ganeshasahasranama1000-namesganesha-purana

𑌗𑌣𑌪𑌤𑌿 𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌮𑍍

Ganapati Sahasranama Stotram in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ puranic·📿 1× repetitions·🕐 Brahma muhurta (early morning); especially auspicious on Chaturthi tithi, Wednesdays, and Ganesha Chaturthi·📜 Ganesha Purana, Upasana Khanda, chapter 46 (Ishvara-Ganesha samvada)

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हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Ganesha Purana, Upasana Khanda, chapter 46 (Ishvara-Ganesha samvada) · Traditionally revealed by Maha Ganapati himself; recorded in the Ganesha Purana · c. 600-1300 CE (Puranic period)

When Shiva set out to destroy the three cities of the demons, his chariot axle broke — he had begun the greatest of battles without worshipping Ganesha, the remover of obstacles. Realising the cause, Shiva worshipped Maha Ganapati with full devotion, and the pleased Lord himself taught the thousand names that destroy every obstacle and grant every desire. The hymn that Ganapati revealed sweeps through all of reality: his elephant form and his cosmic body, the alphabet from the vowels to the visarga, the numbers from one to the thirty-three crore gods, the planets, the sciences, the scriptures of every school, and time from the smallest instant to the great dissolution — declaring that all of it is Ganesha.

✦ As told in scripture

This sahasranama contains an entire map of Indian knowledge inside a hymn: the names run systematically through the letters of the Sanskrit alphabet, then through the numbers — two, three, four, up through eighteen Puranas, twenty-seven stars, sixty-four arts, eighty-four lakh species and thirty-three crore gods — presenting Ganesha as the deity of language and mathematics itself. Its frame story carries a striking teaching: even Shiva, the supreme god, faced obstacles when he skipped the worship of Ganesha — no one, human or divine, begins well without bowing to the Lord of beginnings.

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Complete Text with Meaning

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Verse 1

𑌮𑍁𑌨𑌿𑌰𑍁𑌵𑌾𑌚 𑌕𑌥𑌂 𑌨𑌾𑌮𑍍𑌨𑌾𑌂 𑌸𑌹𑌸𑍍𑌰𑌂 𑌤𑌂 𑌗𑌣𑍇𑌶 𑌉𑌪𑌦𑌿𑌷𑍍𑌟𑌵𑌾𑌨𑍍 । 𑌶𑌿𑌵𑌦𑌂 𑌤𑌨𑍍𑌮𑌮𑌾𑌚𑌕𑍍𑌷𑍍𑌵 𑌲𑍋𑌕𑌾𑌨𑍁𑌗𑍍𑌰𑌹𑌤𑌤𑍍𑌪𑌰 ॥ 1 ॥ 𑌬𑍍𑌰𑌹𑍍𑌮𑍋𑌵𑌾𑌚 𑌦𑍇𑌵𑌃 𑌪𑍂𑌰𑍍𑌵𑌂 𑌪𑍁𑌰𑌾𑌰𑌾𑌤𑌿𑌃 𑌪𑍁𑌰𑌤𑍍𑌰𑌯𑌜𑌯𑍋𑌦𑍍𑌯𑌮𑍇 । 𑌅𑌨𑌰𑍍𑌚𑌨𑌾𑌦𑍍𑌗𑌣𑍇𑌶𑌸𑍍𑌯 𑌜𑌾𑌤𑍋 𑌵𑌿𑌘𑍍𑌨𑌾𑌕𑍁𑌲𑌃 𑌕𑌿𑌲 ॥ 2 ॥ 𑌮𑌨𑌸𑌾 𑌸 𑌵𑌿𑌨𑌿𑌰𑍍𑌧𑌾𑌰𑍍𑌯 𑌦𑌦𑍃𑌶𑍇 𑌵𑌿𑌘𑍍𑌨𑌕𑌾𑌰𑌣𑌮𑍍 । 𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌂 𑌭𑌕𑍍𑌤𑍍𑌯𑌾 𑌸𑌮𑌭𑍍𑌯𑌰𑍍𑌚𑍍𑌯 𑌯𑌥𑌾𑌵𑌿𑌧𑌿 ॥ 3 ॥ 𑌵𑌿𑌘𑍍𑌨𑌪𑍍𑌰𑌶𑌮𑌨𑍋𑌪𑌾𑌯𑌮𑌪𑍃𑌚𑍍𑌛𑌦𑌪𑌰𑌿𑌶𑍍𑌰𑌮𑌮𑍍 । 𑌸𑌨𑍍𑌤𑍁𑌷𑍍𑌟𑌃 𑌪𑍂𑌜𑌯𑌾 𑌶𑌮𑍍𑌭𑍋𑌰𑍍𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌃 𑌸𑍍𑌵𑌯𑌮𑍍 ॥ 4 ॥ 𑌸𑌰𑍍𑌵𑌵𑌿𑌘𑍍𑌨𑌪𑍍𑌰𑌶𑌮𑌨𑌂 𑌸𑌰𑍍𑌵𑌕𑌾𑌮𑌫𑌲𑌪𑍍𑌰𑌦𑌮𑍍 । 𑌤𑌤𑌸𑍍𑌤𑌸𑍍𑌮𑍈 𑌸𑍍𑌵𑌯𑌂 𑌨𑌾𑌮𑍍𑌨𑌾𑌂 𑌸𑌹𑌸𑍍𑌰𑌮𑌿𑌦𑌮𑌬𑍍𑌰𑌵𑍀𑌤𑍍 ॥ 5 ॥ 𑌅𑌸𑍍𑌯 𑌶𑍍𑌰𑍀𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌮𑌾𑌲𑌾𑌮𑌨𑍍𑌤𑍍𑌰𑌸𑍍𑌯 । 𑌗𑌣𑍇𑌶 𑌋𑌷𑌿𑌃, 𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌰𑍍𑌦𑍇𑌵𑌤𑌾, 𑌨𑌾𑌨𑌾𑌵𑌿𑌧𑌾𑌨𑌿𑌚𑍍𑌛𑌨𑍍𑌦𑌾𑌂𑌸𑌿 । 𑌹𑍁𑌮𑌿𑌤𑌿 𑌬𑍀𑌜𑌮𑍍, 𑌤𑍁𑌙𑍍𑌗𑌮𑌿𑌤𑌿 𑌶𑌕𑍍𑌤𑌿𑌃, 𑌸𑍍𑌵𑌾𑌹𑌾𑌶𑌕𑍍𑌤𑌿𑌰𑌿𑌤𑌿 𑌕𑍀𑌲𑌕𑌮𑍍 । 𑌸𑌕𑌲𑌵𑌿𑌘𑍍𑌨𑌵𑌿𑌨𑌾𑌶𑌨𑌦𑍍𑌵𑌾𑌰𑌾 𑌶𑍍𑌰𑍀𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌪𑍍𑌰𑌸𑌾𑌦𑌸𑌿𑌦𑍍𑌧𑍍𑌯𑌰𑍍𑌥𑍇 𑌜𑌪𑍇 𑌵𑌿𑌨𑌿𑌯𑍋𑌗𑌃 ।

Muniruvacha Katham namnam sahasram tam ganesha upadishtavan | Shivadam tanmamachakshva lokanugrahatatpara || 1 || Brahmovacha Devah purvam puraratih puratrayajayodyame | Anarchanadganeshasya jato vighnakulah kila || 2 || Manasa sa vinirdharya dadrishe vighnakaranam | Mahaganapatim bhaktya samabhyarchya yathavidhi || 3 || Vighnaprashamanopayamaprichchhadaparishramam | Santushtah pujaya shambhormahaganapatih svayam || 4 || Sarvavighnaprashamanam sarvakamaphalapradam | Tatastasmai svayam namnam sahasramidamabravit || 5 || Asya shrimahaganapatisahasranamastotramalamantrasya | Ganesha rishih, mahaganapatirdevata, nanavidhanichchhandamsi | Humiti bijam, tungamiti shaktih, svahashaktiriti kilakam | Sakalavighnavinashanadvara shrimahaganapatiprasadasiddhyarthe jape viniyogah |

Meaning:The stotra opens with a frame story from the Ganesha Purana. The sage asks Brahma how the thousand names came to be taught, and Brahma relates that even Shiva, setting out to conquer the three demon cities, was beset by obstacles because he had not first worshipped Ganesha. Shiva then worshipped Mahaganapati with devotion, and the pleased Lord himself spoke this thousand-name hymn that quells every obstacle and grants the fruit of every desire. The viniyoga assigns Ganesha as its seer, Mahaganapati as its deity, 'hum' as its seed-syllable and declares its recitation to be for winning Mahaganapati's grace through the destruction of all obstacles.

Verse 2

𑌅𑌥 𑌕𑌰𑌨𑍍𑌯𑌾𑌸𑌃 𑌗𑌣𑍇𑌶𑍍𑌵𑌰𑍋 𑌗𑌣𑌕𑍍𑌰𑍀𑌡 𑌇𑌤𑍍𑌯𑌙𑍍𑌗𑍁𑌷𑍍𑌠𑌾𑌭𑍍𑌯𑌾𑌂 𑌨𑌮𑌃 । 𑌕𑍁𑌮𑌾𑌰𑌗𑍁𑌰𑍁𑌰𑍀𑌶𑌾𑌨 𑌇𑌤𑌿 𑌤𑌰𑍍𑌜𑌨𑍀𑌭𑍍𑌯𑌾𑌂 𑌨𑌮𑌃 ॥ 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍍𑌡𑌕𑍁𑌮𑍍𑌭𑌶𑍍𑌚𑌿𑌦𑍍𑌵𑍍𑌯𑍋𑌮𑍇𑌤𑌿 𑌮𑌧𑍍𑌯𑌮𑌾𑌭𑍍𑌯𑌾𑌂 𑌨𑌮𑌃 । 𑌰𑌕𑍍𑌤𑍋 𑌰𑌕𑍍𑌤𑌾𑌮𑍍𑌬𑌰𑌧𑌰 𑌇𑌤𑍍𑌯𑌨𑌾𑌮𑌿𑌕𑌾𑌭𑍍𑌯𑌾𑌂 𑌨𑌮𑌃 𑌸𑌰𑍍𑌵𑌸𑌦𑍍𑌗𑍁𑌰𑍁𑌸𑌂𑌸𑍇𑌵𑍍𑌯 𑌇𑌤𑌿 𑌕𑌨𑌿𑌷𑍍𑌠𑌿𑌕𑌾𑌭𑍍𑌯𑌾𑌂 𑌨𑌮𑌃 । 𑌲𑍁𑌪𑍍𑌤𑌵𑌿𑌘𑍍𑌨𑌃 𑌸𑍍𑌵𑌭𑌕𑍍𑌤𑌾𑌨𑌾𑌮𑌿𑌤𑌿 𑌕𑌰𑌤𑌲𑌕𑌰𑌪𑍃𑌷𑍍𑌠𑌾𑌭𑍍𑌯𑌾𑌂 𑌨𑌮𑌃 ॥ 𑌅𑌥 𑌅𑌙𑍍𑌗𑌨𑍍𑌯𑌾𑌸𑌃 𑌛𑌨𑍍𑌦𑌶𑍍𑌛𑌨𑍍𑌦𑍋𑌦𑍍𑌭𑌵 𑌇𑌤𑌿 𑌹𑍃𑌦𑌯𑌾𑌯 𑌨𑌮𑌃 । 𑌨𑌿𑌷𑍍𑌕𑌲𑍋 𑌨𑌿𑌰𑍍𑌮𑌲 𑌇𑌤𑌿 𑌶𑌿𑌰𑌸𑍇 𑌸𑍍𑌵𑌾𑌹𑌾 । 𑌸𑍃𑌷𑍍𑌟𑌿𑌸𑍍𑌥𑌿𑌤𑌿𑌲𑌯𑌕𑍍𑌰𑍀𑌡 𑌇𑌤𑌿 𑌶𑌿𑌖𑌾𑌯𑍈 𑌵𑌷𑌟𑍍 । 𑌜𑍍𑌞𑌾𑌨𑌂 𑌵𑌿𑌜𑍍𑌞𑌾𑌨𑌮𑌾𑌨𑌨𑍍𑌦 𑌇𑌤𑌿 𑌕𑌵𑌚𑌾𑌯 𑌹𑍁𑌮𑍍 । 𑌅𑌷𑍍𑌟𑌾𑌙𑍍𑌗𑌯𑍋𑌗𑌫𑌲𑌭𑍃𑌦𑌿𑌤𑌿 𑌨𑍇𑌤𑍍𑌰𑌤𑍍𑌰𑌯𑌾𑌯 𑌵𑍗𑌷𑌟𑍍 । 𑌅𑌨𑌨𑍍𑌤𑌶𑌕𑍍𑌤𑌿𑌸𑌹𑌿𑌤 𑌇𑌤𑍍𑌯𑌸𑍍𑌤𑍍𑌰𑌾𑌯 𑌫𑌟𑍍 । 𑌭𑍂𑌰𑍍𑌭𑍁𑌵𑌃 𑌸𑍍𑌵𑌰𑍋𑌂 𑌇𑌤𑌿 𑌦𑌿𑌗𑍍𑌬𑌨𑍍𑌧𑌃 । 𑌅𑌥 𑌧𑍍𑌯𑌾𑌨𑌮𑍍 𑌗𑌜𑌵𑌦𑌨𑌮𑌚𑌿𑌨𑍍𑌤𑍍𑌯𑌂 𑌤𑍀𑌕𑍍𑌷𑍍𑌣𑌦𑌂𑌷𑍍𑌟𑍍𑌰𑌂 𑌤𑍍𑌰𑌿𑌨𑍇𑌤𑍍𑌰𑌂 𑌬𑍃𑌹𑌦𑍁𑌦𑌰𑌮𑌶𑍇𑌷𑌂 𑌭𑍂𑌤𑌿𑌰𑌾𑌜𑌂 𑌪𑍁𑌰𑌾𑌣𑌮𑍍 । 𑌅𑌮𑌰𑌵𑌰𑌸𑍁𑌪𑍂𑌜𑍍𑌯𑌂 𑌰𑌕𑍍𑌤𑌵𑌰𑍍𑌣𑌂 𑌸𑍁𑌰𑍇𑌶𑌂 𑌪𑌶𑍁𑌪𑌤𑌿𑌸𑍁𑌤𑌮𑍀𑌶𑌂 𑌵𑌿𑌘𑍍𑌨𑌰𑌾𑌜𑌂 𑌨𑌮𑌾𑌮𑌿 ॥

Atha karanyasah Ganeshvaro ganakrida ityangushthabhyam namah | Kumaragururishana iti tarjanibhyam namah || Brahmandakumbhashchidvyometi madhyamabhyam namah | Rakto raktambaradhara ityanamikabhyam namah Sarvasadgurusamsevya iti kanishthikabhyam namah | Luptavighnah svabhaktanamiti karatalakaraprishthabhyam namah || Atha anganyasah Chhandashchhandodbhava iti hridayaya namah | Nishkalo nirmala iti shirase svaha | Srishtisthitilayakrida iti shikhayai vashat | Jnanam vijnanamananda iti kavachaya hum | Ashtangayogaphalabhriditi netratrayaya vaushat | Anantashaktisahita ityastraya phat | Bhurbhuvah svarom iti digbandhah | Atha dhyanam Gajavadanamachintyam tikshnadamshtram trinetram Brihadudaramashesham bhutirajam puranam | Amaravarasupujyam raktavarnam suresham Pashupatisutamisham vighnarajam namami ||

Meaning:Before the recitation come the ritual preliminaries: the kara-nyasa installs pairs of the Lord's names upon the thumbs, fingers and palms, and the anga-nyasa places them upon the heart, head, crown-lock, body-armour, three eyes and weapon, sealing the directions with 'bhur bhuvah suvarom'. The dhyana verse then paints the object of meditation: the inconceivable elephant-faced Lord with sharp tusk and three eyes, vast-bellied, the ancient king of all prosperity, red-hued, worshipped by the best of the immortals — the son of Pashupati, the sovereign of obstacles, to whom I bow.

Verse 3

𑌶𑍍𑌰𑍀𑌗𑌣𑌪𑌤𑌿𑌰𑍁𑌵𑌾𑌚 𑍐 𑌗𑌣𑍇𑌶𑍍𑌵𑌰𑍋 𑌗𑌣𑌕𑍍𑌰𑍀𑌡𑍋 𑌗𑌣𑌨𑌾𑌥𑍋 𑌗𑌣𑌾𑌧𑌿𑌪𑌃 । 𑌏𑌕𑌦𑌨𑍍𑌤𑍋 𑌵𑌕𑍍𑌰𑌤𑍁𑌣𑍍𑌡𑍋 𑌗𑌜𑌵𑌕𑍍𑌤𑍍𑌰𑍋 𑌮𑌹𑍋𑌦𑌰𑌃 ॥ 1 ॥ 𑌲𑌮𑍍𑌬𑍋𑌦𑌰𑍋 𑌧𑍂𑌮𑍍𑌰𑌵𑌰𑍍𑌣𑍋 𑌵𑌿𑌕𑌟𑍋 𑌵𑌿𑌘𑍍𑌨𑌨𑌾𑌶𑌨𑌃 । 𑌸𑍁𑌮𑍁𑌖𑍋 𑌦𑍁𑌰𑍍𑌮𑍁𑌖𑍋 𑌬𑍁𑌦𑍍𑌧𑍋 𑌵𑌿𑌘𑍍𑌨𑌰𑌾𑌜𑍋 𑌗𑌜𑌾𑌨𑌨𑌃 ॥ 2 ॥ 𑌭𑍀𑌮𑌃 𑌪𑍍𑌰𑌮𑍋𑌦 𑌆𑌮𑍋𑌦𑌃 𑌸𑍁𑌰𑌾𑌨𑌨𑍍𑌦𑍋 𑌮𑌦𑍋𑌤𑍍𑌕𑌟𑌃 । 𑌹𑍇𑌰𑌮𑍍𑌬𑌃 𑌶𑌮𑍍𑌬𑌰𑌃 𑌶𑌮𑍍𑌭𑍁𑌰𑍍𑌲𑌮𑍍𑌬𑌕𑌰𑍍𑌣𑍋 𑌮𑌹𑌾𑌬𑌲𑌃 ॥ 3 ॥ 𑌨𑌨𑍍𑌦𑌨𑍋 𑌲𑌮𑍍𑌪𑌟𑍋 𑌭𑍀𑌮𑍋 𑌮𑍇𑌘𑌨𑌾𑌦𑍋 𑌗𑌣𑌞𑍍𑌜𑌯𑌃 । 𑌵𑌿𑌨𑌾𑌯𑌕𑍋 𑌵𑌿𑌰𑍂𑌪𑌾𑌕𑍍𑌷𑍋 𑌵𑍀𑌰𑌃 𑌶𑍂𑌰𑌵𑌰𑌪𑍍𑌰𑌦𑌃 ॥ 4 ॥ 𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌰𑍍𑌬𑍁𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌃 𑌕𑍍𑌷𑌿𑌪𑍍𑌰𑌪𑍍𑌰𑌸𑌾𑌦𑌨𑌃 । 𑌰𑍁𑌦𑍍𑌰𑌪𑍍𑌰𑌿𑌯𑍋 𑌗𑌣𑌾𑌧𑍍𑌯𑌕𑍍𑌷 𑌉𑌮𑌾𑌪𑍁𑌤𑍍𑌰𑍋𑌽𑌘𑌨𑌾𑌶𑌨𑌃 ॥ 5 ॥ 𑌕𑍁𑌮𑌾𑌰𑌗𑍁𑌰𑍁𑌰𑍀𑌶𑌾𑌨𑌪𑍁𑌤𑍍𑌰𑍋 𑌮𑍂𑌷𑌕𑌵𑌾𑌹𑌨𑌃 । 𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌃 𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑌤𑌿𑌃 𑌸𑌿𑌦𑍍𑌧𑌃 𑌸𑌿𑌦𑍍𑌧𑌿𑌵𑌿𑌨𑌾𑌯𑌕𑌃 ॥ 6 ॥ 𑌅𑌵𑌿𑌘𑍍𑌨𑌸𑍍𑌤𑍁𑌮𑍍𑌬𑍁𑌰𑍁𑌃 𑌸𑌿𑌂𑌹𑌵𑌾𑌹𑌨𑍋 𑌮𑍋𑌹𑌿𑌨𑍀𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌕𑌟𑌙𑍍𑌕𑌟𑍋 𑌰𑌾𑌜𑌪𑍁𑌤𑍍𑌰𑌃 𑌶𑌾𑌕𑌲𑌃 𑌸𑌮𑍍𑌮𑌿𑌤𑍋𑌮𑌿𑌤𑌃 ॥ 7 ॥ 𑌕𑍂𑌷𑍍𑌮𑌾𑌣𑍍𑌡𑌸𑌾𑌮𑌸𑌮𑍍𑌭𑍂𑌤𑌿𑌰𑍍𑌦𑍁𑌰𑍍𑌜𑌯𑍋 𑌧𑍂𑌰𑍍𑌜𑌯𑍋 𑌜𑌯𑌃 । 𑌭𑍂𑌪𑌤𑌿𑌰𑍍𑌭𑍁𑌵𑌨𑌪𑌤𑌿𑌰𑍍𑌭𑍂𑌤𑌾𑌨𑌾𑌂 𑌪𑌤𑌿𑌰𑌵𑍍𑌯𑌯𑌃 ॥ 8 ॥ 𑌵𑌿𑌶𑍍𑌵𑌕𑌰𑍍𑌤𑌾 𑌵𑌿𑌶𑍍𑌵𑌮𑍁𑌖𑍋 𑌵𑌿𑌶𑍍𑌵𑌰𑍂𑌪𑍋 𑌨𑌿𑌧𑌿𑌰𑍍𑌗𑍁𑌣𑌃 । 𑌕𑌵𑌿𑌃 𑌕𑌵𑍀𑌨𑌾𑌮𑍃𑌷𑌭𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌣𑍍𑌯𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌿𑌤𑍍𑌪𑍍𑌰𑌿𑌯𑌃 ॥ 9 ॥ 𑌜𑍍𑌯𑍇𑌷𑍍𑌠𑌰𑌾𑌜𑍋 𑌨𑌿𑌧𑌿𑌪𑌤𑌿𑌰𑍍𑌨𑌿𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌪𑌤𑌿𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌹𑌿𑌰𑌣𑍍𑌮𑌯𑌪𑍁𑌰𑌾𑌨𑍍𑌤𑌃𑌸𑍍𑌥𑌃 𑌸𑍂𑌰𑍍𑌯𑌮𑌣𑍍𑌡𑌲𑌮𑌧𑍍𑌯𑌗𑌃 ॥ 10 ॥

Shriganapatiruvacha Om ganeshvaro ganakrido gananatho ganadhipah | Ekadanto vakratundo gajavaktro mahodarah || 1 || Lambodaro dhumravarno vikato vighnanashanah | Sumukho durmukho buddho vighnarajo gajananah || 2 || Bhimah pramoda amodah suranando madotkatah | Herambah shambarah shambhurlambakarno mahabalah || 3 || Nandano lampato bhimo meghanado gananjayah | Vinayako virupaksho virah shuravarapradah || 4 || Mahaganapatirbuddhipriyah kshipraprasadanah | Rudrapriyo ganadhyaksha umaputroghanashanah || 5 || Kumaragururishanaputro mushakavahanah | Siddhipriyah siddhipatih siddhah siddhivinayakah || 6 || Avighnastumburuh simhavahano mohinipriyah | Katankato rajaputrah shakalah sammitomitah || 7 || Kushmandasamasambhutirdurjayo dhurjayo jayah | Bhupatirbhuvanapatirbhutanam patiravyayah || 8 || Vishvakarta vishvamukho vishvarupo nidhirgunah | Kavih kavinamrishabho brahmanyo brahmavitpriyah || 9 || Jyeshtharajo nidhipatirnidhipriyapatipriyah | Hiranmayapurantahsthah suryamandalamadhyagah || 10 ||

Meaning:Ganapati himself begins the litany with his most beloved names: Ganeshvara the lord of the ganas, Ekadanta the single-tusked, Vakratunda of the curved trunk, Gajavaktra the elephant-faced, Mahodara and Lambodara of the great and pendant belly, Dhumravarna the smoke-hued, Vighnanashana the destroyer of obstacles, Vinayaka, Heramba, and Gajanana. He is Mahaganapati who loves wisdom and is quickly pleased, the beloved of Rudra, son of Uma, rider of the mouse, lord and giver of siddhis (Siddhivinayaka), king of the earth and of all beings, maker of the universe, foremost of poets, dweller in the golden city and in the centre of the solar orb.

Verse 4

𑌕𑌰𑌾𑌹𑌤𑌿𑌧𑍍𑌵𑌸𑍍𑌤𑌸𑌿𑌨𑍍𑌧𑍁𑌸𑌲𑌿𑌲𑌃 𑌪𑍂𑌷𑌦𑌨𑍍𑌤𑌭𑌿𑌤𑍍 । 𑌉𑌮𑌾𑌙𑍍𑌕𑌕𑍇𑌲𑌿𑌕𑍁𑌤𑍁𑌕𑍀 𑌮𑍁𑌕𑍍𑌤𑌿𑌦𑌃 𑌕𑍁𑌲𑌪𑌾𑌵𑌨𑌃 ॥ 11 ॥ 𑌕𑌿𑌰𑍀𑌟𑍀 𑌕𑍁𑌣𑍍𑌡𑌲𑍀 𑌹𑌾𑌰𑍀 𑌵𑌨𑌮𑌾𑌲𑍀 𑌮𑌨𑍋𑌮𑌯𑌃 । 𑌵𑍈𑌮𑍁𑌖𑍍𑌯𑌹𑌤𑌦𑍈𑌤𑍍𑌯𑌶𑍍𑌰𑍀𑌃 𑌪𑌾𑌦𑌾𑌹𑌤𑌿𑌜𑌿𑌤𑌕𑍍𑌷𑌿𑌤𑌿𑌃 ॥ 12 ॥ 𑌸𑌦𑍍𑌯𑍋𑌜𑌾𑌤𑌃 𑌸𑍍𑌵𑌰𑍍𑌣𑌮𑍁𑌞𑍍𑌜𑌮𑍇𑌖𑌲𑍀 𑌦𑍁𑌰𑍍𑌨𑌿𑌮𑌿𑌤𑍍𑌤𑌹𑍃𑌤𑍍 । 𑌦𑍁𑌃𑌸𑍍𑌵𑌪𑍍𑌨𑌹𑍃𑌤𑍍𑌪𑍍𑌰𑌸𑌹𑌨𑍋 𑌗𑍁𑌣𑍀 𑌨𑌾𑌦𑌪𑍍𑌰𑌤𑌿𑌷𑍍𑌠𑌿𑌤𑌃 ॥ 13 ॥ 𑌸𑍁𑌰𑍂𑌪𑌃 𑌸𑌰𑍍𑌵𑌨𑍇𑌤𑍍𑌰𑌾𑌧𑌿𑌵𑌾𑌸𑍋 𑌵𑍀𑌰𑌾𑌸𑌨𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌪𑍀𑌤𑌾𑌮𑍍𑌬𑌰𑌃 𑌖𑌣𑍍𑌡𑌰𑌦𑌃 𑌖𑌣𑍍𑌡𑌵𑍈𑌶𑌾𑌖𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌃 ॥ 14 ॥ 𑌚𑌿𑌤𑍍𑌰𑌾𑌙𑍍𑌗𑌃 𑌶𑍍𑌯𑌾𑌮𑌦𑌶𑌨𑍋 𑌭𑌾𑌲𑌚𑌨𑍍𑌦𑍍𑌰𑍋 𑌹𑌵𑌿𑌰𑍍𑌭𑍁𑌜𑌃 । 𑌯𑍋𑌗𑌾𑌧𑌿𑌪𑌸𑍍𑌤𑌾𑌰𑌕𑌸𑍍𑌥𑌃 𑌪𑍁𑌰𑍁𑌷𑍋 𑌗𑌜𑌕𑌰𑍍𑌣𑌕𑌃 ॥ 15 ॥ 𑌗𑌣𑌾𑌧𑌿𑌰𑌾𑌜𑍋 𑌵𑌿𑌜𑌯𑌃 𑌸𑍍𑌥𑌿𑌰𑍋 𑌗𑌜𑌪𑌤𑌿𑌧𑍍𑌵𑌜𑍀 । 𑌦𑍇𑌵𑌦𑍇𑌵𑌃 𑌸𑍍𑌮𑌰𑌃 𑌪𑍍𑌰𑌾𑌣𑌦𑍀𑌪𑌕𑍋 𑌵𑌾𑌯𑍁𑌕𑍀𑌲𑌕𑌃 ॥ 16 ॥ 𑌵𑌿𑌪𑌶𑍍𑌚𑌿𑌦𑍍𑌵𑌰𑌦𑍋 𑌨𑌾𑌦𑍋 𑌨𑌾𑌦𑌭𑌿𑌨𑍍𑌨𑌮𑌹𑌾𑌚𑌲𑌃 । 𑌵𑌰𑌾𑌹𑌰𑌦𑌨𑍋 𑌮𑍃𑌤𑍍𑌯𑍁𑌞𑍍𑌜𑌯𑍋 𑌵𑍍𑌯𑌾𑌘𑍍𑌰𑌾𑌜𑌿𑌨𑌾𑌮𑍍𑌬𑌰𑌃 ॥ 17 ॥ 𑌇𑌚𑍍𑌛𑌾𑌶𑌕𑍍𑌤𑌿𑌭𑌵𑍋 𑌦𑍇𑌵𑌤𑍍𑌰𑌾𑌤𑌾 𑌦𑍈𑌤𑍍𑌯𑌵𑌿𑌮𑌰𑍍𑌦𑌨𑌃 । 𑌶𑌮𑍍𑌭𑍁𑌵𑌕𑍍𑌤𑍍𑌰𑍋𑌦𑍍𑌭𑌵𑌃 𑌶𑌮𑍍𑌭𑍁𑌕𑍋𑌪𑌹𑌾 𑌶𑌮𑍍𑌭𑍁𑌹𑌾𑌸𑍍𑌯𑌭𑍂𑌃 ॥ 18 ॥ 𑌶𑌮𑍍𑌭𑍁𑌤𑍇𑌜𑌾𑌃 𑌶𑌿𑌵𑌾𑌶𑍋𑌕𑌹𑌾𑌰𑍀 𑌗𑍗𑌰𑍀𑌸𑍁𑌖𑌾𑌵𑌹𑌃 । 𑌉𑌮𑌾𑌙𑍍𑌗𑌮𑌲𑌜𑍋 𑌗𑍗𑌰𑍀𑌤𑍇𑌜𑍋𑌭𑍂𑌃 𑌸𑍍𑌵𑌰𑍍𑌧𑍁𑌨𑍀𑌭𑌵𑌃 ॥ 19 ॥ 𑌯𑌜𑍍𑌞𑌕𑌾𑌯𑍋 𑌮𑌹𑌾𑌨𑌾𑌦𑍋 𑌗𑌿𑌰𑌿𑌵𑌰𑍍𑌷𑍍𑌮𑌾 𑌶𑍁𑌭𑌾𑌨𑌨𑌃 । 𑌸𑌰𑍍𑌵𑌾𑌤𑍍𑌮𑌾 𑌸𑌰𑍍𑌵𑌦𑍇𑌵𑌾𑌤𑍍𑌮𑌾 𑌬𑍍𑌰𑌹𑍍𑌮𑌮𑍂𑌰𑍍𑌧𑌾 𑌕𑌕𑍁𑌪𑍍𑌶𑍍𑌰𑍁𑌤𑌿𑌃 ॥ 20 ॥

