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๐‘Œช๐‘Œพ๐‘Œฐ๐‘๐‘Œต๐‘Œค๐‘€ ๐‘Œš๐‘Œพ๐‘Œฒ๐‘€๐‘Œธ๐‘Œพ

Parvati Chalisa in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 11ร— repetitionsยท๐Ÿ• Mondays, Fridays, during Navratri, and on Teej, Gauri and Hartalika vrat days; best in the morning or evening after worshipยท๐Ÿ“œ Traditional Hindi devotional literature (Shaktaโ€“Shaiva tradition)
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Origin & Story

Traditional Hindi devotional literature (Shaktaโ€“Shaiva tradition) ยท Traditional (anonymous) ยท Modern devotional period

The Parvati Chalisa is a popular forty-verse Hindi hymn in praise of Parvati, the Mountain-Goddess. Drawing on the Puranas and the Shivaโ€“Parvati cycle (notably the Shiva Purana and Kalidasa's Kumarasambhava), it celebrates her birth as Himalaya's daughter, her legendary penance to win Shiva, and her forms as Gauri, Uma, Kali and Annapurna. It is widely recited by devotees of the Divine Mother and by those seeking marital and domestic happiness.

โœฆ As told in scripture

Tradition holds that Parvati's penance was so intense that the sages who came to test her resolve could not move her from it, and the gods themselves came to grant her boon. Devotees believe that sincere recitation of this chalisa, like Parvati's own devotion, removes obstacles to marriage, restores harmony between estranged couples, and brings the protective grace of the Divine Mother to the household.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Doha 1

เฅฅ ๐‘Œฆ๐‘‹๐‘Œน๐‘Œพ เฅฅ ๐‘Œœ๐‘Œฏ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œค๐‘Œจ๐‘Œฏ๐‘‡ ๐‘Œฆ๐‘Œ•๐‘๐‘Œท๐‘Œœ๐‘‡, ๐‘Œถ๐‘Œฎ๐‘๐‘Œญ๐‘ ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘‡ ๐‘Œ—๐‘๐‘Œฃ๐‘Œ–๐‘Œพ๐‘Œจ๐‘Œฟเฅค ๐‘Œ—๐‘Œฃ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œœ๐‘Œจ๐‘Œจ๐‘€ ๐‘Œช๐‘Œพ๐‘Œฐ๐‘๐‘Œต๐‘Œค๐‘€, ๐‘Œ…๐‘Œฎ๐‘๐‘Œฌ๐‘‡! ๐‘Œถ๐‘Œ•๐‘๐‘Œค๐‘Œฟ! ๐‘Œญ๐‘Œต๐‘Œพ๐‘Œจ๐‘Œฟเฅฅ

|| Doha || Jaya Giri Tanaye Dakshaje, Shambhu Priye Gunakhani. Ganapati Janani Parvati, Ambe! Shakti! Bhavani.

Meaning:Victory to Parvati, daughter of the mountain, born of Daksha, beloved of Shambhu, a treasure of virtues; mother of Ganapati, O Amba, O Shakti, O Bhavani! Even Brahma cannot fathom your mystery; the five-faced Shiva ever meditates on you, the six-faced Kartikeya cannot fully sing your praise, and the thousand-tongued Shesha labours in vain to describe you.

Doha 2

เฅฅ ๐‘Œš๐‘—๐‘Œช๐‘Œพ๐‘Œˆ เฅฅ ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œพ ๐‘Œญ๐‘‡๐‘Œฆ ๐‘Œจ ๐‘Œค๐‘๐‘Œฎ๐‘๐‘Œน๐‘Œฐ๐‘‹ ๐‘Œช๐‘Œพ๐‘Œต๐‘‡เฅค ๐‘Œช๐‘Œ‚๐‘Œš๐‘Œฌ๐‘Œฆ๐‘Œจ ๐‘Œจ๐‘Œฟ๐‘Œค ๐‘Œค๐‘๐‘Œฎ๐‘Œ•๐‘‹ ๐‘Œง๐‘๐‘Œฏ๐‘Œพ๐‘Œต๐‘‡เฅฅ ๐‘Œท๐‘Œก๐‘๐‘Œฎ๐‘๐‘Œ– ๐‘Œ•๐‘Œน๐‘Œฟ ๐‘Œจ ๐‘Œธ๐‘Œ•๐‘Œค ๐‘Œฏ๐‘Œถ ๐‘Œค๐‘‡๐‘Œฐ๐‘‹เฅค ๐‘Œธ๐‘Œน๐‘Œธ๐‘Œฌ๐‘Œฆ๐‘Œจ ๐‘Œถ๐‘๐‘Œฐ๐‘Œฎ ๐‘Œ•๐‘Œฐ๐‘Œค ๐‘Œ˜๐‘Œจ๐‘‡๐‘Œฐ๐‘‹เฅฅ

