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Bhaktamara Stotra — Benefits & How to Chant

भक्तामर स्तोत्र

Complete guide to chanting correctly for maximum benefit

Benefits of Chanting Bhaktamara Stotra

Invokes the grace and protection of the first Tirthankara, Adinatha

Traditionally believed to dissolve fear, bondage, imprisonment and obstacles

Cultivates deep devotion (bhakti) and humility before the Jina

Recitation is said to remove afflictions, disease and misfortune

Calms the mind and brings inner peace and steadiness of faith

A complete poetic meditation on the virtues of an enlightened soul

How to Chant Bhaktamara Stotra

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Repetitions
1 times
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Best Time
Early morning (Brahma Muhurta) after bath, facing east, before a Jina image or in the temple

Instructions

Recite with a calm, pure mind and sincere devotion, ideally seated before an image of Adinatha. The full stotra has 44 verses; many devotees recite the complete text daily, while others begin with the opening verses given here. Pronounce each word clearly in the flowing Vasantatilaka metre. Conclude with the seed-mantra salutation to Rishabhadeva. Maintaining cleanliness, non-violence and a vegetarian discipline strengthens the practice.

Spiritual Significance

It is traditionally believed that Acharya Manatunga, fettered and imprisoned by a king who doubted Jain devotion, recited the Bhaktamara Stotra verse by verse — and that each successive verse caused one of the iron chains binding him to break apart, until he walked free, demonstrating the liberating power of devotion to the Jina.

Origin & History

Source: Bhaktamara Stotra (Jain devotional literature)

Author: Acharya Manatunga

Acharya Manatunga, a great Jain monk, composed the Bhaktamara Stotra as a paean to Adinatha, the first Tirthankara. According to the most popular legend, a king imprisoned him in chains to challenge the power of his devotion. Manatunga began reciting verses in praise of the Jina, and with the completion of each verse a fetter snapped, until he stepped forth wholly unbound. The hymn has since been cherished as a source of protection and liberation across both Shvetambara and Digambara traditions.

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