Karahatidhvastasindhusalilah pushadantabhit | Umankakelikutuki muktidah kulapavanah || 11 || Kiriti kundali hari vanamali manomayah | Vaimukhyahatadaityashrih padahatijitakshitih || 12 || Sadyojatah svarnamunjamekhali durnimittahrit | Duhsvapnahritprasahano guni nadapratishthitah || 13 || Surupah sarvanetradhivaso virasanashrayah | Pitambarah khandaradah khandavaishakhasamsthitah || 14 || Chitrangah shyamadashano bhalachandro havirbhujah | Yogadhipastarakasthah purusho gajakarnakah || 15 || Ganadhirajo vijayah sthiro gajapatidhvaji | Devadevah smarah pranadipako vayukilakah || 16 || Vipashchidvarado nado nadabhinnamahachalah | Varaharadano mrityunjayo vyaghrajinambarah || 17 || Ichchhashaktibhavo devatrata daityavimardanah | Shambhuvaktrodbhavah shambhukopaha shambhuhasyabhuh || 18 || Shambhutejah shivashokahari gaurisukhavahah | Umangamalajo gauritejobhuh svardhunibhavah || 19 || Yajnakayo mahanado girivarshma shubhananah | Sarvatma sarvadevatma brahmamurdha kakupshrutih || 20 ||

Meaning:This decade celebrates his play and prowess: with a blow of his hand he churned the ocean's waters, he broke the tooth of Pushan, he delights in play on Uma's lap, he gives liberation and purifies the family line. Crowned, earringed and garlanded with forest flowers, he struck down the fortune of hostile demons and conquered the earth with a step of his foot. He removes evil omens and bad dreams, wears the yellow robe, bears the broken tusk and the moon on his brow, eats the oblations, presides over yoga, has an elephant's ears and the gait of victory. Born from Shambhu's face, born of the limbs of Uma, he is the dispeller of Shiva's anger and the delight of Gauri — his very body is the yajna, his head is Brahman.

Verse 5

𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍍𑌡𑌕𑍁𑌮𑍍𑌭𑌶𑍍𑌚𑌿𑌦𑍍𑌵𑍍𑌯𑍋𑌮𑌭𑌾𑌲𑌃𑌸𑌤𑍍𑌯𑌶𑌿𑌰𑍋𑌰𑍁𑌹𑌃 । 𑌜𑌗𑌜𑍍𑌜𑌨𑍍𑌮𑌲𑌯𑍋𑌨𑍍𑌮𑍇𑌷𑌨𑌿𑌮𑍇𑌷𑍋𑌽𑌗𑍍𑌨𑍍𑌯𑌰𑍍𑌕𑌸𑍋𑌮𑌦𑍃𑌕𑍍 ॥ 21 ॥ 𑌗𑌿𑌰𑍀𑌨𑍍𑌦𑍍𑌰𑍈𑌕𑌰𑌦𑍋 𑌧𑌰𑍍𑌮𑌾𑌧𑌰𑍍𑌮𑍋𑌷𑍍𑌠𑌃 𑌸𑌾𑌮𑌬𑍃𑌂𑌹𑌿𑌤𑌃 । 𑌗𑍍𑌰𑌹𑌰𑍍𑌕𑍍𑌷𑌦𑌶𑌨𑍋 𑌵𑌾𑌣𑍀𑌜𑌿𑌹𑍍𑌵𑍋 𑌵𑌾𑌸𑌵𑌨𑌾𑌸𑌿𑌕𑌃 ॥ 22 ॥ 𑌭𑍍𑌰𑍂𑌮𑌧𑍍𑌯𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌕𑌰𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌿𑌦𑍍𑌯𑌾𑌮𑌦𑍋𑌦𑌕𑌃 । 𑌕𑍁𑌲𑌾𑌚𑌲𑌾𑌂𑌸𑌃 𑌸𑍋𑌮𑌾𑌰𑍍𑌕𑌘𑌣𑍍𑌟𑍋 𑌰𑍁𑌦𑍍𑌰𑌶𑌿𑌰𑍋𑌧𑌰𑌃 ॥ 23 ॥ 𑌨𑌦𑍀𑌨𑌦𑌭𑍁𑌜𑌃 𑌸𑌰𑍍𑌪𑌾𑌙𑍍𑌗𑍁𑌲𑍀𑌕𑌸𑍍𑌤𑌾𑌰𑌕𑌾𑌨𑌖𑌃 । 𑌵𑍍𑌯𑍋𑌮𑌨𑌾𑌭𑌿𑌃 𑌶𑍍𑌰𑍀𑌹𑍃𑌦𑌯𑍋 𑌮𑍇𑌰𑍁𑌪𑍃𑌷𑍍𑌠𑍋𑌽𑌰𑍍𑌣𑌵𑍋𑌦𑌰𑌃 ॥ 24 ॥ 𑌕𑍁𑌕𑍍𑌷𑌿𑌸𑍍𑌥𑌯𑌕𑍍𑌷𑌗𑌨𑍍𑌧𑌰𑍍𑌵𑌰𑌕𑍍𑌷𑌃𑌕𑌿𑌨𑍍𑌨𑌰𑌮𑌾𑌨𑍁𑌷𑌃 । 𑌪𑍃𑌥𑍍𑌵𑍀𑌕𑌟𑌿𑌃 𑌸𑍃𑌷𑍍𑌟𑌿𑌲𑌿𑌙𑍍𑌗𑌃 𑌶𑍈𑌲𑍋𑌰𑍁𑌰𑍍𑌦𑌸𑍍𑌰𑌜𑌾𑌨𑍁𑌕𑌃 ॥ 25 ॥ 𑌪𑌾𑌤𑌾𑌲𑌜𑌙𑍍𑌘𑍋 𑌮𑍁𑌨𑌿𑌪𑌾𑌤𑍍𑌕𑌾𑌲𑌾𑌙𑍍𑌗𑍁𑌷𑍍𑌠𑌸𑍍𑌤𑍍𑌰𑌯𑍀𑌤𑌨𑍁𑌃 । 𑌜𑍍𑌯𑍋𑌤𑌿𑌰𑍍𑌮𑌣𑍍𑌡𑌲𑌲𑌾𑌙𑍍𑌗𑍂𑌲𑍋 𑌹𑍃𑌦𑌯𑌾𑌲𑌾𑌨𑌨𑌿𑌶𑍍𑌚𑌲𑌃 ॥ 26 ॥ 𑌹𑍃𑌤𑍍𑌪𑌦𑍍𑌮𑌕𑌰𑍍𑌣𑌿𑌕𑌾𑌶𑌾𑌲𑍀 𑌵𑌿𑌯𑌤𑍍𑌕𑍇𑌲𑌿𑌸𑌰𑍋𑌵𑌰𑌃 । 𑌸𑌦𑍍𑌭𑌕𑍍𑌤𑌧𑍍𑌯𑌾𑌨𑌨𑌿𑌗𑌡𑌃 𑌪𑍂𑌜𑌾𑌵𑌾𑌰𑌿𑌨𑌿𑌵𑌾𑌰𑌿𑌤𑌃 ॥ 27 ॥ 𑌪𑍍𑌰𑌤𑌾𑌪𑍀 𑌕𑌾𑌶𑍍𑌯𑌪𑍋 𑌮𑌨𑍍𑌤𑌾 𑌗𑌣𑌕𑍋 𑌵𑌿𑌷𑍍𑌟𑌪𑍀 𑌬𑌲𑍀 । 𑌯𑌶𑌸𑍍𑌵𑍀 𑌧𑌾𑌰𑍍𑌮𑌿𑌕𑍋 𑌜𑍇𑌤𑌾 𑌪𑍍𑌰𑌥𑌮𑌃 𑌪𑍍𑌰𑌮𑌥𑍇𑌶𑍍𑌵𑌰𑌃 ॥ 28 ॥ 𑌚𑌿𑌨𑍍𑌤𑌾𑌮𑌣𑌿𑌰𑍍𑌦𑍍𑌵𑍀𑌪𑌪𑌤𑌿𑌃 𑌕𑌲𑍍𑌪𑌦𑍍𑌰𑍁𑌮𑌵𑌨𑌾𑌲𑌯𑌃 । 𑌰𑌤𑍍𑌨𑌮𑌣𑍍𑌡𑌪𑌮𑌧𑍍𑌯𑌸𑍍𑌥𑍋 𑌰𑌤𑍍𑌨𑌸𑌿𑌂𑌹𑌾𑌸𑌨𑌾𑌶𑍍𑌰𑌯𑌃 ॥ 29 ॥ 𑌤𑍀𑌵𑍍𑌰𑌾𑌶𑌿𑌰𑍋𑌦𑍍𑌧𑍃𑌤𑌪𑌦𑍋 𑌜𑍍𑌵𑌾𑌲𑌿𑌨𑍀𑌮𑍗𑌲𑌿𑌲𑌾𑌲𑌿𑌤𑌃 । 𑌨𑌨𑍍𑌦𑌾𑌨𑌨𑍍𑌦𑌿𑌤𑌪𑍀𑌠𑌶𑍍𑌰𑍀𑌰𑍍𑌭𑍋𑌗𑌦𑍋 𑌭𑍂𑌷𑌿𑌤𑌾𑌸𑌨𑌃 ॥ 30 ॥

Brahmandakumbhashchidvyomabhalahsatyashiroruhah | Jagajjanmalayonmeshanimeshognyarkasomadrik || 21 || Girindraikarado dharmadharmoshthah samabrimhitah | Graharkshadashano vanijihvo vasavanasikah || 22 || Bhrumadhyasamsthitakaro brahmavidyamadodakah | Kulachalamsah somarkaghanto rudrashirodharah || 23 || Nadinadabhujah sarpangulikastarakanakhah | Vyomanabhih shrihridayo meruprishthornavodarah || 24 || Kukshisthayakshagandharvarakshahkinnaramanushah | Prithvikatih srishtilingah shailorurdasrajanukah || 25 || Patalajangho munipatkalangushthastrayitanuh | Jyotirmandalalangulo hridayalananishchalah || 26 || Hritpadmakarnikashali viyatkelisarovarah | Sadbhaktadhyananigadah pujavarinivaritah || 27 || Pratapi kashyapo manta ganako vishtapi bali | Yashasvi dharmiko jeta prathamah pramatheshvarah || 28 || Chintamanirdvipapatih kalpadrumavanalayah | Ratnamandapamadhyastho ratnasimhasanashrayah || 29 || Tivrashiroddhritapado jvalinimaulilalitah | Nandananditapithashrirbhogado bhushitasanah || 30 ||

Meaning:Here the whole cosmos is revealed as his body: the universe-egg is his skull, the sky of consciousness his forehead, truth the hair of his head; the opening and closing of his eyes are the birth and dissolution of worlds, and fire, sun and moon are his three eyes. The king of mountains is his single tusk, dharma and adharma his lips, the planets and stars his teeth, Sarasvati his tongue, Indra his nose; rivers are his arms, serpents his fingers, stars his nails; space is his navel, Shri his heart, Meru his spine, the oceans his belly, the earth his hips, the netherworld his shanks — the three Vedas are his form. He dwells as the Chintamani lord of the jewel-island, in groves of wish-fulfilling trees, enthroned on a gem-lion-seat, his pedestal adored by Nanda and the shakti Jvalini.

Verse 6

𑌸𑌕𑌾𑌮𑌦𑌾𑌯𑌿𑌨𑍀𑌪𑍀𑌠𑌃 𑌸𑍍𑌫𑍁𑌰𑌦𑍁𑌗𑍍𑌰𑌾𑌸𑌨𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌤𑍇𑌜𑍋𑌵𑌤𑍀𑌶𑌿𑌰𑍋𑌰𑌤𑍍𑌨𑌂 𑌸𑌤𑍍𑌯𑌾𑌨𑌿𑌤𑍍𑌯𑌾𑌵𑌤𑌂𑌸𑌿𑌤𑌃 ॥ 31 ॥ 𑌸𑌵𑌿𑌘𑍍𑌨𑌨𑌾𑌶𑌿𑌨𑍀𑌪𑍀𑌠𑌃 𑌸𑌰𑍍𑌵𑌶𑌕𑍍𑌤𑍍𑌯𑌮𑍍𑌬𑍁𑌜𑌾𑌲𑌯𑌃 । 𑌲𑌿𑌪𑌿𑌪𑌦𑍍𑌮𑌾𑌸𑌨𑌾𑌧𑌾𑌰𑍋 𑌵𑌹𑍍𑌨𑌿𑌧𑌾𑌮𑌤𑍍𑌰𑌯𑌾𑌲𑌯𑌃 ॥ 32 ॥ 𑌉𑌨𑍍𑌨𑌤𑌪𑍍𑌰𑌪𑌦𑍋 𑌗𑍂𑌢𑌗𑍁𑌲𑍍𑌫𑌃 𑌸𑌂𑌵𑍃𑌤𑌪𑌾𑌰𑍍𑌷𑍍𑌣𑌿𑌕𑌃 । 𑌪𑍀𑌨𑌜𑌙𑍍𑌘𑌃 𑌶𑍍𑌲𑌿𑌷𑍍𑌟𑌜𑌾𑌨𑍁𑌃 𑌸𑍍𑌥𑍂𑌲𑍋𑌰𑍁𑌃 𑌪𑍍𑌰𑍋𑌨𑍍𑌨𑌮𑌤𑍍𑌕𑌟𑌿𑌃 ॥ 33 ॥ 𑌨𑌿𑌮𑍍𑌨𑌨𑌾𑌭𑌿𑌃 𑌸𑍍𑌥𑍂𑌲𑌕𑍁𑌕𑍍𑌷𑌿𑌃 𑌪𑍀𑌨𑌵𑌕𑍍𑌷𑌾 𑌬𑍃𑌹𑌦𑍍𑌭𑍁𑌜𑌃 । 𑌪𑍀𑌨𑌸𑍍𑌕𑌨𑍍𑌧𑌃 𑌕𑌮𑍍𑌬𑍁𑌕𑌣𑍍𑌠𑍋 𑌲𑌮𑍍𑌬𑍋𑌷𑍍𑌠𑍋 𑌲𑌮𑍍𑌬𑌨𑌾𑌸𑌿𑌕𑌃 ॥ 34 ॥ 𑌭𑌗𑍍𑌨𑌵𑌾𑌮𑌰𑌦𑌸𑍍𑌤𑍁𑌙𑍍𑌗𑌸𑌵𑍍𑌯𑌦𑌨𑍍𑌤𑍋 𑌮𑌹𑌾𑌹𑌨𑍁𑌃 । 𑌹𑍍𑌰𑌸𑍍𑌵𑌨𑍇𑌤𑍍𑌰𑌤𑍍𑌰𑌯𑌃 𑌶𑍂𑌰𑍍𑌪𑌕𑌰𑍍𑌣𑍋 𑌨𑌿𑌬𑌿𑌡𑌮𑌸𑍍𑌤𑌕𑌃 ॥ 35 ॥ 𑌸𑍍𑌤𑌬𑌕𑌾𑌕𑌾𑌰𑌕𑍁𑌮𑍍𑌭𑌾𑌗𑍍𑌰𑍋 𑌰𑌤𑍍𑌨𑌮𑍗𑌲𑌿𑌰𑍍𑌨𑌿𑌰𑌙𑍍𑌕𑍁𑌶𑌃 । 𑌸𑌰𑍍𑌪𑌹𑌾𑌰𑌕𑌟𑍀𑌸𑍂𑌤𑍍𑌰𑌃 𑌸𑌰𑍍𑌪𑌯𑌜𑍍𑌞𑍋𑌪𑌵𑍀𑌤𑌵𑌾𑌨𑍍 ॥ 36 ॥ 𑌸𑌰𑍍𑌪𑌕𑍋𑌟𑍀𑌰𑌕𑌟𑌕𑌃 𑌸𑌰𑍍𑌪𑌗𑍍𑌰𑍈𑌵𑍇𑌯𑌕𑌾𑌙𑍍𑌗𑌦𑌃 । 𑌸𑌰𑍍𑌪𑌕𑌕𑍍𑌷𑍋𑌦𑌰𑌾𑌬𑌨𑍍𑌧𑌃 𑌸𑌰𑍍𑌪𑌰𑌾𑌜𑍋𑌤𑍍𑌤𑌰𑌚𑍍𑌛𑌦𑌃 ॥ 37 ॥ 𑌰𑌕𑍍𑌤𑍋 𑌰𑌕𑍍𑌤𑌾𑌮𑍍𑌬𑌰𑌧𑌰𑍋 𑌰𑌕𑍍𑌤𑌮𑌾𑌲𑌾𑌵𑌿𑌭𑍂𑌷𑌣𑌃 । 𑌰𑌕𑍍𑌤𑍇𑌕𑍍𑌷𑌨𑍋 𑌰𑌕𑍍𑌤𑌕𑌰𑍋 𑌰𑌕𑍍𑌤𑌤𑌾𑌲𑍍𑌵𑍋𑌷𑍍𑌠𑌪𑌲𑍍𑌲𑌵𑌃 ॥ 38 ॥ 𑌶𑍍𑌵𑍇𑌤𑌃 𑌶𑍍𑌵𑍇𑌤𑌾𑌮𑍍𑌬𑌰𑌧𑌰𑌃 𑌶𑍍𑌵𑍇𑌤𑌮𑌾𑌲𑌾𑌵𑌿𑌭𑍂𑌷𑌣𑌃 । 𑌶𑍍𑌵𑍇𑌤𑌾𑌤𑌪𑌤𑍍𑌰𑌰𑍁𑌚𑌿𑌰𑌃 𑌶𑍍𑌵𑍇𑌤𑌚𑌾𑌮𑌰𑌵𑍀𑌜𑌿𑌤𑌃 ॥ 39 ॥ 𑌸𑌰𑍍𑌵𑌾𑌵𑌯𑌵𑌸𑌮𑍍𑌪𑍂𑌰𑍍𑌣𑌃 𑌸𑌰𑍍𑌵𑌲𑌕𑍍𑌷𑌣𑌲𑌕𑍍𑌷𑌿𑌤𑌃 । 𑌸𑌰𑍍𑌵𑌾𑌭𑌰𑌣𑌶𑍋𑌭𑌾𑌢𑍍𑌯𑌃 𑌸𑌰𑍍𑌵𑌶𑍋𑌭𑌾𑌸𑌮𑌨𑍍𑌵𑌿𑌤𑌃 ॥ 40 ॥

Sakamadayinipithah sphuradugrasanashrayah | Tejovatishiroratnam satyanityavatamsitah || 31 || Savighnanashinipithah sarvashaktyambujalayah | Lipipadmasanadharo vahnidhamatrayalayah || 32 || Unnataprapado gudhagulphah samvritaparshnikah | Pinajanghah shlishtajanuh sthuloruh pronnamatkatih || 33 || Nimnanabhih sthulakukshih pinavaksha brihadbhujah | Pinaskandhah kambukantho lamboshtho lambanasikah || 34 || Bhagnavamaradastungasavyadanto mahahanuh | Hrasvanetratrayah shurpakarno nibidamastakah || 35 || Stabakakarakumbhagro ratnamaulirnirankushah | Sarpaharakatisutrah sarpayajnopavitavan || 36 || Sarpakotirakatakah sarpagraiveyakangadah | Sarpakakshodarabandhah sarparajottarachchhadah || 37 || Rakto raktambaradharo raktamalavibhushanah | Raktekshano raktakaro raktatalvoshthapallavah || 38 || Shvetah shvetambaradharah shvetamalavibhushanah | Shvetatapatraruchirah shvetachamaravijitah || 39 || Sarvavayavasampurnah sarvalakshanalakshitah | Sarvabharanashobhadhyah sarvashobhasamanvitah || 40 ||

Meaning:The names continue through his throne of shaktis — Sakamadayini, Tejovati, Satya and Vighnanashini — his lotus-seat of letters and triple abode of fire. Then follows a loving head-to-toe portrait: arched insteps and hidden ankles, stout shanks and close-set knees, massive thighs, deep navel, broad chest and mighty arms, conch-like neck, long lip and nose, the left tusk broken and the right held high, three small eyes, winnowing-fan ears and a dense head crowned with a jewel diadem — he who is beyond every goad (nirankusha). Serpents are his waist-cord, sacred thread, bracelets, necklace and robe. He is red — with red garments, red garlands, red eyes and red hands — and he is white, with white robes, white garlands, the white parasol and white chowries; perfect in every limb, bearing every auspicious mark, resplendent with every ornament.

Verse 7

𑌸𑌰𑍍𑌵𑌮𑌙𑍍𑌗𑌲𑌮𑌾𑌙𑍍𑌗𑌲𑍍𑌯𑌃 𑌸𑌰𑍍𑌵𑌕𑌾𑌰𑌣𑌕𑌾𑌰𑌣𑌮𑍍 । 𑌸𑌰𑍍𑌵𑌦𑍇𑌵𑌵𑌰𑌃 𑌶𑌾𑌰𑍍𑌙𑍍𑌗𑍀 𑌬𑍀𑌜𑌪𑍂𑌰𑍀 𑌗𑌦𑌾𑌧𑌰𑌃 ॥ 41 ॥ 𑌶𑍁𑌭𑌾𑌙𑍍𑌗𑍋 𑌲𑍋𑌕𑌸𑌾𑌰𑌙𑍍𑌗𑌃 𑌸𑍁𑌤𑌨𑍍𑌤𑍁𑌸𑍍𑌤𑌨𑍍𑌤𑍁𑌵𑌰𑍍𑌧𑌨𑌃 । 𑌕𑌿𑌰𑍀𑌟𑍀 𑌕𑍁𑌣𑍍𑌡𑌲𑍀 𑌹𑌾𑌰𑍀 𑌵𑌨𑌮𑌾𑌲𑍀 𑌶𑍁𑌭𑌾𑌙𑍍𑌗𑌦𑌃 ॥ 42 ॥ 𑌇𑌕𑍍𑌷𑍁𑌚𑌾𑌪𑌧𑌰𑌃 𑌶𑍂𑌲𑍀 𑌚𑌕𑍍𑌰𑌪𑌾𑌣𑌿𑌃 𑌸𑌰𑍋𑌜𑌭𑍃𑌤𑍍 । 𑌪𑌾𑌶𑍀 𑌧𑍃𑌤𑍋𑌤𑍍𑌪𑌲𑌃 𑌶𑌾𑌲𑌿𑌮𑌞𑍍𑌜𑌰𑍀𑌭𑍃𑌤𑍍𑌸𑍍𑌵𑌦𑌨𑍍𑌤𑌭𑍃𑌤𑍍 ॥ 43 ॥ 𑌕𑌲𑍍𑌪𑌵𑌲𑍍𑌲𑍀𑌧𑌰𑍋 𑌵𑌿𑌶𑍍𑌵𑌾𑌭𑌯𑌦𑍈𑌕𑌕𑌰𑍋 𑌵𑌶𑍀 । 𑌅𑌕𑍍𑌷𑌮𑌾𑌲𑌾𑌧𑌰𑍋 𑌜𑍍𑌞𑌾𑌨𑌮𑍁𑌦𑍍𑌰𑌾𑌵𑌾𑌨𑍍 𑌮𑍁𑌦𑍍𑌗𑌰𑌾𑌯𑍁𑌧𑌃 ॥ 44 ॥ 𑌪𑍂𑌰𑍍𑌣𑌪𑌾𑌤𑍍𑌰𑍀 𑌕𑌮𑍍𑌬𑍁𑌧𑌰𑍋 𑌵𑌿𑌧𑍃𑌤𑌾𑌙𑍍𑌕𑍁𑌶𑌮𑍂𑌲𑌕𑌃 । 𑌕𑌰𑌸𑍍𑌥𑌾𑌮𑍍𑌰𑌫𑌲𑌶𑍍𑌚𑍂𑌤𑌕𑌲𑌿𑌕𑌾𑌭𑍃𑌤𑍍𑌕𑍁𑌠𑌾𑌰𑌵𑌾𑌨𑍍 ॥ 45 ॥ 𑌪𑍁𑌷𑍍𑌕𑌰𑌸𑍍𑌥𑌸𑍍𑌵𑌰𑍍𑌣𑌘𑌟𑍀𑌪𑍂𑌰𑍍𑌣𑌰𑌤𑍍𑌨𑌾𑌭𑌿𑌵𑌰𑍍𑌷𑌕𑌃 । 𑌭𑌾𑌰𑌤𑍀𑌸𑍁𑌨𑍍𑌦𑌰𑍀𑌨𑌾𑌥𑍋 𑌵𑌿𑌨𑌾𑌯𑌕𑌰𑌤𑌿𑌪𑍍𑌰𑌿𑌯𑌃 ॥ 46 ॥ 𑌮𑌹𑌾𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌪𑍍𑌰𑌿𑌯𑌤𑌮𑌃 𑌸𑌿𑌦𑍍𑌧𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌮𑌨𑍋𑌰𑌮𑌃 । 𑌰𑌮𑌾𑌰𑌮𑍇𑌶𑌪𑍂𑌰𑍍𑌵𑌾𑌙𑍍𑌗𑍋 𑌦𑌕𑍍𑌷𑌿𑌣𑍋𑌮𑌾𑌮𑌹𑍇𑌶𑍍𑌵𑌰𑌃 ॥ 47 ॥ 𑌮𑌹𑍀𑌵𑌰𑌾𑌹𑌵𑌾𑌮𑌾𑌙𑍍𑌗𑍋 𑌰𑌤𑌿𑌕𑌨𑍍𑌦𑌰𑍍𑌪𑌪𑌶𑍍𑌚𑌿𑌮𑌃 । 𑌆𑌮𑍋𑌦𑌮𑍋𑌦𑌜𑌨𑌨𑌃 𑌸𑌪𑍍𑌰𑌮𑍋𑌦𑌪𑍍𑌰𑌮𑍋𑌦𑌨𑌃 ॥ 48 ॥ 𑌸𑌂𑌵𑌰𑍍𑌧𑌿𑌤𑌮𑌹𑌾𑌵𑍃𑌦𑍍𑌧𑌿𑌰𑍃𑌦𑍍𑌧𑌿𑌸𑌿𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌵𑌰𑍍𑌧𑌨𑌃 । 𑌦𑌨𑍍𑌤𑌸𑍗𑌮𑍁𑌖𑍍𑌯𑌸𑍁𑌮𑍁𑌖𑌃 𑌕𑌾𑌨𑍍𑌤𑌿𑌕𑌨𑍍𑌦𑌲𑌿𑌤𑌾𑌶𑍍𑌰𑌯𑌃 ॥ 49 ॥ 𑌮𑌦𑌨𑌾𑌵𑌤𑍍𑌯𑌾𑌶𑍍𑌰𑌿𑌤𑌾𑌙𑍍𑌘𑍍𑌰𑌿𑌃 𑌕𑍃𑌤𑌵𑍈𑌮𑍁𑌖𑍍𑌯𑌦𑍁𑌰𑍍𑌮𑍁𑌖𑌃 । 𑌵𑌿𑌘𑍍𑌨𑌸𑌮𑍍𑌪𑌲𑍍𑌲𑌵𑌃 𑌪𑌦𑍍𑌮𑌃 𑌸𑌰𑍍𑌵𑍋𑌨𑍍𑌨𑌤𑌮𑌦𑌦𑍍𑌰𑌵𑌃 ॥ 50 ॥

Sarvamangalamangalyah sarvakaranakaranam | Sarvadevavarah sharngi bijapuri gadadharah || 41 || Shubhango lokasarangah sutantustantuvardhanah | Kiriti kundali hari vanamali shubhangadah || 42 || Ikshuchapadharah shuli chakrapanih sarojabhrit | Pashi dhritotpalah shalimanjaribhritsvadantabhrit || 43 || Kalpavallidharo vishvabhayadaikakaro vashi | Akshamaladharo jnanamudravan mudgarayudhah || 44 || Purnapatri kambudharo vidhritankushamulakah | Karasthamraphalashchutakalikabhritkutharavan || 45 || Pushkarasthasvarnaghatipurnaratnabhivarshakah | Bharatisundarinatho vinayakaratipriyah || 46 || Mahalakshmipriyatamah siddhalakshmimanoramah | Ramarameshapurvango dakshinomamaheshvarah || 47 || Mahivarahavamango ratikandarpapashchimah | Amodamodajananah sapramodapramodanah || 48 || Samvardhitamahavriddhirriddhisiddhipravardhanah | Dantasaumukhyasumukhah kantikandalitashrayah || 49 || Madanavatyashritanghrih kritavaimukhyadurmukhah | Vighnasampallavah padmah sarvonnatamadadravah || 50 ||

Meaning:He is the auspiciousness of all that is auspicious and the cause of all causes, the boon among all gods. This decade fills his many hands: the sugarcane bow and the citron, the mace, trident, discus and lotus, the noose and the blue lily, the sprig of rice-blossoms and his own tusk, the wish-fulfilling creeper and the single hand raised to free the universe of fear, the rosary and the gesture of knowledge, the hammer, the full vessel, the conch, the goad with its shaft, the mango and its tender bud, and the axe; from a golden vessel set on a lotus he rains down jewels. He is the lord of Bharati and Sundari, dearest of Mahalakshmi, with Rama-Ramesha before him and Uma-Maheshvara on his right, Varaha and the Earth on his left, Rati and Kandarpa behind — the begetter of joy and gladness, the increaser of riddhi and siddhi.

