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Sita Chalisa in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 11ร— repetitionsยท๐Ÿ• At dawn (as the closing verse advises), and on Tuesdays, Ram Navami, Vivah Panchami (the wedding day of Sita-Rama) and during Navratriยท๐Ÿ“œ Traditional Hindi devotional literature (Rama bhakti tradition)
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Origin & Story

Traditional Hindi devotional literature (Rama bhakti tradition) ยท Traditional (anonymous) ยท Modern devotional period

The Sita Chalisa is a popular forty-verse Hindi hymn that compresses the life of Sita as told in Valmiki's Ramayana and Tulsidas's Ramcharitmanas into devotional chaupais. From her miraculous birth in the furrow of Mithila to her final return to the earth, it celebrates Sita as the embodiment of chastity, devotion and patient strength, and as the inseparable consort of Lord Rama worshipped as 'Siya-Rama'.

โœฆ As told in scripture

Tradition holds that Sita, born from the earth and a portion of Goddess Lakshmi, proved her purity not by fire alone but by calling upon Mother Earth, who opened and received her back into her bosom. Devotees believe that remembering Sita-Rama through this chalisa at dawn dispels sorrow, protects the chastity and harmony of the home, and draws the grace of the divine couple.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Doha 1

เฅฅ ๐‘Œฆ๐‘‹๐‘Œน๐‘Œพ เฅฅ ๐‘Œฌ๐‘Œจ๐‘๐‘Œฆ๐‘—๐‘Œ‚ ๐‘Œš๐‘Œฐ๐‘Œฃ ๐‘Œธ๐‘Œฐ๐‘‹๐‘Œœ ๐‘Œจ๐‘Œฟ๐‘Œœ, ๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œฒ๐‘Œฒ๐‘€ ๐‘Œธ๐‘๐‘Œ–๐‘Œง๐‘Œพ๐‘Œฎเฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ ๐‘Œ•๐‘Œฟ๐‘Œฐ๐‘Œช๐‘Œพ ๐‘Œ•๐‘Œฐ๐‘‡๐‘Œ‚, ๐‘Œธ๐‘๐‘Œฎ๐‘Œฟ๐‘Œฐ๐‘—๐‘Œ‚ ๐‘Œ†๐‘Œ ๐‘‹๐‘Œ‚ ๐‘Œฏ๐‘Œพ๐‘Œฎเฅฅ ๐‘Œ•๐‘€๐‘Œฐ๐‘Œค๐‘Œฟ ๐‘Œ—๐‘Œพ๐‘Œฅ๐‘Œพ ๐‘Œœ๐‘‹ ๐‘Œช๐‘Œขเคผ๐‘‡๐‘Œ‚, ๐‘Œธ๐‘๐‘Œง๐‘Œฐ๐‘ˆ๐‘Œ‚ ๐‘Œธ๐‘Œ—๐‘Œฐ๐‘‡ ๐‘Œ•๐‘Œพ๐‘Œฎเฅค ๐‘Œฎ๐‘Œจ ๐‘Œฎ๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œฐ ๐‘Œฌ๐‘Œพ๐‘Œธ๐‘Œพ ๐‘Œ•๐‘Œฐ๐‘‡๐‘Œ‚, ๐‘Œฆ๐‘๐‘Œƒ๐‘Œ– ๐‘Œญ๐‘Œ‚๐‘Œœ๐‘Œจ ๐‘Œธ๐‘Œฟ๐‘Œฏ๐‘Œฐ๐‘Œพ๐‘Œฎเฅฅ

|| Doha || Bandaun Charana Saroja Nija, Janakalali Sukhadhama. Rama Priya Kirapa Karen, Sumiraun Athon Yama. Kirati Gatha Jo Padhen, Sudharen Sagare Kama. Mana Mandira Basa Karen, Dukha Bhanjana Siyarama.

Meaning:I bow to the lotus feet of Janaka's beloved daughter, the abode of happiness, dear to Rama; bestow your grace, that I may remember you through all the watches of the day. Whoever reads this hymn of glory has all their tasks accomplished; may Sita-Rama, the destroyers of sorrow, take their seat in the temple of my heart.

Doha 2

เฅฅ ๐‘Œš๐‘—๐‘Œช๐‘Œพ๐‘Œˆ เฅฅ ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘Œพ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œฐ๐‘Œพ๐‘Œˆเฅค ๐‘Œฌ๐‘ˆ๐‘Œฆ๐‘‡๐‘Œน๐‘€ ๐‘Œ•๐‘€ ๐‘Œ•๐‘€๐‘Œฐ๐‘Œค๐‘Œฟ ๐‘Œ—๐‘Œพ๐‘Œˆเฅฅ ๐‘Œš๐‘Œฐ๐‘Œฃ ๐‘Œ•๐‘Œฎ๐‘Œฒ ๐‘Œฌ๐‘Œจ๐‘๐‘Œฆ๐‘—๐‘Œ‚ ๐‘Œธ๐‘Œฟ๐‘Œฐ ๐‘Œจ๐‘Œพ๐‘Œˆเฅค ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œธ๐‘๐‘Œฐ๐‘Œธ๐‘Œฐ๐‘Œฟ ๐‘Œธ๐‘Œฌ ๐‘Œช๐‘Œพ๐‘Œช ๐‘Œจ๐‘Œธ๐‘Œพ๐‘Œˆเฅฅ

|| Chaupai || Rama Priya Raghupati Raghurai. Baidehi Ki Kirati Gai. Charana Kamala Bandaun Sira Nai. Siya Surasari Saba Papa Nasai.

