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๐‘Œธ๐‘Œฐ๐‘๐‘Œต๐‘Œฆ๐‘‡๐‘Œต๐‘Œ•๐‘ƒ๐‘Œค ๐‘Œฒ๐‘Œ•๐‘๐‘Œท๐‘๐‘Œฎ๐‘€๐‘Œธ๐‘๐‘Œค๐‘‹๐‘Œค๐‘๐‘Œฐ๐‘Œฎ๐‘

Sarvadeva Krita Lakshmi Stotram in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 3ร— repetitionsยท๐Ÿ• Friday mornings, Diwali, Dhanteras, or daily during the evening lamp offeringยท๐Ÿ“œ Skanda Purana, Vaishnava Khanda, Venkatachala Mahatmya (Adhyaya 9)
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Origin & Story

Skanda Purana, Vaishnava Khanda, Venkatachala Mahatmya (Adhyaya 9) ยท Attributed to the gods (Sarvadeva / Devas) ยท Puranic

In the Venkatachala Mahatmya of the Skanda Purana, which glorifies the holy hill of Tirumala (the abode of Lord Venkateswara), the gods offer this hymn of praise to Goddess Lakshmi. With graceful salutations they adore her form, beauty and divinity, and pray for her merciful glance. Because of its scriptural origin and its link to one of the most revered shrines of Vishnu, the stotra is cherished as a potent prayer for Lakshmi's grace and prosperity.

โœฆ As told in scripture

The Venkatachala Mahatmya holds that Lakshmi resides eternally on Vishnu's chest and on the sacred hill of Tirumala; the stotra's closing verse declares that whomever the goddess favours with her glance is raised to the rank of Brahma, Rudra and Indra โ€” a promise of the highest fortune to her sincere devotees.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Verse 1

๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘ˆ ๐‘Œฒ๐‘‹๐‘Œ•๐‘Œง๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘๐‘Œฏ๐‘ˆ ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œฎ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅค ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œจ๐‘‡๐‘Œค๐‘๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘ˆ ๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œฎ๐‘๐‘Œ–๐‘๐‘Œฏ๐‘ˆ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅฅ

Namah Shriyai Lokadhatryai Brahmamatre Namo Namah Namaste Padmanetrayai Padmamukhyai Namo Namah

Meaning:Salutations to Shri, the sustainer of the worlds; salutations again and again to the Mother of creation. Salutations to her of lotus eyes, foremost among lotuses โ€” salutations again and again.

Verse 2

๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘Œจ๐‘๐‘Œจ๐‘Œฎ๐‘๐‘Œ–๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘ˆ ๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œ•๐‘Œพ๐‘Œจ๐‘๐‘Œค๐‘๐‘Œฏ๐‘ˆ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅค ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œฌ๐‘Œฟ๐‘Œฒ๐‘๐‘Œต๐‘Œต๐‘Œจ๐‘Œธ๐‘๐‘Œฅ๐‘Œพ๐‘Œฏ๐‘ˆ ๐‘Œต๐‘Œฟ๐‘Œท๐‘๐‘Œฃ๐‘๐‘Œช๐‘Œค๐‘๐‘Œจ๐‘๐‘Œฏ๐‘ˆ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅฅ

Prasanna Mukha Padmayai Padmakantyai Namo Namah Namo Bilva Vanasthayai Vishnupatnyai Namo Namah

Meaning:Salutations to her whose lotus face is serene and gracious, who has the radiance of the lotus; salutations to her who dwells in the bilva grove, the consort of Vishnu โ€” salutations again and again.