Verse 8

𑌵𑌿𑌘𑍍𑌨𑌕𑍃𑌨𑍍𑌨𑌿𑌮𑍍𑌨𑌚𑌰𑌣𑍋 𑌦𑍍𑌰𑌾𑌵𑌿𑌣𑍀𑌶𑌕𑍍𑌤𑌿𑌸𑌤𑍍𑌕𑍃𑌤𑌃 । 𑌤𑍀𑌵𑍍𑌰𑌾𑌪𑍍𑌰𑌸𑌨𑍍𑌨𑌨𑌯𑌨𑍋 𑌜𑍍𑌵𑌾𑌲𑌿𑌨𑍀𑌪𑌾𑌲𑌿𑌤𑍈𑌕𑌦𑍃𑌕𑍍 ॥ 51 ॥ 𑌮𑍋𑌹𑌿𑌨𑍀𑌮𑍋𑌹𑌨𑍋 𑌭𑍋𑌗𑌦𑌾𑌯𑌿𑌨𑍀𑌕𑌾𑌨𑍍𑌤𑌿𑌮𑌣𑍍𑌡𑌨𑌃 । 𑌕𑌾𑌮𑌿𑌨𑍀𑌕𑌾𑌨𑍍𑌤𑌵𑌕𑍍𑌤𑍍𑌰𑌶𑍍𑌰𑍀𑌰𑌧𑌿𑌷𑍍𑌠𑌿𑌤𑌵𑌸𑍁𑌨𑍍𑌧𑌰𑌃 ॥ 52 ॥ 𑌵𑌸𑍁𑌧𑌾𑌰𑌾𑌮𑌦𑍋𑌨𑍍𑌨𑌾𑌦𑍋 𑌮𑌹𑌾𑌶𑌙𑍍𑌖𑌨𑌿𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌨𑌮𑌦𑍍𑌵𑌸𑍁𑌮𑌤𑍀𑌮𑌾𑌲𑍀 𑌮𑌹𑌾𑌪𑌦𑍍𑌮𑌨𑌿𑌧𑌿𑌃 𑌪𑍍𑌰𑌭𑍁𑌃 ॥ 53 ॥ 𑌸𑌰𑍍𑌵𑌸𑌦𑍍𑌗𑍁𑌰𑍁𑌸𑌂𑌸𑍇𑌵𑍍𑌯𑌃 𑌶𑍋𑌚𑌿𑌷𑍍𑌕𑍇𑌶𑌹𑍃𑌦𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌈𑌶𑌾𑌨𑌮𑍂𑌰𑍍𑌧𑌾 𑌦𑍇𑌵𑍇𑌨𑍍𑌦𑍍𑌰𑌶𑌿𑌖𑌃 𑌪𑌵𑌨𑌨𑌨𑍍𑌦𑌨𑌃 ॥ 54 ॥ 𑌪𑍍𑌰𑌤𑍍𑌯𑍁𑌗𑍍𑌰𑌨𑌯𑌨𑍋 𑌦𑌿𑌵𑍍𑌯𑍋 𑌦𑌿𑌵𑍍𑌯𑌾𑌸𑍍𑌤𑍍𑌰𑌶𑌤𑌪𑌰𑍍𑌵𑌧𑍃𑌕𑍍 । 𑌐𑌰𑌾𑌵𑌤𑌾𑌦𑌿𑌸𑌰𑍍𑌵𑌾𑌶𑌾𑌵𑌾𑌰𑌣𑍋 𑌵𑌾𑌰𑌣𑌪𑍍𑌰𑌿𑌯𑌃 ॥ 55 ॥ 𑌵𑌜𑍍𑌰𑌾𑌦𑍍𑌯𑌸𑍍𑌤𑍍𑌰𑌪𑌰𑍀𑌵𑌾𑌰𑍋 𑌗𑌣𑌚𑌣𑍍𑌡𑌸𑌮𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌜𑌯𑌾𑌜𑌯𑌪𑌰𑌿𑌕𑌰𑍋 𑌵𑌿𑌜𑌯𑌾𑌵𑌿𑌜𑌯𑌾𑌵𑌹𑌃 ॥ 56 ॥ 𑌅𑌜𑌯𑌾𑌰𑍍𑌚𑌿𑌤𑌪𑌾𑌦𑌾𑌬𑍍𑌜𑍋 𑌨𑌿𑌤𑍍𑌯𑌾𑌨𑌨𑍍𑌦𑌵𑌨𑌸𑍍𑌥𑌿𑌤𑌃 । 𑌵𑌿𑌲𑌾𑌸𑌿𑌨𑍀𑌕𑍃𑌤𑍋𑌲𑍍𑌲𑌾𑌸𑌃 𑌶𑍗𑌣𑍍𑌡𑍀 𑌸𑍗𑌨𑍍𑌦𑌰𑍍𑌯𑌮𑌣𑍍𑌡𑌿𑌤𑌃 ॥ 57 ॥ 𑌅𑌨𑌨𑍍𑌤𑌾𑌨𑌨𑍍𑌤𑌸𑍁𑌖𑌦𑌃 𑌸𑍁𑌮𑌙𑍍𑌗𑌲𑌸𑍁𑌮𑌙𑍍𑌗𑌲𑌃 । 𑌜𑍍𑌞𑌾𑌨𑌾𑌶𑍍𑌰𑌯𑌃 𑌕𑍍𑌰𑌿𑌯𑌾𑌧𑌾𑌰 𑌇𑌚𑍍𑌛𑌾𑌶𑌕𑍍𑌤𑌿𑌨𑌿𑌷𑍇𑌵𑌿𑌤𑌃 ॥ 58 ॥ 𑌸𑍁𑌭𑌗𑌾𑌸𑌂𑌶𑍍𑌰𑌿𑌤𑌪𑌦𑍋 𑌲𑌲𑌿𑌤𑌾𑌲𑌲𑌿𑌤𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌕𑌾𑌮𑌿𑌨𑍀𑌪𑌾𑌲𑌨𑌃 𑌕𑌾𑌮𑌕𑌾𑌮𑌿𑌨𑍀𑌕𑍇𑌲𑌿𑌲𑌾𑌲𑌿𑌤𑌃 ॥ 59 ॥ 𑌸𑌰𑌸𑍍𑌵𑌤𑍍𑌯𑌾𑌶𑍍𑌰𑌯𑍋 𑌗𑍗𑌰𑍀𑌨𑌨𑍍𑌦𑌨𑌃 𑌶𑍍𑌰𑍀𑌨𑌿𑌕𑍇𑌤𑌨𑌃 । 𑌗𑍁𑌰𑍁𑌗𑍁𑌪𑍍𑌤𑌪𑌦𑍋 𑌵𑌾𑌚𑌾𑌸𑌿𑌦𑍍𑌧𑍋 𑌵𑌾𑌗𑍀𑌶𑍍𑌵𑌰𑍀𑌪𑌤𑌿𑌃 ॥ 60 ॥

Vighnakrinnimnacharano dravinishaktisatkritah | Tivraprasannanayano jvalinipalitaikadrik || 51 || Mohinimohano bhogadayinikantimandanah | Kaminikantavaktrashriradhishthitavasundharah || 52 || Vasudharamadonnado mahashankhanidhipriyah | Namadvasumatimali mahapadmanidhih prabhuh || 53 || Sarvasadgurusamsevyah shochishkeshahridashrayah | Ishanamurdha devendrashikhah pavananandanah || 54 || Pratyugranayano divyo divyastrashataparvadhrik | Airavatadisarvashavarano varanapriyah || 55 || Vajradyastraparivaro ganachandasamashrayah | Jayajayaparikaro vijayavijayavahah || 56 || Ajayarchitapadabjo nityanandavanasthitah | Vilasinikritollasah shaundi saundaryamanditah || 57 || Anantanantasukhadah sumangalasumangalah | Jnanashrayah kriyadhara ichchhashaktinishevitah || 58 || Subhagasamshritapado lalitalalitashrayah | Kaminipalanah kamakaminikelilalitah || 59 || Sarasvatyashrayo gaurinandanah shriniketanah | Guruguptapado vachasiddho vagishvaripatih || 60 ||

Meaning:Around him stand his shaktis and treasures: honoured by Dravini, guarded in glance by Jvalini, the enchanter of Mohini, adorned by Bhogadayini's beauty, sovereign of the earth, lord of the great-conch and great-lotus treasures (nidhis), garlanded by the bowing Vasumati. He is served by all true gurus; Ishana is his crown and Indra his crest, dear to Pavana's son. Fierce-eyed and divine, bearing a hundred-jointed divine weapon, he is the elephant of all the quarters like Airavata and the lover of elephants, attended by Jaya and Vijaya, bringer of victory, his lotus feet worshipped by Ajaya. Dwelling in the grove of eternal bliss with his playful shaktis, splendid in beauty, giver of endless joys, he is the resting place of knowledge and the support of action, served by the power of will, the refuge of Sarasvati, the son of Gauri, the home of Shri, the lord of Vagishvari.

Verse 9

𑌨𑌲𑌿𑌨𑍀𑌕𑌾𑌮𑍁𑌕𑍋 𑌵𑌾𑌮𑌾𑌰𑌾𑌮𑍋 𑌜𑍍𑌯𑍇𑌷𑍍𑌠𑌾𑌮𑌨𑍋𑌰𑌮𑌃 । 𑌰𑍗𑌦𑍍𑌰𑍀𑌮𑍁𑌦𑍍𑌰𑌿𑌤𑌪𑌾𑌦𑌾𑌬𑍍𑌜𑍋 𑌹𑍁𑌮𑍍𑌬𑍀𑌜𑌸𑍍𑌤𑍁𑌙𑍍𑌗𑌶𑌕𑍍𑌤𑌿𑌕𑌃 ॥ 61 ॥ 𑌵𑌿𑌶𑍍𑌵𑌾𑌦𑌿𑌜𑌨𑌨𑌤𑍍𑌰𑌾𑌣𑌃 𑌸𑍍𑌵𑌾𑌹𑌾𑌶𑌕𑍍𑌤𑌿𑌃 𑌸𑌕𑍀𑌲𑌕𑌃 । 𑌅𑌮𑍃𑌤𑌾𑌬𑍍𑌧𑌿𑌕𑍃𑌤𑌾𑌵𑌾𑌸𑍋 𑌮𑌦𑌘𑍂𑌰𑍍𑌣𑌿𑌤𑌲𑍋𑌚𑌨𑌃 ॥ 62 ॥ 𑌉𑌚𑍍𑌛𑌿𑌷𑍍𑌟𑍋𑌚𑍍𑌛𑌿𑌷𑍍𑌟𑌗𑌣𑌕𑍋 𑌗𑌣𑍇𑌶𑍋 𑌗𑌣𑌨𑌾𑌯𑌕𑌃 । 𑌸𑌾𑌰𑍍𑌵𑌕𑌾𑌲𑌿𑌕𑌸𑌂𑌸𑌿𑌦𑍍𑌧𑌿𑌰𑍍𑌨𑌿𑌤𑍍𑌯𑌸𑍇𑌵𑍍𑌯𑍋 𑌦𑌿𑌗𑌮𑍍𑌬𑌰𑌃 ॥ 63 ॥ 𑌅𑌨𑌪𑌾𑌯𑍋𑌽𑌨𑌨𑍍𑌤𑌦𑍃𑌷𑍍𑌟𑌿𑌰𑌪𑍍𑌰𑌮𑍇𑌯𑍋𑌽𑌜𑌰𑌾𑌮𑌰𑌃 । 𑌅𑌨𑌾𑌵𑌿𑌲𑍋𑌽𑌪𑍍𑌰𑌤𑌿𑌹𑌤𑌿𑌰𑌚𑍍𑌯𑍁𑌤𑍋𑌽𑌮𑍃𑌤𑌮𑌕𑍍𑌷𑌰𑌃 ॥ 64 ॥ 𑌅𑌪𑍍𑌰𑌤𑌰𑍍𑌕𑍍𑌯𑍋𑌽𑌕𑍍𑌷𑌯𑍋𑌽𑌜𑌯𑍍𑌯𑍋𑌽𑌨𑌾𑌧𑌾𑌰𑍋𑌽𑌨𑌾𑌮𑌯𑍋𑌮𑌲𑌃 । 𑌅𑌮𑍇𑌯𑌸𑌿𑌦𑍍𑌧𑌿𑌰𑌦𑍍𑌵𑍈𑌤𑌮𑌘𑍋𑌰𑍋𑌽𑌗𑍍𑌨𑌿𑌸𑌮𑌾𑌨𑌨𑌃 ॥ 65 ॥ 𑌅𑌨𑌾𑌕𑌾𑌰𑍋𑌽𑌬𑍍𑌧𑌿𑌭𑍂𑌮𑍍𑌯𑌗𑍍𑌨𑌿𑌬𑌲𑌘𑍍𑌨𑍋𑌽𑌵𑍍𑌯𑌕𑍍𑌤𑌲𑌕𑍍𑌷𑌣𑌃 । 𑌆𑌧𑌾𑌰𑌪𑍀𑌠𑌮𑌾𑌧𑌾𑌰 𑌆𑌧𑌾𑌰𑌾𑌧𑍇𑌯𑌵𑌰𑍍𑌜𑌿𑌤𑌃 ॥ 66 ॥ 𑌆𑌖𑍁𑌕𑍇𑌤𑌨 𑌆𑌶𑌾𑌪𑍂𑌰𑌕 𑌆𑌖𑍁𑌮𑌹𑌾𑌰𑌥𑌃 । 𑌇𑌕𑍍𑌷𑍁𑌸𑌾𑌗𑌰𑌮𑌧𑍍𑌯𑌸𑍍𑌥 𑌇𑌕𑍍𑌷𑍁𑌭𑌕𑍍𑌷𑌣𑌲𑌾𑌲𑌸𑌃 ॥ 67 ॥ 𑌇𑌕𑍍𑌷𑍁𑌚𑌾𑌪𑌾𑌤𑌿𑌰𑍇𑌕𑌶𑍍𑌰𑍀𑌰𑌿𑌕𑍍𑌷𑍁𑌚𑌾𑌪𑌨𑌿𑌷𑍇𑌵𑌿𑌤𑌃 । 𑌇𑌨𑍍𑌦𑍍𑌰𑌗𑍋𑌪𑌸𑌮𑌾𑌨𑌶𑍍𑌰𑍀𑌰𑌿𑌨𑍍𑌦𑍍𑌰𑌨𑍀𑌲𑌸𑌮𑌦𑍍𑌯𑍁𑌤𑌿𑌃 ॥ 68 ॥ 𑌇𑌨𑍍𑌦𑍀𑌵𑌰𑌦𑌲𑌶𑍍𑌯𑌾𑌮 𑌇𑌨𑍍𑌦𑍁𑌮𑌣𑍍𑌡𑌲𑌮𑌣𑍍𑌡𑌿𑌤𑌃 । 𑌇𑌧𑍍𑌮𑌪𑍍𑌰𑌿𑌯 𑌇𑌡𑌾𑌭𑌾𑌗 𑌇𑌡𑌾𑌵𑌾𑌨𑌿𑌨𑍍𑌦𑌿𑌰𑌾𑌪𑍍𑌰𑌿𑌯𑌃 ॥ 69 ॥ 𑌇𑌕𑍍𑌷𑍍𑌵𑌾𑌕𑍁𑌵𑌿𑌘𑍍𑌨𑌵𑌿𑌧𑍍𑌵𑌂𑌸𑍀 𑌇𑌤𑌿𑌕𑌰𑍍𑌤𑌵𑍍𑌯𑌤𑍇𑌪𑍍𑌸𑌿𑌤𑌃 । 𑌈𑌶𑌾𑌨𑌮𑍗𑌲𑌿𑌰𑍀𑌶𑌾𑌨 𑌈𑌶𑌾𑌨𑌪𑍍𑌰𑌿𑌯 𑌈𑌤𑌿𑌹𑌾 ॥ 70 ॥

Nalinikamuko vamaramo jyeshthamanoramah | Raudrimudritapadabjo humbijastungashaktikah || 61 || Vishvadijananatranah svahashaktih sakilakah | Amritabdhikritavaso madaghurnitalochanah || 62 || Uchchhishtochchhishtaganako ganesho gananayakah | Sarvakalikasamsiddhirnityasevyo digambarah || 63 || Anapayonantadrishtiraprameyojaramarah | Anavilopratihatirachyutomritamaksharah || 64 || Apratarkyokshayojayyonadharonamayomalah | Ameyasiddhiradvaitamaghorognisamananah || 65 || Anakarobdhibhumyagnibalaghnovyaktalakshanah | Adharapithamadhara adharadheyavarjitah || 66 || Akhuketana ashapuraka akhumaharathah | Ikshusagaramadhyastha ikshubhakshanalalasah || 67 || Ikshuchapatirekashririkshuchapanishevitah | Indragopasamanashririndranilasamadyutih || 68 || Indivaradalashyama indumandalamanditah | Idhmapriya idabhaga idavanindirapriyah || 69 || Ikshvakuvighnavidhvamsi itikartavyatepsitah | Ishanamaulirishana ishanapriya itiha || 70 ||

Meaning:This decade carries the esoteric names of the Uchchhishta-Ganapati tradition and the alphabet-names beginning with the vowels: his seed is Hum, his power Tunga, his shakti Svaha; he dwells in the ocean of nectar with eyes rolling in rapture, the leader of the uchchhishta ganas, clothed in the directions (digambara). A cascade of negations declares his transcendence: imperishable, of infinite vision, immeasurable, unaging and undying, unstained, unobstructed, unfallen (achyuta), immortal, indestructible syllable, beyond reasoning, unconquerable, needing no support, free of disease and taint, of measureless attainment, non-dual, un-terrible yet with a face like fire. Mouse-bannered fulfiller of hopes, he stands in the middle of the sugarcane ocean loving its sweetness, lovely as the indragopa insect, lustrous as sapphire, dark as the blue-lotus petal, adorned with the moon's disc, dear to Indira, crowned by Ishana and destroyer of calamities.

Verse 10

𑌈𑌷𑌣𑌾𑌤𑍍𑌰𑌯𑌕𑌲𑍍𑌪𑌾𑌨𑍍𑌤 𑌈𑌹𑌾𑌮𑌾𑌤𑍍𑌰𑌵𑌿𑌵𑌰𑍍𑌜𑌿𑌤𑌃 । 𑌉𑌪𑍇𑌨𑍍𑌦𑍍𑌰 𑌉𑌡𑍁𑌭𑍃𑌨𑍍𑌮𑍗𑌲𑌿𑌰𑍁𑌡𑍁𑌨𑌾𑌥𑌕𑌰𑌪𑍍𑌰𑌿𑌯𑌃 ॥ 71 ॥ 𑌉𑌨𑍍𑌨𑌤𑌾𑌨𑌨 𑌉𑌤𑍍𑌤𑍁𑌙𑍍𑌗 𑌉𑌦𑌾𑌰𑌸𑍍𑌤𑍍𑌰𑌿𑌦𑌶𑌾𑌗𑍍𑌰𑌣𑍀𑌃 । 𑌊𑌰𑍍𑌜𑌸𑍍𑌵𑌾𑌨𑍂𑌷𑍍𑌮𑌲𑌮𑌦 𑌊𑌹𑌾𑌪𑍋𑌹𑌦𑍁𑌰𑌾𑌸𑌦𑌃 ॥ 72 ॥ 𑌋𑌗𑍍𑌯𑌜𑍁𑌃𑌸𑌾𑌮𑌨𑌯𑌨 𑌋𑌦𑍍𑌧𑌿𑌸𑌿𑌦𑍍𑌧𑌿𑌸𑌮𑌰𑍍𑌪𑌕𑌃 । 𑌋𑌜𑍁𑌚𑌿𑌤𑍍𑌤𑍈𑌕𑌸𑍁𑌲𑌭𑍋 𑌋𑌣𑌤𑍍𑌰𑌯𑌵𑌿𑌮𑍋𑌚𑌨𑌃 ॥ 73 ॥ 𑌲𑍁𑌪𑍍𑌤𑌵𑌿𑌘𑍍𑌨𑌃 𑌸𑍍𑌵𑌭𑌕𑍍𑌤𑌾𑌨𑌾𑌂 𑌲𑍁𑌪𑍍𑌤𑌶𑌕𑍍𑌤𑌿𑌃 𑌸𑍁𑌰𑌦𑍍𑌵𑌿𑌷𑌾𑌮𑍍 । 𑌲𑍁𑌪𑍍𑌤𑌶𑍍𑌰𑍀𑌰𑍍𑌵𑌿𑌮𑍁𑌖𑌾𑌰𑍍𑌚𑌾𑌨𑌾𑌂 𑌲𑍂𑌤𑌾𑌵𑌿𑌸𑍍𑌫𑍋𑌟𑌨𑌾𑌶𑌨𑌃 ॥ 74 ॥ 𑌏𑌕𑌾𑌰𑌪𑍀𑌠𑌮𑌧𑍍𑌯𑌸𑍍𑌥 𑌏𑌕𑌪𑌾𑌦𑌕𑍃𑌤𑌾𑌸𑌨𑌃 । 𑌏𑌜𑌿𑌤𑌾𑌖𑌿𑌲𑌦𑍈𑌤𑍍𑌯𑌶𑍍𑌰𑍀𑌰𑍇𑌧𑌿𑌤𑌾𑌖𑌿𑌲𑌸𑌂𑌶𑍍𑌰𑌯𑌃 ॥ 75 ॥ 𑌐𑌶𑍍𑌵𑌰𑍍𑌯𑌨𑌿𑌧𑌿𑌰𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌮𑍈𑌹𑌿𑌕𑌾𑌮𑍁𑌷𑍍𑌮𑌿𑌕𑌪𑍍𑌰𑌦𑌃 । 𑌐𑌰𑌮𑍍𑌮𑌦𑌸𑌮𑍋𑌨𑍍𑌮𑍇𑌷 𑌐𑌰𑌾𑌵𑌤𑌸𑌮𑌾𑌨𑌨𑌃 ॥ 76 ॥ 𑌓𑌙𑍍𑌕𑌾𑌰𑌵𑌾𑌚𑍍𑌯 𑌓𑌙𑍍𑌕𑌾𑌰 𑌓𑌜𑌸𑍍𑌵𑌾𑌨𑍋𑌷𑌧𑍀𑌪𑌤𑌿𑌃 । 𑌔𑌦𑌾𑌰𑍍𑌯𑌨𑌿𑌧𑌿𑌰𑍗𑌦𑍍𑌧𑌤𑍍𑌯𑌧𑍈𑌰𑍍𑌯 𑌔𑌨𑍍𑌨𑌤𑍍𑌯𑌨𑌿𑌃𑌸𑌮𑌃 ॥ 77 ॥ 𑌅𑌙𑍍𑌕𑍁𑌶𑌃 𑌸𑍁𑌰𑌨𑌾𑌗𑌾𑌨𑌾𑌮𑌙𑍍𑌕𑍁𑌶𑌾𑌕𑌾𑌰𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌃 । 𑌅𑌃 𑌸𑌮𑌸𑍍𑌤𑌵𑌿𑌸𑌰𑍍𑌗𑌾𑌨𑍍𑌤𑌪𑌦𑍇𑌷𑍁 𑌪𑌰𑌿𑌕𑍀𑌰𑍍𑌤𑌿𑌤𑌃 ॥ 78 ॥ 𑌕𑌮𑌣𑍍𑌡𑌲𑍁𑌧𑌰𑌃 𑌕𑌲𑍍𑌪𑌃 𑌕𑌪𑌰𑍍𑌦𑍀 𑌕𑌲𑌭𑌾𑌨𑌨𑌃 । 𑌕𑌰𑍍𑌮𑌸𑌾𑌕𑍍𑌷𑍀 𑌕𑌰𑍍𑌮𑌕𑌰𑍍𑌤𑌾 𑌕𑌰𑍍𑌮𑌾𑌕𑌰𑍍𑌮𑌫𑌲𑌪𑍍𑌰𑌦𑌃 ॥ 79 ॥ 𑌕𑌦𑌮𑍍𑌬𑌗𑍋𑌲𑌕𑌾𑌕𑌾𑌰𑌃 𑌕𑍂𑌷𑍍𑌮𑌾𑌣𑍍𑌡𑌗𑌣𑌨𑌾𑌯𑌕𑌃 । 𑌕𑌾𑌰𑍁𑌣𑍍𑌯𑌦𑍇𑌹𑌃 𑌕𑌪𑌿𑌲𑌃 𑌕𑌥𑌕𑌃 𑌕𑌟𑌿𑌸𑍂𑌤𑍍𑌰𑌭𑍃𑌤𑍍 ॥ 80 ॥

Ishanatrayakalpanta ihamatravivarjitah | Upendra udubhrinmaulirudunathakarapriyah || 71 || Unnatanana uttunga udarastridashagranih | Urjasvanushmalamada uhapohadurasadah || 72 || Rigyajuhsamanayana riddhisiddhisamarpakah | Rijuchittaikasulabho rinatrayavimochanah || 73 || Luptavighnah svabhaktanam luptashaktih suradvisham | Luptashrirvimukharchanam lutavisphotanashanah || 74 || Ekarapithamadhyastha ekapadakritasanah | Ejitakhiladaityashriredhitakhilasamshrayah || 75 || Aishvaryanidhiraishvaryamaihikamushmikapradah | Airammadasamonmesha airavatasamananah || 76 || Onkaravachya onkara ojasvanoshadhipatih | Audaryanidhirauddhatyadhairya aunnatyanihsamah || 77 || Ankushah suranaganamankushakarasamsthitah | Ah samastavisargantapadeshu parikirtitah || 78 || Kamandaludharah kalpah kapardi kalabhananah | Karmasakshi karmakarta karmakarmaphalapradah || 79 || Kadambagolakakarah kushmandagananayakah | Karunyadehah kapilah kathakah katisutrabhrit || 80 ||

Meaning:The vowel-names continue: he is Upendra, wearing the star-lord moon in his crest; lofty-faced, tall and generous, first among the thirty gods, mighty in vigour, unapproachable by mere argument and counter-argument. His eyes are the Rik, Yajus and Sama Vedas; he bestows riddhi and siddhi, is easily won by the simple-hearted, and releases beings from the three debts. For his devotees obstacles vanish; for the enemies of the gods, power itself vanishes. Seated on the pitha of the syllable E with one foot folded, he shook the wealth of all the daityas and increases every refuge. Treasure-house of lordship, giver of prosperity here and hereafter, flashing like lightning-fire, elephant-faced like Airavata; he is what Omkara names — Omkara itself — vigorous lord of herbs, ocean of generosity, matchless in loftiness, the goad of gods and nagas, and the visarga 'ah' at the end of all words. With the ka-names he bears the water-pot, wears the kaparda locks, has the face of an elephant calf, witnesses all karma, performs and awards karma's fruits, is shaped like a kadamba cluster, leads the Kushmanda hosts, embodies compassion, is tawny Kapila, the teller of tales, wearer of the waist-cord.