|| Chaupai || Brahma Bheda Na Tumharo Pave. Panchabadana Nita Tumako Dhyave. Shadmukha Kahi Na Sakata Yasha Tero. Sahasabadana Shrama Karata Ghanero.

Meaning:The chalisa lovingly describes the Goddess's beauty โ€” her coral lips, dark beautiful eyes, saffron-marked forehead, golden garments and jewelled throne worshipped by Indra and all beings. It tells how, through her ancient merit, she won Shiva, the lord of the three worlds, as her husband, though he rides an old bull, dwells in cremation grounds and wears serpents as ornaments. It recounts how Shiva drank the halahala poison to save the gods and became Nilakantha, and how Parvati, as his consort, destroys sins and bestows auspiciousness. It names her Gauri, Uma, Shankari, Kali and Annapurna, the sustainer of the world, and narrates her severe penance โ€” taking no food, water or air until only bones remained โ€” by which she won the name Uma and the boon of Shiva as husband. Whoever recites this chalisa, the Lord grants them wealth, progeny and happiness; O Parvati, remain ever the boon-giver to your devotees.

Chaupai 1

๐‘Œค๐‘‡๐‘Œฐ๐‘‹ ๐‘Œช๐‘Œพ๐‘Œฐ ๐‘Œจ ๐‘Œช๐‘Œพ๐‘Œต๐‘Œค ๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œพเฅค ๐‘Œธ๐‘๐‘Œฅ๐‘Œฟ๐‘Œค ๐‘Œฐ๐‘Œ•๐‘๐‘Œท๐‘Œพ ๐‘Œฒ๐‘Œฏ ๐‘Œน๐‘Œฟ๐‘Œค ๐‘Œธ๐‘Œœ๐‘Œพ๐‘Œค๐‘Œพเฅฅ ๐‘Œ…๐‘Œง๐‘Œฐ ๐‘Œช๐‘๐‘Œฐ๐‘Œต๐‘Œพ๐‘Œฒ ๐‘Œธ๐‘Œฆ๐‘ƒ๐‘Œถ ๐‘Œ…๐‘Œฐ๐‘๐‘Œฃ๐‘Œพ๐‘Œฐ๐‘‡เฅค ๐‘Œ…๐‘Œค๐‘Œฟ ๐‘Œ•๐‘Œฎ๐‘Œจ๐‘€๐‘Œฏ ๐‘Œจ๐‘Œฏ๐‘Œจ ๐‘Œ•๐‘Œœ๐‘Œฐ๐‘Œพ๐‘Œฐ๐‘‡เฅฅ

Tero Para Na Pavata Mata. Sthita Raksha Laya Hita Sajata. Adhara Pravala Sadrisha Arunare. Ati Kamaniya Nayana Kajarare.

Chaupai 2

๐‘Œฒ๐‘Œฒ๐‘Œฟ๐‘Œค ๐‘Œฒ๐‘Œฒ๐‘Œพ๐‘ŒŸ ๐‘Œต๐‘Œฟ๐‘Œฒ๐‘‡๐‘Œช๐‘Œฟ๐‘Œค ๐‘Œ•๐‘‡๐‘Œถ๐‘Œฐเฅค ๐‘Œ•๐‘๐‘Œ‚๐‘Œ•๐‘๐‘Œฎ ๐‘Œ…๐‘Œ•๐‘๐‘Œท๐‘Œค ๐‘Œถ๐‘‹๐‘Œญ๐‘Œพ ๐‘Œฎ๐‘Œจ๐‘‹๐‘Œน๐‘Œฐเฅฅ ๐‘Œ•๐‘Œจ๐‘Œ• ๐‘Œฌ๐‘Œธ๐‘Œจ ๐‘Œ•๐‘Œ‚๐‘Œš๐‘๐‘Œ•๐‘Œฟ ๐‘Œธ๐‘Œœ๐‘Œพ๐‘Œฏ๐‘‡เฅค ๐‘Œ•๐‘ŒŸ๐‘Œฟ ๐‘Œฎ๐‘‡๐‘Œ–๐‘Œฒ๐‘Œพ ๐‘Œฆ๐‘Œฟ๐‘Œต๐‘๐‘Œฏ ๐‘Œฒ๐‘Œน๐‘Œฐ๐‘Œพ๐‘Œฏ๐‘‡เฅฅ