Meaning:The chalisa sings the glory of Vaidehi, the beloved of Raghupati. It recounts how Sita arose from the sacred earth as Janaka's daughter; how at her Svayamvara Rama broke Shiva's mighty bow and won her; the joyous wedding and return to Ayodhya; Manthara's scheming and the fourteen-year exile; the episode of the golden deer and Sita's abduction by Ravana disguised as a mendicant; Hanuman bringing Rama's ring and receiving her crest-jewel; the bridging of the ocean and the conquest of Lanka; the return by aerial chariot; and finally, after the washerman's words, her dwelling at Valmiki's hermitage, the birth of Lava and Kusha, and her return into the bosom of Mother Earth as proof of her purity. I bow my head to Sita, the chaste and dignified Mother โ€” Janaka's daughter, daughter of the earth, beloved of Rama, mother of Lava โ€” in whose heart Rama's lotus feet ever reside; remember Sita at dawn.

Chaupai 1

๐‘Œœ๐‘Œจ๐‘Œ• ๐‘Œฆ๐‘๐‘Œฒ๐‘Œพ๐‘Œฐ๐‘€ ๐‘Œฐ๐‘Œพ๐‘Œ˜๐‘Œต ๐‘Œช๐‘๐‘Œฏ๐‘Œพ๐‘Œฐ๐‘€เฅค ๐‘Œญ๐‘Œฐ๐‘Œค ๐‘Œฒ๐‘Œ–๐‘Œจ ๐‘Œถ๐‘Œค๐‘๐‘Œฐ๐‘๐‘Œน๐‘Œจ ๐‘Œต๐‘Œพ๐‘Œฐ๐‘€เฅฅ ๐‘Œฆ๐‘Œฟ๐‘Œต๐‘๐‘Œฏ ๐‘Œง๐‘Œฐ๐‘Œพ ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œ‰๐‘Œช๐‘Œœ๐‘€ ๐‘Œธ๐‘€๐‘Œค๐‘Œพเฅค ๐‘Œฎ๐‘Œฟ๐‘Œฅ๐‘Œฟ๐‘Œฒ๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ ๐‘Œญ๐‘Œฏ๐‘‹ ๐‘Œจ๐‘‡๐‘Œน ๐‘Œ…๐‘Œค๐‘€๐‘Œค๐‘Œพเฅฅ

Janaka Dulari Raghava Pyari. Bharata Lakhana Shatruhana Vari. Divya Dhara Son Upaji Sita. Mithileshvara Bhayo Neha Atita.

Chaupai 2

๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œฐ๐‘‚๐‘Œช ๐‘Œญ๐‘Œพ๐‘Œฏ๐‘‹ ๐‘Œฎ๐‘Œจ๐‘Œต๐‘Œพ ๐‘Œ…๐‘Œค๐‘Œฟเฅค ๐‘Œฐ๐‘Œš๐‘๐‘Œฏ๐‘‹ ๐‘Œธ๐‘๐‘Œต๐‘Œฏ๐‘Œ‚๐‘Œต๐‘Œฐ ๐‘Œœ๐‘Œจ๐‘Œ• ๐‘Œฎ๐‘Œน๐‘€๐‘Œช๐‘Œค๐‘Œฟเฅฅ ๐‘Œญ๐‘Œพ๐‘Œฐ๐‘€ ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œง๐‘Œจ๐‘ ๐‘Œ–๐‘€๐‘Œ‚๐‘Œš๐‘ˆ ๐‘Œœ๐‘‹๐‘Œˆเฅค ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œœ๐‘Œฏ๐‘Œฎ๐‘Œพ๐‘Œฒ ๐‘Œธ๐‘Œพ๐‘Œœ๐‘Œฟ๐‘Œน๐‘ˆ๐‘Œ‚ ๐‘Œธ๐‘‹๐‘Œˆเฅฅ

Siya Rupa Bhayo Manava Ati. Rachyo Svayamvara Janaka Mahipati. Bhari Shiva Dhanu Khinchai Joi. Siya Jayamala Sajihain Soi.

Chaupai 3

๐‘Œญ๐‘‚๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œจ๐‘Œฐ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œฐ๐‘Œพ๐‘Œต๐‘Œฃ ๐‘Œธ๐‘Œ‚๐‘Œ—๐‘Œพเฅค ๐‘Œจ๐‘Œพ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘Œฟ ๐‘Œธ๐‘Œ•๐‘‡ ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œง๐‘Œจ๐‘ ๐‘Œญ๐‘Œ‚๐‘Œ—๐‘Œพเฅฅ ๐‘Œœ๐‘Œจ๐‘Œ• ๐‘Œจ๐‘Œฟ๐‘Œฐ๐‘Œพ๐‘Œถ ๐‘Œญ๐‘Œ ๐‘Œฒ๐‘Œ–๐‘Œฟ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œจเฅค ๐‘Œœ๐‘Œจ๐‘Œฎ๐‘๐‘Œฏ๐‘‹ ๐‘Œจ๐‘Œพ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œ…๐‘Œต๐‘Œจ๐‘Œฟ ๐‘Œฎ๐‘‹๐‘Œน๐‘Œฟ ๐‘Œค๐‘Œพ๐‘Œฐ๐‘Œจเฅฅ

Bhupati Narapati Ravana Sanga. Nahin Kari Sake Shiva Dhanu Bhanga. Janaka Nirasha Bhae Lakhi Karana. Janamyo Nahin Avani Mohi Tarana.