Verse 11

𑌖𑌰𑍍𑌵𑌃 𑌖𑌡𑍍𑌗𑌪𑍍𑌰𑌿𑌯𑌃 𑌖𑌡𑍍𑌗𑌃 𑌖𑌾𑌨𑍍𑌤𑌾𑌨𑍍𑌤𑌃𑌸𑍍𑌥𑌃 𑌖𑌨𑌿𑌰𑍍𑌮𑌲𑌃 । 𑌖𑌲𑍍𑌵𑌾𑌟𑌶𑍃𑌙𑍍𑌗𑌨𑌿𑌲𑌯𑌃 𑌖𑌟𑍍𑌵𑌾𑌙𑍍𑌗𑍀 𑌖𑌦𑍁𑌰𑌾𑌸𑌦𑌃 ॥ 81 ॥ 𑌗𑍁𑌣𑌾𑌢𑍍𑌯𑍋 𑌗𑌹𑌨𑍋 𑌗𑌦𑍍𑌯𑍋 𑌗𑌦𑍍𑌯𑌪𑌦𑍍𑌯𑌸𑍁𑌧𑌾𑌰𑍍𑌣𑌵𑌃 । 𑌗𑌦𑍍𑌯𑌗𑌾𑌨𑌪𑍍𑌰𑌿𑌯𑍋 𑌗𑌰𑍍𑌜𑍋 𑌗𑍀𑌤𑌗𑍀𑌰𑍍𑌵𑌾𑌣𑌪𑍂𑌰𑍍𑌵𑌜𑌃 ॥ 82 ॥ 𑌗𑍁𑌹𑍍𑌯𑌾𑌚𑌾𑌰𑌰𑌤𑍋 𑌗𑍁𑌹𑍍𑌯𑍋 𑌗𑍁𑌹𑍍𑌯𑌾𑌗𑌮𑌨𑌿𑌰𑍂𑌪𑌿𑌤𑌃 । 𑌗𑍁𑌹𑌾𑌶𑌯𑍋 𑌗𑍁𑌡𑌾𑌬𑍍𑌧𑌿𑌸𑍍𑌥𑍋 𑌗𑍁𑌰𑍁𑌗𑌮𑍍𑌯𑍋 𑌗𑍁𑌰𑍁𑌰𑍍𑌗𑍁𑌰𑍁𑌃 ॥ 83 ॥ 𑌘𑌣𑍍𑌟𑌾𑌘𑌰𑍍𑌘𑌰𑌿𑌕𑌾𑌮𑌾𑌲𑍀 𑌘𑌟𑌕𑍁𑌮𑍍𑌭𑍋 𑌘𑌟𑍋𑌦𑌰𑌃 । 𑌙𑌕𑌾𑌰𑌵𑌾𑌚𑍍𑌯𑍋 𑌙𑌾𑌕𑌾𑌰𑍋 𑌙𑌕𑌾𑌰𑌾𑌕𑌾𑌰𑌶𑍁𑌣𑍍𑌡𑌭𑍃𑌤𑍍 ॥ 84 ॥ 𑌚𑌣𑍍𑌡𑌶𑍍𑌚𑌣𑍍𑌡𑍇𑌶𑍍𑌵𑌰𑌶𑍍𑌚𑌣𑍍𑌡𑍀 𑌚𑌣𑍍𑌡𑍇𑌶𑌶𑍍𑌚𑌣𑍍𑌡𑌵𑌿𑌕𑍍𑌰𑌮𑌃 । 𑌚𑌰𑌾𑌚𑌰𑌪𑌿𑌤𑌾 𑌚𑌿𑌨𑍍𑌤𑌾𑌮𑌣𑌿𑌶𑍍𑌚𑌰𑍍𑌵𑌣𑌲𑌾𑌲𑌸𑌃 ॥ 85 ॥ 𑌛𑌨𑍍𑌦𑌶𑍍𑌛𑌨𑍍𑌦𑍋𑌦𑍍𑌭𑌵𑌶𑍍𑌛𑌨𑍍𑌦𑍋 𑌦𑍁𑌰𑍍𑌲𑌕𑍍𑌷𑍍𑌯𑌶𑍍𑌛𑌨𑍍𑌦𑌵𑌿𑌗𑍍𑌰𑌹𑌃 । 𑌜𑌗𑌦𑍍𑌯𑍋𑌨𑌿𑌰𑍍𑌜𑌗𑌤𑍍𑌸𑌾𑌕𑍍𑌷𑍀 𑌜𑌗𑌦𑍀𑌶𑍋 𑌜𑌗𑌨𑍍𑌮𑌯𑌃 ॥ 86 ॥ 𑌜𑌪𑍍𑌯𑍋 𑌜𑌪𑌪𑌰𑍋 𑌜𑌾𑌪𑍍𑌯𑍋 𑌜𑌿𑌹𑍍𑌵𑌾𑌸𑌿𑌂𑌹𑌾𑌸𑌨𑌪𑍍𑌰𑌭𑍁𑌃 । 𑌸𑍍𑌰𑌵𑌦𑍍𑌗𑌣𑍍𑌡𑍋𑌲𑍍𑌲𑌸𑌦𑍍𑌧𑌾𑌨𑌝𑌙𑍍𑌕𑌾𑌰𑌿𑌭𑍍𑌰𑌮𑌰𑌾𑌕𑍁𑌲𑌃 ॥ 87 ॥ 𑌟𑌙𑍍𑌕𑌾𑌰𑌸𑍍𑌫𑌾𑌰𑌸𑌂𑌰𑌾𑌵𑌷𑍍𑌟𑌙𑍍𑌕𑌾𑌰𑌮𑌣𑌿𑌨𑍂𑌪𑍁𑌰𑌃 । 𑌠𑌦𑍍𑌵𑌯𑍀𑌪𑌲𑍍𑌲𑌵𑌾𑌨𑍍𑌤𑌸𑍍𑌥𑌸𑌰𑍍𑌵𑌮𑌨𑍍𑌤𑍍𑌰𑍇𑌷𑍁 𑌸𑌿𑌦𑍍𑌧𑌿𑌦𑌃 ॥ 88 ॥ 𑌡𑌿𑌣𑍍𑌡𑌿𑌮𑍁𑌣𑍍𑌡𑍋 𑌡𑌾𑌕𑌿𑌨𑍀𑌶𑍋 𑌡𑌾𑌮𑌰𑍋 𑌡𑌿𑌣𑍍𑌡𑌿𑌮𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌢𑌕𑍍𑌕𑌾𑌨𑌿𑌨𑌾𑌦𑌮𑍁𑌦𑌿𑌤𑍋 𑌢𑍗𑌙𑍍𑌕𑍋 𑌢𑍁𑌣𑍍𑌢𑌿𑌵𑌿𑌨𑌾𑌯𑌕𑌃 ॥ 89 ॥ 𑌤𑌤𑍍𑌤𑍍𑌵𑌾𑌨𑌾𑌂 𑌪𑍍𑌰𑌕𑍃𑌤𑌿𑌸𑍍𑌤𑌤𑍍𑌤𑍍𑌵𑌂 𑌤𑌤𑍍𑌤𑍍𑌵𑌮𑍍𑌪𑌦𑌨𑌿𑌰𑍂𑌪𑌿𑌤𑌃 । 𑌤𑌾𑌰𑌕𑌾𑌨𑍍𑌤𑌰𑌸𑌂𑌸𑍍𑌥𑌾𑌨𑌸𑍍𑌤𑌾𑌰𑌕𑌸𑍍𑌤𑌾𑌰𑌕𑌾𑌨𑍍𑌤𑌕𑌃 ॥ 90 ॥

Kharvah khadgapriyah khadgah khantantahsthah khanirmalah | Khalvatashringanilayah khatvangi khadurasadah || 81 || Gunadhyo gahano gadyo gadyapadyasudharnavah | Gadyaganapriyo garjo gitagirvanapurvajah || 82 || Guhyachararato guhyo guhyagamanirupitah | Guhashayo gudabdhistho gurugamyo gururguruh || 83 || Ghantaghargharikamali ghatakumbho ghatodarah | Nakaravachyo nakaro nakarakarashundabhrit || 84 || Chandashchandeshvarashchandi chandeshashchandavikramah | Characharapita chintamanishcharvanalalasah || 85 || Chhandashchhandodbhavashchhando durlakshyashchhandavigrahah | Jagadyonirjagatsakshi jagadisho jaganmayah || 86 || Japyo japaparo japyo jihvasimhasanaprabhuh | Sravadgandollasaddhanajhankaribhramarakulah || 87 || Tankaraspharasamravashtankaramaninupurah | Thadvayipallavantasthasarvamantreshu siddhidah || 88 || Dindimundo dakinisho damaro dindimapriyah | Dhakkaninadamudito dhaunko dhundhivinayakah || 89 || Tattvanam prakritistattvam tattvampadanirupitah | Tarakantarasamsthanastarakastarakantakah || 90 ||

Meaning:The litany now runs through the consonants: with kha he is the dwarf lord fond of the sword, dwelling on the bare peak, bearer of the khatvanga, unassailable; with ga, rich in virtues, unfathomable, an ocean of prose and poetry, lover of song, elder brother of the singing gods, devoted to secret rites, revealed in the secret agamas, resting in the cave of the heart, lord of gurus and guru of gurus. With gha he is garlanded with tinkling bells, pot-bellied like a water-jar; he is what the syllable 'nga' expresses, his trunk curved in its very shape. With cha he is Chanda the fierce lord of fierce valour, father of the moving and unmoving, the Chintamani jewel, eager to chew; with chha he is the metres and their source; with ja the womb of the world, its witness, its lord and its very substance, to be repeated in japa, enthroned on the tongue, his temples streaming ichor swarmed by humming bees. With ta and tha come the twanging jewelled anklets and the giver of siddhi in all mantras enclosed by the two tha-sounds; with da and dha the lord of dakinis, the damara drum, delighting in the dhakka's roar — Dhundhi Vinayaka. With ta he is the source (prakriti) of the tattvas and the tattva itself, expounded in the words 'tat tvam', dwelling amid the stars, the deliverer (taraka) and the slayer of Taraka.

Verse 12

𑌸𑍍𑌥𑌾𑌣𑍁𑌃 𑌸𑍍𑌥𑌾𑌣𑍁𑌪𑍍𑌰𑌿𑌯𑌃 𑌸𑍍𑌥𑌾𑌤𑌾 𑌸𑍍𑌥𑌾𑌵𑌰𑌂 𑌜𑌙𑍍𑌗𑌮𑌂 𑌜𑌗𑌤𑍍 । 𑌦𑌕𑍍𑌷𑌯𑌜𑍍𑌞𑌪𑍍𑌰𑌮𑌥𑌨𑍋 𑌦𑌾𑌤𑌾 𑌦𑌾𑌨𑌂 𑌦𑌮𑍋 𑌦𑌯𑌾 ॥ 91 ॥ 𑌦𑌯𑌾𑌵𑌾𑌨𑍍𑌦𑌿𑌵𑍍𑌯𑌵𑌿𑌭𑌵𑍋 𑌦𑌣𑍍𑌡𑌭𑍃𑌦𑍍𑌦𑌣𑍍𑌡𑌨𑌾𑌯𑌕𑌃 । 𑌦𑌨𑍍𑌤𑌪𑍍𑌰𑌭𑌿𑌨𑍍𑌨𑌾𑌭𑍍𑌰𑌮𑌾𑌲𑍋 𑌦𑍈𑌤𑍍𑌯𑌵𑌾𑌰𑌣𑌦𑌾𑌰𑌣𑌃 ॥ 92 ॥ 𑌦𑌂𑌷𑍍𑌟𑍍𑌰𑌾𑌲𑌗𑍍𑌨𑌦𑍍𑌵𑍀𑌪𑌘𑌟𑍋 𑌦𑍇𑌵𑌾𑌰𑍍𑌥𑌨𑍃𑌗𑌜𑌾𑌕𑍃𑌤𑌿𑌃 । 𑌧𑌨𑌂 𑌧𑌨𑌪𑌤𑍇𑌰𑍍𑌬𑌨𑍍𑌧𑍁𑌰𑍍𑌧𑌨𑌦𑍋 𑌧𑌰𑌣𑍀𑌧𑌰𑌃 ॥ 93 ॥ 𑌧𑍍𑌯𑌾𑌨𑍈𑌕𑌪𑍍𑌰𑌕𑌟𑍋 𑌧𑍍𑌯𑍇𑌯𑍋 𑌧𑍍𑌯𑌾𑌨𑌂 𑌧𑍍𑌯𑌾𑌨𑌪𑌰𑌾𑌯𑌣𑌃 । 𑌧𑍍𑌵𑌨𑌿𑌪𑍍𑌰𑌕𑍃𑌤𑌿𑌚𑍀𑌤𑍍𑌕𑌾𑌰𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍍𑌡𑌾𑌵𑌲𑌿𑌮𑍇𑌖𑌲𑌃 ॥ 94 ॥ 𑌨𑌨𑍍𑌦𑍍𑌯𑍋 𑌨𑌨𑍍𑌦𑌿𑌪𑍍𑌰𑌿𑌯𑍋 𑌨𑌾𑌦𑍋 𑌨𑌾𑌦𑌮𑌧𑍍𑌯𑌪𑍍𑌰𑌤𑌿𑌷𑍍𑌠𑌿𑌤𑌃 । 𑌨𑌿𑌷𑍍𑌕𑌲𑍋 𑌨𑌿𑌰𑍍𑌮𑌲𑍋 𑌨𑌿𑌤𑍍𑌯𑍋 𑌨𑌿𑌤𑍍𑌯𑌾𑌨𑌿𑌤𑍍𑌯𑍋 𑌨𑌿𑌰𑌾𑌮𑌯𑌃 ॥ 95 ॥ 𑌪𑌰𑌂 𑌵𑍍𑌯𑍋𑌮 𑌪𑌰𑌂 𑌧𑌾𑌮 𑌪𑌰𑌮𑌾𑌤𑍍𑌮𑌾 𑌪𑌰𑌂 𑌪𑌦𑌮𑍍 ॥ 96 ॥ 𑌪𑌰𑌾𑌤𑍍𑌪𑌰𑌃 𑌪𑌶𑍁𑌪𑌤𑌿𑌃 𑌪𑌶𑍁𑌪𑌾𑌶𑌵𑌿𑌮𑍋𑌚𑌨𑌃 । 𑌪𑍂𑌰𑍍𑌣𑌾𑌨𑌨𑍍𑌦𑌃 𑌪𑌰𑌾𑌨𑌨𑍍𑌦𑌃 𑌪𑍁𑌰𑌾𑌣𑌪𑍁𑌰𑍁𑌷𑍋𑌤𑍍𑌤𑌮𑌃 ॥ 97 ॥ 𑌪𑌦𑍍𑌮𑌪𑍍𑌰𑌸𑌨𑍍𑌨𑌵𑌦𑌨𑌃 𑌪𑍍𑌰𑌣𑌤𑌾𑌜𑍍𑌞𑌾𑌨𑌨𑌾𑌶𑌨𑌃 । 𑌪𑍍𑌰𑌮𑌾𑌣𑌪𑍍𑌰𑌤𑍍𑌯𑌯𑌾𑌤𑍀𑌤𑌃 𑌪𑍍𑌰𑌣𑌤𑌾𑌰𑍍𑌤𑌿𑌨𑌿𑌵𑌾𑌰𑌣𑌃 ॥ 98 ॥ 𑌫𑌣𑌿𑌹𑌸𑍍𑌤𑌃 𑌫𑌣𑌿𑌪𑌤𑌿𑌃 𑌫𑍂𑌤𑍍𑌕𑌾𑌰𑌃 𑌫𑌣𑌿𑌤𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌬𑌾𑌣𑌾𑌰𑍍𑌚𑌿𑌤𑌾𑌙𑍍𑌘𑍍𑌰𑌿𑌯𑍁𑌗𑌲𑍋 𑌬𑌾𑌲𑌕𑍇𑌲𑌿𑌕𑍁𑌤𑍂𑌹𑌲𑍀 । 𑌬𑍍𑌰𑌹𑍍𑌮 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌰𑍍𑌚𑌿𑌤𑌪𑌦𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌚𑌾𑌰𑍀 𑌬𑍃𑌹𑌸𑍍𑌪𑌤𑌿𑌃 ॥ 99 ॥ 𑌬𑍃𑌹𑌤𑍍𑌤𑌮𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌪𑌰𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌣𑍍𑌯𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌿𑌤𑍍𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌬𑍃𑌹𑌨𑍍𑌨𑌾𑌦𑌾𑌗𑍍𑌰𑍍𑌯𑌚𑍀𑌤𑍍𑌕𑌾𑌰𑍋 𑌬𑍍𑌰𑌹𑍍𑌮𑌾𑌣𑍍𑌡𑌾𑌵𑌲𑌿𑌮𑍇𑌖𑌲𑌃 ॥ 100 ॥

Sthanuh sthanupriyah sthata sthavaram jangamam jagat | Dakshayajnapramathano data danam damo daya || 91 || Dayavandivyavibhavo dandabhriddandanayakah | Dantaprabhinnabhramalo daityavaranadaranah || 92 || Damshtralagnadvipaghato devarthanrigajakritih | Dhanam dhanapaterbandhurdhanado dharanidharah || 93 || Dhyanaikaprakato dhyeyo dhyanam dhyanaparayanah | Dhvaniprakritichitkaro brahmandavalimekhalah || 94 || Nandyo nandipriyo nado nadamadhyapratishthitah | Nishkalo nirmalo nityo nityanityo niramayah || 95 || Param vyoma param dhama paramatma param padam || 96 || Paratparah pashupatih pashupashavimochanah | Purnanandah paranandah puranapurushottamah || 97 || Padmaprasannavadanah pranatajnananashanah | Pramanapratyayatitah pranatartinivaranah || 98 || Phanihastah phanipatih phutkarah phanitapriyah | Banarchitanghriyugalo balakelikutuhali | Brahma brahmarchitapado brahmachari brihaspatih || 99 || Brihattamo brahmaparo brahmanyo brahmavitpriyah | Brihannadagryachitkaro brahmandavalimekhalah || 100 ||

Meaning:He is Sthanu the immovable and dear to Sthanu (Shiva), the world both moving and unmoving, the crusher of Daksha's sacrifice, and with da the giver, the gift, self-restraint and mercy itself, compassionate, of divine glory, staff-bearer and army-leader, his tusk wreathed in split clouds, the render of the demons' elephants, the pots of the very continents hanging from his tusks, taking elephant-and-man form for the sake of the gods. With dha he is wealth and the kinsman of the wealth-lord Kubera, the giver of wealth and the bearer of the earth; revealed only through meditation, he is at once the meditated, the meditation and the meditator. His trumpet-call is the origin of all sound; the ring of universes is his girdle. With na he is praiseworthy Nada dwelling in the centre of nada, partless, stainless, eternal, beyond the eternal and non-eternal, free from ailment. With pa he is the supreme sky, the supreme abode, the supreme Self and the supreme state, higher than the highest, Pashupati who releases the bound souls from their fetters, complete bliss, supreme bliss, the ancient supreme Person, lotus-bright of face, destroyer of the ignorance of those who bow, beyond proof and inference, remover of his suppliants' distress. With pha and ba come the serpent-handed lord of serpents, the hiss and lover of hissing, his feet worshipped by Bana, delighting in child's play; and with the b-names he is Brahman itself, his feet adored by Brahma, the celibate Brahmachari, Brihaspati, the vastest, beyond Brahma, friend of the knowers of Brahman, his great trumpeting the first of all sounds, the rows of universes his girdle.

Verse 13

𑌭𑍍𑌰𑍂𑌕𑍍𑌷𑍇𑌪𑌦𑌤𑍍𑌤𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌕𑍋 𑌭𑌰𑍍𑌗𑍋 𑌭𑌦𑍍𑌰𑍋 𑌭𑌯𑌾𑌪𑌹𑌃 । 𑌭𑌗𑌵𑌾𑌨𑍍 𑌭𑌕𑍍𑌤𑌿𑌸𑍁𑌲𑌭𑍋 𑌭𑍂𑌤𑌿𑌦𑍋 𑌭𑍂𑌤𑌿𑌭𑍂𑌷𑌣𑌃 ॥ 101 ॥ 𑌭𑌵𑍍𑌯𑍋 𑌭𑍂𑌤𑌾𑌲𑌯𑍋 𑌭𑍋𑌗𑌦𑌾𑌤𑌾 𑌭𑍍𑌰𑍂𑌮𑌧𑍍𑌯𑌗𑍋𑌚𑌰𑌃 । 𑌮𑌨𑍍𑌤𑍍𑌰𑍋 𑌮𑌨𑍍𑌤𑍍𑌰𑌪𑌤𑌿𑌰𑍍𑌮𑌨𑍍𑌤𑍍𑌰𑍀 𑌮𑌦𑌮𑌤𑍍𑌤𑍋 𑌮𑌨𑍋 𑌮𑌯𑌃 ॥ 102 ॥ 𑌮𑍇𑌖𑌲𑌾𑌹𑍀𑌶𑍍𑌵𑌰𑍋 𑌮𑌨𑍍𑌦𑌗𑌤𑌿𑌰𑍍𑌮𑌨𑍍𑌦𑌨𑌿𑌭𑍇𑌕𑍍𑌷𑌣𑌃 । 𑌮𑌹𑌾𑌬𑌲𑍋 𑌮𑌹𑌾𑌵𑍀𑌰𑍍𑌯𑍋 𑌮𑌹𑌾𑌪𑍍𑌰𑌾𑌣𑍋 𑌮𑌹𑌾𑌮𑌨𑌾𑌃 ॥ 103 ॥ 𑌯𑌜𑍍𑌞𑍋 𑌯𑌜𑍍𑌞𑌪𑌤𑌿𑌰𑍍𑌯𑌜𑍍𑌞𑌗𑍋𑌪𑍍𑌤𑌾 𑌯𑌜𑍍𑌞𑌫𑌲𑌪𑍍𑌰𑌦𑌃 । 𑌯𑌶𑌸𑍍𑌕𑌰𑍋 𑌯𑍋𑌗𑌗𑌮𑍍𑌯𑍋 𑌯𑌾𑌜𑍍𑌞𑌿𑌕𑍋 𑌯𑌾𑌜𑌕𑌪𑍍𑌰𑌿𑌯𑌃 ॥ 104 ॥ 𑌰𑌸𑍋 𑌰𑌸𑌪𑍍𑌰𑌿𑌯𑍋 𑌰𑌸𑍍𑌯𑍋 𑌰𑌞𑍍𑌜𑌕𑍋 𑌰𑌾𑌵𑌣𑌾𑌰𑍍𑌚𑌿𑌤𑌃 । 𑌰𑌾𑌜𑍍𑌯𑌰𑌕𑍍𑌷𑌾𑌕𑌰𑍋 𑌰𑌤𑍍𑌨𑌗𑌰𑍍𑌭𑍋 𑌰𑌾𑌜𑍍𑌯𑌸𑍁𑌖𑌪𑍍𑌰𑌦𑌃 ॥ 105 ॥ 𑌲𑌕𑍍𑌷𑍋 𑌲𑌕𑍍𑌷𑌪𑌤𑌿𑌰𑍍𑌲𑌕𑍍𑌷𑍍𑌯𑍋 𑌲𑌯𑌸𑍍𑌥𑍋 𑌲𑌡𑍍𑌡𑍁𑌕𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌲𑌾𑌸𑌪𑍍𑌰𑌿𑌯𑍋 𑌲𑌾𑌸𑍍𑌯𑌪𑌰𑍋 𑌲𑌾𑌭𑌕𑍃𑌲𑍍𑌲𑍋𑌕𑌵𑌿𑌶𑍍𑌰𑍁𑌤𑌃 ॥ 106 ॥ 𑌵𑌰𑍇𑌣𑍍𑌯𑍋 𑌵𑌹𑍍𑌨𑌿𑌵𑌦𑌨𑍋 𑌵𑌨𑍍𑌦𑍍𑌯𑍋 𑌵𑍇𑌦𑌾𑌨𑍍𑌤𑌗𑍋𑌚𑌰𑌃 । 𑌵𑌿𑌕𑌰𑍍𑌤𑌾 𑌵𑌿𑌶𑍍𑌵𑌤𑌶𑍍𑌚𑌕𑍍𑌷𑍁𑌰𑍍𑌵𑌿𑌧𑌾𑌤𑌾 𑌵𑌿𑌶𑍍𑌵𑌤𑍋𑌮𑍁𑌖𑌃 ॥ 107 ॥ 𑌵𑌾𑌮𑌦𑍇𑌵𑍋 𑌵𑌿𑌶𑍍𑌵𑌨𑍇𑌤𑌾 𑌵𑌜𑍍𑌰𑌿𑌵𑌜𑍍𑌰𑌨𑌿𑌵𑌾𑌰𑌣𑌃 । 𑌵𑌿𑌵𑌸𑍍𑌵𑌦𑍍𑌬𑌨𑍍𑌧𑌨𑍋 𑌵𑌿𑌶𑍍𑌵𑌾𑌧𑌾𑌰𑍋 𑌵𑌿𑌶𑍍𑌵𑍇𑌶𑍍𑌵𑌰𑍋 𑌵𑌿𑌭𑍁𑌃 ॥ 108 ॥ 𑌶𑌬𑍍𑌦𑌬𑍍𑌰𑌹𑍍𑌮 𑌶𑌮𑌪𑍍𑌰𑌾𑌪𑍍𑌯𑌃 𑌶𑌮𑍍𑌭𑍁𑌶𑌕𑍍𑌤𑌿𑌗𑌣𑍇𑌶𑍍𑌵𑌰𑌃 । 𑌶𑌾𑌸𑍍𑌤𑌾 𑌶𑌿𑌖𑌾𑌗𑍍𑌰𑌨𑌿𑌲𑌯𑌃 𑌶𑌰𑌣𑍍𑌯𑌃 𑌶𑌮𑍍𑌬𑌰𑍇𑌶𑍍𑌵𑌰𑌃 ॥ 109 ॥ 𑌷𑌡𑍃𑌤𑍁𑌕𑍁𑌸𑍁𑌮𑌸𑍍𑌰𑌗𑍍𑌵𑍀 𑌷𑌡𑌾𑌧𑌾𑌰𑌃 𑌷𑌡𑌕𑍍𑌷𑌰𑌃 । 𑌸𑌂𑌸𑌾𑌰𑌵𑍈𑌦𑍍𑌯𑌃 𑌸𑌰𑍍𑌵𑌜𑍍𑌞𑌃 𑌸𑌰𑍍𑌵𑌭𑍇𑌷𑌜𑌭𑍇𑌷𑌜𑌮𑍍 ॥ 110 ॥

Bhrukshepadattalakshmiko bhargo bhadro bhayapahah | Bhagavan bhaktisulabho bhutido bhutibhushanah || 101 || Bhavyo bhutalayo bhogadata bhrumadhyagocharah | Mantro mantrapatirmantri madamatto mano mayah || 102 || Mekhalahishvaro mandagatirmandanibhekshanah | Mahabalo mahaviryo mahaprano mahamanah || 103 || Yajno yajnapatiryajnagopta yajnaphalapradah | Yashaskaro yogagamyo yajniko yajakapriyah || 104 || Raso rasapriyo rasyo ranjako ravanarchitah | Rajyarakshakaro ratnagarbho rajyasukhapradah || 105 || Laksho lakshapatirlakshyo layastho laddukapriyah | Lasapriyo lasyaparo labhakrillokavishrutah || 106 || Varenyo vahnivadano vandyo vedantagocharah | Vikarta vishvatashchakshurvidhata vishvatomukhah || 107 || Vamadevo vishvaneta vajrivajranivaranah | Vivasvadbandhano vishvadharo vishveshvaro vibhuh || 108 || Shabdabrahma shamaprapyah shambhushaktiganeshvarah | Shasta shikhagranilayah sharanyah shambareshvarah || 109 || Shadritukusumasragvi shadadharah shadaksharah | Samsaravaidyah sarvajnah sarvabheshajabheshajam || 110 ||

Meaning:With bha he grants Lakshmi with a mere flicker of his brow — Bharga, gracious, dispeller of fear, Bhagavan, easily won by devotion, giver and ornament of prosperity, the abode of beings, granter of enjoyments, seen between the eyebrows. With ma he is the mantra, the lord of mantras and their counsellor, ecstatic with mada, made of mind; his girdle-serpent's lord, slow-gaited, soft-eyed as an elephant; of great strength, great heroism, great breath and great mind. With ya he is the yajna, its lord, its guardian and the giver of its fruits, maker of fame, reachable through yoga, the sacrificer and lover of priests. With ra he is rasa — savour itself — lover and essence of savour, the delighter, worshipped by Ravana, protector of kingdoms, womb of jewels, bestower of royal happiness. With la he is the lakh and its lord, the aim itself, abiding in dissolution — and the famous Laddukapriya, lover of laddus, fond of dance and play, maker of gain, renowned in all the worlds. With va he is Varenya the most desirable, fire-faced, adorable, known through Vedanta, the transformer whose eyes and faces are on every side, Vamadeva, leader of the universe, warder-off of the thunderbolt, binder of the sun, support and lord of the universe, all-pervading. With sha he is the Brahman of sound, attained through tranquillity, lord of the ganas of Shambhu's shakti, the teacher, dwelling at the tip of the crown-lock, the refuge, lord of Shambara. With sha (retroflex) he wears the garland of six seasons' flowers, holds the six chakra-supports and the six syllables; and with sa he is the physician of samsara, all-knowing, the medicine of all medicines.