Verse 3

๐‘Œต๐‘Œฟ๐‘Œš๐‘Œฟ๐‘Œค๐‘๐‘Œฐ๐‘Œ•๐‘๐‘Œท๐‘—๐‘Œฎ๐‘Œง๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘๐‘Œฏ๐‘ˆ ๐‘Œช๐‘ƒ๐‘Œฅ๐‘๐‘Œถ๐‘๐‘Œฐ๐‘‹๐‘Œฃ๐‘๐‘Œฏ๐‘ˆ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅค ๐‘Œช๐‘Œ•๐‘๐‘Œต๐‘Œฌ๐‘Œฟ๐‘Œฒ๐‘๐‘Œต๐‘Œซ๐‘Œฒ๐‘Œพ๐‘Œช๐‘€๐‘Œจ๐‘Œค๐‘๐‘Œ™๐‘๐‘Œ—๐‘Œธ๐‘๐‘Œค๐‘Œจ๐‘๐‘Œฏ๐‘ˆ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅฅ

Vichitra Kshauma Dharinyai Prithushronyai Namo Namah Pakva Bilva Phalapina Tunga Stanyai Namo Namah

Meaning:Salutations to her who wears wondrous silken garments, of broad and graceful hips; salutations to her whose bosom is full and high โ€” salutations again and again.

Verse 4

๐‘Œธ๐‘๐‘Œฐ๐‘Œ•๐‘๐‘Œค๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œช๐‘Œค๐‘๐‘Œฐ๐‘Œพ๐‘Œญ๐‘Œ•๐‘Œฐ๐‘Œช๐‘Œพ๐‘Œฆ๐‘Œค๐‘Œฒ๐‘‡ ๐‘Œถ๐‘๐‘Œญ๐‘‡เฅค ๐‘Œธ๐‘๐‘Œฐ๐‘Œค๐‘๐‘Œจ๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘Œฆ๐‘Œ•๐‘‡๐‘Œฏ๐‘‚๐‘Œฐ๐‘Œ•๐‘Œพ๐‘Œž๐‘๐‘Œš๐‘€๐‘Œจ๐‘‚๐‘Œช๐‘๐‘Œฐ๐‘Œถ๐‘‹๐‘Œญ๐‘Œฟ๐‘Œค๐‘‡เฅค ๐‘Œฏ๐‘Œ•๐‘๐‘Œท๐‘Œ•๐‘Œฐ๐‘๐‘Œฆ๐‘Œฎ๐‘Œธ๐‘Œ‚๐‘Œฒ๐‘Œฟ๐‘Œช๐‘๐‘Œค๐‘Œธ๐‘Œฐ๐‘๐‘Œต๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘‡ ๐‘Œ•๐‘ŒŸ๐‘Œ•๐‘‹๐‘Œœ๐‘๐‘Œœ๐‘๐‘Œต๐‘Œฒ๐‘‡เฅฅ

Surakta Padmapatrabha Kara Padatale Shubhe Suratna Angada Keyura Kanchi Nupura Shobhite Yaksha Kardama Samlipta Sarvange Katakojjvale

Meaning:O auspicious one, whose hands and soles glow like the petals of a deep-red lotus; resplendent with jewelled armlets, bracelets, girdle and anklets; whose every limb is anointed with fragrant yaksha-kardama paste, radiant with shining ornaments โ€”

Verse 5

๐‘Œฎ๐‘Œพ๐‘Œ™๐‘๐‘Œ—๐‘Œฒ๐‘๐‘Œฏ๐‘Œพ๐‘Œญ๐‘Œฐ๐‘Œฃ๐‘ˆ๐‘Œถ๐‘๐‘Œš๐‘Œฟ๐‘Œค๐‘๐‘Œฐ๐‘ˆ๐‘Œฐ๐‘๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œค๐‘Œพ๐‘Œน๐‘Œพ๐‘Œฐ๐‘ˆ๐‘Œฐ๐‘๐‘Œต๐‘Œฟ๐‘Œญ๐‘‚๐‘Œท๐‘Œฟ๐‘Œค๐‘‡เฅค ๐‘Œค๐‘Œพ๐‘ŒŸ๐‘Œ™๐‘๐‘Œ•๐‘ˆ๐‘Œฐ๐‘Œต๐‘Œค๐‘Œ‚๐‘Œธ๐‘ˆ๐‘Œถ๐‘๐‘Œš ๐‘Œถ๐‘‹๐‘Œญ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘Œฎ๐‘๐‘Œ–๐‘Œพ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œœ๐‘‡เฅฅ