Chaupai 4

๐‘Œฏ๐‘Œน ๐‘Œธ๐‘๐‘Œจ๐‘Œฟ ๐‘Œต๐‘Œฟ๐‘Œถ๐‘๐‘Œต๐‘Œพ๐‘Œฎ๐‘Œฟ๐‘Œค๐‘๐‘Œฐ ๐‘Œฎ๐‘๐‘Œธ๐‘Œ•๐‘Œพ๐‘Œเฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œฒ๐‘Œ–๐‘Œจ ๐‘Œฎ๐‘๐‘Œจ๐‘Œฟ ๐‘Œธ๐‘€๐‘Œธ ๐‘Œจ๐‘Œต๐‘Œพ๐‘Œเฅฅ ๐‘Œ†๐‘Œœ๐‘๐‘Œž๐‘Œพ ๐‘Œช๐‘Œพ๐‘Œ‡ ๐‘Œ‰๐‘Œ ๐‘‡ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œฐ๐‘Œพ๐‘Œˆเฅค ๐‘Œ‡๐‘Œท๐‘๐‘ŒŸ ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œ—๐‘๐‘Œฐ๐‘ ๐‘Œน๐‘Œฟ๐‘Œฏ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œฎ๐‘Œจ๐‘Œพ๐‘Œˆเฅฅ

Yaha Suni Vishvamitra Musakae. Rama Lakhana Muni Sisa Navae. Ajna Pai Uthe Raghurai. Ishta Deva Guru Hiyahin Manai.

Chaupai 5

๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œธ๐‘๐‘Œค๐‘Œพ ๐‘Œ—๐‘—๐‘Œฐ๐‘€ ๐‘Œธ๐‘Œฟ๐‘Œฐ ๐‘Œจ๐‘Œพ๐‘Œต๐‘Œพเฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œฐ๐‘‚๐‘Œช ๐‘Œ‰๐‘Œจ๐‘Œ•๐‘‡ ๐‘Œน๐‘Œฟ๐‘Œฏ ๐‘Œญ๐‘Œพ๐‘Œต๐‘Œพเฅฅ ๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘Œค ๐‘Œช๐‘Œฒ๐‘Œ• ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œ•๐‘Œฐ ๐‘Œง๐‘Œจ๐‘ ๐‘Œฒ๐‘ˆเฅค ๐‘Œ–๐‘Œ‚๐‘Œก ๐‘Œ–๐‘Œ‚๐‘Œก ๐‘Œ•๐‘Œฐ๐‘Œฟ ๐‘Œช๐‘ŒŸ๐‘Œ•๐‘Œฟ๐‘Œจ ๐‘Œญ๐‘‚ ๐‘Œช๐‘ˆเฅฅ

Janakasuta Gauri Sira Nava. Rama Rupa Unake Hiya Bhava. Marata Palaka Rama Kara Dhanu Lai. Khanda Khanda Kari Patakina Bhu Pai.

Chaupai 6

๐‘Œœ๐‘Œฏ ๐‘Œœ๐‘Œฏ๐‘Œ•๐‘Œพ๐‘Œฐ ๐‘Œน๐‘๐‘Œˆ ๐‘Œ…๐‘Œค๐‘Œฟ ๐‘Œญ๐‘Œพ๐‘Œฐ๐‘€เฅค ๐‘Œ†๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œค ๐‘Œญ๐‘Œ ๐‘Œธ๐‘Œฌ๐‘ˆ๐‘Œ‚ ๐‘Œจ๐‘Œฐ ๐‘Œจ๐‘Œพ๐‘Œฐ๐‘€เฅฅ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œš๐‘Œฒ๐‘€ ๐‘Œœ๐‘Œฏ๐‘Œฎ๐‘Œพ๐‘Œฒ ๐‘Œธ๐‘Œฎ๐‘๐‘Œน๐‘Œพ๐‘Œฒ๐‘‡เฅค ๐‘Œฎ๐‘๐‘Œฆ๐‘Œฟ๐‘Œค ๐‘Œน๐‘‹๐‘Œฏ ๐‘Œ—๐‘๐‘Œฐ๐‘€๐‘Œต๐‘Œพ ๐‘Œฎ๐‘‡๐‘Œ‚ ๐‘Œก๐‘Œพ๐‘Œฒ๐‘‡เฅฅ

Jaya Jayakara Hui Ati Bhari. Anandita Bhae Saben Nara Nari. Siya Chali Jayamala Samhale. Mudita Hoya Griva Men Dale.

Chaupai 7

๐‘Œฎ๐‘Œ‚๐‘Œ—๐‘Œฒ ๐‘Œฌ๐‘Œพ๐‘Œœ ๐‘Œฌ๐‘Œœ๐‘‡ ๐‘Œš๐‘Œน๐‘๐‘Œ‚ ๐‘Œ“๐‘Œฐ๐‘Œพเฅค ๐‘Œช๐‘Œฐ๐‘‡ ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œธ๐‘Œ‚๐‘Œ— ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œ•๐‘‡ ๐‘Œซ๐‘‡๐‘Œฐ๐‘Œพเฅฅ ๐‘Œฒ๐‘—๐‘ŒŸ๐‘€ ๐‘Œฌ๐‘Œพ๐‘Œฐ๐‘Œพ๐‘Œค ๐‘Œ…๐‘Œต๐‘Œง๐‘Œช๐‘๐‘Œฐ ๐‘Œ†๐‘Œˆเฅค ๐‘Œค๐‘€๐‘Œจ๐‘‹๐‘Œ‚ ๐‘Œฎ๐‘Œพ๐‘Œค๐‘ ๐‘Œ•๐‘Œฐ๐‘ˆ๐‘Œ‚ ๐‘Œจ๐‘—๐‘Œฐ๐‘Œพ๐‘Œˆเฅฅ

Mangala Baja Baje Chahun Ora. Pare Rama Sanga Siya Ke Phera. Lauti Barata Avadhapura Ai. Tinon Matu Karen Naurai.