Lalita Lalata Vilepita Keshara. Kunkuma Akshata Shobha Manohara. Kanaka Basana Kanchuki Sajaye. Kati Mekhala Divya Laharaye.

Chaupai 3

๐‘Œ•๐‘Œ‚๐‘Œ  ๐‘Œฎ๐‘Œฆ๐‘Œพ๐‘Œฐ ๐‘Œน๐‘Œพ๐‘Œฐ ๐‘Œ•๐‘€ ๐‘Œถ๐‘‹๐‘Œญ๐‘Œพเฅค ๐‘Œœ๐‘Œพ๐‘Œน๐‘Œฟ ๐‘Œฆ๐‘‡๐‘Œ–๐‘Œฟ ๐‘Œธ๐‘Œน๐‘Œœ๐‘Œน๐‘Œฟ ๐‘Œฎ๐‘Œจ ๐‘Œฒ๐‘‹๐‘Œญ๐‘Œพเฅฅ ๐‘Œฌ๐‘Œพ๐‘Œฒ๐‘Œพ๐‘Œฐ๐‘๐‘Œฃ ๐‘Œ…๐‘Œจ๐‘Œ‚๐‘Œค ๐‘Œ›๐‘Œต๐‘Œฟ ๐‘Œง๐‘Œพ๐‘Œฐ๐‘€เฅค ๐‘Œ†๐‘Œญ๐‘‚๐‘Œท๐‘Œฃ ๐‘Œ•๐‘€ ๐‘Œถ๐‘‹๐‘Œญ๐‘Œพ ๐‘Œช๐‘๐‘Œฏ๐‘Œพ๐‘Œฐ๐‘€เฅฅ

Kantha Madara Hara Ki Shobha. Jahi Dekhi Sahajahi Mana Lobha. Balaruna Ananta Chhavi Dhari. Abhushana Ki Shobha Pyari.

Chaupai 4

๐‘Œจ๐‘Œพ๐‘Œจ๐‘Œพ ๐‘Œฐ๐‘Œค๐‘๐‘Œจ ๐‘Œœ๐‘Œกเคผ๐‘Œฟ๐‘Œค ๐‘Œธ๐‘Œฟ๐‘Œ‚๐‘Œน๐‘Œพ๐‘Œธ๐‘Œจเฅค ๐‘Œค๐‘Œพ๐‘Œช๐‘Œฐ ๐‘Œฐ๐‘Œพ๐‘Œœ๐‘Œค๐‘Œฟ ๐‘Œน๐‘Œฐ๐‘Œฟ ๐‘Œš๐‘Œค๐‘๐‘Œฐ๐‘Œพ๐‘Œจ๐‘Œจเฅฅ ๐‘Œ‡๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œพ๐‘Œฆ๐‘Œฟ๐‘Œ• ๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œต๐‘Œพ๐‘Œฐ ๐‘Œช๐‘‚๐‘Œœ๐‘Œฟ๐‘Œคเฅค ๐‘Œœ๐‘Œ— ๐‘Œฎ๐‘ƒ๐‘Œ— ๐‘Œจ๐‘Œพ๐‘Œ— ๐‘Œฏ๐‘Œ•๐‘๐‘Œท ๐‘Œฐ๐‘Œต ๐‘Œ•๐‘‚๐‘Œœ๐‘Œฟ๐‘Œคเฅฅ

Nana Ratna Jadita Sinhasana. Tapara Rajati Hari Chaturanana. Indradika Parivara Pujita. Jaga Mriga Naga Yaksha Rava Kujita.