Mangalya Abharanaish Chitrair Muktaharair Vibhushite Tatankair Avatamsaish Cha Shobhamana Mukhambuje

Meaning:adorned with a variety of auspicious ornaments and with strings of pearls; with ear-pendants and a crest-jewel, whose lotus face shines in splendour โ€”

Verse 6

๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œน๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œจ๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘๐‘Œญ๐‘๐‘Œฏ๐‘Œ‚ ๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘€๐‘Œฆ ๐‘Œน๐‘Œฐ๐‘Œฟ๐‘Œต๐‘Œฒ๐‘๐‘Œฒ๐‘Œญ๐‘‡เฅค ๐‘Œ‹๐‘Œ—๐‘๐‘Œฏ๐‘Œœ๐‘๐‘Œƒ๐‘Œธ๐‘Œพ๐‘Œฎ๐‘Œฐ๐‘‚๐‘Œช๐‘Œพ๐‘Œฏ๐‘ˆ ๐‘Œต๐‘Œฟ๐‘Œฆ๐‘๐‘Œฏ๐‘Œพ๐‘Œฏ๐‘ˆ ๐‘Œค๐‘‡ ๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒเฅฅ

Padmahaste Namastubhyam Prasida Harivallabhe Rig Yajuh Sama Rupayai Vidyayai Te Namo Namah

Meaning:O lotus-handed one, salutations to you; be gracious, O beloved of Hari. To you who are the very form of the Rig, Yajur and Sama Vedas, who are sacred knowledge itself โ€” salutations again and again.

Verse 7

๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘€๐‘Œฆ๐‘Œพ๐‘Œธ๐‘๐‘Œฎ๐‘Œพ๐‘Œจ๐‘๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ๐‘Œฆ๐‘ƒ๐‘Œท๐‘๐‘ŒŸ๐‘Œฟ๐‘Œช๐‘Œพ๐‘Œค๐‘ˆ๐‘Œฐ๐‘Œพ๐‘Œฒ๐‘‹๐‘Œ•๐‘Œฏ๐‘Œพ๐‘Œฌ๐‘๐‘Œง๐‘Œฟ๐‘Œœ๐‘‡เฅค ๐‘Œฏ๐‘‡ ๐‘Œฆ๐‘ƒ๐‘Œท๐‘๐‘ŒŸ๐‘Œพ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œค๐‘๐‘Œต๐‘Œฏ๐‘Œพ ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œฐ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘‡๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œค๐‘๐‘Œต๐‘Œ‚ ๐‘Œธ๐‘Œฎ๐‘Œพ๐‘Œช๐‘๐‘Œจ๐‘๐‘Œฏ๐‘๐‘Œƒเฅฅ

Prasida Asman Kripa Drishti Pataih Alokaya Abdhije Ye Drishtas Te Tvaya Brahma Rudra Indratvam Samapnuyuh