Verse 14

𑌸𑍃𑌷𑍍𑌟𑌿𑌸𑍍𑌥𑌿𑌤𑌿𑌲𑌯𑌕𑍍𑌰𑍀𑌡𑌃 𑌸𑍁𑌰𑌕𑍁𑌞𑍍𑌜𑌰𑌭𑍇𑌦𑌕𑌃 । 𑌸𑌿𑌨𑍍𑌦𑍂𑌰𑌿𑌤𑌮𑌹𑌾𑌕𑍁𑌮𑍍𑌭𑌃 𑌸𑌦𑌸𑌦𑍍𑌭𑌕𑍍𑌤𑌿𑌦𑌾𑌯𑌕𑌃 ॥ 111 ॥ 𑌸𑌾𑌕𑍍𑌷𑍀 𑌸𑌮𑍁𑌦𑍍𑌰𑌮𑌥𑌨𑌃 𑌸𑍍𑌵𑌯𑌂𑌵𑍇𑌦𑍍𑌯𑌃 𑌸𑍍𑌵𑌦𑌕𑍍𑌷𑌿𑌣𑌃 । 𑌸𑍍𑌵𑌤𑌨𑍍𑌤𑍍𑌰𑌃 𑌸𑌤𑍍𑌯𑌸𑌙𑍍𑌕𑌲𑍍𑌪𑌃 𑌸𑌾𑌮𑌗𑌾𑌨𑌰𑌤𑌃 𑌸𑍁𑌖𑍀 ॥ 112 ॥ 𑌹𑌂𑌸𑍋 𑌹𑌸𑍍𑌤𑌿𑌪𑌿𑌶𑌾𑌚𑍀𑌶𑍋 𑌹𑌵𑌨𑌂 𑌹𑌵𑍍𑌯𑌕𑌵𑍍𑌯𑌭𑍁𑌕𑍍 । 𑌹𑌵𑍍𑌯𑌂 𑌹𑍁𑌤𑌪𑍍𑌰𑌿𑌯𑍋 𑌹𑍃𑌷𑍍𑌟𑍋 𑌹𑍃𑌲𑍍𑌲𑍇𑌖𑌾𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑌧𑍍𑌯𑌗𑌃 ॥ 113 ॥ 𑌕𑍍𑌷𑍇𑌤𑍍𑌰𑌾𑌧𑌿𑌪𑌃 𑌕𑍍𑌷𑌮𑌾𑌭𑌰𑍍𑌤𑌾 𑌕𑍍𑌷𑌮𑌾𑌕𑍍𑌷𑌮𑌪𑌰𑌾𑌯𑌣𑌃 । 𑌕𑍍𑌷𑌿𑌪𑍍𑌰𑌕𑍍𑌷𑍇𑌮𑌕𑌰𑌃 𑌕𑍍𑌷𑍇𑌮𑌾𑌨𑌨𑍍𑌦𑌃 𑌕𑍍𑌷𑍋𑌣𑍀𑌸𑍁𑌰𑌦𑍍𑌰𑍁𑌮𑌃 ॥ 114 ॥ 𑌧𑌰𑍍𑌮𑌪𑍍𑌰𑌦𑍋𑌽𑌰𑍍𑌥𑌦𑌃 𑌕𑌾𑌮𑌦𑌾𑌤𑌾 𑌸𑍗𑌭𑌾𑌗𑍍𑌯𑌵𑌰𑍍𑌧𑌨𑌃 । 𑌵𑌿𑌦𑍍𑌯𑌾𑌪𑍍𑌰𑌦𑍋 𑌵𑌿𑌭𑌵𑌦𑍋 𑌭𑍁𑌕𑍍𑌤𑌿𑌮𑍁𑌕𑍍𑌤𑌿𑌫𑌲𑌪𑍍𑌰𑌦𑌃 ॥ 115 ॥ 𑌆𑌭𑌿𑌰𑍂𑌪𑍍𑌯𑌕𑌰𑍋 𑌵𑍀𑌰𑌶𑍍𑌰𑍀𑌪𑍍𑌰𑌦𑍋 𑌵𑌿𑌜𑌯𑌪𑍍𑌰𑌦𑌃 । 𑌸𑌰𑍍𑌵𑌵𑌶𑍍𑌯𑌕𑌰𑍋 𑌗𑌰𑍍𑌭𑌦𑍋𑌷𑌹𑌾 𑌪𑍁𑌤𑍍𑌰𑌪𑍗𑌤𑍍𑌰𑌦𑌃 ॥ 116 ॥ 𑌮𑍇𑌧𑌾𑌦𑌃 𑌕𑍀𑌰𑍍𑌤𑌿𑌦𑌃 𑌶𑍋𑌕𑌹𑌾𑌰𑍀 𑌦𑍗𑌰𑍍𑌭𑌾𑌗𑍍𑌯𑌨𑌾𑌶𑌨𑌃 । 𑌪𑍍𑌰𑌤𑌿𑌵𑌾𑌦𑌿𑌮𑍁𑌖𑌸𑍍𑌤𑌮𑍍𑌭𑍋 𑌰𑍁𑌷𑍍𑌟𑌚𑌿𑌤𑍍𑌤𑌪𑍍𑌰𑌸𑌾𑌦𑌨𑌃 ॥ 117 ॥ 𑌪𑌰𑌾𑌭𑌿𑌚𑌾𑌰𑌶𑌮𑌨𑍋 𑌦𑍁𑌃𑌖𑌹𑌾 𑌬𑌨𑍍𑌧𑌮𑍋𑌕𑍍𑌷𑌦𑌃 । 𑌲𑌵𑌸𑍍𑌤𑍍𑌰𑍁𑌟𑌿𑌃 𑌕𑌲𑌾 𑌕𑌾𑌷𑍍𑌠𑌾 𑌨𑌿𑌮𑍇𑌷𑌸𑍍𑌤𑌤𑍍𑌪𑌰𑌕𑍍𑌷𑌣𑌃 ॥ 118 ॥ 𑌘𑌟𑍀 𑌮𑍁𑌹𑍂𑌰𑍍𑌤𑌃 𑌪𑍍𑌰𑌹𑌰𑍋 𑌦𑌿𑌵𑌾 𑌨𑌕𑍍𑌤𑌮𑌹𑌰𑍍𑌨𑌿𑌶𑌮𑍍 । 𑌪𑌕𑍍𑌷𑍋 𑌮𑌾𑌸𑌰𑍍𑌤𑍍𑌵𑌯𑌨𑌾𑌬𑍍𑌦𑌯𑍁𑌗𑌂 𑌕𑌲𑍍𑌪𑍋 𑌮𑌹𑌾𑌲𑌯𑌃 ॥ 119 ॥ 𑌰𑌾𑌶𑌿𑌸𑍍𑌤𑌾𑌰𑌾 𑌤𑌿𑌥𑌿𑌰𑍍𑌯𑍋𑌗𑍋 𑌵𑌾𑌰𑌃 𑌕𑌰𑌣𑌮𑌂𑌶𑌕𑌮𑍍 । 𑌲𑌗𑍍𑌨𑌂 𑌹𑍋𑌰𑌾 𑌕𑌾𑌲𑌚𑌕𑍍𑌰𑌂 𑌮𑍇𑌰𑍁𑌃 𑌸𑌪𑍍𑌤𑌰𑍍𑌷𑌯𑍋 𑌧𑍍𑌰𑍁𑌵𑌃 ॥ 120 ॥

Srishtisthitilayakridah surakunjarabhedakah | Sinduritamahakumbhah sadasadbhaktidayakah || 111 || Sakshi samudramathanah svayamvedyah svadakshinah | Svatantrah satyasankalpah samaganaratah sukhi || 112 || Hamso hastipishachisho havanam havyakavyabhuk | Havyam hutapriyo hrishto hrillekhamantramadhyagah || 113 || Kshetradhipah kshamabharta kshamakshamaparayanah | Kshiprakshemakarah kshemanandah kshonisuradrumah || 114 || Dharmapradorthadah kamadata saubhagyavardhanah | Vidyaprado vibhavado bhuktimuktiphalapradah || 115 || Abhirupyakaro virashriprado vijayapradah | Sarvavashyakaro garbhadoshaha putrapautradah || 116 || Medhadah kirtidah shokahari daurbhagyanashanah | Prativadimukhastambho rushtachittaprasadanah || 117 || Parabhicharashamano duhkhaha bandhamokshadah | Lavastrutih kala kashtha nimeshastatparakshanah || 118 || Ghati muhurtah praharo diva naktamaharnisham | Paksho masartvayanabdayugam kalpo mahalayah || 119 || Rashistara tithiryogo varah karanamamshakam | Lagnam hora kalachakram meruh saptarshayo dhruvah || 120 ||

Meaning:He plays the play of creation, preservation and dissolution, split the tusk of the gods' elephant, bears the great vermilion-smeared temples, and grants devotion to both the manifest and unmanifest. He is the witness, the churner of the ocean, self-known, courteous, independent, of unfailing will, delighting in Sama chants, ever happy. With ha he is Hamsa the swan of the Self, lord of the hasti-pishachi, the fire-offering itself and the eater of havya and kavya, the oblation, lover of the offered, joyous, seated within the hrillekha mantra. With ksha he is the lord of the field (kshetra), husband of the earth, devoted to patience toward the forgivable and the unforgivable, the swift bestower of security, the bliss of well-being, the wish-tree of the gods on earth. Then follow the names of the giver: bestower of dharma, wealth and desire, increaser of good fortune, granter of learning, splendour, enjoyment and liberation, of beauty, heroic fortune and victory, subduer of all, remover of the womb's defects, giver of sons and grandsons, of intelligence and fame; he silences the opposing debater, calms the angered heart, neutralises hostile sorcery, destroys sorrow and grants release from bondage. And then time itself unfolds as his body: lava, truti, kala, kashtha, nimesha and instant, ghati, muhurta and watch, day and night, fortnight, month, season, half-year, year, yuga, kalpa and the great dissolution; the zodiac signs, stars, tithis, yogas, weekdays, karanas, amshas, lagna, hora, the wheel of time, Meru, the Seven Rishis and the Pole-star.

Verse 15

𑌰𑌾𑌹𑍁𑌰𑍍𑌮𑌨𑍍𑌦𑌃 𑌕𑌵𑌿𑌰𑍍𑌜𑍀𑌵𑍋 𑌬𑍁𑌧𑍋 𑌭𑍗𑌮𑌃 𑌶𑌶𑍀 𑌰𑌵𑌿𑌃 । 𑌕𑌾𑌲𑌃 𑌸𑍃𑌷𑍍𑌟𑌿𑌃 𑌸𑍍𑌥𑌿𑌤𑌿𑌰𑍍𑌵𑌿𑌶𑍍𑌵𑌂 𑌸𑍍𑌥𑌾𑌵𑌰𑌂 𑌜𑌙𑍍𑌗𑌮𑌂 𑌜𑌗𑌤𑍍 ॥ 121 ॥ 𑌭𑍂𑌰𑌾𑌪𑍋𑌽𑌗𑍍𑌨𑌿𑌰𑍍𑌮𑌰𑍁𑌦𑍍𑌵𑍍𑌯𑍋𑌮𑌾𑌹𑌙𑍍𑌕𑍃𑌤𑌿𑌃 𑌪𑍍𑌰𑌕𑍃𑌤𑌿𑌃 𑌪𑍁𑌮𑌾𑌨𑍍 । 𑌬𑍍𑌰𑌹𑍍𑌮𑌾 𑌵𑌿𑌷𑍍𑌣𑍁𑌃 𑌶𑌿𑌵𑍋 𑌰𑍁𑌦𑍍𑌰 𑌈𑌶𑌃 𑌶𑌕𑍍𑌤𑌿𑌃 𑌸𑌦𑌾𑌶𑌿𑌵𑌃 ॥ 122 ॥ 𑌤𑍍𑌰𑌿𑌦𑌶𑌾𑌃 𑌪𑌿𑌤𑌰𑌃 𑌸𑌿𑌦𑍍𑌧𑌾 𑌯𑌕𑍍𑌷𑌾 𑌰𑌕𑍍𑌷𑌾𑌂𑌸𑌿 𑌕𑌿𑌨𑍍𑌨𑌰𑌾𑌃 । 𑌸𑌿𑌦𑍍𑌧𑌵𑌿𑌦𑍍𑌯𑌾𑌧𑌰𑌾 𑌭𑍂𑌤𑌾 𑌮𑌨𑍁𑌷𑍍𑌯𑌾𑌃 𑌪𑌶𑌵𑌃 𑌖𑌗𑌾𑌃 ॥ 123 ॥ 𑌸𑌮𑍁𑌦𑍍𑌰𑌾𑌃 𑌸𑌰𑌿𑌤𑌃 𑌶𑍈𑌲𑌾 𑌭𑍂𑌤𑌂 𑌭𑌵𑍍𑌯𑌂 𑌭𑌵𑍋𑌦𑍍𑌭𑌵𑌃 । 𑌸𑌾𑌙𑍍𑌖𑍍𑌯𑌂 𑌪𑌾𑌤𑌞𑍍𑌜𑌲𑌂 𑌯𑍋𑌗𑌂 𑌪𑍁𑌰𑌾𑌣𑌾𑌨𑌿 𑌶𑍍𑌰𑍁𑌤𑌿𑌃 𑌸𑍍𑌮𑍃𑌤𑌿𑌃 ॥ 124 ॥ 𑌵𑍇𑌦𑌾𑌙𑍍𑌗𑌾𑌨𑌿 𑌸𑌦𑌾𑌚𑌾𑌰𑍋 𑌮𑍀𑌮𑌾𑌂𑌸𑌾 𑌨𑍍𑌯𑌾𑌯𑌵𑌿𑌸𑍍𑌤𑌰𑌃 । 𑌆𑌯𑍁𑌰𑍍𑌵𑍇𑌦𑍋 𑌧𑌨𑍁𑌰𑍍𑌵𑍇𑌦𑍋 𑌗𑌾𑌨𑍍𑌧𑌰𑍍𑌵𑌂 𑌕𑌾𑌵𑍍𑌯𑌨𑌾𑌟𑌕𑌮𑍍 ॥ 125 ॥ 𑌵𑍈𑌖𑌾𑌨𑌸𑌂 𑌭𑌾𑌗𑌵𑌤𑌂 𑌮𑌾𑌨𑍁𑌷𑌂 𑌪𑌾𑌞𑍍𑌚𑌰𑌾𑌤𑍍𑌰𑌕𑌮𑍍 । 𑌶𑍈𑌵𑌂 𑌪𑌾𑌶𑍁𑌪𑌤𑌂 𑌕𑌾𑌲𑌾𑌮𑍁𑌖𑌮𑍍𑌭𑍈𑌰𑌵𑌶𑌾𑌸𑌨𑌮𑍍 ॥ 126 ॥ 𑌶𑌾𑌕𑍍𑌤𑌂 𑌵𑍈𑌨𑌾𑌯𑌕𑌂 𑌸𑍗𑌰𑌂 𑌜𑍈𑌨𑌮𑌾𑌰𑍍𑌹𑌤𑌸𑌂𑌹𑌿𑌤𑌾 । 𑌸𑌦𑌸𑌦𑍍𑌵𑍍𑌯𑌕𑍍𑌤𑌮𑌵𑍍𑌯𑌕𑍍𑌤𑌂 𑌸𑌚𑍇𑌤𑌨𑌮𑌚𑍇𑌤𑌨𑌮𑍍 ॥ 127 ॥ 𑌬𑌨𑍍𑌧𑍋 𑌮𑍋𑌕𑍍𑌷𑌃 𑌸𑍁𑌖𑌂 𑌭𑍋𑌗𑍋 𑌯𑍋𑌗𑌃 𑌸𑌤𑍍𑌯𑌮𑌣𑍁𑌰𑍍𑌮𑌹𑌾𑌨𑍍 । 𑌸𑍍𑌵𑌸𑍍𑌤𑌿 𑌹𑍁𑌮𑍍𑌫𑌟𑍍 𑌸𑍍𑌵𑌧𑌾 𑌸𑍍𑌵𑌾𑌹𑌾 𑌶𑍍𑌰𑍗𑌷𑌟𑍍 𑌵𑍗𑌷𑌟𑍍 𑌵𑌷𑌣𑍍 𑌨𑌮𑌃 128 ॥ 𑌜𑍍𑌞𑌾𑌨𑌂 𑌵𑌿𑌜𑍍𑌞𑌾𑌨𑌮𑌾𑌨𑌨𑍍𑌦𑍋 𑌬𑍋𑌧𑌃 𑌸𑌂𑌵𑌿𑌤𑍍𑌸𑌮𑍋𑌽𑌸𑌮𑌃 । 𑌏𑌕 𑌏𑌕𑌾𑌕𑍍𑌷𑌰𑌾𑌧𑌾𑌰 𑌏𑌕𑌾𑌕𑍍𑌷𑌰𑌪𑌰𑌾𑌯𑌣𑌃 ॥ 129 ॥ 𑌏𑌕𑌾𑌗𑍍𑌰𑌧𑍀𑌰𑍇𑌕𑌵𑍀𑌰 𑌏𑌕𑍋𑌽𑌨𑍇𑌕𑌸𑍍𑌵𑌰𑍂𑌪𑌧𑍃𑌕𑍍 । 𑌦𑍍𑌵𑌿𑌰𑍂𑌪𑍋 𑌦𑍍𑌵𑌿𑌭𑍁𑌜𑍋 𑌦𑍍𑌵𑍍𑌯𑌕𑍍𑌷𑍋 𑌦𑍍𑌵𑌿𑌰𑌦𑍋 𑌦𑍍𑌵𑍀𑌪𑌰𑌕𑍍𑌷𑌕𑌃 ॥ 130 ॥

Rahurmandah kavirjivo budho bhaumah shashi ravih | Kalah srishtih sthitirvishvam sthavaram jangamam jagat || 121 || Bhurapognirmarudvyomahankritih prakritih puman | Brahma vishnuh shivo rudra ishah shaktih sadashivah || 122 || Tridashah pitarah siddha yaksha rakshamsi kinnarah | Siddhavidyadhara bhuta manushyah pashavah khagah || 123 || Samudrah saritah shaila bhutam bhavyam bhavodbhavah | Sankhyam patanjalam yogam puranani shrutih smritih || 124 || Vedangani sadacharo mimamsa nyayavistarah | Ayurvedo dhanurvedo gandharvam kavyanatakam || 125 || Vaikhanasam bhagavatam manusham pancharatrakam | Shaivam pashupatam kalamukhambhairavashasanam || 126 || Shaktam vainayakam sauram jainamarhatasamhita | Sadasadvyaktamavyaktam sachetanamachetanam || 127 || Bandho mokshah sukham bhogo yogah satyamanurmahan | Svasti humphat svadha svaha shraushat vaushat vashan namah 128 || Jnanam vijnanamanando bodhah samvitsamosamah | Eka ekaksharadhara ekaksharaparayanah || 129 || Ekagradhirekavira ekonekasvarupadhrik | Dvirupo dvibhujo dvyaksho dvirado dviparakshakah || 130 ||

Meaning:The cosmic roll-call continues: he is Rahu and Saturn, Venus and Jupiter, Mercury, Mars, Moon and Sun; Time, creation and continuance, the universe moving and unmoving; earth, water, fire, wind and sky, the ego, prakriti and purusha; Brahma, Vishnu, Shiva, Rudra, Isha, Shakti and Sadashiva; the thirty gods, the fathers, siddhas, yakshas, rakshasas, kinnaras, vidyadharas, spirits, humans, beasts and birds; the oceans, rivers and mountains, what was and what shall be, and the source of becoming. He is every path of knowledge: Sankhya and Patanjali's yoga, the Puranas, shruti and smriti, the Vedangas, right conduct, Mimamsa and the full expanse of Nyaya, Ayurveda and Dhanurveda, music, poetry and drama, and every scripture — Vaikhanasa, Bhagavata, Manusha, Pancharatra, Shaiva, Pashupata, Kalamukha, Bhairava, Shakta, Vainayaka, Saura and the Jaina canon. He is being and non-being, manifest and unmanifest, conscious and unconscious, bondage and liberation, pleasure, enjoyment, yoga and truth, the atom and the vast; he is the sacred exclamations svasti, hum, phat, svadha, svaha, shraushat, vaushat, vashat and namah; knowledge, wisdom, bliss and awakening. And then the numbers begin: the One, the support of the single syllable, devoted to the single syllable, single-pointed, the sole hero — One, yet wearing endless forms; and the twos: two-formed, two-armed, two-eyed, two-tusked, protector of the two continents.

Verse 16

𑌦𑍍𑌵𑍈𑌮𑌾𑌤𑍁𑌰𑍋 𑌦𑍍𑌵𑌿𑌵𑌦𑌨𑍋 𑌦𑍍𑌵𑌨𑍍𑌦𑍍𑌵𑌹𑍀𑌨𑍋 𑌦𑍍𑌵𑌯𑌾𑌤𑌿𑌗𑌃 । 𑌤𑍍𑌰𑌿𑌧𑌾𑌮𑌾 𑌤𑍍𑌰𑌿𑌕𑌰𑌸𑍍𑌤𑍍𑌰𑍇𑌤𑌾 𑌤𑍍𑌰𑌿𑌵𑌰𑍍𑌗𑌫𑌲𑌦𑌾𑌯𑌕𑌃 ॥ 131 ॥ 𑌤𑍍𑌰𑌿𑌗𑍁𑌣𑌾𑌤𑍍𑌮𑌾 𑌤𑍍𑌰𑌿𑌲𑍋𑌕𑌾𑌦𑌿𑌸𑍍𑌤𑍍𑌰𑌿𑌶𑌕𑍍𑌤𑍀𑌶𑌸𑍍𑌤𑍍𑌰𑌿𑌲𑍋𑌚𑌨𑌃 । 𑌚𑌤𑍁𑌰𑍍𑌵𑌿𑌧𑌵𑌚𑍋𑌵𑍃𑌤𑍍𑌤𑌿𑌪𑌰𑌿𑌵𑍃𑌤𑍍𑌤𑌿𑌪𑍍𑌰𑌵𑌰𑍍𑌤𑌕𑌃 ॥ 132 ॥ 𑌚𑌤𑍁𑌰𑍍𑌬𑌾𑌹𑍁𑌶𑍍𑌚𑌤𑍁𑌰𑍍𑌦𑌨𑍍𑌤𑌶𑍍𑌚𑌤𑍁𑌰𑌾𑌤𑍍𑌮𑌾 𑌚𑌤𑍁𑌰𑍍𑌭𑍁𑌜𑌃 । 𑌚𑌤𑍁𑌰𑍍𑌵𑌿𑌧𑍋𑌪𑌾𑌯𑌮𑌯𑌶𑍍𑌚𑌤𑍁𑌰𑍍𑌵𑌰𑍍𑌣𑌾𑌶𑍍𑌰𑌮𑌾𑌶𑍍𑌰𑌯𑌃 133 ॥ 𑌚𑌤𑍁𑌰𑍍𑌥𑍀𑌪𑍂𑌜𑌨𑌪𑍍𑌰𑍀𑌤𑌶𑍍𑌚𑌤𑍁𑌰𑍍𑌥𑍀𑌤𑌿𑌥𑌿𑌸𑌮𑍍𑌭𑌵𑌃 ॥ 𑌪𑌞𑍍𑌚𑌾𑌕𑍍𑌷𑌰𑌾𑌤𑍍𑌮𑌾 𑌪𑌞𑍍𑌚𑌾𑌤𑍍𑌮𑌾 𑌪𑌞𑍍𑌚𑌾𑌸𑍍𑌯𑌃 𑌪𑌞𑍍𑌚𑌕𑍃𑌤𑍍𑌤𑌮𑌃 ॥ 134 ॥ 𑌪𑌞𑍍𑌚𑌾𑌧𑌾𑌰𑌃 𑌪𑌞𑍍𑌚𑌵𑌰𑍍𑌣𑌃 𑌪𑌞𑍍𑌚𑌾𑌕𑍍𑌷𑌰𑌪𑌰𑌾𑌯𑌣𑌃 । 𑌪𑌞𑍍𑌚𑌤𑌾𑌲𑌃 𑌪𑌞𑍍𑌚𑌕𑌰𑌃 𑌪𑌞𑍍𑌚𑌪𑍍𑌰𑌣𑌵𑌮𑌾𑌤𑍃𑌕𑌃 ॥ 135 ॥ 𑌪𑌞𑍍𑌚𑌬𑍍𑌰𑌹𑍍𑌮𑌮𑌯𑌸𑍍𑌫𑍂𑌰𑍍𑌤𑌿𑌃 𑌪𑌞𑍍𑌚𑌾𑌵𑌰𑌣𑌵𑌾𑌰𑌿𑌤𑌃 । 𑌪𑌞𑍍𑌚𑌭𑌕𑍍𑌷𑌪𑍍𑌰𑌿𑌯𑌃 𑌪𑌞𑍍𑌚𑌬𑌾𑌣𑌃 𑌪𑌞𑍍𑌚𑌶𑌿𑌖𑌾𑌤𑍍𑌮𑌕𑌃 ॥ 136 ॥ 𑌷𑌟𑍍𑌕𑍋𑌣𑌪𑍀𑌠𑌃 𑌷𑌟𑍍𑌚𑌕𑍍𑌰𑌧𑌾𑌮𑌾 𑌷𑌡𑍍𑌗𑍍𑌰𑌨𑍍𑌥𑌿𑌭𑍇𑌦𑌕𑌃 । 𑌷𑌡𑌙𑍍𑌗𑌧𑍍𑌵𑌾𑌨𑍍𑌤𑌵𑌿𑌧𑍍𑌵𑌂𑌸𑍀 𑌷𑌡𑌙𑍍𑌗𑍁𑌲𑌮𑌹𑌾𑌹𑍍𑌰𑌦𑌃 ॥ 137 ॥ 𑌷𑌣𑍍𑌮𑍁𑌖𑌃 𑌷𑌣𑍍𑌮𑍁𑌖𑌭𑍍𑌰𑌾𑌤𑌾 𑌷𑌟𑍍𑌶𑌕𑍍𑌤𑌿𑌪𑌰𑌿𑌵𑌾𑌰𑌿𑌤𑌃 । 𑌷𑌡𑍍𑌵𑍈𑌰𑌿𑌵𑌰𑍍𑌗𑌵𑌿𑌧𑍍𑌵𑌂𑌸𑍀 𑌷𑌡𑍂𑌰𑍍𑌮𑌿𑌭𑌯𑌭𑌞𑍍𑌜𑌨𑌃 ॥ 138 ॥ 𑌷𑌟𑍍𑌤𑌰𑍍𑌕𑌦𑍂𑌰𑌃 𑌷𑌟𑍍𑌕𑌰𑍍𑌮𑌾 𑌷𑌡𑍍𑌗𑍁𑌣𑌃 𑌷𑌡𑍍𑌰𑌸𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌸𑌪𑍍𑌤𑌪𑌾𑌤𑌾𑌲𑌚𑌰𑌣𑌃 𑌸𑌪𑍍𑌤𑌦𑍍𑌵𑍀𑌪𑍋𑌰𑍁𑌮𑌣𑍍𑌡𑌲𑌃 ॥ 139 ॥ 𑌸𑌪𑍍𑌤𑌸𑍍𑌵𑌰𑍍𑌲𑍋𑌕𑌮𑍁𑌕𑍁𑌟𑌃 𑌸𑌪𑍍𑌤𑌸𑌪𑍍𑌤𑌿𑌵𑌰𑌪𑍍𑌰𑌦𑌃 । 𑌸𑌪𑍍𑌤𑌾𑌙𑍍𑌗𑌰𑌾𑌜𑍍𑌯𑌸𑍁𑌖𑌦𑌃 𑌸𑌪𑍍𑌤𑌰𑍍𑌷𑌿𑌗𑌣𑌵𑌨𑍍𑌦𑌿𑌤𑌃 ॥ 140 ॥

Dvaimaturo dvivadano dvandvahino dvayatigah | Tridhama trikarastreta trivargaphaladayakah || 131 || Trigunatma trilokadistrishaktishastrilochanah | Chaturvidhavachovrittiparivrittipravartakah || 132 || Chaturbahushchaturdantashchaturatma chaturbhujah | Chaturvidhopayamayashchaturvarnashramashrayah 133 || Chaturthipujanapritashchaturthitithisambhavah || Panchaksharatma panchatma panchasyah panchakrittamah || 134 || Panchadharah panchavarnah panchaksharaparayanah | Panchatalah panchakarah panchapranavamatrikah || 135 || Panchabrahmamayasphurtih panchavaranavaritah | Panchabhakshapriyah panchabanah panchashikhatmakah || 136 || Shatkonapithah shatchakradhama shadgranthibhedakah | Shadangadhvantavidhvamsi shadangulamahahradah || 137 || Shanmukhah shanmukhabhrata shatshaktiparivaritah | Shadvairivargavidhvamsi shadurmibhayabhanjanah || 138 || Shattarkadurah shatkarma shadgunah shadrasashrayah | Saptapatalacharanah saptadviporumandalah || 139 || Saptasvarlokamukutah saptasaptivarapradah | Saptangarajyasukhadah saptarshiganavanditah || 140 ||

Meaning:The number-names ascend: with two he is Dvaimatura the son of two mothers, two-faced, yet free of all duality and beyond the pair of opposites; with three he possesses the three abodes, three hands and the three ages, grants the three aims of life, is the self of the three gunas, the origin of the three worlds, lord of the three shaktis, three-eyed; with four he sets in motion the four modes of speech, is four-armed, four-tusked, fourfold Self, master of the four means, refuge of the four varnas and ashramas, delighted by worship on the fourth day (chaturthi) and born on that tithi. With five he is the self of the five syllables, five-fold Self, five-faced, best of the five-actioned, with the five supports and five colours, devoted to the five-syllable mantra, with five rhythms and five hands, born of the five pranavas, flashing with the five Brahmas, veiled by the five sheaths, fond of the five foods, wielding the five arrows, the essence of the five flames. With six he holds the hexagram throne, dwells in the six chakras and cuts the six knots, destroys the darkness of the six limbs, is the great lake six fingers deep, the brother of six-faced Skanda, surrounded by the six shaktis, destroyer of the six inner enemies, breaker of the fear of the six waves, beyond the six philosophies, master of the six rites, owner of the six virtues, ground of the six flavours. With seven he strides the seven netherworlds and spans the seven continents, wears the seven heavens as his crown, blesses the seven-horsed sun, gives the happiness of the seven-limbed kingdom, and is adored by the assembly of the Seven Rishis.