Chaupai 5

๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œ•๐‘ˆ๐‘Œฒ๐‘Œพ๐‘Œถ ๐‘Œจ๐‘Œฟ๐‘Œต๐‘Œพ๐‘Œธ๐‘Œฟ๐‘Œจ๐‘€ ๐‘Œœ๐‘Œฏ ๐‘Œœ๐‘Œฏเฅค ๐‘Œ•๐‘‹๐‘ŒŸ๐‘Œฟ๐‘Œ• ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œพ ๐‘Œต๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œธ๐‘Œฟ๐‘Œจ๐‘€ ๐‘Œœ๐‘Œฏ ๐‘Œœ๐‘Œฏเฅฅ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œญ๐‘๐‘Œต๐‘Œจ ๐‘Œธ๐‘Œ•๐‘Œฒ ๐‘Œ•๐‘๐‘ŒŸ๐‘๐‘Œ‚๐‘Œฌ ๐‘Œค๐‘Œฟ๐‘Œน๐‘Œพ๐‘Œฐ๐‘€เฅค ๐‘Œ…๐‘Œฃ๐‘-๐‘Œ…๐‘Œฃ๐‘ ๐‘Œฎ๐‘Œน๐‘Œ‚ ๐‘Œค๐‘๐‘Œฎ๐‘๐‘Œน๐‘Œพ๐‘Œฐ๐‘Œฟ ๐‘Œ‰๐‘Œœ๐‘Œฟ๐‘Œฏ๐‘Œพ๐‘Œฐ๐‘€เฅฅ

Giri Kailasha Nivasini Jaya Jaya. Kotika Prabha Vikasini Jaya Jaya. Tribhuvana Sakala Kutumba Tihari. Anu-Anu Manh Tumhari Ujiyari.

Chaupai 6

๐‘Œน๐‘ˆ๐‘Œ‚ ๐‘Œฎ๐‘Œน๐‘‡๐‘Œถ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘‡๐‘Œถ! ๐‘Œค๐‘๐‘Œฎ๐‘๐‘Œน๐‘Œพ๐‘Œฐ๐‘‡เฅค ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œญ๐‘๐‘Œต๐‘Œจ ๐‘Œ•๐‘‡ ๐‘Œœ๐‘‹ ๐‘Œจ๐‘Œฟ๐‘Œค ๐‘Œฐ๐‘Œ–๐‘Œต๐‘Œพ๐‘Œฐ๐‘‡เฅฅ ๐‘Œ‰๐‘Œจ๐‘Œธ๐‘‹ ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œค๐‘๐‘Œฎ ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œช๐‘๐‘Œค ๐‘Œ•๐‘€๐‘Œจ๐‘๐‘Œน ๐‘Œœ๐‘Œฌเฅค ๐‘Œธ๐‘๐‘Œ•๐‘ƒ๐‘Œค ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œค๐‘Œจ ๐‘Œ‰๐‘Œฆ๐‘Œฟ๐‘Œค ๐‘Œญ๐‘Œ ๐‘Œค๐‘Œฌเฅฅ

Hain Mahesha Pranesha! Tumhare. Tribhuvana Ke Jo Nita Rakhavare. Unaso Pati Tum Prapta Kinha Jaba. Sukrita Puratana Udita Bhae Taba.

Chaupai 7

๐‘Œฌ๐‘‚๐‘Œขเคผ๐‘Œพ ๐‘Œฌ๐‘ˆ๐‘Œฒ ๐‘Œธ๐‘Œต๐‘Œพ๐‘Œฐ๐‘€ ๐‘Œœ๐‘Œฟ๐‘Œจ๐‘Œ•๐‘€เฅค ๐‘Œฎ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œพ ๐‘Œ•๐‘Œพ ๐‘Œ—๐‘Œพ๐‘Œต๐‘‡ ๐‘Œ•๐‘‹๐‘Œ‰ ๐‘Œค๐‘Œฟ๐‘Œจ๐‘Œ•๐‘€เฅฅ ๐‘Œธ๐‘Œฆ๐‘Œพ ๐‘Œถ๐‘๐‘Œฎ๐‘Œถ๐‘Œพ๐‘Œจ ๐‘Œต๐‘Œฟ๐‘Œน๐‘Œพ๐‘Œฐ๐‘€ ๐‘Œถ๐‘Œ‚๐‘Œ•๐‘Œฐเฅค ๐‘Œ†๐‘Œญ๐‘‚๐‘Œท๐‘Œฃ ๐‘Œน๐‘ˆ๐‘Œ‚ ๐‘Œญ๐‘๐‘Œœ๐‘Œ‚๐‘Œ— ๐‘Œญ๐‘Œฏ๐‘Œ‚๐‘Œ•๐‘Œฐเฅฅ

Budha Baila Savari Jinaki. Mahima Ka Gave Kou Tinaki. Sada Shmashana Vihari Shankara. Abhushana Hain Bhujanga Bhayankara.

