vishnuvasudevakrishnamadhva

𑌦𑍍𑌵𑌾𑌦𑌶 𑌸𑍍𑌤𑍋𑌤𑍍𑌰

द्वादश स्तोत्र in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ hindu·📿 1× repetitions·🕐 Daily at dawn or during food offering (naivedya); especially auspicious before meals and during Vishnu worship·📜 Dwadasa Stotra (Madhva / Dvaita Vedanta tradition)

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हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Dwadasa Stotra (Madhva / Dvaita Vedanta tradition) · Sri Madhvacharya (Ananda Tirtha) · 13th century CE

Sri Madhvacharya composed the Dwadasa Stotra after installing the sacred image of Lord Krishna at Udupi. Tradition relates that he received the murti — said to have been worshipped long ago by Rukmini — and consecrated it for daily worship. He sang these twelve hymns at the time of offering food to the Lord, blending profound philosophy with heartfelt devotion, and they have remained central to Madhva worship ever since.

✦ As told in scripture

Tradition recounts that Sri Madhvacharya retrieved the image of Bala Krishna from a ball of sacred clay (gopichandana) carried by a ship he had saved from a storm, and installed it at Udupi; it is believed that the Dwadasa Stotra, sung at the daily food offering, draws the living presence of the Lord, and devotees recount the deity once turning to grant darshan to the humble saint Kanaka Dasa.

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Complete Text with Meaning

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Verse 1

𑌵𑌨𑍍𑌦𑍇 𑌵𑌨𑍍𑌦𑍍𑌯𑌂 𑌸𑌦𑌾𑌨𑌨𑍍𑌦𑌂 𑌵𑌾𑌸𑍁𑌦𑍇𑌵𑌂 𑌨𑌿𑌰𑌞𑍍𑌜𑌨𑌮𑍍। 𑌇𑌨𑍍𑌦𑌿𑌰𑌾-𑌪𑌤𑌿-𑌮𑌾𑌦𑍍𑌯-𑌆𑌦𑌿-𑌵𑌰𑌦-𑌇𑌷𑍍𑌟-𑌵𑌰-𑌪𑍍𑌰𑌦𑌮𑍍॥

Vande vandyaṁ sadānandaṁ vāsudevaṁ nirañjanam। Indirā-pati-mādya-ādi-varada-iṣṭa-vara-pradam॥

Meaning:मैं वासुदेव को प्रणाम करता हूँ — जो वन्दनीय हैं, सदा आनन्दमय हैं, निर्मल और निरंजन हैं, इन्दिरा (लक्ष्मी) के पति हैं, श्रेष्ठ वरदाता हैं और सभी इष्ट वरदान देने वाले हैं।

Verse 2

𑌨𑌮𑌾𑌮𑌿 𑌨𑌿𑌖𑌿𑌲-𑌆𑌧𑌾𑌰-𑌦𑍁𑌰𑌿𑌤-𑌅𑌘-𑌓𑌘-𑌨𑌾𑌶𑌨𑌮𑍍। 𑌪𑌰𑌮𑌾𑌨𑌨𑍍𑌦-𑌤𑍀𑌰𑍍𑌥-𑌉𑌕𑍍𑌤𑌂 𑌹𑌰𑌿-𑌪𑌾𑌦𑌾𑌬𑍍𑌜-𑌷𑌟𑍍𑌪𑌦𑌮𑍍॥

Namāmi nikhila-ādhāra-durita-agha-ogha-nāśanam। Paramānanda-tīrtha-uktaṁ hari-pādābja-ṣaṭpadam॥

Meaning:मैं उन भगवान को नमस्कार करता हूँ जो समस्त सृष्टि के आधार हैं, पाप और अघ के समूह का नाश करने वाले हैं — जिनकी स्तुति आनन्दतीर्थ (मध्वाचार्य) ने की, जो हरि के चरण-कमलों के भ्रमर हैं।

Verse 3

𑌸𑍃𑌷𑍍𑌟𑌿-𑌸𑍍𑌥𑌿𑌤𑌿-𑌸𑌂𑌹𑌾𑌰-𑌕𑌰𑍍𑌤𑌾𑌰𑌂 𑌵𑌿𑌶𑍍𑌵-𑌤𑍋𑌮𑍁𑌖𑌮𑍍। 𑌸𑌰𑍍𑌵-𑌜𑍍𑌞𑌂 𑌸𑌰𑍍𑌵-𑌶𑌕𑍍𑌤𑌿𑌂 𑌤𑌂 𑌨𑌮𑌾𑌮𑌿 𑌶𑍍𑌰𑌿𑌯-𑌪𑌤𑌿 𑌹𑌰𑌿𑌮𑍍॥

Sṛṣṭi-sthiti-saṁhāra-kartāraṁ viśva-tomukham। Sarva-jñaṁ sarva-śaktiṁ taṁ namāmi śriya-pati harim॥

Meaning:मैं उन श्रीपति हरि को प्रणाम करता हूँ — जो सृष्टि, स्थिति और संहार के कर्ता हैं, जिनके मुख सब ओर हैं, जो सर्वज्ञ और सर्वशक्तिमान हैं।

Verse 4

𑍐 𑌨𑌮𑍋 𑌭𑌗𑌵𑌤𑍇 𑌵𑌾𑌸𑍁𑌦𑍇𑌵𑌾𑌯॥

Oṁ namo bhagavate vāsudevāya॥

Meaning:ॐ वासुदेव को नमस्कार है।

Word-by-Word Meaning

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𑌵𑌨𑍍𑌦𑍇🔊vandeI bow, I worship, I offer salutations