Verse 17

𑌸𑌪𑍍𑌤𑌚𑍍𑌛𑌨𑍍𑌦𑍋𑌨𑌿𑌧𑌿𑌃 𑌸𑌪𑍍𑌤𑌹𑍋𑌤𑍍𑌰𑌃 𑌸𑌪𑍍𑌤𑌸𑍍𑌵𑌰𑌾𑌶𑍍𑌰𑌯𑌃 । 𑌸𑌪𑍍𑌤𑌾𑌬𑍍𑌧𑌿𑌕𑍇𑌲𑌿𑌕𑌾𑌸𑌾𑌰𑌃 𑌸𑌪𑍍𑌤𑌮𑌾𑌤𑍃𑌨𑌿𑌷𑍇𑌵𑌿𑌤𑌃 ॥ 141 ॥ 𑌸𑌪𑍍𑌤𑌚𑍍𑌛𑌨𑍍𑌦𑍋 𑌮𑍋𑌦𑌮𑌦𑌃 𑌸𑌪𑍍𑌤𑌚𑍍𑌛𑌨𑍍𑌦𑍋 𑌮𑌖𑌪𑍍𑌰𑌭𑍁𑌃 । 𑌅𑌷𑍍𑌟𑌮𑍂𑌰𑍍𑌤𑌿𑌰𑍍𑌧𑍍𑌯𑍇𑌯𑌮𑍂𑌰𑍍𑌤𑌿𑌰𑌷𑍍𑌟𑌪𑍍𑌰𑌕𑍃𑌤𑌿𑌕𑌾𑌰𑌣𑌮𑍍 ॥ 142 ॥ 𑌅𑌷𑍍𑌟𑌾𑌙𑍍𑌗𑌯𑍋𑌗𑌫𑌲𑌭𑍃𑌦𑌷𑍍𑌟𑌪𑌤𑍍𑌰𑌾𑌮𑍍𑌬𑍁𑌜𑌾𑌸𑌨𑌃 । 𑌅𑌷𑍍𑌟𑌶𑌕𑍍𑌤𑌿𑌸𑌮𑌾𑌨𑌶𑍍𑌰𑍀𑌰𑌷𑍍𑌟𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌪𑍍𑌰𑌵𑌰𑍍𑌧𑌨𑌃 ॥ 143 ॥ 𑌅𑌷𑍍𑌟𑌪𑍀𑌠𑍋𑌪𑌪𑍀𑌠𑌶𑍍𑌰𑍀𑌰𑌷𑍍𑌟𑌮𑌾𑌤𑍃𑌸𑌮𑌾𑌵𑍃𑌤𑌃 । 𑌅𑌷𑍍𑌟𑌭𑍈𑌰𑌵𑌸𑍇𑌵𑍍𑌯𑍋𑌽𑌷𑍍𑌟𑌵𑌸𑍁𑌵𑌨𑍍𑌦𑍍𑌯𑍋𑌽𑌷𑍍𑌟𑌮𑍂𑌰𑍍𑌤𑌿𑌭𑍃𑌤𑍍 ॥ 144 ॥ 𑌅𑌷𑍍𑌟𑌚𑌕𑍍𑌰𑌸𑍍𑌫𑍁𑌰𑌨𑍍𑌮𑍂𑌰𑍍𑌤𑌿𑌰𑌷𑍍𑌟𑌦𑍍𑌰𑌵𑍍𑌯𑌹𑌵𑌿𑌃𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌅𑌷𑍍𑌟𑌶𑍍𑌰𑍀𑌰𑌷𑍍𑌟𑌸𑌾𑌮𑌶𑍍𑌰𑍀𑌰𑌷𑍍𑌟𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌪𑍍𑌰𑌦𑌾𑌯𑌕𑌃 । 𑌨𑌵𑌨𑌾𑌗𑌾𑌸𑌨𑌾𑌧𑍍𑌯𑌾𑌸𑍀 𑌨𑌵𑌨𑌿𑌧𑍍𑌯𑌨𑍁𑌶𑌾𑌸𑌿𑌤𑌃 ॥ 145 ॥ 𑌨𑌵𑌦𑍍𑌵𑌾𑌰𑌪𑍁𑌰𑌾𑌵𑍃𑌤𑍍𑌤𑍋 𑌨𑌵𑌦𑍍𑌵𑌾𑌰𑌨𑌿𑌕𑍇𑌤𑌨𑌃 । 𑌨𑌵𑌨𑌾𑌥𑌮𑌹𑌾𑌨𑌾𑌥𑍋 𑌨𑌵𑌨𑌾𑌗𑌵𑌿𑌭𑍂𑌷𑌿𑌤𑌃 ॥ 146 ॥ 𑌨𑌵𑌨𑌾𑌰𑌾𑌯𑌣𑌸𑍍𑌤𑍁𑌲𑍍𑌯𑍋 𑌨𑌵𑌦𑍁𑌰𑍍𑌗𑌾𑌨𑌿𑌷𑍇𑌵𑌿𑌤𑌃 । 𑌨𑌵𑌰𑌤𑍍𑌨𑌵𑌿𑌚𑌿𑌤𑍍𑌰𑌾𑌙𑍍𑌗𑍋 𑌨𑌵𑌶𑌕𑍍𑌤𑌿𑌶𑌿𑌰𑍋𑌦𑍍𑌧𑍃𑌤𑌃 ॥ 147 ॥ 𑌦𑌶𑌾𑌤𑍍𑌮𑌕𑍋 𑌦𑌶𑌭𑍁𑌜𑍋 𑌦𑌶𑌦𑌿𑌕𑍍𑌪𑌤𑌿𑌵𑌨𑍍𑌦𑌿𑌤𑌃 । 𑌦𑌶𑌾𑌧𑍍𑌯𑌾𑌯𑍋 𑌦𑌶𑌪𑍍𑌰𑌾𑌣𑍋 𑌦𑌶𑍇𑌨𑍍𑌦𑍍𑌰𑌿𑌯𑌨𑌿𑌯𑌾𑌮𑌕𑌃 ॥ 148 ॥ 𑌦𑌶𑌾𑌕𑍍𑌷𑌰𑌮𑌹𑌾𑌮𑌨𑍍𑌤𑍍𑌰𑍋 𑌦𑌶𑌾𑌶𑌾𑌵𑍍𑌯𑌾𑌪𑌿𑌵𑌿𑌗𑍍𑌰𑌹𑌃 । 𑌏𑌕𑌾𑌦𑌶𑌮𑌹𑌾𑌰𑍁𑌦𑍍𑌰𑍈𑌃𑌸𑍍𑌤𑍁𑌤𑌶𑍍𑌚𑍈𑌕𑌾𑌦𑌶𑌾𑌕𑍍𑌷𑌰𑌃 ॥ 149 ॥ 𑌦𑍍𑌵𑌾𑌦𑌶𑌦𑍍𑌵𑌿𑌦𑌶𑌾𑌷𑍍𑌟𑌾𑌦𑌿𑌦𑍋𑌰𑍍𑌦𑌣𑍍𑌡𑌾𑌸𑍍𑌤𑍍𑌰𑌨𑌿𑌕𑍇𑌤𑌨𑌃 । 𑌤𑍍𑌰𑌯𑍋𑌦𑌶𑌭𑌿𑌦𑌾𑌭𑌿𑌨𑍍𑌨𑍋 𑌵𑌿𑌶𑍍𑌵𑍇𑌦𑍇𑌵𑌾𑌧𑌿𑌦𑍈𑌵𑌤𑌮𑍍 ॥ 150 ॥

Saptachchhandonidhih saptahotrah saptasvarashrayah | Saptabdhikelikasarah saptamatrinishevitah || 141 || Saptachchhando modamadah saptachchhando makhaprabhuh | Ashtamurtirdhyeyamurtirashtaprakritikaranam || 142 || Ashtangayogaphalabhridashtapatrambujasanah | Ashtashaktisamanashrirashtaishvaryapravardhanah || 143 || Ashtapithopapithashrirashtamatrisamavritah | Ashtabhairavasevyoshtavasuvandyoshtamurtibhrit || 144 || Ashtachakrasphuranmurtirashtadravyahavihpriyah | Ashtashrirashtasamashrirashtaishvaryapradayakah | Navanagasanadhyasi navanidhyanushasitah || 145 || Navadvarapuravritto navadvaraniketanah | Navanathamahanatho navanagavibhushitah || 146 || Navanarayanastulyo navadurganishevitah | Navaratnavichitrango navashaktishiroddhritah || 147 || Dashatmako dashabhujo dashadikpativanditah | Dashadhyayo dashaprano dashendriyaniyamakah || 148 || Dashaksharamahamantro dashashavyapivigrahah | Ekadashamaharudraihstutashchaikadashaksharah || 149 || Dvadashadvidashashtadidordandastraniketanah | Trayodashabhidabhinno vishvedevadhidaivatam || 150 ||

Meaning:He is the treasure of the seven metres, the seven hotras and the seven musical notes, the pleasure-lake of the seven seas, served by the seven Mothers, the joy and the lord of the sacrifice of the seven metres. With eight he is Ashtamurti of the eight forms, the form to be meditated on, cause of the eightfold prakriti, bearer of the fruit of the eight-limbed yoga, seated on the eight-petalled lotus, equal in splendour to the eight shaktis, increaser of the eight lordly powers, glory of the eight pithas and upa-pithas, encircled by the eight Mothers, served by the eight Bhairavas, saluted by the eight Vasus, bearing the eight forms, his body flashing in the eight chakras, loving the offering of the eight substances, of eightfold splendour and eightfold Sama glory, bestower of the eight sovereignties. With nine he sits on the nine nagas and commands the nine treasures, is wrapped in the city of nine gates and dwells in it, great lord of the nine Nathas, adorned with the nine serpents, equal to the nine Narayanas, served by the nine Durgas, his body wondrous with the nine gems, upheld by the nine shaktis. With ten he is tenfold in self, ten-armed, saluted by the guardians of the ten directions, of ten chapters, the ten pranas, ruler of the ten senses, the great ten-syllabled mantra, his form pervading the ten directions. With eleven he is praised by the eleven Maharudras and is the eleven-syllabled; with twelve his club-like arms house weapons of twelve, twice-ten and eight; and with thirteen he is distinguished in thirteen ways, the over-deity of the Vishvedevas.

Verse 18

𑌚𑌤𑍁𑌰𑍍𑌦𑌶𑍇𑌨𑍍𑌦𑍍𑌰𑌵𑌰𑌦𑌶𑍍𑌚𑌤𑍁𑌰𑍍𑌦𑌶𑌮𑌨𑍁𑌪𑍍𑌰𑌭𑍁𑌃 । 𑌚𑌤𑍁𑌰𑍍𑌦𑌶𑌾𑌦𑍍𑌯𑌵𑌿𑌦𑍍𑌯𑌾𑌢𑍍𑌯𑌶𑍍𑌚𑌤𑍁𑌰𑍍𑌦𑌶𑌜𑌗𑌤𑍍𑌪𑌤𑌿𑌃 ॥ 151 ॥ 𑌸𑌾𑌮𑌪𑌞𑍍𑌚𑌦𑌶𑌃 𑌪𑌞𑍍𑌚𑌦𑌶𑍀𑌶𑍀𑌤𑌾𑌂𑌶𑍁𑌨𑌿𑌰𑍍𑌮𑌲𑌃 । 𑌤𑌿𑌥𑌿𑌪𑌞𑍍𑌚𑌦𑌶𑌾𑌕𑌾𑌰𑌸𑍍𑌤𑌿𑌥𑍍𑌯𑌾 𑌪𑌞𑍍𑌚𑌦𑌶𑌾𑌰𑍍𑌚𑌿𑌤𑌃 ॥ 152 ॥ 𑌷𑍋𑌡𑌶𑌾𑌧𑌾𑌰𑌨𑌿𑌲𑌯𑌃 𑌷𑍋𑌡𑌶𑌸𑍍𑌵𑌰𑌮𑌾𑌤𑍃𑌕𑌃 । 𑌷𑍋𑌡𑌶𑌾𑌨𑍍𑌤𑌪𑌦𑌾𑌵𑌾𑌸𑌃 𑌷𑍋𑌡𑌶𑍇𑌨𑍍𑌦𑍁𑌕𑌲𑌾𑌤𑍍𑌮𑌕𑌃 ॥ 153 ॥ 𑌕𑌲𑌾𑌸𑌪𑍍𑌤𑌦𑌶𑍀 𑌸𑌪𑍍𑌤𑌦𑌶𑌸𑌪𑍍𑌤𑌦𑌶𑌾𑌕𑍍𑌷𑌰𑌃 । 𑌅𑌷𑍍𑌟𑌾𑌦𑌶𑌦𑍍𑌵𑍀𑌪𑌪𑌤𑌿𑌰𑌷𑍍𑌟𑌾𑌦𑌶𑌪𑍁𑌰𑌾𑌣𑌕𑍃𑌤𑍍 ॥ 154 ॥ 𑌅𑌷𑍍𑌟𑌾𑌦𑌶𑍗𑌷𑌧𑍀𑌸𑍃𑌷𑍍𑌟𑌿𑌰𑌷𑍍𑌟𑌾𑌦𑌶𑌵𑌿𑌧𑌿𑌃 𑌸𑍍𑌮𑍃𑌤𑌃 । 𑌅𑌷𑍍𑌟𑌾𑌦𑌶𑌲𑌿𑌪𑌿𑌵𑍍𑌯𑌷𑍍𑌟𑌿𑌸𑌮𑌷𑍍𑌟𑌿𑌜𑍍𑌞𑌾𑌨𑌕𑍋𑌵𑌿𑌦𑌃 ॥ 155 ॥ 𑌅𑌷𑍍𑌟𑌾𑌦𑌶𑌾𑌨𑍍𑌨𑌸𑌮𑍍𑌪𑌤𑍍𑌤𑌿𑌰𑌷𑍍𑌟𑌾𑌦𑌶𑌵𑌿𑌜𑌾𑌤𑌿𑌕𑍃𑌤𑍍 । 𑌏𑌕𑌵𑌿𑌂𑌶𑌃 𑌪𑍁𑌮𑌾𑌨𑍇𑌕𑌵𑌿𑌂𑌶𑌤𑍍𑌯𑌙𑍍𑌗𑍁𑌲𑌿𑌪𑌲𑍍𑌲𑌵𑌃 ॥ 156 ॥ 𑌚𑌤𑍁𑌰𑍍𑌵𑌿𑌂𑌶𑌤𑌿𑌤𑌤𑍍𑌤𑍍𑌵𑌾𑌤𑍍𑌮𑌾 𑌪𑌞𑍍𑌚𑌵𑌿𑌂𑌶𑌾𑌖𑍍𑌯𑌪𑍂𑌰𑍁𑌷𑌃 । 𑌸𑌪𑍍𑌤𑌵𑌿𑌂𑌶𑌤𑌿𑌤𑌾𑌰𑍇𑌶𑌃 𑌸𑌪𑍍𑌤𑌵𑌿𑌂𑌶𑌤𑌿𑌯𑍋𑌗𑌕𑍃𑌤𑍍 ॥ 157 ॥ 𑌦𑍍𑌵𑌾𑌤𑍍𑌰𑌿𑌂𑌶𑌦𑍍𑌭𑍈𑌰𑌵𑌾𑌧𑍀𑌶𑌶𑍍𑌚𑌤𑍁𑌸𑍍𑌤𑍍𑌰𑌿𑌂𑌶𑌨𑍍𑌮𑌹𑌾𑌹𑍍𑌰𑌦𑌃 । 𑌷𑌟𑍍𑌤𑍍𑌰𑌿𑌂𑌶𑌤𑍍𑌤𑌤𑍍𑌤𑍍𑌵𑌸𑌮𑍍𑌭𑍂𑌤𑌿𑌰𑌷𑍍𑌟𑌤𑍍𑌰𑌿𑌂𑌶𑌤𑍍𑌕𑌲𑌾𑌤𑍍𑌮𑌕𑌃 ॥ 158 ॥ 𑌪𑌞𑍍𑌚𑌾𑌶𑌦𑍍𑌵𑌿𑌷𑍍𑌣𑍁𑌶𑌕𑍍𑌤𑍀𑌶𑌃 𑌪𑌞𑍍𑌚𑌾𑌶𑌨𑍍𑌮𑌾𑌤𑍃𑌕𑌾𑌲𑌯𑌃 । 𑌦𑍍𑌵𑌿𑌪𑌞𑍍𑌚𑌾𑌶𑌦𑍍𑌵𑌪𑍁𑌃𑌶𑍍𑌰𑍇𑌣𑍀𑌤𑍍𑌰𑌿𑌷𑌷𑍍𑌟𑍍𑌯𑌕𑍍𑌷𑌰𑌸𑌂𑌶𑍍𑌰𑌯𑌃 । 𑌪𑌞𑍍𑌚𑌾𑌶𑌦𑌕𑍍𑌷𑌰𑌶𑍍𑌰𑍇𑌣𑍀𑌪𑌞𑍍𑌚𑌾𑌶𑌦𑍍𑌰𑍁𑌦𑍍𑌰𑌵𑌿𑌗𑍍𑌰𑌹𑌃 ॥ 159 ॥ 𑌚𑌤𑍁𑌃𑌷𑌷𑍍𑌟𑌿𑌮𑌹𑌾𑌸𑌿𑌦𑍍𑌧𑌿𑌯𑍋𑌗𑌿𑌨𑍀𑌵𑍃𑌨𑍍𑌦𑌵𑌨𑍍𑌦𑌿𑌤𑌃 । 𑌨𑌮𑌦𑍇𑌕𑍋𑌨𑌪𑌞𑍍𑌚𑌾𑌶𑌨𑍍𑌮𑌰𑍁𑌦𑍍𑌵𑌰𑍍𑌗𑌨𑌿𑌰𑌰𑍍𑌗𑌲𑌃 ॥ 160 ॥

Chaturdashendravaradashchaturdashamanuprabhuh | Chaturdashadyavidyadhyashchaturdashajagatpatih || 151 || Samapanchadashah panchadashishitamshunirmalah | Tithipanchadashakarastithya panchadasharchitah || 152 || Shodashadharanilayah shodashasvaramatrikah | Shodashantapadavasah shodashendukalatmakah || 153 || Kalasaptadashi saptadashasaptadashaksharah | Ashtadashadvipapatirashtadashapuranakrit || 154 || Ashtadashaushadhisrishtirashtadashavidhih smritah | Ashtadashalipivyashtisamashtijnanakovidah || 155 || Ashtadashannasampattirashtadashavijatikrit | Ekavimshah pumanekavimshatyangulipallavah || 156 || Chaturvimshatitattvatma panchavimshakhyapurushah | Saptavimshatitareshah saptavimshatiyogakrit || 157 || Dvatrimshadbhairavadhishashchatustrimshanmahahradah | Shattrimshattattvasambhutirashtatrimshatkalatmakah || 158 || Panchashadvishnushaktishah panchashanmatrikalayah | Dvipanchashadvapuhshrenitrishashtyaksharasamshrayah | Panchashadaksharashrenipanchashadrudravigrahah || 159 || Chatuhshashtimahasiddhiyoginivrindavanditah | Namadekonapanchashanmarudvarganirargalah || 160 ||

Meaning:With fourteen he grants boons to the fourteen Indras, is lord of the fourteen Manus, rich in the fourteen primal vidyas, master of the fourteen worlds. With fifteen he is the fifteenfold Sama, stainless as the full-moon fifteenth digit, the very form of the fifteen tithis, worshipped on the fifteenth. With sixteen he dwells in the sixteen supports, is the matrix of the sixteen vowels, abides in the sixteenth-syllable state and is the self of the sixteen digits of the moon. He is the seventeenth kala and the seventeen-syllabled of the seventeens. With eighteen he is lord of the eighteen continents, maker of the eighteen Puranas, creator of the eighteen healing herbs, remembered as the eighteenfold ordinance, knower of the eighteen scripts in part and whole, wealth of the eighteen foods, maker of the eighteen classes. He is the twenty-one-fold Person with twenty-one finger-sprouts; the self of the twenty-four tattvas and the Person called the twenty-fifth; lord of the twenty-seven stars and maker of the twenty-seven yogas; overlord of the thirty-two Bhairavas, the great lake of the thirty-four, arising from the thirty-six tattvas, the self of the thirty-eight kalas; lord of the fifty shaktis of Vishnu, abode of the fifty Matrikas, with a body-series of fifty-two, resting on the sixty-three syllables, the fifty-lettered series and the embodiment of the fifty Rudras; venerated by the hosts of the sixty-four mahasiddhi yoginis, unimpeded lord saluted by the forty-nine Maruts.

Verse 19

𑌚𑌤𑍁𑌃𑌷𑌷𑍍𑌟𑍍𑌯𑌰𑍍𑌥𑌨𑌿𑌰𑍍𑌣𑍇𑌤𑌾 𑌚𑌤𑍁𑌃𑌷𑌷𑍍𑌟𑌿𑌕𑌲𑌾𑌨𑌿𑌧𑌿𑌃 । 𑌅𑌷𑍍𑌟𑌷𑌷𑍍𑌟𑌿𑌮𑌹𑌾𑌤𑍀𑌰𑍍𑌥𑌕𑍍𑌷𑍇𑌤𑍍𑌰𑌭𑍈𑌰𑌵𑌵𑌨𑍍𑌦𑌿𑌤𑌃 ॥ 161 ॥ 𑌚𑌤𑍁𑌰𑍍𑌨𑌵𑌤𑌿𑌮𑌨𑍍𑌤𑍍𑌰𑌾𑌤𑍍𑌮𑌾 𑌷𑌣𑍍𑌣𑌵𑌤𑍍𑌯𑌧𑌿𑌕𑌪𑍍𑌰𑌭𑍁𑌃 । 𑌶𑌤𑌾𑌨𑌨𑍍𑌦𑌃 𑌶𑌤𑌧𑍃𑌤𑌿𑌃 𑌶𑌤𑌪𑌤𑍍𑌰𑌾𑌯𑌤𑍇𑌕𑍍𑌷𑌣𑌃 ॥ 162 ॥ 𑌶𑌤𑌾𑌨𑍀𑌕𑌃 𑌶𑌤𑌮𑌖𑌃 𑌶𑌤𑌧𑌾𑌰𑌾𑌵𑌰𑌾𑌯𑍁𑌧𑌃 । 𑌸𑌹𑌸𑍍𑌰𑌪𑌤𑍍𑌰𑌨𑌿𑌲𑌯𑌃 𑌸𑌹𑌸𑍍𑌰𑌫𑌣𑌿𑌭𑍂𑌷𑌣𑌃 ॥ 163 ॥ 𑌸𑌹𑌸𑍍𑌰𑌶𑍀𑌰𑍍𑌷𑌾 𑌪𑍁𑌰𑍁𑌷𑌃 𑌸𑌹𑌸𑍍𑌰𑌾𑌕𑍍𑌷𑌃 𑌸𑌹𑌸𑍍𑌰𑌪𑌾𑌤𑍍 । 𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑍍𑌯𑌃 𑌸𑌹𑌸𑍍𑌰𑌾𑌕𑍍𑌷𑌬𑌲𑌾𑌪𑌹𑌃 ॥ 164 ॥ 𑌦𑌶𑌸𑌾𑌹𑌸𑍍𑌰𑌫𑌣𑌿𑌭𑍃𑌤𑍍𑌫𑌣𑌿𑌰𑌾𑌜𑌕𑍃𑌤𑌾𑌸𑌨𑌃 । 𑌅𑌷𑍍𑌟𑌾𑌶𑍀𑌤𑌿𑌸𑌹𑌸𑍍𑌰𑌾𑌦𑍍𑌯𑌮𑌹𑌰𑍍𑌷𑌿𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌪𑌾𑌠𑌿𑌤𑌃 ॥ 165 ॥ 𑌲𑌕𑍍𑌷𑌾𑌧𑌾𑌰𑌃 𑌪𑍍𑌰𑌿𑌯𑌾𑌧𑌾𑌰𑍋 𑌲𑌕𑍍𑌷𑌾𑌧𑌾𑌰𑌮𑌨𑍋𑌮𑌯𑌃 । 𑌚𑌤𑍁𑌰𑍍𑌲𑌕𑍍𑌷𑌜𑌪𑌪𑍍𑌰𑍀𑌤𑌶𑍍𑌚𑌤𑍁𑌰𑍍𑌲𑌕𑍍𑌷𑌪𑍍𑌰𑌕𑌾𑌶𑌕𑌃 ॥ 166 ॥ 𑌚𑌤𑍁𑌰𑌶𑍀𑌤𑌿𑌲𑌕𑍍𑌷𑌾𑌣𑌾𑌂 𑌜𑍀𑌵𑌾𑌨𑌾𑌂 𑌦𑍇𑌹𑌸𑌂𑌸𑍍𑌥𑌿𑌤𑌃 । 𑌕𑍋𑌟𑌿𑌸𑍂𑌰𑍍𑌯𑌪𑍍𑌰𑌤𑍀𑌕𑌾𑌶𑌃 𑌕𑍋𑌟𑌿𑌚𑌨𑍍𑌦𑍍𑌰𑌾𑌂𑌶𑍁𑌨𑌿𑌰𑍍𑌮𑌲𑌃 ॥ 167 ॥ 𑌶𑌿𑌵𑍋𑌦𑍍𑌭𑌵𑌾𑌦𑍍𑌯𑌷𑍍𑌟𑌕𑍋𑌟𑌿𑌵𑍈𑌨𑌾𑌯𑌕𑌧𑍁𑌰𑌨𑍍𑌧𑌰𑌃 । 𑌸𑌪𑍍𑌤𑌕𑍋𑌟𑌿𑌮𑌹𑌾𑌮𑌨𑍍𑌤𑍍𑌰𑌮𑌨𑍍𑌤𑍍𑌰𑌿𑌤𑌾𑌵𑌯𑌵𑌦𑍍𑌯𑍁𑌤𑌿𑌃 ॥ 168 ॥ 𑌤𑍍𑌰𑌯𑌸𑍍𑌤𑍍𑌰𑌿𑌂𑌶𑌤𑍍𑌕𑍋𑌟𑌿𑌸𑍁𑌰𑌶𑍍𑌰𑍇𑌣𑍀𑌪𑍍𑌰𑌣𑌤𑌪𑌾𑌦𑍁𑌕𑌃 । 𑌅𑌨𑌨𑍍𑌤𑌦𑍇𑌵𑌤𑌾𑌸𑍇𑌵𑍍𑌯𑍋 𑌹𑍍𑌯𑌨𑌨𑍍𑌤𑌶𑍁𑌭𑌦𑌾𑌯𑌕𑌃 ॥ 169 ॥ 𑌅𑌨𑌨𑍍𑌤𑌨𑌾𑌮𑌾𑌨𑌨𑍍𑌤𑌶𑍍𑌰𑍀𑌰𑌨𑌨𑍍𑌤𑍋𑌽𑌨𑌨𑍍𑌤𑌸𑍗𑌖𑍍𑌯𑌦𑌃 । 𑌅𑌨𑌨𑍍𑌤𑌶𑌕𑍍𑌤𑌿𑌸𑌹𑌿𑌤𑍋 𑌹𑍍𑌯𑌨𑌨𑍍𑌤𑌮𑍁𑌨𑌿𑌸𑌂𑌸𑍍𑌤𑍁𑌤𑌃 ॥ 170 ॥

Chatuhshashtyarthanirneta chatuhshashtikalanidhih | Ashtashashtimahatirthakshetrabhairavavanditah || 161 || Chaturnavatimantratma shannavatyadhikaprabhuh | Shatanandah shatadhritih shatapatrayatekshanah || 162 || Shatanikah shatamakhah shatadharavarayudhah | Sahasrapatranilayah sahasraphanibhushanah || 163 || Sahasrashirsha purushah sahasrakshah sahasrapat | Sahasranamasamstutyah sahasrakshabalapahah || 164 || Dashasahasraphanibhritphanirajakritasanah | Ashtashitisahasradyamaharshistotrapathitah || 165 || Lakshadharah priyadharo lakshadharamanomayah | Chaturlakshajapapritashchaturlakshaprakashakah || 166 || Chaturashitilakshanam jivanam dehasamsthitah | Kotisuryapratikashah kotichandramshunirmalah || 167 || Shivodbhavadyashtakotivainayakadhurandharah | Saptakotimahamantramantritavayavadyutih || 168 || Trayastrimshatkotisurashrenipranatapadukah | Anantadevatasevyo hyanantashubhadayakah || 169 || Anantanamanantashriranantonantasaukhyadah | Anantashaktisahito hyanantamunisamstutah || 170 ||

Meaning:He is the decider of the sixty-four meanings and the treasury of the sixty-four arts, saluted by the Bhairavas of the sixty-eight great tirthas, the self of the ninety-four mantras, lord exceeding the ninety-six. With one hundred he is Shatananda of hundredfold bliss, Brahma of the hundred sustainings, his eyes long as hundred-petalled lotuses, of a hundred armies and a hundred sacrifices like Indra, his great weapon of a hundred streams. With a thousand he dwells in the thousand-petalled lotus, is adorned with thousand-hooded serpents, and is himself the Purusha of the Purusha-sukta — thousand-headed, thousand-eyed, thousand-footed — worthy of praise by a thousand names, humbler of the thousand-eyed Indra's might. He bears ten thousand serpent-hoods and sits on the serpent-king's coils; the eighty-eight thousand primeval maharshis recite his praise. He is the support of the lakh, pleased by four-lakh japa, its fourfold-lakh illuminator, dwelling in the bodies of the eighty-four lakh species of beings. Radiant as a crore of suns and cool as the light of a crore of moons, he is the chief of the eight crore Vinayakas born of Shiva, his limbs empowered by the seven crore great mantras, his sandals saluted by the ranks of the thirty-three crore gods — served by endless deities, giver of endless blessedness: of endless names, endless splendour, the Endless One granting endless joy, joined with endless shakti, hymned by endless sages.