Chaupai 8

๐‘Œ•๐‘ˆ๐‘Œ•๐‘‡๐‘Œˆ ๐‘Œ•๐‘Œจ๐‘Œ• ๐‘Œญ๐‘Œต๐‘Œจ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œฆ๐‘€๐‘Œจ๐‘๐‘Œน๐‘Œพเฅค ๐‘Œฎ๐‘Œพ๐‘Œค๐‘ ๐‘Œธ๐‘๐‘Œฎ๐‘Œฟ๐‘Œค๐‘๐‘Œฐ๐‘Œพ ๐‘Œ—๐‘‹๐‘Œฆ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œฒ๐‘€๐‘Œจ๐‘๐‘Œน๐‘Œพเฅฅ ๐‘Œ•๐‘—๐‘Œถ๐‘Œฒ๐‘๐‘Œฏ๐‘Œพ ๐‘Œธ๐‘๐‘Œค ๐‘Œญ๐‘‡๐‘Œ‚๐‘ŒŸ ๐‘Œฆ๐‘Œฟ๐‘Œฏ๐‘‹ ๐‘Œธ๐‘Œฟ๐‘Œฏเฅค ๐‘Œน๐‘Œฐ๐‘Œ– ๐‘Œ…๐‘Œช๐‘Œพ๐‘Œฐ ๐‘Œน๐‘๐‘Œ ๐‘Œธ๐‘€๐‘Œค๐‘Œพ ๐‘Œน๐‘Œฟ๐‘Œฏเฅฅ

Kaikei Kanaka Bhavana Siya Dinha. Matu Sumitra Godahin Linha. Kaushalya Suta Bhenta Diyo Siya. Harakha Apara Hue Sita Hiya.

Chaupai 9

๐‘Œธ๐‘Œฌ ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œฌ๐‘Œพ๐‘Œ‚๐‘ŒŸ๐‘€ ๐‘Œ—๐‘Œˆ ๐‘Œฌ๐‘Œง๐‘Œพ๐‘Œˆเฅค ๐‘Œฐ๐‘Œพ๐‘Œœ๐‘Œค๐‘Œฟ๐‘Œฒ๐‘Œ• ๐‘Œ•๐‘Œ‡ ๐‘Œฏ๐‘๐‘Œ•๐‘๐‘Œค๐‘Œฟ ๐‘Œธ๐‘๐‘Œจ๐‘Œพ๐‘Œˆเฅฅ ๐‘Œฎ๐‘Œ‚๐‘Œฆ๐‘Œฎ๐‘Œค๐‘€ ๐‘Œฎ๐‘Œ‚๐‘Œฅ๐‘Œฐ๐‘Œพ ๐‘Œ…๐‘Œกเคผ๐‘Œพ๐‘Œ‡๐‘Œจเฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œจ ๐‘Œญ๐‘Œฐ๐‘Œค ๐‘Œฐ๐‘Œพ๐‘Œœ๐‘Œช๐‘Œฆ ๐‘Œช๐‘Œพ๐‘Œ‡๐‘Œจเฅฅ

Saba Vidhi Banti Gai Badhai. Rajatilaka Kai Yukti Sunai. Mandamati Manthara Adaina. Rama Na Bharata Rajapada Paina.

Chaupai 10

๐‘Œ•๐‘ˆ๐‘Œ•๐‘‡๐‘Œˆ ๐‘Œ•๐‘‹๐‘Œช ๐‘Œญ๐‘Œต๐‘Œจ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œ—๐‘Œ‡๐‘Œฒ๐‘€เฅค ๐‘Œต๐‘Œš๐‘Œจ ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œ…๐‘Œช๐‘Œจ๐‘‡ ๐‘Œ—๐‘Œน๐‘Œฟ๐‘Œฒ๐‘€เฅฅ ๐‘Œš๐‘—๐‘Œฆ๐‘Œน ๐‘Œฌ๐‘Œฐ๐‘Œธ ๐‘Œ•๐‘‹๐‘Œช ๐‘Œฌ๐‘Œจ๐‘Œต๐‘Œพ๐‘Œธ๐‘Œพเฅค ๐‘Œญ๐‘Œฐ๐‘Œค ๐‘Œฐ๐‘Œพ๐‘Œœ๐‘Œช๐‘Œฆ ๐‘Œฆ๐‘‡๐‘Œน๐‘ ๐‘Œฆ๐‘Œฟ๐‘Œฒ๐‘Œพ๐‘Œธ๐‘Œพเฅฅ

Kaikei Kopa Bhavana Mahn Gaili. Vachana Pati Son Apane Gahili. Chaudaha Barasa Kopa Banavasa. Bharata Rajapada Dehu Dilasa.