Chaupai 8

๐‘Œ•๐‘Œ‚๐‘Œ  ๐‘Œน๐‘Œฒ๐‘Œพ๐‘Œน๐‘Œฒ ๐‘Œ•๐‘‹ ๐‘Œ›๐‘Œต๐‘Œฟ ๐‘Œ›๐‘Œพ๐‘Œˆเฅค ๐‘Œจ๐‘€๐‘Œฒ๐‘Œ•๐‘Œ‚๐‘Œ  ๐‘Œ•๐‘€ ๐‘Œช๐‘Œฆ๐‘Œต๐‘€ ๐‘Œช๐‘Œพ๐‘Œˆเฅฅ ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œฎ๐‘Œ—๐‘Œจ ๐‘Œ•๐‘‡ ๐‘Œน๐‘Œฟ๐‘Œค ๐‘Œ…๐‘Œธ ๐‘Œ•๐‘€๐‘Œจ๐‘๐‘Œน๐‘‹๐‘Œ‚เฅค ๐‘Œต๐‘Œฟ๐‘Œท ๐‘Œฒ๐‘ˆ ๐‘Œ†๐‘Œช๐‘ ๐‘Œค๐‘Œฟ๐‘Œจ๐‘Œน๐‘Œฟ๐‘Œ‚ ๐‘Œ…๐‘Œฎ๐‘Œฟ ๐‘Œฆ๐‘€๐‘Œจ๐‘๐‘Œน๐‘‹๐‘Œ‚เฅฅ

Kantha Halahala Ko Chhavi Chhai. Nilakantha Ki Padavi Pai. Deva Magana Ke Hita Asa Kinhon. Visha Lai Apu Tinahin Ami Dinhon.

Chaupai 9

๐‘Œค๐‘Œพ๐‘Œ•๐‘€ ๐‘Œค๐‘๐‘Œฎ ๐‘Œช๐‘Œค๐‘๐‘Œจ๐‘€ ๐‘Œ›๐‘Œต๐‘Œฟ ๐‘Œง๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€เฅค ๐‘Œฆ๐‘๐‘Œฐ๐‘Œฟ๐‘Œค ๐‘Œต๐‘Œฟ๐‘Œฆ๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€ ๐‘Œฎ๐‘Œ‚๐‘Œ—๐‘Œฒ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€เฅฅ ๐‘Œฆ๐‘‡๐‘Œ–๐‘Œฟ ๐‘Œช๐‘Œฐ๐‘Œฎ ๐‘Œธ๐‘—๐‘Œ‚๐‘Œฆ๐‘Œฐ๐‘๐‘Œฏ ๐‘Œค๐‘Œฟ๐‘Œน๐‘Œพ๐‘Œฐ๐‘‹เฅค ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œญ๐‘๐‘Œต๐‘Œจ ๐‘Œš๐‘Œ•๐‘Œฟ๐‘Œค ๐‘Œฌ๐‘Œจ๐‘Œพ๐‘Œต๐‘Œจ๐‘Œน๐‘Œพ๐‘Œฐ๐‘‹เฅฅ

Taki Tum Patni Chhavi Dharini. Durita Vidarini Mangalakarini. Dekhi Parama Saundarya Tiharo. Tribhuvana Chakita Banavanaharo.