𑌵𑌨𑍍𑌦𑍍𑌯𑌮𑍍🔊vandyamthe one worthy of all worship and adoration

𑌸𑌦𑌾𑌨𑌨𑍍𑌦𑌮𑍍🔊sadānandamthe ever-blissful one, of eternal joy

𑌵𑌾𑌸𑍁𑌦𑍇𑌵𑌮𑍍🔊vāsudevamVasudeva, the indwelling Supreme Lord (Krishna / Vishnu)

𑌨𑌿𑌰𑌞𑍍𑌜𑌨𑌮𑍍🔊nirañjanamthe stainless, the pure, free from all blemish

𑌇𑌨𑍍𑌦𑌿𑌰𑌾-𑌪𑌤𑌿𑌮𑍍🔊indirā-patimthe consort (Lord) of Indira (Lakshmi)

𑌇𑌷𑍍𑌟-𑌵𑌰-𑌪𑍍𑌰𑌦𑌮𑍍🔊iṣṭa-vara-pradamthe bestower of cherished boons / desired blessings

𑌨𑌮𑌾𑌮𑌿🔊namāmiI bow down, I salute

𑌨𑌿𑌖𑌿𑌲-𑌆𑌧𑌾𑌰𑌮𑍍🔊nikhila-ādhāramthe support / substratum of all that exists

𑌦𑍁𑌰𑌿𑌤-𑌅𑌘-𑌓𑌘-𑌨𑌾𑌶𑌨𑌮𑍍🔊durita-agha-ogha-nāśanamthe destroyer of the flood of sins and evils

𑌪𑌰𑌮𑌾𑌨𑌨𑍍𑌦-𑌤𑍀𑌰𑍍𑌥-𑌉𑌕𑍍𑌤𑌮𑍍🔊paramānanda-tīrtha-uktampraised / declared by (Ananda Tirtha) Madhvacharya

𑌹𑌰𑌿-𑌪𑌾𑌦-𑌅𑌬𑍍𑌜-𑌷𑌟𑍍𑌪𑌦𑌮𑍍🔊hari-pāda-abja-ṣaṭpadam(Madhva) the bee at the lotus-feet of Hari

𑌸𑍃𑌷𑍍𑌟𑌿-𑌸𑍍𑌥𑌿𑌤𑌿-𑌸𑌂𑌹𑌾𑌰-𑌕𑌰𑍍𑌤𑌾𑌰𑌮𑍍🔊sṛṣṭi-sthiti-saṁhāra-kartāramthe doer of creation, preservation and dissolution

𑌵𑌿𑌶𑍍𑌵-𑌤𑍋𑌮𑍁𑌖𑌮𑍍🔊viśva-tomukhamthe one whose faces are turned everywhere (all-pervading)

𑌸𑌰𑍍𑌵-𑌜𑍍𑌞𑌮𑍍🔊sarva-jñamthe all-knowing, omniscient one

𑌸𑌰𑍍𑌵-𑌶𑌕𑍍𑌤𑌿𑌮𑍍🔊sarva-śaktimthe all-powerful, omnipotent one

𑌶𑍍𑌰𑌿𑌯-𑌪𑌤𑌿𑌮𑍍🔊śriya-patimthe Lord (consort) of Sri (Lakshmi)

𑌹𑌰𑌿𑌮𑍍🔊harimHari, the remover of sins and sorrows (Vishnu)

𑌵𑌾𑌸𑍁𑌦𑍇𑌵𑌾𑌯 𑌨𑌮𑌃🔊vāsudevāya namaḥsalutations to Lord Vasudeva

Benefits of Chanting द्वादश स्तोत्र

✦

Invokes the grace of Vishnu-Vasudeva, the bestower of all cherished boons

✦

Traditionally sung during naivedya (food offering) to invoke the Lord's presence

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Cultivates devotion combined with right knowledge (jnana) of the Supreme

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Believed to destroy the accumulated burden of sins and inner impurities

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Brings peace, contentment and steadiness of mind through divine remembrance

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Leads the devotee toward liberation through surrender to Hari

How to Chant द्वादश स्तोत्र

Repetitions1times

Best TimeDaily at dawn or during food offering (naivedya); especially auspicious before meals and during Vishnu worship

Recite or sing with devotion and a calm, grateful mind, ideally before an image of Krishna or Vishnu. The complete work comprises twelve stotras of melodious verses; in the Madhva tradition they are chanted during the offering of food to the Lord. Begin as given here with 'Vande vandyam'. Singing with the traditional tunes deepens the mood; conclude with salutations to Vasudeva. Cleanliness and a spirit of surrender enhance the practice.

Frequently Asked Questions

This page shows the complete द्वादश स्तोत्र written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

The Dwadasa Stotra was composed by Sri Madhvacharya, also known as Ananda Tirtha or Purnaprajna (13th century CE), the founder of the Dvaita (Tattvavada) school of Vedanta.

'Dwadasa' means twelve, so Dwadasa Stotra means 'the Twelve Hymns' — a set of twelve devotional poems in praise of Lord Vishnu-Vasudeva.

It is traditionally sung in Madhva temples — especially at Udupi — during the naivedya, the ceremonial offering of food to Lord Krishna, and is also recited daily by devotees as a part of their worship.

Sri Madhvacharya established the worship of Lord Krishna at Udupi, where the deity he installed is offered food daily. By tradition the Dwadasa Stotra is sung at that offering, linking the hymn intimately with Udupi Krishna.