Chaupai 11

๐‘Œ†๐‘Œœ๐‘๐‘Œž๐‘Œพ ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘Œฟ ๐‘Œš๐‘Œฒ๐‘‡ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œฐ๐‘Œพ๐‘Œˆเฅค ๐‘Œธ๐‘Œ‚๐‘Œ— ๐‘Œœ๐‘Œพ๐‘Œจ๐‘Œ•๐‘€ ๐‘Œฒ๐‘Œ–๐‘Œจ ๐‘Œญ๐‘Œพ๐‘Œˆเฅฅ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œถ๐‘๐‘Œฐ๐‘€๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œช๐‘Œฅ ๐‘Œช๐‘Œฅ ๐‘Œญ๐‘ŒŸ๐‘Œ•๐‘ˆ๐‘Œ‚เฅค ๐‘Œฎ๐‘ƒ๐‘Œ— ๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘€๐‘Œš๐‘Œฟ ๐‘Œฆ๐‘‡๐‘Œ–๐‘Œฟ ๐‘Œฎ๐‘Œจ ๐‘Œ…๐‘ŒŸ๐‘Œ•๐‘ˆ๐‘Œ‚เฅฅ

Ajna Mani Chale Raghurai. Sanga Janaki Lakhana Bhai. Siya Shriram Patha Patha Bhatakain. Mriga Marichi Dekhi Mana Atakain.

Chaupai 12

๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œ—๐‘Œ ๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘Œพ ๐‘Œฎ๐‘ƒ๐‘Œ— ๐‘Œฎ๐‘Œพ๐‘Œฐ๐‘Œจเฅค ๐‘Œฐ๐‘Œพ๐‘Œต๐‘Œฃ ๐‘Œธ๐‘Œพ๐‘Œง๐‘ ๐‘Œฌ๐‘Œจ๐‘๐‘Œฏ๐‘‹ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œจเฅฅ ๐‘Œญ๐‘Œฟ๐‘Œ•๐‘๐‘Œท๐‘Œพ ๐‘Œ•๐‘‡ ๐‘Œฎ๐‘Œฟ๐‘Œธ ๐‘Œฒ๐‘ˆ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œญ๐‘Œพ๐‘Œ—๐‘๐‘Œฏ๐‘‹เฅค ๐‘Œฒ๐‘Œ‚๐‘Œ•๐‘Œพ ๐‘Œœ๐‘Œพ๐‘Œ‡ ๐‘Œก๐‘Œฐ๐‘Œพ๐‘Œต๐‘Œจ ๐‘Œฒ๐‘Œพ๐‘Œ—๐‘๐‘Œฏ๐‘‹เฅฅ

Rama Gae Maya Mriga Marana. Ravana Sadhu Banyo Siya Karana. Bhiksha Ke Misa Lai Siya Bhagyo. Lanka Jai Daravana Lagyo.

Chaupai 13

๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œต๐‘Œฟ๐‘Œฏ๐‘‹๐‘Œ— ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œ…๐‘Œ•๐‘๐‘Œฒ๐‘Œพ๐‘Œจ๐‘€เฅค ๐‘Œฐ๐‘Œพ๐‘Œต๐‘Œฃ ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œ•๐‘Œน๐‘€ ๐‘Œ•๐‘Œฐ๐‘๐‘Œ•๐‘Œถ ๐‘Œฌ๐‘Œพ๐‘Œจ๐‘€เฅฅ ๐‘Œน๐‘Œจ๐‘๐‘Œฎ๐‘Œพ๐‘Œจ ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘ ๐‘Œฒ๐‘Œพ๐‘Œ ๐‘Œ…๐‘Œ‚๐‘Œ—๐‘‚๐‘Œ ๐‘€เฅค ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œš๐‘‚๐‘Œกเคผ๐‘Œพ๐‘Œฎ๐‘Œฃ๐‘Œฟ ๐‘Œฆ๐‘Œฟ๐‘Œน๐‘Œฟ๐‘Œจ ๐‘Œ…๐‘Œจ๐‘‚๐‘Œ ๐‘€เฅฅ

Rama Viyoga Son Siya Akulani. Ravana Son Kahi Karkasha Bani. Hanumana Prabhu Lae Anguthi. Siya Chudamani Dihina Anuthi.

Chaupai 14

๐‘Œ…๐‘Œท๐‘๐‘ŒŸ ๐‘Œธ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง๐‘Œฟ ๐‘Œจ๐‘Œต๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œต๐‘Œฐ ๐‘Œช๐‘Œพ๐‘Œต๐‘Œพเฅค ๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œต๐‘€๐‘Œฐ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œถ๐‘€๐‘Œถ ๐‘Œจ๐‘Œต๐‘Œพ๐‘Œต๐‘Œพเฅฅ ๐‘Œธ๐‘‡๐‘Œค๐‘ ๐‘Œฌ๐‘Œพ๐‘Œ‚๐‘Œง๐‘Œฟ ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘ ๐‘Œฒ๐‘Œ‚๐‘Œ•๐‘Œพ ๐‘Œœ๐‘€๐‘Œค๐‘€เฅค ๐‘Œญ๐‘Œ•๐‘๐‘Œค ๐‘Œต๐‘Œฟ๐‘Œญ๐‘€๐‘Œท๐‘Œจ ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘Œฟ ๐‘Œช๐‘๐‘Œฐ๐‘€๐‘Œค๐‘€เฅฅ

Ashta Siddhi Navanidhi Vara Pava. Mahavira Siya Shisha Navava. Setu Bandhi Prabhu Lanka Jiti. Bhakta Vibhishana Son Kari Priti.