Meaning:Be gracious to us; look upon us, O ocean-born goddess, with your glances of compassion โ€” for those upon whom you cast your gaze attain the very status of Brahma, Rudra and Indra.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œจ๐‘Œฎ๐‘Œƒ ๐‘Œถ๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘ˆ๐Ÿ”ŠNamah ShriyaiSalutations to Shri (Lakshmi), the goddess of fortune
๐‘Œฒ๐‘‹๐‘Œ•๐‘Œง๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘๐‘Œฏ๐‘ˆ๐Ÿ”ŠLokadhatryaiTo the sustainer / upholder of the worlds
๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œฎ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡๐Ÿ”ŠBrahmamatreTo the mother of Brahman / of creation
๐‘Œจ๐‘Œฎ๐‘‹ ๐‘Œจ๐‘Œฎ๐‘Œƒ๐Ÿ”ŠNamo NamahSalutations again and again (the refrain throughout)
๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œจ๐‘‡๐‘Œค๐‘๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘ˆ๐Ÿ”ŠPadmanetrayaiTo her of lotus eyes
๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘Œจ๐‘๐‘Œจ๐‘Œฎ๐‘๐‘Œ–๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘ˆ๐Ÿ”ŠPrasanna Mukha PadmayaiTo her whose lotus face is serene and gracious
๐‘Œฌ๐‘Œฟ๐‘Œฒ๐‘๐‘Œต๐‘Œต๐‘Œจ๐‘Œธ๐‘๐‘Œฅ๐‘Œพ๐‘Œฏ๐‘ˆ๐Ÿ”ŠBilva VanasthayaiTo her who dwells in the bilva (wood-apple) grove
๐‘Œต๐‘Œฟ๐‘Œท๐‘๐‘Œฃ๐‘๐‘Œช๐‘Œค๐‘๐‘Œจ๐‘๐‘Œฏ๐‘ˆ๐Ÿ”ŠVishnupatnyaiTo the consort of Vishnu
๐‘Œต๐‘Œฟ๐‘Œš๐‘Œฟ๐‘Œค๐‘๐‘Œฐ๐‘Œ•๐‘๐‘Œท๐‘—๐‘Œฎ๐‘Œง๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘๐‘Œฏ๐‘ˆ๐Ÿ”ŠVichitra Kshauma DharinyaiTo her who wears wondrous, finely-woven silk garments
๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œค๐‘Œพ๐‘Œน๐‘Œพ๐‘Œฐ๐‘ˆ๐‘Œฐ๐‘๐‘Œต๐‘Œฟ๐‘Œญ๐‘‚๐‘Œท๐‘Œฟ๐‘Œค๐‘‡๐Ÿ”ŠMuktaharair VibhushiteO you adorned with strings of pearls
๐‘Œค๐‘Œพ๐‘ŒŸ๐‘Œ™๐‘๐‘Œ•๐‘ˆ๐‘Œฐ๐‘Œต๐‘Œค๐‘Œ‚๐‘Œธ๐‘ˆ๐‘Œถ๐‘๐‘Œš๐Ÿ”ŠTatankair Avatamsaish ChaWith ear-ornaments and a crest-jewel
๐‘Œถ๐‘‹๐‘Œญ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘Œฎ๐‘๐‘Œ–๐‘Œพ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œœ๐‘‡๐Ÿ”ŠShobhamana MukhambujeO you whose lotus face shines resplendent
๐‘Œช๐‘Œฆ๐‘๐‘Œฎ๐‘Œน๐‘Œธ๐‘๐‘Œค๐‘‡๐Ÿ”ŠPadmahasteO you who hold a lotus in your hand
๐‘Œช๐‘๐‘Œฐ๐‘Œธ๐‘€๐‘Œฆ ๐‘Œน๐‘Œฐ๐‘Œฟ๐‘Œต๐‘Œฒ๐‘๐‘Œฒ๐‘Œญ๐‘‡๐Ÿ”ŠPrasida HarivallabheBe gracious, O beloved of Hari (Vishnu)
๐‘Œ‹๐‘Œ—๐‘๐‘Œฏ๐‘Œœ๐‘๐‘Œƒ๐‘Œธ๐‘Œพ๐‘Œฎ๐‘Œฐ๐‘‚๐‘Œช๐‘Œพ๐‘Œฏ๐‘ˆ๐Ÿ”ŠRig Yajuh Sama RupayaiTo her who is the very form of the Rig, Yajur and Sama Vedas
๐‘Œต๐‘Œฟ๐‘Œฆ๐‘๐‘Œฏ๐‘Œพ๐‘Œฏ๐‘ˆ๐Ÿ”ŠVidyayaiTo her who is (sacred) knowledge itself
๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ๐‘Œฆ๐‘ƒ๐‘Œท๐‘๐‘ŒŸ๐‘Œฟ๐‘Œช๐‘Œพ๐‘Œค๐‘ˆ๐‘Œƒ๐Ÿ”ŠKripa Drishti PataihWith glances (falling) of compassion
๐‘Œ†๐‘Œฒ๐‘‹๐‘Œ•๐‘Œฏ ๐‘Œ…๐‘Œฌ๐‘๐‘Œง๐‘Œฟ๐‘Œœ๐‘‡๐Ÿ”ŠAlokaya AbdhijeLook upon (us), O daughter of the ocean
๐‘Œฏ๐‘‡ ๐‘Œฆ๐‘ƒ๐‘Œท๐‘๐‘ŒŸ๐‘Œพ๐‘Œธ๐‘๐‘Œค๐‘‡ ๐‘Œค๐‘๐‘Œต๐‘Œฏ๐‘Œพ๐Ÿ”ŠYe Drishtas Te TvayaThose who are looked upon by you
๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œฐ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘‡๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œค๐‘๐‘Œต๐‘Œ‚ ๐‘Œธ๐‘Œฎ๐‘Œพ๐‘Œช๐‘๐‘Œจ๐‘๐‘Œฏ๐‘๐‘Œƒ๐Ÿ”ŠBrahma Rudra Indratvam SamapnuyuhAttain the status of Brahma, Rudra (Shiva) and Indra