Chaupai 10

๐‘Œญ๐‘Œฏ ๐‘Œญ๐‘€๐‘Œค๐‘Œพ ๐‘Œธ๐‘‹ ๐‘Œฎ๐‘Œพ๐‘Œค๐‘Œพ ๐‘Œ—๐‘Œ‚๐‘Œ—๐‘Œพเฅค ๐‘Œฒ๐‘Œœ๐‘๐‘Œœ๐‘Œพ๐‘Œฎ๐‘Œฏ ๐‘Œน๐‘ˆ ๐‘Œธ๐‘Œฒ๐‘Œฟ๐‘Œฒ ๐‘Œค๐‘Œฐ๐‘Œ‚๐‘Œ—๐‘Œพเฅฅ ๐‘Œธ๐‘—๐‘Œค ๐‘Œธ๐‘Œฎ๐‘Œพ๐‘Œจ ๐‘Œถ๐‘Œฎ๐‘๐‘Œญ๐‘ ๐‘Œช๐‘Œน๐‘Œ‚ ๐‘Œ†๐‘Œˆเฅค ๐‘Œต๐‘Œฟ๐‘Œท๐‘๐‘Œฃ๐‘ ๐‘Œช๐‘Œฆ๐‘Œพ๐‘Œฌ๐‘๐‘Œœ ๐‘Œ›๐‘‹๐‘Œกเคผ๐‘Œฟ ๐‘Œธ๐‘‹ ๐‘Œง๐‘Œพ๐‘Œˆเฅฅ

Bhaya Bhita So Mata Ganga. Lajjamaya Hai Salila Taranga. Sauta Samana Shambhu Pahn Ai. Vishnu Padabja Chhodi So Dhai.

Chaupai 11

๐‘Œค๐‘‡๐‘Œน๐‘Œฟ ๐‘Œ•๐‘‹๐‘Œ‚ ๐‘Œ•๐‘Œฎ๐‘Œฒ ๐‘Œฌ๐‘Œฆ๐‘Œจ ๐‘Œฎ๐‘๐‘Œฐ๐‘Œ๐‘Œพ๐‘Œฏ๐‘‹เฅค ๐‘Œฒ๐‘Œ–๐‘Œฟ ๐‘Œธ๐‘Œค๐‘๐‘Œต๐‘Œฐ ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œถ๐‘€๐‘Œถ ๐‘Œš๐‘Œขเคผ๐‘Œพ๐‘Œฏ๐‘‹เฅฅ ๐‘Œจ๐‘Œฟ๐‘Œค๐‘๐‘Œฏ๐‘Œพ๐‘Œจ๐‘Œ‚๐‘Œฆ ๐‘Œ•๐‘Œฐ๐‘€ ๐‘Œต๐‘Œฐ๐‘Œฆ๐‘Œพ๐‘Œฏ๐‘Œฟ๐‘Œจ๐‘€เฅค ๐‘Œ…๐‘Œญ๐‘Œฏ ๐‘Œญ๐‘Œ•๐‘๐‘Œค ๐‘Œ•๐‘Œฐ ๐‘Œจ๐‘Œฟ๐‘Œค ๐‘Œ…๐‘Œจ๐‘Œช๐‘Œพ๐‘Œฏ๐‘Œฟ๐‘Œจ๐‘€เฅฅ

Tehi Kon Kamala Badana Murajhayo. Lakhi Satvara Shiva Shisha Chadhayo. Nityananda Kari Varadayini. Abhaya Bhakta Kara Nita Anapayini.

Chaupai 12

๐‘Œ…๐‘Œ–๐‘Œฟ๐‘Œฒ ๐‘Œช๐‘Œพ๐‘Œช ๐‘Œค๐‘๐‘Œฐ๐‘Œฏ๐‘Œค๐‘Œพ๐‘Œช ๐‘Œจ๐‘Œฟ๐‘Œ•๐‘Œจ๐‘๐‘Œฆ๐‘Œจ๐‘€เฅค ๐‘Œฎ๐‘Œพ๐‘Œน๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œฏ ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œจ๐‘€เฅฅ ๐‘Œ•๐‘Œพ๐‘Œถ๐‘€ ๐‘Œช๐‘๐‘Œฐ๐‘€ ๐‘Œธ๐‘Œฆ๐‘Œพ ๐‘Œฎ๐‘Œจ ๐‘Œญ๐‘Œพ๐‘Œฏ๐‘€เฅค ๐‘Œธ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง ๐‘Œช๐‘€๐‘Œ  ๐‘Œค๐‘‡๐‘Œน๐‘Œฟ ๐‘Œ†๐‘Œช๐‘ ๐‘Œฌ๐‘Œจ๐‘Œพ๐‘Œฏ๐‘€เฅฅ

Akhila Papa Trayatapa Nikandani. Maheshvari Himalaya Nandini. Kashi Puri Sada Mana Bhayi. Siddha Pitha Tehi Apu Banayi.