Chaupai 15

๐‘Œš๐‘Œขเคผ๐‘Œฟ ๐‘Œต๐‘Œฟ๐‘Œฎ๐‘Œพ๐‘Œจ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œฐ๐‘Œ˜๐‘๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œ†๐‘Œเฅค ๐‘Œญ๐‘Œฐ๐‘Œค ๐‘Œญ๐‘๐‘Œฐ๐‘Œพ๐‘Œค ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘ ๐‘Œš๐‘Œฐ๐‘Œฃ ๐‘Œธ๐‘๐‘Œน๐‘Œพ๐‘Œเฅฅ ๐‘Œ…๐‘Œต๐‘Œง ๐‘Œจ๐‘Œฐ๐‘‡๐‘Œถ ๐‘Œช๐‘Œพ๐‘Œ‡ ๐‘Œฐ๐‘Œพ๐‘Œ˜๐‘Œต ๐‘Œธ๐‘‹๐‘Œ‚เฅค ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œฎ๐‘Œน๐‘Œพ๐‘Œฐ๐‘Œพ๐‘Œจ๐‘€ ๐‘Œฆ๐‘‡๐‘Œ–๐‘Œฟ ๐‘Œน๐‘Œฟ๐‘Œฏ ๐‘Œน๐‘๐‘Œฒ๐‘Œธ๐‘‡เฅฅ

Chadhi Vimana Siya Raghupati Ae. Bharata Bhrata Prabhu Charana Suhae. Avadha Naresha Pai Raghava Son. Siya Maharani Dekhi Hiya Hulase.

Chaupai 16

๐‘Œฐ๐‘Œœ๐‘Œ• ๐‘Œฌ๐‘‹๐‘Œฒ ๐‘Œธ๐‘๐‘Œจ๐‘Œฟ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œฌ๐‘Œจ ๐‘Œญ๐‘‡๐‘Œœ๐‘€เฅค ๐‘Œฒ๐‘Œ–๐‘Œจ๐‘Œฒ๐‘Œพ๐‘Œฒ ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘ ๐‘Œฌ๐‘Œพ๐‘Œค ๐‘Œธ๐‘Œน๐‘‡๐‘Œœ๐‘€เฅฅ ๐‘Œฌ๐‘Œพ๐‘Œฒ๐‘๐‘Œฎ๐‘€๐‘Œ• ๐‘Œฎ๐‘๐‘Œจ๐‘Œฟ ๐‘Œ†๐‘Œถ๐‘๐‘Œฐ๐‘Œฏ ๐‘Œฆ๐‘€๐‘Œจ๐‘๐‘Œฏ๐‘‹เฅค ๐‘Œฒ๐‘Œต๐‘Œ•๐‘๐‘Œถ ๐‘Œœ๐‘Œจ๐‘๐‘Œฎ ๐‘Œต๐‘Œน๐‘Œพ๐‘Œ‚ ๐‘Œช๐‘ˆ ๐‘Œฒ๐‘€๐‘Œจ๐‘๐‘Œน๐‘‹เฅฅ

Rajaka Bola Suni Siya Bana Bheji. Lakhanalala Prabhu Bata Saheji. Balmika Muni Ashraya Dinyo. Lavakusha Janma Vahan Pai Linho.

Chaupai 17

๐‘Œต๐‘Œฟ๐‘Œต๐‘Œฟ๐‘Œง ๐‘Œญ๐‘Œพ๐‘Œ‚๐‘Œค๐‘Œฟ ๐‘Œ—๐‘๐‘Œฃ ๐‘Œถ๐‘Œฟ๐‘Œ•๐‘๐‘Œท๐‘Œพ ๐‘Œฆ๐‘€๐‘Œจ๐‘๐‘Œน๐‘€๐‘Œ‚เฅค ๐‘Œฆ๐‘‹๐‘Œจ๐‘Œน๐‘๐‘Œ‚ ๐‘Œฐ๐‘Œพ๐‘Œฎ๐‘Œš๐‘Œฐ๐‘Œฟ๐‘Œค ๐‘Œฐ๐‘ŒŸ ๐‘Œฒ๐‘€๐‘Œจ๐‘๐‘Œน๐‘€๐‘Œ‚เฅฅ ๐‘Œฒ๐‘Œฐ๐‘Œฟ๐‘Œ•๐‘Œฒ ๐‘Œ•๐‘ˆ ๐‘Œธ๐‘๐‘Œจ๐‘Œฟ ๐‘Œธ๐‘๐‘Œฎ๐‘Œง๐‘๐‘Œฐ ๐‘Œฌ๐‘Œพ๐‘Œจ๐‘€เฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œธ๐‘๐‘Œค ๐‘Œฆ๐‘๐‘Œˆ ๐‘Œช๐‘Œน๐‘Œฟ๐‘Œš๐‘Œพ๐‘Œจ๐‘€เฅฅ

Vividha Bhanti Guna Shiksha Dinhin. Donahun Ramacharita Rata Linhin. Larikala Kai Suni Sumadhura Bani. Ramasiya Suta Dui Pahichani.

Chaupai 18

๐‘Œญ๐‘‚๐‘Œฒ ๐‘Œฎ๐‘Œพ๐‘Œจ๐‘Œฟ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œต๐‘Œพ๐‘Œช๐‘Œธ ๐‘Œฒ๐‘Œพ๐‘Œเฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œœ๐‘Œพ๐‘Œจ๐‘Œ•๐‘€ ๐‘Œธ๐‘Œฌ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œน๐‘Œพ๐‘Œเฅฅ ๐‘Œธ๐‘Œค๐‘€ ๐‘Œช๐‘๐‘Œฐ๐‘Œฎ๐‘Œพ๐‘Œฃ๐‘Œฟ๐‘Œ•๐‘Œค๐‘Œพ ๐‘Œ•๐‘‡๐‘Œน๐‘Œฟ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œจเฅค ๐‘Œฌ๐‘Œธ๐‘๐‘Œ‚๐‘Œง๐‘Œฐ๐‘Œพ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œ•๐‘‡ ๐‘Œน๐‘Œฟ๐‘Œฏ ๐‘Œง๐‘Œพ๐‘Œฐ๐‘Œจเฅฅ

Bhula Mani Siya Vapasa Lae. Rama Janaki Sabahin Suhae. Sati Pramanikata Kehi Karana. Basundhara Siya Ke Hiya Dharana.