Benefits of Chanting Sarvadeva Krita Lakshmi Stotram

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A scriptural stotra offered by the gods themselves, carrying great sanctity

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Closely linked to the worship of Lakshmi at Tirumala (Venkatachala), Vishnu's holy hill

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Beautiful, compact and easy to memorise โ€” ideal for daily Lakshmi worship

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Its closing verse promises that Lakshmi's gracious glance can raise one to the rank of Brahma, Rudra and Indra

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Adoring Lakshmi as the form of the three Vedas unites the pursuit of wealth with sacred knowledge

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Recited for prosperity, auspiciousness and the removal of want

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Suits Friday and Diwali worship as well as everyday recitation before the lamp

How to Chant Sarvadeva Krita Lakshmi Stotram

Repetitions3times
Best TimeFriday mornings, Diwali, Dhanteras, or daily during the evening lamp offering

Sit before an image of Lakshmi (or Lakshmi-Narayana), light a ghee lamp and offer red or lotus flowers; the goddess here is described dwelling in a bilva grove, so bilva (bael) leaves are a fitting offering. Recite the seven verses slowly, dwelling on the 'namo namah' salutations and the closing prayer for her compassionate glance. Reciting three times is customary on Fridays and festival days; once daily is excellent for ongoing practice.

Frequently Asked Questions

This page shows the complete Sarvadeva Krita Lakshmi Stotram written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It is a short, beautiful hymn to Goddess Lakshmi composed by the gods (devas), found in the Skanda Purana within the Venkatachala (Tirumala) Mahatmya. It praises Lakshmi as sustainer of the worlds and consort of Vishnu and seeks her gracious glance.
It appears in the Skanda Purana, Vaishnava Khanda, Venkatachala Mahatmya (chapter 9), where the gods offer this praise to Lakshmi. It is therefore closely associated with the sacred hill of Tirumala-Tirupati, the abode of Lord Venkateswara.
The concluding verse says that those upon whom Lakshmi casts her compassionate glance attain the very status of Brahma, Rudra (Shiva) and Indra โ€” that is, the highest fortune and lordship. It is a prayer to be seen by the goddess with grace.
Lakshmi is traditionally associated with the bilva (bael) tree, and the verse honours her as 'Bilva-vanastha', dwelling in the bilva grove. Offering bilva leaves along with red and lotus flowers is therefore especially fitting during this recitation.

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Read the full Sarvadeva Krita Lakshmi Stotram with verse-by-verse meaning, or explore more sacred texts