌪𑌰𑌮𑍇 𑌵𑍍𑌯𑍋𑌮𑌨𑍍𑌤𑍍𑌸𑍋 𑌅𑌙𑍍𑌗 𑌵𑍇𑌦 𑌯𑌦𑌿 𑌵𑌾 𑌨 𑌵𑍇𑌦॥௭॥

Iyam visrishtiryata ababhuva yadi va dadhe yadi va na; Yo asyadhyakshah parame vyomantso anga veda yadi va na veda. (7)

Meaning:This creation — whence it arose, whether it was established or not — He who is its overseer in the highest heaven, He alone knows; or perhaps even He knows not.

Word-by-Word Meaning

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𑌨 𑌅𑌸𑌤𑍍 𑌆𑌸𑍀𑌤𑍍🔊na asat asitThere was not the non-existent (asat)

𑌨𑍋 𑌸𑌤𑍍 𑌆𑌸𑍀𑌤𑍍🔊no sat asitNor was there the existent (sat)

𑌤𑌦𑌾𑌨𑍀𑌂🔊tadanimAt that time, then

𑌰𑌜𑌃🔊rajahThe atmospheric realm, the dust/sphere of space

𑌵𑍍𑌯𑍋𑌮🔊vyomaSky, ether, the heaven beyond

𑌅𑌮𑍍𑌭𑌃🔊ambhahThe primordial waters

𑌗𑌹𑌨𑌂 𑌗𑌭𑍀𑌰𑌮𑍍🔊gahanam gabhiramUnfathomable, deep, profound

𑌨 𑌮𑍃𑌤𑍍𑌯𑍁𑌃 𑌆𑌸𑍀𑌤𑍍🔊na mrityuh asitThere was no death

𑌨 𑌅𑌮𑍃𑌤𑌂🔊na amritamNor immortality

𑌆𑌨𑍀𑌤𑍍 𑌅𑌵𑌾𑌤𑌂🔊anit avatamThat One breathed without air/breath

𑌸𑍍𑌵𑌧𑌯𑌾🔊svadhayaBy its own power, of its own nature

𑌤𑌤𑍍 𑌏𑌕𑌂🔊tat ekamThat One (the sole Reality)

𑌤𑌮𑌃🔊tamahDarkness

𑌸𑌲𑌿𑌲𑌂🔊salilamThe undifferentiated waters / flux

𑌤𑌪𑌸𑌃🔊tapasahBy the power of tapas (cosmic heat/austerity)

𑌕𑌾𑌮𑌃🔊kamahDesire (the primal creative urge)

𑌮𑌨𑌸𑌃 𑌰𑍇𑌤𑌃🔊manasah retahThe seed of mind, the first germ of thought

𑌕𑌵𑌯𑌃 𑌮𑌨𑍀𑌷𑌾🔊kavayah manishaThe wise seers, through contemplation

𑌵𑌿𑌸𑍃𑌷𑍍𑌟𑌿𑌃🔊visrishtihCreation, the emanation of the cosmos

𑌅𑌧𑍍𑌯𑌕𑍍𑌷𑌃🔊adhyakshahThe overseer, the one who presides in the highest heaven

𑌪𑌰𑌮𑍇 𑌵𑍍𑌯𑍋𑌮𑌨𑍍🔊parame vyomanIn the highest heaven, the supreme ether

𑌵𑍇𑌦 𑌯𑌦𑌿 𑌵𑌾 𑌨 𑌵𑍇𑌦🔊veda yadi va na vedaHe knows — or perhaps even He knows not

Benefits of Chanting Nasadiya Suktam (Hymn of Creation)

✦

Cultivates deep philosophical reflection on the origin of existence and the cosmos

✦

Considered the high-water mark of Vedic metaphysical thought, prized by seekers of wisdom

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Calms the restless mind by turning it toward the great mystery beyond all opposites

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Inspires intellectual humility — even the highest knowledge bows before the infinite

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A touchstone for meditation on Brahman, the One that breathed before all duality

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Frequently studied by scholars, philosophers and spiritual aspirants across the world

How to Chant Nasadiya Suktam (Hymn of Creation)

Repetitions7times

Best TimeEarly morning (Brahma Muhurta) or quiet evening, during contemplative study

This is a contemplative hymn rather than a ritual one. Chant it slowly, ideally one verse at a time, pausing to reflect on its meaning. Sit in a calm posture, recite each of the seven mantras with attention to the open questions they pose, and let the mind rest in the silence and wonder that the verses evoke. It is well suited to svadhyaya (self-study) and meditation rather than counted japa.

Frequently Asked Questions

This page shows the complete Nasadiya Suktam (Hymn of Creation) written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

It is the 'Hymn of Creation' from the 10th Mandala of the Rigveda. It meditates on what existed before creation and questions how the universe came into being, concluding with the famous admission that perhaps even the cosmic overseer does not fully know its origin.

It is one of the earliest recorded philosophical inquiries into existence, non-existence and the cause of the cosmos. Its non-dogmatic, questioning spirit and its glimpse of the One Reality (tad ekam) beyond all dualities have made it a cornerstone of Indian thought and a text admired worldwide.

'That One' refers to the single, undifferentiated Reality that 'breathed without breath, by its own power' before creation — the formless source later identified with Brahman. The hymn deliberately avoids naming it with any limited form.

It is primarily a hymn of contemplation and self-study (svadhyaya) rather than a fire-ritual hymn. It is recited and discussed in study, meditation and philosophical settings to reflect on the nature of creation.