Chaupai 19

๐‘Œ…๐‘Œต๐‘Œจ๐‘Œฟ ๐‘Œธ๐‘๐‘Œค๐‘Œพ ๐‘Œ…๐‘Œต๐‘Œจ๐‘€ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œธ๐‘‹๐‘Œˆเฅค ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œœ๐‘Œพ๐‘Œจ๐‘Œ•๐‘€ ๐‘Œฏ๐‘Œน๐‘Œฟ ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œ–๐‘‹๐‘Œˆเฅฅ ๐‘Œช๐‘Œค๐‘Œฟ๐‘Œต๐‘๐‘Œฐ๐‘Œค๐‘Œพ ๐‘Œฎ๐‘Œฐ๐‘๐‘Œฏ๐‘Œพ๐‘Œฆ๐‘Œฟ๐‘Œค ๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œพเฅค ๐‘Œธ๐‘€๐‘Œค๐‘Œพ ๐‘Œธ๐‘Œค๐‘€ ๐‘Œจ๐‘Œต๐‘Œพ๐‘Œต๐‘‹๐‘Œ‚ ๐‘Œฎ๐‘Œพ๐‘Œฅ๐‘Œพเฅฅ

Avani Suta Avani Mahn Soi. Rama Janaki Yahi Vidhi Khoi. Pativrata Maryadita Mata. Sita Sati Navavon Matha.

Closing Doha

เฅฅ ๐‘Œฆ๐‘‹๐‘Œน๐‘Œพ เฅฅ ๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œธ๐‘๐‘Œค๐‘Œพ ๐‘Œ…๐‘Œต๐‘Œจ๐‘Œฟ ๐‘Œง๐‘Œฟ๐‘Œฏ๐‘Œพ, ๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘Œพ ๐‘Œฒ๐‘Œต๐‘Œฎ๐‘Œพ๐‘Œคเฅค ๐‘Œš๐‘Œฐ๐‘Œฃ ๐‘Œ•๐‘Œฎ๐‘Œฒ ๐‘Œœ๐‘‡๐‘Œน๐‘Œฟ ๐‘Œ‰๐‘Œฐ ๐‘Œฌ๐‘Œธ๐‘ˆ๐‘Œ‚, ๐‘Œธ๐‘€๐‘Œค๐‘Œพ ๐‘Œธ๐‘๐‘Œฎ๐‘Œฟ๐‘Œฐ๐‘ˆ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œคเฅฅ