Verse 20

𑌇𑌤𑌿 𑌵𑍈𑌨𑌾𑌯𑌕𑌂 𑌨𑌾𑌮𑍍𑌨𑌾𑌂 𑌸𑌹𑌸𑍍𑌰𑌮𑌿𑌦𑌮𑍀𑌰𑌿𑌤𑌮𑍍 । 𑌇𑌦𑌂 𑌬𑍍𑌰𑌾𑌹𑍍𑌮𑍇 𑌮𑍁𑌹𑍂𑌰𑍍𑌤𑍇 𑌯𑌃 𑌪𑌠𑌤𑌿 𑌪𑍍𑌰𑌤𑍍𑌯𑌹𑌂 𑌨𑌰𑌃 ॥ 171 ॥ 𑌕𑌰𑌸𑍍𑌥𑌂 𑌤𑌸𑍍𑌯 𑌸𑌕𑌲𑌮𑍈𑌹𑌿𑌕𑌾𑌮𑍁𑌷𑍍𑌮𑌿𑌕𑌂 𑌸𑍁𑌖𑌮𑍍 । 𑌆𑌯𑍁𑌰𑌾𑌰𑍋𑌗𑍍𑌯𑌮𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌂 𑌧𑍈𑌰𑍍𑌯𑌂 𑌶𑍗𑌰𑍍𑌯𑌂 𑌬𑌲𑌂 𑌯𑌶𑌃 ॥ 172 ॥ 𑌮𑍇𑌧𑌾 𑌪𑍍𑌰𑌜𑍍𑌞𑌾 𑌧𑍃𑌤𑌿𑌃 𑌕𑌾𑌨𑍍𑌤𑌿𑌃 𑌸𑍗𑌭𑌾𑌗𑍍𑌯𑌮𑌭𑌿𑌰𑍂𑌪𑌤𑌾 । 𑌸𑌤𑍍𑌯𑌂 𑌦𑌯𑌾 𑌕𑍍𑌷𑌮𑌾 𑌶𑌾𑌨𑍍𑌤𑌿𑌰𑍍𑌦𑌾𑌕𑍍𑌷𑌿𑌣𑍍𑌯𑌂 𑌧𑌰𑍍𑌮𑌶𑍀𑌲𑌤𑌾 ॥ 173 ॥ 𑌜𑌗𑌤𑍍𑌸𑌂𑌵𑌨𑌨𑌂 𑌵𑌿𑌶𑍍𑌵𑌸𑌂𑌵𑌾𑌦𑍋 𑌵𑍇𑌦𑌪𑌾𑌟𑌵𑌮𑍍 । 𑌸𑌭𑌾𑌪𑌾𑌣𑍍𑌡𑌿𑌤𑍍𑌯𑌮𑍗𑌦𑌾𑌰𑍍𑌯𑌂 𑌗𑌾𑌮𑍍𑌭𑍀𑌰𑍍𑌯𑌂 𑌬𑍍𑌰𑌹𑍍𑌮𑌵𑌰𑍍𑌚𑌸𑌮𑍍 ॥ 174 ॥ 𑌓𑌜𑌸𑍍𑌤𑍇𑌜𑌃 𑌕𑍁𑌲𑌂 𑌶𑍀𑌲𑌂 𑌪𑍍𑌰𑌤𑌾𑌪𑍋 𑌵𑍀𑌰𑍍𑌯𑌮𑌾𑌰𑍍𑌯𑌤𑌾 । 𑌜𑍍𑌞𑌾𑌨𑌂 𑌵𑌿𑌜𑍍𑌞𑌾𑌨𑌮𑌾𑌸𑍍𑌤𑌿𑌕𑍍𑌯𑌂 𑌸𑍍𑌥𑍈𑌰𑍍𑌯𑌂 𑌵𑌿𑌶𑍍𑌵𑌾𑌸𑌤𑌾 𑌤𑌥𑌾 ॥ 175 ॥ 𑌧𑌨𑌧𑌾𑌨𑍍𑌯𑌾𑌦𑌿𑌵𑍃𑌦𑍍𑌧𑌿𑌶𑍍𑌚 𑌸𑌕𑍃𑌦𑌸𑍍𑌯 𑌜𑌪𑌾𑌦𑍍𑌭𑌵𑍇𑌤𑍍 । 𑌵𑌶𑍍𑌯𑌂 𑌚𑌤𑍁𑌰𑍍𑌵𑌿𑌧𑌂 𑌵𑌿𑌶𑍍𑌵𑌂 𑌜𑌪𑌾𑌦𑌸𑍍𑌯 𑌪𑍍𑌰𑌜𑌾𑌯𑌤𑍇 ॥ 176 ॥ 𑌰𑌾𑌜𑍍𑌞𑍋 𑌰𑌾𑌜𑌕𑌲𑌤𑍍𑌰𑌸𑍍𑌯 𑌰𑌾𑌜𑌪𑍁𑌤𑍍𑌰𑌸𑍍𑌯 𑌮𑌨𑍍𑌤𑍍𑌰𑌿𑌣𑌃 । 𑌜𑌪𑍍𑌯𑌤𑍇 𑌯𑌸𑍍𑌯 𑌵𑌶𑍍𑌯𑌾𑌰𑍍𑌥𑍇 𑌸 𑌦𑌾𑌸𑌸𑍍𑌤𑌸𑍍𑌯 𑌜𑌾𑌯𑌤𑍇 ॥ 177 ॥ 𑌧𑌰𑍍𑌮𑌾𑌰𑍍𑌥𑌕𑌾𑌮𑌮𑍋𑌕𑍍𑌷𑌾𑌣𑌾𑌮𑌨𑌾𑌯𑌾𑌸𑍇𑌨 𑌸𑌾𑌧𑌨𑌮𑍍 । 𑌶𑌾𑌕𑌿𑌨𑍀𑌡𑌾𑌕𑌿𑌨𑍀𑌰𑌕𑍍𑌷𑍋𑌯𑌕𑍍𑌷𑌗𑍍𑌰𑌹𑌭𑌯𑌾𑌪𑌹𑌮𑍍 ॥ 178 ॥ 𑌸𑌾𑌮𑍍𑌰𑌾𑌜𑍍𑌯𑌸𑍁𑌖𑌦𑌂 𑌸𑌰𑍍𑌵𑌸𑌪𑌤𑍍𑌨𑌮𑌦𑌮𑌰𑍍𑌦𑌨𑌮𑍍 । 𑌸𑌮𑌸𑍍𑌤𑌕𑌲𑌹𑌧𑍍𑌵𑌂𑌸𑌿 𑌦𑌗𑍍𑌧𑌬𑍀𑌜𑌪𑍍𑌰𑌰𑍋𑌹𑌣𑌮𑍍 ॥ 179 ॥ 𑌦𑍁𑌃𑌸𑍍𑌵𑌪𑍍𑌨𑌶𑌮𑌨𑌂 𑌕𑍍𑌰𑍁𑌦𑍍𑌧𑌸𑍍𑌵𑌾𑌮𑌿𑌚𑌿𑌤𑍍𑌤𑌪𑍍𑌰𑌸𑌾𑌦𑌨𑌮𑍍 । 𑌷𑌡𑍍𑌵𑌰𑍍𑌗𑌾𑌷𑍍𑌟𑌮𑌹𑌾𑌸𑌿𑌦𑍍𑌧𑌿𑌤𑍍𑌰𑌿𑌕𑌾𑌲𑌜𑍍𑌞𑌾𑌨𑌕𑌾𑌰𑌣𑌮𑍍 ॥ 180 ॥

Iti vainayakam namnam sahasramidamiritam | Idam brahme muhurte yah pathati pratyaham narah || 171 || Karastham tasya sakalamaihikamushmikam sukham | Ayurarogyamaishvaryam dhairyam shauryam balam yashah || 172 || Medha prajna dhritih kantih saubhagyamabhirupata | Satyam daya kshama shantirdakshinyam dharmashilata || 173 || Jagatsamvananam vishvasamvado vedapatavam | Sabhapandityamaudaryam gambhiryam brahmavarchasam || 174 || Ojastejah kulam shilam pratapo viryamaryata | Jnanam vijnanamastikyam sthairyam vishvasata tatha || 175 || Dhanadhanyadivriddhishcha sakridasya japadbhavet | Vashyam chaturvidham vishvam japadasya prajayate || 176 || Rajno rajakalatrasya rajaputrasya mantrinah | Japyate yasya vashyarthe sa dasastasya jayate || 177 || Dharmarthakamamokshanamanayasena sadhanam | Shakinidakinirakshoyakshagrahabhayapaham || 178 || Samrajyasukhadam sarvasapatnamadamardanam | Samastakalahadhvamsi dagdhabijaprarohanam || 179 || Duhsvapnashamanam kruddhasvamichittaprasadanam | Shadvargashtamahasiddhitrikalajnanakaranam || 180 ||

Meaning:Here the phalashruti — the fruit of recitation — begins: 'Thus have the thousand names of Vinayaka been declared. The person who recites them every day in the brahma-muhurta holds in the palm of his hand all happiness of this world and the next': long life, health, lordship, courage, valour, strength and fame, intelligence, wisdom, firmness, radiance, good fortune and beauty, truth, compassion, forgiveness, peace, courtesy and virtue, the goodwill of the world, harmony with all, mastery of the Vedas, learning in assemblies, generosity, depth and brahmic lustre. From even a single japa come increase of wealth and grain, and the fourfold world is drawn into friendliness; kings, their queens, princes and ministers are won over. It accomplishes dharma, artha, kama and moksha without strain, dispels fear of shakinis, dakinis, rakshasas, yakshas and seizing spirits, bestows imperial happiness, crushes the arrogance of every rival, ends all quarrels, makes even burnt seeds sprout, stills evil dreams, soothes the wrath of an angry master, and yields the six powers, the eight great siddhis and knowledge of the three times.

Verse 21

𑌪𑌰𑌕𑍃𑌤𑍍𑌯𑌪𑍍𑌰𑌶𑌮𑌨𑌂 𑌪𑌰𑌚𑌕𑍍𑌰𑌪𑍍𑌰𑌮𑌰𑍍𑌦𑌨𑌮𑍍 । 𑌸𑌙𑍍𑌗𑍍𑌰𑌾𑌮𑌮𑌾𑌰𑍍𑌗𑍇 𑌸𑌵𑍇𑌷𑌾𑌮𑌿𑌦𑌮𑍇𑌕𑌂 𑌜𑌯𑌾𑌵𑌹𑌮𑍍 ॥ 181 ॥ 𑌸𑌰𑍍𑌵𑌵𑌨𑍍𑌧𑍍𑌯𑌤𑍍𑌵𑌦𑍋𑌷𑌘𑍍𑌨𑌂 𑌗𑌰𑍍𑌭𑌰𑌕𑍍𑌷𑍈𑌕𑌕𑌾𑌰𑌣𑌮𑍍 । 𑌪𑌠𑍍𑌯𑌤𑍇 𑌪𑍍𑌰𑌤𑍍𑌯𑌹𑌂 𑌯𑌤𑍍𑌰 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌗𑌣𑌪𑌤𑍇𑌰𑌿𑌦𑌮𑍍 ॥ 182 ॥ 𑌦𑍇𑌶𑍇 𑌤𑌤𑍍𑌰 𑌨 𑌦𑍁𑌰𑍍𑌭𑌿𑌕𑍍𑌷𑌮𑍀𑌤𑌯𑍋 𑌦𑍁𑌰𑌿𑌤𑌾𑌨𑌿 𑌚 । 𑌨 𑌤𑌦𑍍𑌗𑍇𑌹𑌂 𑌜𑌹𑌾𑌤𑌿 𑌶𑍍𑌰𑍀𑌰𑍍𑌯𑌤𑍍𑌰𑌾𑌯𑌂 𑌜𑌪𑍍𑌯𑌤𑍇 𑌸𑍍𑌤𑌵𑌃 ॥ 183 ॥ 𑌕𑍍𑌷𑌯𑌕𑍁𑌷𑍍𑌠𑌪𑍍𑌰𑌮𑍇𑌹𑌾𑌰𑍍𑌶𑌭𑌗𑌨𑍍𑌦𑌰𑌵𑌿𑌷𑍂𑌚𑌿𑌕𑌾𑌃 । 𑌗𑍁𑌲𑍍𑌮𑌂 𑌪𑍍𑌲𑍀𑌹𑌾𑌨𑌮𑌶𑌮𑌾𑌨𑌮𑌤𑌿𑌸𑌾𑌰𑌂 𑌮𑌹𑍋𑌦𑌰𑌮𑍍 ॥ 184 ॥ 𑌕𑌾𑌸𑌂 𑌶𑍍𑌵𑌾𑌸𑌮𑍁𑌦𑌾𑌵𑌰𑍍𑌤𑌂 𑌶𑍂𑌲𑌂 𑌶𑍋𑌫𑌾𑌮𑌯𑍋𑌦𑌰𑌮𑍍 । 𑌶𑌿𑌰𑍋𑌰𑍋𑌗𑌂 𑌵𑌮𑌿𑌂 𑌹𑌿𑌕𑍍𑌕𑌾𑌂 𑌗𑌣𑍍𑌡𑌮𑌾𑌲𑌾𑌮𑌰𑍋𑌚𑌕𑌮𑍍 ॥ 185 ॥ 𑌵𑌾𑌤𑌪𑌿𑌤𑍍𑌤𑌕𑌫𑌦𑍍𑌵𑌨𑍍𑌦𑍍𑌵𑌤𑍍𑌰𑌿𑌦𑍋𑌷𑌜𑌨𑌿𑌤𑌜𑍍𑌵𑌰𑌮𑍍 । 𑌆𑌗𑌨𑍍𑌤𑍁𑌵𑌿𑌷𑌮𑌂 𑌶𑍀𑌤𑌮𑍁𑌷𑍍𑌣𑌂 𑌚𑍈𑌕𑌾𑌹𑌿𑌕𑌾𑌦𑌿𑌕𑌮𑍍 ॥ 186 ॥ 𑌇𑌤𑍍𑌯𑌾𑌦𑍍𑌯𑍁𑌕𑍍𑌤𑌮𑌨𑍁𑌕𑍍𑌤𑌂 𑌵𑌾 𑌰𑍋𑌗𑌦𑍋𑌷𑌾𑌦𑌿𑌸𑌮𑍍𑌭𑌵𑌮𑍍 । 𑌸𑌰𑍍𑌵𑌂 𑌪𑍍𑌰𑌶𑌮𑌯𑌤𑍍𑌯𑌾𑌶𑍁 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌸𑍍𑌯𑌾𑌸𑍍𑌯 𑌸𑌕𑍃𑌜𑍍𑌜𑌪𑌃 ॥ 187 ॥ 𑌪𑍍𑌰𑌾𑌪𑍍𑌯𑌤𑍇𑌽𑌸𑍍𑌯 𑌜𑌪𑌾𑌤𑍍𑌸𑌿𑌦𑍍𑌧𑌿𑌃 𑌸𑍍𑌤𑍍𑌰𑍀𑌶𑍂𑌦𑍍𑌰𑍈𑌃 𑌪𑌤𑌿𑌤𑍈𑌰𑌪𑌿 । 𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮𑌮𑌨𑍍𑌤𑍍𑌰𑍋𑌽𑌯𑌂 𑌜𑌪𑌿𑌤𑌵𑍍𑌯𑌃 𑌶𑍁𑌭𑌾𑌪𑍍𑌤𑌯𑍇 ॥ 188 ॥ 𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑍇𑌃 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌸𑌕𑌾𑌮𑌃 𑌪𑍍𑌰𑌜𑌪𑌨𑍍𑌨𑌿𑌦𑌮𑍍 । 𑌇𑌚𑍍𑌛𑌯𑌾 𑌸𑌕𑌲𑌾𑌨𑍍 𑌭𑍋𑌗𑌾𑌨𑍁𑌪𑌭𑍁𑌜𑍍𑌯𑍇𑌹 𑌪𑌾𑌰𑍍𑌥𑌿𑌵𑌾𑌨𑍍 ॥ 189 ॥ 𑌮𑌨𑍋𑌰𑌥𑌫𑌲𑍈𑌰𑍍𑌦𑌿𑌵𑍍𑌯𑍈𑌰𑍍𑌵𑍍𑌯𑍋𑌮𑌯𑌾𑌨𑍈𑌰𑍍𑌮𑌨𑍋𑌰𑌮𑍈𑌃 । 𑌚𑌨𑍍𑌦𑍍𑌰𑍇𑌨𑍍𑌦𑍍𑌰𑌭𑌾𑌸𑍍𑌕𑌰𑍋𑌪𑍇𑌨𑍍𑌦𑍍𑌰𑌬𑍍𑌰𑌹𑍍𑌮𑌶𑌰𑍍𑌵𑌾𑌦𑌿𑌸𑌦𑍍𑌮𑌸𑍁 ॥ 190 ॥

Parakrityaprashamanam parachakrapramardanam | Sangramamarge saveshamidamekam jayavaham || 181 || Sarvavandhyatvadoshaghnam garbharakshaikakaranam | Pathyate pratyaham yatra stotram ganapateridam || 182 || Deshe tatra na durbhikshamitayo duritani cha | Na tadgeham jahati shriryatrayam japyate stavah || 183 || Kshayakushthaprameharshabhagandaravishuchikah | Gulmam plihanamashamanamatisaram mahodaram || 184 || Kasam shvasamudavartam shulam shophamayodaram | Shirorogam vamim hikkam gandamalamarochakam || 185 || Vatapittakaphadvandvatridoshajanitajvaram | Agantuvishamam shitamushnam chaikahikadikam || 186 || Ityadyuktamanuktam va rogadoshadisambhavam | Sarvam prashamayatyashu stotrasyasya sakrijjapah || 187 || Prapyatesya japatsiddhih strishudraih patitairapi | Sahasranamamantroyam japitavyah shubhaptaye || 188 || Mahaganapateh stotram sakamah prajapannidam | Ichchhaya sakalan bhoganupabhujyeha parthivan || 189 || Manorathaphalairdivyairvyomayanairmanoramaih | Chandrendrabhaskaropendrabrahmasharvadisadmasu || 190 ||

Meaning:The fruits continue: it undoes hostile witchcraft and crushes the enemy's forces; on the road of battle it alone brings victory. It destroys every fault of barrenness and is the sole protector of the womb. In whatever land this stotra of Ganapati is read daily, there is no famine there, no plagues, no calamities; Lakshmi never abandons the house where this hymn is recited. It heals the whole catalogue of diseases — consumption, leprosy, diabetes, piles, fistula, cholera, tumours, diseases of the spleen, stones, dysentery, dropsy, cough, asthma, colic, swellings, head-ailments, vomiting, hiccups, scrofula, loss of appetite, and fevers born of vata, pitta, kapha, their pairs and all three together, intermittent and external fevers, chills and burning — all these, named and unnamed, a single recitation swiftly pacifies. Its siddhi is open to all — attainable even by women, shudras and the fallen. One who recites it with desires enjoys at will every earthly pleasure, and then, in beautiful sky-going chariots won by his merit, dwells in the abodes of Chandra, Indra, Surya, Upendra, Brahma and Sharva.

Verse 22

𑌕𑌾𑌮𑌰𑍂𑌪𑌃 𑌕𑌾𑌮𑌗𑌤𑌿𑌃 𑌕𑌾𑌮𑌦𑌃 𑌕𑌾𑌮𑌦𑍇𑌶𑍍𑌵𑌰𑌃 । 𑌭𑍁𑌕𑍍𑌤𑍍𑌵𑌾 𑌯𑌥𑍇𑌪𑍍𑌸𑌿𑌤𑌾𑌨𑍍𑌭𑍋𑌗𑌾𑌨𑌭𑍀𑌷𑍍𑌟𑍈𑌃 𑌸𑌹 𑌬𑌨𑍍𑌧𑍁𑌭𑌿𑌃 ॥ 191 ॥ 𑌗𑌣𑍇𑌶𑌾𑌨𑍁𑌚𑌰𑍋 𑌭𑍂𑌤𑍍𑌵𑌾 𑌗𑌣𑍋 𑌗𑌣𑌪𑌤𑌿𑌪𑍍𑌰𑌿𑌯𑌃 । 𑌨𑌨𑍍𑌦𑍀𑌶𑍍𑌵𑌰𑌾𑌦𑌿𑌸𑌾𑌨𑌨𑍍𑌦𑍈𑌰𑍍𑌨𑌨𑍍𑌦𑌿𑌤𑌃 𑌸𑌕𑌲𑍈𑌰𑍍𑌗𑌣𑍈𑌃 ॥ 192 ॥ 𑌶𑌿𑌵𑌾𑌭𑍍𑌯𑌾𑌂 𑌕𑍃𑌪𑌯𑌾 𑌪𑍁𑌤𑍍𑌰𑌨𑌿𑌰𑍍𑌵𑌿𑌶𑍇𑌷𑌂 𑌚 𑌲𑌾𑌲𑌿𑌤𑌃 । 𑌶𑌿𑌵𑌭𑌕𑍍𑌤𑌃 𑌪𑍂𑌰𑍍𑌣𑌕𑌾𑌮𑍋 𑌗𑌣𑍇𑌶𑍍𑌵𑌰𑌵𑌰𑌾𑌤𑍍𑌪𑍁𑌨𑌃 ॥ 193 ॥ 𑌜𑌾𑌤𑌿𑌸𑍍𑌮𑌰𑍋 𑌧𑌰𑍍𑌮𑌪𑌰𑌃 𑌸𑌾𑌰𑍍𑌵𑌭𑍗𑌮𑍋𑌽𑌭𑌿𑌜𑌾𑌯𑌤𑍇 । 𑌨𑌿𑌷𑍍𑌕𑌾𑌮𑌸𑍍𑌤𑍁 𑌜𑌪𑌨𑍍𑌨𑌿𑌤𑍍𑌯𑌂 𑌭𑌕𑍍𑌤𑍍𑌯𑌾 𑌵𑌿𑌘𑍍𑌨𑍇𑌶𑌤𑌤𑍍𑌪𑌰𑌃 ॥ 194 ॥ 𑌯𑍋𑌗𑌸𑌿𑌦𑍍𑌧𑌿𑌂 𑌪𑌰𑌾𑌂 𑌪𑍍𑌰𑌾𑌪𑍍𑌯 𑌜𑍍𑌞𑌾𑌨𑌵𑍈𑌰𑌾𑌗𑍍𑌯𑌸𑌂𑌯𑍁𑌤𑌃 । 𑌨𑌿𑌰𑌨𑍍𑌤𑌰𑍇 𑌨𑌿𑌰𑌾𑌬𑌾𑌧𑍇 𑌪𑌰𑌮𑌾𑌨𑌨𑍍𑌦𑌸𑌞𑍍𑌜𑍍𑌞𑌿𑌤𑍇 ॥ 195 ॥ 𑌵𑌿𑌶𑍍𑌵𑍋𑌤𑍍𑌤𑍀𑌰𑍍𑌣𑍇 𑌪𑌰𑍇 𑌪𑍂𑌰𑍍𑌣𑍇 𑌪𑍁𑌨𑌰𑌾𑌵𑍃𑌤𑍍𑌤𑌿𑌵𑌰𑍍𑌜𑌿𑌤𑍇 । 𑌲𑍀𑌨𑍋 𑌵𑍈𑌨𑌾𑌯𑌕𑍇 𑌧𑌾𑌮𑍍𑌨𑌿 𑌰𑌮𑌤𑍇 𑌨𑌿𑌤𑍍𑌯𑌨𑌿𑌰𑍍𑌵𑍃𑌤𑍇 ॥ 196 ॥ 𑌯𑍋 𑌨𑌾𑌮𑌭𑌿𑌰𑍍𑌹𑍁𑌤𑍈𑌰𑍍𑌦𑌤𑍍𑌤𑍈𑌃 𑌪𑍂𑌜𑌯𑍇𑌦𑌰𑍍𑌚𑌯𑍇𑌏𑌨𑍍𑌨𑌰𑌃 । 𑌰𑌾𑌜𑌾𑌨𑍋 𑌵𑌶𑍍𑌯𑌤𑌾𑌂 𑌯𑌾𑌨𑍍𑌤𑌿 𑌰𑌿𑌪𑌵𑍋 𑌯𑌾𑌨𑍍𑌤𑌿 𑌦𑌾𑌸𑌤𑌾𑌮𑍍 ॥ 197 ॥ 𑌤𑌸𑍍𑌯 𑌸𑌿𑌧𑍍𑌯𑌨𑍍𑌤𑌿 𑌮𑌨𑍍𑌤𑍍𑌰𑌾𑌣𑌾𑌂 𑌦𑍁𑌰𑍍𑌲𑌭𑌾𑌶𑍍𑌚𑍇𑌷𑍍𑌟𑌸𑌿𑌦𑍍𑌧𑌯𑌃 । 𑌮𑍂𑌲𑌮𑌨𑍍𑌤𑍍𑌰𑌾𑌦𑌪𑌿 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌮𑌿𑌦𑌂 𑌪𑍍𑌰𑌿𑌯𑌤𑌮𑌂 𑌮𑌮 ॥ 198 ॥ 𑌨𑌭𑌸𑍍𑌯𑍇 𑌮𑌾𑌸𑌿 𑌶𑍁𑌕𑍍𑌲𑌾𑌯𑌾𑌂 𑌚𑌤𑍁𑌰𑍍𑌥𑍍𑌯𑌾𑌂 𑌮𑌮 𑌜𑌨𑍍𑌮𑌨𑌿 । 𑌦𑍂𑌰𑍍𑌵𑌾𑌭𑌿𑌰𑍍𑌨𑌾𑌮𑌭𑌿𑌃 𑌪𑍂𑌜𑌾𑌂 𑌤𑌰𑍍𑌪𑌣𑌂 𑌵𑌿𑌧𑌿𑌵𑌚𑍍𑌚𑌰𑍇𑌤𑍍 ॥ 199 ॥ 𑌅𑌷𑍍𑌟𑌦𑍍𑌰𑌵𑍍𑌯𑍈𑌰𑍍𑌵𑌿𑌶𑍇𑌷𑍇𑌣 𑌕𑍁𑌰𑍍𑌯𑌾𑌦𑍍𑌭𑌕𑍍𑌤𑌿𑌸𑍁𑌸𑌂𑌯𑍁𑌤𑌃 । 𑌤𑌸𑍍𑌯𑍇𑌪𑍍𑌸𑌿𑌤𑌂 𑌧𑌨𑌂 𑌧𑌾𑌨𑍍𑌯𑌮𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌂 𑌵𑌿𑌜𑌯𑍋 𑌯𑌶𑌃 ॥ 200 ॥

Kamarupah kamagatih kamadah kamadeshvarah | Bhuktva yathepsitanbhoganabhishtaih saha bandhubhih || 191 || Ganeshanucharo bhutva gano ganapatipriyah | Nandishvaradisanandairnanditah sakalairganaih || 192 || Shivabhyam kripaya putranirvishesham cha lalitah | Shivabhaktah purnakamo ganeshvaravaratpunah || 193 || Jatismaro dharmaparah sarvabhaumobhijayate | Nishkamastu japannityam bhaktya vighneshatatparah || 194 || Yogasiddhim param prapya jnanavairagyasamyutah | Nirantare nirabadhe paramanandasanjnite || 195 || Vishvottirne pare purne punaravrittivarjite | Lino vainayake dhamni ramate nityanirvrite || 196 || Yo namabhirhutairdattaih pujayedarchayeennarah | Rajano vashyatam yanti ripavo yanti dasatam || 197 || Tasya sidhyanti mantranam durlabhashcheshtasiddhayah | Mulamantradapi stotramidam priyatamam mama || 198 || Nabhasye masi shuklayam chaturthyam mama janmani | Durvabhirnamabhih pujam tarpanam vidhivachcharet || 199 || Ashtadravyairvisheshena kuryadbhaktisusamyutah | Tasyepsitam dhanam dhanyamaishvaryam vijayo yashah || 200 ||

Meaning:Moving at will and taking any form, having enjoyed all wished-for pleasures together with his beloved kin, the reciter becomes an attendant of Ganesha — a gana dear to Ganapati, welcomed with delight by Nandishvara and all the hosts, and caressed by Shiva and Parvati with the affection shown their own son. By a further boon of Ganeshvara he is reborn remembering his past lives, devoted to dharma, and becomes a sovereign of the whole earth. But the desireless one who recites daily with devotion, intent on Vighnesha, attains the highest yoga-siddhi, filled with knowledge and dispassion, and merges into the Vainayaka abode — unbroken, unobstructed, called supreme bliss, beyond the universe, full, free from all return — and there rests in everlasting peace. Whoever worships and honours him with these names, with oblations and offerings — kings come under his sway and enemies become his servants; the rarest fulfilments of mantras are accomplished for him. 'This stotra,' says the Lord, 'is dearer to me even than my own mula-mantra. In the bright fortnight of Bhadrapada, on the chaturthi of my birth, let one worship me with durva grass and these names and make offerings according to rule, with the eight substances and full devotion — then wealth, grain, lordship, victory and fame shall be his.'