Chaupai 13

๐‘Œญ๐‘Œ—๐‘Œต๐‘Œค๐‘€ ๐‘Œช๐‘๐‘Œฐ๐‘Œค๐‘Œฟ๐‘Œฆ๐‘Œฟ๐‘Œจ ๐‘Œญ๐‘Œฟ๐‘Œ•๐‘๐‘Œท๐‘Œพ ๐‘Œฆ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘€เฅค ๐‘Œ•๐‘ƒ๐‘Œช๐‘Œพ ๐‘Œช๐‘๐‘Œฐ๐‘Œฎ๐‘‹๐‘Œฆ ๐‘Œธ๐‘Œจ๐‘‡๐‘Œน ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘€เฅฅ ๐‘Œฐ๐‘Œฟ๐‘Œช๐‘๐‘Œ•๐‘๐‘Œท๐‘Œฏ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€ ๐‘Œœ๐‘Œฏ ๐‘Œœ๐‘Œฏ ๐‘Œ…๐‘Œฎ๐‘๐‘Œฌ๐‘‡เฅค ๐‘Œต๐‘Œพ๐‘Œš๐‘Œพ ๐‘Œธ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง ๐‘Œ•๐‘Œฐ๐‘€ ๐‘Œ…๐‘Œต๐‘Œฒ๐‘Œฎ๐‘๐‘Œฌ๐‘‡เฅฅ

Bhagavati Pratidina Bhiksha Datri. Kripa Pramoda Saneha Vidhatri. Ripukshaya Karini Jaya Jaya Ambe. Vacha Siddha Kari Avalambe.

Chaupai 14

๐‘Œ—๐‘—๐‘Œฐ๐‘€ ๐‘Œ‰๐‘Œฎ๐‘Œพ ๐‘Œถ๐‘Œ‚๐‘Œ•๐‘Œฐ๐‘€ ๐‘Œ•๐‘Œพ๐‘Œฒ๐‘€เฅค ๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘Œพ ๐‘Œœ๐‘Œ— ๐‘Œช๐‘๐‘Œฐ๐‘Œค๐‘Œฟ๐‘Œช๐‘Œพ๐‘Œฒ๐‘€เฅฅ ๐‘Œธ๐‘Œฌ ๐‘Œœ๐‘Œจ ๐‘Œ•๐‘€ ๐‘Œˆ๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œญ๐‘Œ—๐‘Œต๐‘Œค๐‘€เฅค ๐‘Œช๐‘Œค๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘Œพ ๐‘Œช๐‘Œฐ๐‘Œฎ๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œธ๐‘Œค๐‘€เฅฅ

Gauri Uma Shankari Kali. Annapurna Jaga Pratipali. Saba Jana Ki Ishvari Bhagavati. Patiprana Parameshvari Sati.

Chaupai 15

๐‘Œค๐‘๐‘Œฎ๐‘Œจ๐‘‡ ๐‘Œ•๐‘Œ ๐‘Œฟ๐‘Œจ ๐‘Œค๐‘Œช๐‘Œธ๐‘๐‘Œฏ๐‘Œพ ๐‘Œ•๐‘€๐‘Œจ๐‘€เฅค ๐‘Œจ๐‘Œพ๐‘Œฐ๐‘Œฆ ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œœ๐‘Œฌ ๐‘Œถ๐‘Œฟ๐‘Œ•๐‘๐‘Œท๐‘Œพ ๐‘Œฒ๐‘€๐‘Œจ๐‘€เฅฅ ๐‘Œ…๐‘Œจ๐‘๐‘Œจ ๐‘Œจ ๐‘Œจ๐‘€๐‘Œฐ ๐‘Œจ ๐‘Œต๐‘Œพ๐‘Œฏ๐‘ ๐‘Œ…๐‘Œน๐‘Œพ๐‘Œฐ๐‘Œพเฅค ๐‘Œ…๐‘Œธ๐‘๐‘Œฅ๐‘Œฟ๐‘Œฎ๐‘Œพ๐‘Œค๐‘๐‘Œฐ ๐‘Œค๐‘Œจ ๐‘Œญ๐‘Œฏ๐‘Œ‰ ๐‘Œค๐‘๐‘Œฎ๐‘๐‘Œน๐‘Œพ๐‘Œฐ๐‘Œพเฅฅ

Tumane Kathina Tapasya Kini. Narada Son Jaba Shiksha Lini. Anna Na Nira Na Vayu Ahara. Asthimatra Tana Bhayau Tumhara.