|| Doha || Janakasuta Avani Dhiya, Rama Priya Lavamata. Charana Kamala Jehi Ura Basain, Sita Sumirai Prata.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œฌ๐‘Œจ๐‘๐‘Œฆ๐‘—๐‘Œ‚ ๐‘Œš๐‘Œฐ๐‘Œฃ ๐‘Œธ๐‘Œฐ๐‘‹๐‘Œœ๐Ÿ”ŠBandaun Charana SarojaI bow to the lotus feet
๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œฒ๐‘Œฒ๐‘€๐Ÿ”ŠJanakalaliThe cherished daughter of King Janaka
๐‘Œธ๐‘๐‘Œ–๐‘Œง๐‘Œพ๐‘Œฎ๐Ÿ”ŠSukhadhamaAbode of happiness
๐‘Œฐ๐‘Œพ๐‘Œฎ ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐Ÿ”ŠRama PriyaThe beloved of Lord Rama
๐‘Œธ๐‘๐‘Œฎ๐‘Œฟ๐‘Œฐ๐‘—๐‘Œ‚ ๐‘Œ†๐‘Œ ๐‘‹๐‘Œ‚ ๐‘Œฏ๐‘Œพ๐‘Œฎ๐Ÿ”ŠSumiraun Athon YamaI remember (you) through all eight watches of the day
๐‘Œฆ๐‘๐‘Œƒ๐‘Œ– ๐‘Œญ๐‘Œ‚๐‘Œœ๐‘Œจ ๐‘Œธ๐‘Œฟ๐‘Œฏ๐‘Œฐ๐‘Œพ๐‘Œฎ๐Ÿ”ŠDukha Bhanjana SiyaramaSita-Rama, the destroyers of sorrow
๐‘Œฌ๐‘ˆ๐‘Œฆ๐‘‡๐‘Œน๐‘€๐Ÿ”ŠBaidehiVaidehi, princess of Videha
๐‘Œธ๐‘๐‘Œฐ๐‘Œธ๐‘Œฐ๐‘Œฟ ๐‘Œธ๐‘Œฌ ๐‘Œช๐‘Œพ๐‘Œช ๐‘Œจ๐‘Œธ๐‘Œพ๐‘Œˆ๐Ÿ”ŠSurasari Saba Papa NasaiLike the celestial Ganga, she destroys all sins
๐‘Œฆ๐‘Œฟ๐‘Œต๐‘๐‘Œฏ ๐‘Œง๐‘Œฐ๐‘Œพ ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œ‰๐‘Œช๐‘Œœ๐‘€๐Ÿ”ŠDivya Dhara Son UpajiBorn from the sacred earth (found in the furrow)
๐‘Œฐ๐‘Œš๐‘๐‘Œฏ๐‘‹ ๐‘Œธ๐‘๐‘Œต๐‘Œฏ๐‘Œ‚๐‘Œต๐‘Œฐ๐Ÿ”ŠRachyo SvayamvaraKing Janaka arranged the Svayamvara (bride's choice)
๐‘Œญ๐‘Œพ๐‘Œฐ๐‘€ ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œง๐‘Œจ๐‘๐Ÿ”ŠBhari Shiva DhanuThe mighty bow of Shiva (Pinaka)
๐‘Œ–๐‘Œ‚๐‘Œก ๐‘Œ–๐‘Œ‚๐‘Œก ๐‘Œ•๐‘Œฐ๐‘Œฟ๐Ÿ”ŠKhanda Khanda KariRama broke it (the bow) into pieces in an instant
๐‘Œš๐‘—๐‘Œฆ๐‘Œน ๐‘Œฌ๐‘Œฐ๐‘Œธ ๐‘Œฌ๐‘Œจ๐‘Œต๐‘Œพ๐‘Œธ๐‘Œพ๐Ÿ”ŠChaudaha Barasa BanavasaFourteen years of forest exile
๐‘Œฎ๐‘Œพ๐‘Œฏ๐‘Œพ ๐‘Œฎ๐‘ƒ๐‘Œ—๐Ÿ”ŠMaya MrigaThe illusory (golden) deer (Maricha)
๐‘Œน๐‘Œจ๐‘๐‘Œฎ๐‘Œพ๐‘Œจ ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘ ๐‘Œฒ๐‘Œพ๐‘Œ ๐‘Œ…๐‘Œ‚๐‘Œ—๐‘‚๐‘Œ ๐‘€๐Ÿ”ŠHanumana Prabhu Lae AnguthiHanuman brought Rama's ring (to Sita in Lanka)
๐‘Œš๐‘‚๐‘Œกเคผ๐‘Œพ๐‘Œฎ๐‘Œฃ๐‘Œฟ๐Ÿ”ŠChudamaniThe crest-jewel Sita gave to Hanuman as a token
๐‘Œธ๐‘‡๐‘Œค๐‘ ๐‘Œฌ๐‘Œพ๐‘Œ‚๐‘Œง๐‘Œฟ ๐‘Œฒ๐‘Œ‚๐‘Œ•๐‘Œพ ๐‘Œœ๐‘€๐‘Œค๐‘€๐Ÿ”ŠSetu Bandhi Lanka JitiBuilding the bridge, Rama conquered Lanka
๐‘Œฒ๐‘Œต๐‘Œ•๐‘๐‘Œถ ๐‘Œœ๐‘Œจ๐‘๐‘Œฎ๐Ÿ”ŠLavakusha JanmaThe birth of Lava and Kusha (at Valmiki's hermitage)
๐‘Œฌ๐‘Œธ๐‘๐‘Œ‚๐‘Œง๐‘Œฐ๐‘Œพ ๐‘Œธ๐‘Œฟ๐‘Œฏ ๐‘Œ•๐‘‡ ๐‘Œน๐‘Œฟ๐‘Œฏ ๐‘Œง๐‘Œพ๐‘Œฐ๐‘Œจ๐Ÿ”ŠBasundhara Siya Ke Hiya DharanaMother Earth received Sita back into her bosom
๐‘Œช๐‘Œค๐‘Œฟ๐‘Œต๐‘๐‘Œฐ๐‘Œค๐‘Œพ ๐‘Œฎ๐‘Œฐ๐‘๐‘Œฏ๐‘Œพ๐‘Œฆ๐‘Œฟ๐‘Œค ๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œพ๐Ÿ”ŠPativrata Maryadita MataThe chaste and dignified Mother; to Sita the chaste I bow my head

Benefits of Chanting Sita Chalisa

โœฆ

Invokes the grace of Mother Sita together with Lord Rama, the destroyers of sorrow

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Recited for marital harmony, devotion between spouses and an ideal family life

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Inspires the virtues of patience, purity, fidelity and forbearance embodied by Sita

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Believed to remove sorrows and accomplish one's tasks, as stated in the opening doha

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Cultivates Ram-bhakti, as Sita is the gateway to Rama's grace

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Brings peace and auspiciousness to the home, especially when recited at dawn

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Held dear by women devotees who revere Sita as the supreme example of womanhood

How to Chant Sita Chalisa

Repetitions11times
Best TimeAt dawn (as the closing verse advises), and on Tuesdays, Ram Navami, Vivah Panchami (the wedding day of Sita-Rama) and during Navratri

Recite after bowing to Sita-Rama. Begin with the opening dohas, recite the forty chaupais with devotion, and conclude with the closing doha that advises remembering Sita at dawn. It is especially recited on Vivah Panchami (the marriage anniversary of Sita and Rama) and Ram Navami. Reciting it together with the Ram Chalisa or Ramayana enhances the devotion to the divine couple.

Frequently Asked Questions

This page shows the complete Sita Chalisa written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
Sita, also called Vaidehi and Janaki, is the daughter of King Janaka of Mithila and the consort of Lord Rama. Revered as an incarnation of Goddess Lakshmi, she is the central heroine of the Ramayana and the supreme exemplar of chastity, devotion and forbearance in Hindu tradition.
It narrates Sita's entire life: her birth from the earth, her Svayamvara where Rama broke Shiva's bow, her marriage, the fourteen-year exile, her abduction by Ravana, Hanuman's mission, the conquest of Lanka, her return, and finally her merging back into Mother Earth to prove her purity.
It is best recited at dawn, as the closing verse advises, and especially on Vivah Panchami (Sita-Rama's wedding day), Ram Navami, Tuesdays and during Navratri.
Devotees recite it for marital harmony, family well-being, and the virtues of patience and purity that Sita embodies. The opening verse promises that reading her glory accomplishes one's tasks and removes sorrow.

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