Verse 23

𑌭𑌵𑌿𑌷𑍍𑌯𑌤𑌿 𑌨 𑌸𑌨𑍍𑌦𑍇𑌹𑌃 𑌪𑍁𑌤𑍍𑌰𑌪𑍗𑌤𑍍𑌰𑌾𑌦𑌿𑌕𑌂 𑌸𑍁𑌖𑌮𑍍 । 𑌇𑌦𑌂 𑌪𑍍𑌰𑌜𑌪𑌿𑌤𑌂 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌪𑌠𑌿𑌤𑌂 𑌶𑍍𑌰𑌾𑌵𑌿𑌤𑌂 𑌶𑍍𑌰𑍁𑌤𑌮𑍍 ॥ 201 ॥ 𑌵𑍍𑌯𑌾𑌕𑍃𑌤𑌂 𑌚𑌰𑍍𑌚𑌿𑌤𑌂 𑌧𑍍𑌯𑌾𑌤𑌂 𑌵𑌿𑌮𑍃𑌷𑍍𑌟𑌮𑌭𑌿𑌵𑌨𑍍𑌦𑌿𑌤𑌮𑍍 । 𑌇𑌹𑌾𑌮𑍁𑌤𑍍𑌰 𑌚 𑌵𑌿𑌶𑍍𑌵𑍇𑌷𑌾𑌂 𑌵𑌿𑌶𑍍𑌵𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌪𑍍𑌰𑌦𑌾𑌯𑌕𑌮𑍍 ॥ 202 ॥ 𑌸𑍍𑌵𑌚𑍍𑌛𑌨𑍍𑌦𑌚𑌾𑌰𑌿𑌣𑌾𑌪𑍍𑌯𑍇𑌷 𑌯𑍇𑌨 𑌸𑌨𑍍𑌧𑌾𑌰𑍍𑌯𑌤𑍇 𑌸𑍍𑌤𑌵𑌃 । 𑌸 𑌰𑌕𑍍𑌷𑍍𑌯𑌤𑍇 𑌶𑌿𑌵𑍋𑌦𑍍𑌭𑍂𑌤𑍈𑌰𑍍𑌗𑌣𑍈𑌰𑌧𑍍𑌯𑌷𑍍𑌟𑌕𑍋𑌟𑌿𑌭𑌿𑌃 ॥ 203 ॥ 𑌲𑌿𑌖𑌿𑌤𑌂 𑌪𑍁𑌸𑍍𑌤𑌕𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌮𑌨𑍍𑌤𑍍𑌰𑌭𑍂𑌤𑌂 𑌪𑍍𑌰𑌪𑍂𑌜𑌯𑍇𑌤𑍍 । 𑌤𑌤𑍍𑌰 𑌸𑌰𑍍𑌵𑍋𑌤𑍍𑌤𑌮𑌾 𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌃 𑌸𑌨𑍍𑌨𑌿𑌧𑌤𑍍𑌤𑍇 𑌨𑌿𑌰𑌨𑍍𑌤𑌰𑌮𑍍 ॥ 204 ॥ 𑌦𑌾𑌨𑍈𑌰𑌶𑍇𑌷𑍈𑌰𑌖𑌿𑌲𑍈𑌰𑍍𑌵𑍍𑌰𑌤𑍈𑌶𑍍𑌚 𑌤𑍀𑌰𑍍𑌥𑍈𑌰𑌶𑍇𑌷𑍈𑌰𑌖𑌿𑌲𑍈𑌰𑍍𑌮𑌖𑍈𑌶𑍍𑌚 । 𑌨 𑌤𑌤𑍍𑌫𑌲𑌂 𑌵𑌿𑌨𑍍𑌦𑌤𑌿 𑌯𑌦𑍍𑌗𑌣𑍇𑌶𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮𑌸𑍍𑌮𑌰𑌣𑍇𑌨 𑌸𑌦𑍍𑌯𑌃 ॥ 205 ॥ 𑌏𑌤𑌨𑍍𑌨𑌾𑌮𑍍𑌨𑌾𑌂 𑌸𑌹𑌸𑍍𑌰𑌂 𑌪𑌠𑌤𑌿 𑌦𑌿𑌨𑌮𑌣𑍗 𑌪𑍍𑌰𑌤𑍍𑌯𑌹𑌮𑍍𑌪𑍍𑌰𑍋𑌜𑍍𑌜𑌿𑌹𑌾𑌨𑍇 𑌸𑌾𑌯𑌂 𑌮𑌧𑍍𑌯𑌨𑍍𑌦𑌿𑌨𑍇 𑌵𑌾 𑌤𑍍𑌰𑌿𑌷𑌵𑌣𑌮𑌥𑌵𑌾 𑌸𑌨𑍍𑌤𑌤𑌂 𑌵𑌾 𑌜𑌨𑍋 𑌯𑌃 । 𑌸 𑌸𑍍𑌯𑌾𑌦𑍈𑌶𑍍𑌵𑌰𑍍𑌯𑌧𑍁𑌰𑍍𑌯𑌃 𑌪𑍍𑌰𑌭𑌵𑌤𑌿 𑌵𑌚𑌸𑌾𑌂 𑌕𑍀𑌰𑍍𑌤𑌿𑌮𑍁𑌚𑍍𑌚𑍈𑌸𑍍𑌤𑌨𑍋𑌤𑌿 𑌦𑌾𑌰𑌿𑌦𑍍𑌰𑍍𑌯𑌂 𑌹𑌨𑍍𑌤𑌿 𑌵𑌿𑌶𑍍𑌵𑌂 𑌵𑌶𑌯𑌤𑌿 𑌸𑍁𑌚𑌿𑌰𑌂 𑌵𑌰𑍍𑌧𑌤𑍇 𑌪𑍁𑌤𑍍𑌰𑌪𑍗𑌤𑍍𑌰𑍈𑌃 ॥ 206 ॥ 𑌅𑌕𑌿𑌞𑍍𑌚𑌨𑍋𑌪𑍍𑌯𑍇𑌕𑌚𑌿𑌤𑍍𑌤𑍋 𑌨𑌿𑌯𑌤𑍋 𑌨𑌿𑌯𑌤𑌾𑌸𑌨𑌃 । 𑌪𑍍𑌰𑌜𑌪𑌂𑌶𑍍𑌚𑌤𑍁𑌰𑍋 𑌮𑌾𑌸𑌾𑌨𑍍 𑌗𑌣𑍇𑌶𑌾𑌰𑍍𑌚𑌨𑌤𑌤𑍍𑌪𑌰𑌃 ॥ 207 ॥ 𑌦𑌰𑌿𑌦𑍍𑌰𑌤𑌾𑌂 𑌸𑌮𑍁𑌨𑍍𑌮𑍂𑌲𑍍𑌯 𑌸𑌪𑍍𑌤𑌜𑌨𑍍𑌮𑌾𑌨𑍁𑌗𑌾𑌮𑌪𑌿 । 𑌲𑌭𑌤𑍇 𑌮𑌹𑌤𑍀𑌂 𑌲𑌕𑍍𑌷𑍍𑌮𑍀𑌮𑌿𑌤𑍍𑌯𑌾𑌜𑍍𑌞𑌾 𑌪𑌾𑌰𑌮𑍇𑌶𑍍𑌵𑌰𑍀 ॥ 208 ॥ 𑌆𑌯𑍁𑌷𑍍𑌯𑌂 𑌵𑍀𑌤𑌰𑍋𑌗𑌂 𑌕𑍁𑌲𑌮𑌤𑌿𑌵𑌿𑌮𑌲𑌂 𑌸𑌮𑍍𑌪𑌦𑌶𑍍𑌚𑌾𑌰𑍍𑌤𑌿𑌨𑌾𑌶𑌃 𑌕𑍀𑌰𑍍𑌤𑌿𑌰𑍍𑌨𑌿𑌤𑍍𑌯𑌾𑌵𑌦𑌾𑌤𑌾 𑌭𑌵𑌤𑌿 𑌖𑌲𑍁 𑌨𑌵𑌾 𑌕𑌾𑌨𑍍𑌤𑌿𑌰𑌵𑍍𑌯𑌾𑌜𑌭𑌵𑍍𑌯𑌾 । 𑌪𑍁𑌤𑍍𑌰𑌾𑌃 𑌸𑌨𑍍𑌤𑌃 𑌕𑌲𑌤𑍍𑌰𑌂 𑌗𑍁𑌣𑌵𑌦𑌭𑌿𑌮𑌤𑌂 𑌯𑌦𑍍𑌯𑌦𑌨𑍍𑌯𑌚𑍍𑌚 𑌤𑌤𑍍𑌤 - 𑌨𑍍𑌨𑌿𑌤𑍍𑌯𑌂 𑌯𑌃 𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌮𑍇𑌤𑌤𑍍 𑌪𑌠𑌤𑌿 𑌗𑌣𑌪𑌤𑍇𑌸𑍍𑌤𑌸𑍍𑌯 𑌹𑌸𑍍𑌤𑍇 𑌸𑌮𑌸𑍍𑌤𑌮𑍍 ॥ 209 ॥ 𑌗𑌣𑌞𑍍𑌜𑌯𑍋 𑌗𑌣𑌪𑌤𑌿𑌰𑍍𑌹𑍇𑌰𑌮𑍍𑌬𑍋 𑌧𑌰𑌣𑍀𑌧𑌰𑌃 । 𑌮𑌹𑌾𑌗𑌣𑌪𑌤𑌿𑌰𑍍𑌬𑍁𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌃 𑌕𑍍𑌷𑌿𑌪𑍍𑌰𑌪𑍍𑌰𑌸𑌾𑌦𑌨𑌃 ॥ 210 ॥

Bhavishyati na sandehah putrapautradikam sukham | Idam prajapitam stotram pathitam shravitam shrutam || 201 || Vyakritam charchitam dhyatam vimrishtamabhivanditam | Ihamutra cha vishvesham vishvaishvaryapradayakam || 202 || Svachchhandacharinapyesha yena sandharyate stavah | Sa rakshyate shivodbhutairganairadhyashtakotibhih || 203 || Likhitam pustakastotram mantrabhutam prapujayet | Tatra sarvottama lakshmih sannidhatte nirantaram || 204 || Danairasheshairakhilairvrataishcha tirthairasheshairakhilairmakhaishcha | Na tatphalam vindati yadganeshasahasranamasmaranena sadyah || 205 || Etannamnam sahasram pathati dinamanau pratyahamprojjihane Sayam madhyandine va trishavanamathava santatam va jano yah | Sa syadaishvaryadhuryah prabhavati vachasam kirtimuchchaistanoti Daridryam hanti vishvam vashayati suchiram vardhate putrapautraih || 206 || Akinchanopyekachitto niyato niyatasanah | Prajapamshchaturo masan ganesharchanatatparah || 207 || Daridratam samunmulya saptajanmanugamapi | Labhate mahatim lakshmimityajna parameshvari || 208 || Ayushyam vitarogam kulamativimalam sampadashchartinashah Kirtirnityavadata bhavati khalu nava kantiravyajabhavya | Putrah santah kalatram gunavadabhimatam yadyadanyachcha tatta - Nnityam yah stotrametat pathati ganapatestasya haste samastam || 209 || Gananjayo ganapatirherambo dharanidharah | Mahaganapatirbuddhipriyah kshipraprasadanah || 210 ||

Meaning:The promise concludes: sons, grandsons and every happiness will follow without doubt. This hymn — recited, read, heard, listened to, expounded, discussed, meditated upon, reflected on or reverenced — bestows on all beings every lordship of this world and the next. Even one who wanders at his own will, if he holds fast to this hymn of praise, is guarded by the eight crores of ganas born of Shiva. Let one worship the written book of the stotra as the very embodiment of mantra: there supreme Lakshmi takes up her unbroken dwelling. Not by all gifts, all vows, all pilgrimages and all sacrifices together does one find the fruit that comes at once from remembering the thousand names of Ganesha. Whoever recites these thousand names at sunrise, at evening or at midday, at the three junctions or continually, becomes foremost in lordship, a master of speech who spreads his fame on high, destroys poverty, wins the whole world, and long flourishes with sons and grandsons. Even a possessionless man, single-minded, disciplined and steady in posture, who recites for four months intent on the worship of Ganesha, uproots even the poverty that has followed him for seven births and gains great Lakshmi — such is the command of Parameshvara. Long life free of disease, a spotless family, riches and the end of affliction, ever-shining fame, effortless new beauty, good sons and a virtuous beloved wife — whatever else there be, all rests in the hand of him who daily recites this stotra of Ganapati. Then begins the garland of twenty-one names: Gananjaya, Ganapati, Heramba, Dharanidhara, Mahaganapati, Buddhipriya, Kshipraprasadana —

Verse 24

𑌅𑌮𑍋𑌘𑌸𑌿𑌦𑍍𑌧𑌿𑌰𑌮𑍃𑌤𑌮𑌨𑍍𑌤𑍍𑌰𑌶𑍍𑌚𑌿𑌨𑍍𑌤𑌾𑌮𑌣𑌿𑌰𑍍𑌨𑌿𑌧𑌿𑌃 । 𑌸𑍁𑌮𑌙𑍍𑌗𑌲𑍋 𑌬𑍀𑌜𑌮𑌾𑌶𑌾𑌪𑍂𑌰𑌕𑍋 𑌵𑌰𑌦𑌃 𑌕𑌲𑌃 ॥ 211 ॥ 𑌕𑌾𑌶𑍍𑌯𑌪𑍋 𑌨𑌨𑍍𑌦𑌨𑍋 𑌵𑌾𑌚𑌾𑌸𑌿𑌦𑍍𑌧𑍋 𑌢𑍁𑌣𑍍𑌢𑌿𑌰𑍍𑌵𑌿𑌨𑌾𑌯𑌕𑌃 । 𑌮𑍋𑌦𑌕𑍈𑌰𑍇𑌭𑌿𑌰𑌤𑍍𑌰𑍈𑌕𑌵𑌿𑌂𑌶𑌤𑍍𑌯𑌾 𑌨𑌾𑌮𑌭𑌿𑌃 𑌪𑍁𑌮𑌾𑌨𑍍 ॥ 212 ॥ 𑌉𑌪𑌾𑌯𑌨𑌂 𑌦𑌦𑍇𑌦𑍍𑌭𑌕𑍍𑌤𑍍𑌯𑌾 𑌮𑌤𑍍𑌪𑍍𑌰𑌸𑌾𑌦𑌂 𑌚𑌿𑌕𑍀𑌰𑍍𑌷𑌤𑌿 । 𑌵𑌤𑍍𑌸𑌰𑌂 𑌵𑌿𑌘𑍍𑌨𑌰𑌾𑌜𑍋𑌽𑌸𑍍𑌯 𑌤𑌥𑍍𑌯𑌮𑌿𑌷𑍍𑌟𑌾𑌰𑍍𑌥𑌸𑌿𑌦𑍍𑌧𑌯𑍇 ॥ 213 ॥ 𑌯𑌃 𑌸𑍍𑌤𑍗𑌤𑌿 𑌮𑌦𑍍𑌗𑌤𑌮𑌨𑌾 𑌮𑌮𑌾𑌰𑌾𑌧𑌨𑌤𑌤𑍍𑌪𑌰𑌃 । 𑌸𑍍𑌤𑍁𑌤𑍋 𑌨𑌾𑌮𑍍𑌨𑌾 𑌸𑌹𑌸𑍍𑌰𑍇𑌣 𑌤𑍇𑌨𑌾𑌹𑌂 𑌨𑌾𑌤𑍍𑌰 𑌸𑌂𑌶𑌯𑌃 ॥ 214 ॥ 𑌨𑌮𑍋 𑌨𑌮𑌃 𑌸𑍁𑌰𑌵𑌰𑌪𑍂𑌜𑌿𑌤𑌾𑌙𑍍𑌘𑍍𑌰𑌯𑍇 𑌨𑌮𑍋 𑌨𑌮𑍋 𑌨𑌿𑌰𑍁𑌪𑌮𑌮𑌙𑍍𑌗𑌲𑌾𑌤𑍍𑌮𑌨𑍇 । 𑌨𑌮𑍋 𑌨𑌮𑍋 𑌵𑌿𑌪𑍁𑌲𑌦𑌯𑍈𑌕𑌸𑌿𑌦𑍍𑌧𑌯𑍇 𑌨𑌮𑍋 𑌨𑌮𑌃 𑌕𑌰𑌿𑌕𑌲𑌭𑌾𑌨𑌨𑌾𑌯 𑌤𑍇 ॥ 215 ॥ 𑌕𑌿𑌙𑍍𑌕𑌿𑌣𑍀𑌗𑌣𑌰𑌚𑌿𑌤𑌚𑌰𑌣𑌃 𑌪𑍍𑌰𑌕𑌟𑌿𑌤𑌗𑍁𑌰𑍁𑌮𑌿𑌤𑌚𑌾𑌰𑍁𑌕𑌰𑌣𑌃 । 𑌮𑌦𑌜𑌲𑌲𑌹𑌰𑍀𑌕𑌲𑌿𑌤𑌕𑌪𑍋𑌲𑌃 𑌶𑌮𑌯𑌤𑍁 𑌦𑍁𑌰𑌿𑌤𑌂 𑌗𑌣𑌪𑌤𑌿𑌨𑌾𑌮𑍍𑌨𑌾 ॥ 216 ॥ ॥ 𑌇𑌤𑌿 𑌶𑍍𑌰𑍀𑌗𑌣𑍇𑌶𑌪𑍁𑌰𑌾𑌣𑍇 𑌉𑌪𑌾𑌸𑌨𑌾𑌖𑌣𑍍𑌡𑍇 𑌈𑌶𑍍𑌵𑌰𑌗𑌣𑍇𑌶𑌸𑌂𑌵𑌾𑌦𑍇 𑌗𑌣𑍇𑌶𑌸𑌹𑌸𑍍𑌰𑌨𑌾𑌮𑌸𑍍𑌤𑍋𑌤𑍍𑌰𑌂 𑌨𑌾𑌮 𑌷𑌟𑍍𑌚𑌤𑍍𑌵𑌾𑌰𑌿𑌂𑌶𑍋𑌧𑍍𑌯𑌾𑌯𑌃 ॥

Amoghasiddhiramritamantrashchintamanirnidhih | Sumangalo bijamashapurako varadah kalah || 211 || Kashyapo nandano vachasiddho dhundhirvinayakah | Modakairebhiratraikavimshatya namabhih puman || 212 || Upayanam dadedbhaktya matprasadam chikirshati | Vatsaram vighnarajosya tathyamishtarthasiddhaye || 213 || Yah stauti madgatamana mamaradhanatatparah | Stuto namna sahasrena tenaham natra samshayah || 214 || Namo namah suravarapujitanghraye Namo namo nirupamamangalatmane | Namo namo vipuladayaikasiddhaye Namo namah karikalabhananaya te || 215 || Kinkiniganarachitacharanah Prakatitagurumitacharukaranah | Madajalalaharikalitakapolah Shamayatu duritam ganapatinamna || 216 || || Iti shriganeshapurane upasanakhande ishvaraganeshasamvade Ganeshasahasranamastotram nama shatchatvarimshodhyayah ||

Meaning:— Amoghasiddhi, Amritamantra, Chintamani, Nidhi, Sumangala, Bija, Ashapuraka, Varada, Kala, Kashyapa, Nandana, Vachasiddha, Dhundhi and Vinayaka. Whoever with devotion offers modakas along with these twenty-one names, seeking my grace — for him Vighnaraja will truly accomplish the desired aims within the year. Whoever praises me with mind absorbed in me, intent upon my worship — praised by these thousand names, I am won by him: of this there is no doubt. The hymn ends with its salutation: 'Obeisance, obeisance to you whose feet the best of the gods worship; obeisance, obeisance to the soul of incomparable auspiciousness; obeisance, obeisance to the sole fulfilment of vast compassion; obeisance, obeisance to you of the elephant-calf face. May he whose feet are ringed with tinkling bells, whose graceful acts reveal the boundless Guru, whose temples stream with waves of ichor — may Ganapati by his very name destroy all evil.' Thus ends the Ganesha-sahasranama-stotra, the forty-sixth chapter of the Upasana-khanda of the Ganesha Purana, the dialogue of Ishvara and Ganesha.

Word-by-Word Meaning

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𑌗𑌣𑍇𑌶𑍍𑌵𑌰𑌃🔊GaneshvarahLord of the ganas (Shiva's hosts)

𑌏𑌕𑌦𑌨𑍍𑌤𑌃🔊EkadantahThe single-tusked one

𑌵𑌕𑍍𑌰𑌤𑍁𑌣𑍍𑌡𑌃🔊VakratundahHe of the curved trunk

𑌮𑌹𑍋𑌦𑌰𑌃🔊MahodarahThe great-bellied one, containing all worlds

𑌵𑌿𑌘𑍍𑌨𑌨𑌾𑌶𑌨𑌃🔊VighnanashanahDestroyer of obstacles

𑌵𑌿𑌨𑌾𑌯𑌕𑌃🔊VinayakahThe supreme leader, without a master above him

𑌹𑍇𑌰𑌮𑍍𑌬𑌃🔊HerambahProtector of the weak, the boastful hero

𑌗𑌜𑌾𑌨𑌨𑌃🔊GajananahThe elephant-faced one

𑌮𑍂𑌷𑌕𑌵𑌾𑌹𑌨𑌃🔊MushakavahanahHe whose mount is the mouse

𑌸𑌿𑌦𑍍𑌧𑌿𑌵𑌿𑌨𑌾𑌯𑌕𑌃🔊SiddhivinayakahThe lord who grants accomplishment (siddhi)

𑌚𑌿𑌨𑍍𑌤𑌾𑌮𑌣𑌿𑌃🔊ChintamanihThe wish-fulfilling jewel

𑌲𑌮𑍍𑌬𑍋𑌦𑌰𑌃🔊LambodarahHe of the pendant belly

𑌬𑍁𑌦𑍍𑌧𑌿𑌪𑍍𑌰𑌿𑌯𑌃🔊BuddhipriyahLover of wisdom and intellect

𑌲𑌡𑍍𑌡𑍁𑌕𑌪𑍍𑌰𑌿𑌯𑌃🔊LaddukapriyahHe who is fond of laddus (sweet offerings)

Benefits of Chanting Ganapati Sahasranama Stotram

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The Ganesha Purana declares it the supreme remover of obstacles — even Shiva chanted it before conquering Tripura

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Daily recitation at brahma-muhurta is said to grant health, long life, wealth, eloquence and fame

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Traditionally chanted for victory in undertakings, protection of the womb, and removal of poverty

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Its phalashruti promises relief from a vast catalogue of diseases and fears

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Reciting it on Ganesha Chaturthi with durva grass and modakas is considered especially powerful

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Open to all — the text itself says its siddhi is attainable by everyone, regardless of station

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Nishkama (desireless) recitation leads to supreme yoga-siddhi and absorption in the Vainayaka abode

How to Chant Ganapati Sahasranama Stotram

Repetitions1times

Best TimeBrahma muhurta (early morning); especially auspicious on Chaturthi tithi, Wednesdays, and Ganesha Chaturthi

Begin with a bath and a clean seat facing east. Perform the karanyasa and anganyasa as given in the text, meditate on the dhyana verse of the red-hued, elephant-faced Lord, and then recite the thousand names with an unhurried, devoted mind. Offer durva grass, red flowers and modakas if possible. The phalashruti recommends daily recitation at brahma-muhurta; on Ganesha Chaturthi, worship with the names and eight offering substances is prescribed by the text itself. If time is short, the twenty-one names listed at the end (Gananjaya, Ganapati, Heramba...) may be recited with modaka offerings.

Frequently Asked Questions

This page shows the complete Ganapati Sahasranama Stotram written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

It is a hymn of one thousand names of Maha Ganapati from the Ganesha Purana (Upasana Khanda, chapter 46), taught as a dialogue in which Ganapati himself reveals the names. It praises Ganesha as the supreme reality — the cosmos, the letters, the numbers and time itself — and is chanted to remove every obstacle.

From the Upasana Khanda of the Ganesha Purana, one of the two main Puranas devoted to Ganesha. The frame story tells that Shiva himself was obstructed while setting out to destroy Tripura because he had not worshipped Ganesha first; when he did, Mahaganapati taught this thousand-name hymn.

Like the Vishnu and Lalita Sahasranamas it lists a thousand names, but it is distinctive in organising many names around the letters of the alphabet and the numbers one to a crore, presenting Ganesha as the substance of language, mathematics, time and all scriptures.

The text itself recommends daily recitation at brahma-muhurta (before dawn). Chaturthi tithi — especially Ganesha Chaturthi in the month of Bhadrapada — is singled out for special worship with durva grass, modakas and the eight substances.

Yes. The phalashruti explicitly states that its accomplishment is available to everyone — the text names women, shudras and even the fallen as fit reciters — making it one of the most inclusive of the great sahasranama traditions.