Chaupai 16

๐‘Œช๐‘Œค๐‘๐‘Œฐ ๐‘Œ˜๐‘Œพ๐‘Œธ ๐‘Œ•๐‘‹ ๐‘Œ–๐‘Œพ๐‘Œฆ๐‘๐‘Œฏ ๐‘Œจ ๐‘Œญ๐‘Œพ๐‘Œฏ๐‘Œ‰เฅค ๐‘Œ‰๐‘Œฎ๐‘Œพ ๐‘Œจ๐‘Œพ๐‘Œฎ ๐‘Œค๐‘Œฌ ๐‘Œค๐‘๐‘Œฎ๐‘Œจ๐‘‡ ๐‘Œช๐‘Œพ๐‘Œฏ๐‘Œ‰เฅฅ ๐‘Œค๐‘Œช ๐‘Œฌ๐‘Œฟ๐‘Œฒ๐‘‹๐‘Œ•๐‘Œฟ ๐‘Œ‹๐‘Œท๐‘Œฟ ๐‘Œธ๐‘Œพ๐‘Œค ๐‘Œช๐‘Œง๐‘Œพ๐‘Œฐ๐‘‡เฅค ๐‘Œฒ๐‘Œ—๐‘‡ ๐‘Œก๐‘Œฟ๐‘Œ—๐‘Œพ๐‘Œต๐‘Œจ ๐‘Œก๐‘Œฟ๐‘Œ—๐‘€ ๐‘Œจ ๐‘Œน๐‘Œพ๐‘Œฐ๐‘‡เฅฅ

Patra Ghasa Ko Khadya Na Bhayau. Uma Nama Taba Tumane Payau. Tapa Biloki Rishi Sata Padhare. Lage Digavana Digi Na Hare.

Chaupai 17

๐‘Œค๐‘Œฌ ๐‘Œค๐‘Œต ๐‘Œœ๐‘Œฏ ๐‘Œœ๐‘Œฏ ๐‘Œœ๐‘Œฏ ๐‘Œ‰๐‘Œš๐‘๐‘Œš๐‘Œพ๐‘Œฐ๐‘‡๐‘Œ‰เฅค ๐‘Œธ๐‘Œช๐‘๐‘Œค๐‘Œ‹๐‘Œท๐‘Œฟ ๐‘Œจ๐‘Œฟ๐‘Œœ ๐‘Œ—๐‘‡๐‘Œน ๐‘Œธ๐‘Œฟ๐‘Œง๐‘Œพ๐‘Œฐ๐‘‡๐‘Œ‰เฅฅ ๐‘Œธ๐‘๐‘Œฐ ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œต๐‘Œฟ๐‘Œท๐‘๐‘Œฃ๐‘ ๐‘Œช๐‘Œพ๐‘Œธ ๐‘Œค๐‘Œฌ ๐‘Œ†๐‘Œเฅค ๐‘Œต๐‘Œฐ ๐‘Œฆ๐‘‡๐‘Œจ๐‘‡ ๐‘Œ•๐‘‡ ๐‘Œต๐‘Œš๐‘Œจ ๐‘Œธ๐‘๐‘Œจ๐‘Œพ๐‘Œเฅฅ

Taba Tava Jaya Jaya Jaya Ucchareu. Saptarishi Nija Geha Sidhareu. Sura Vidhi Vishnu Pasa Taba Ae. Vara Dene Ke Vachana Sunae.

Chaupai 18

๐‘Œฎ๐‘Œพ๐‘Œ‚๐‘Œ—๐‘‡ ๐‘Œ‰๐‘Œฎ๐‘Œพ ๐‘Œต๐‘Œฐ ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œค๐‘๐‘Œฎ ๐‘Œค๐‘Œฟ๐‘Œจ๐‘Œธ๐‘‹เฅค ๐‘Œš๐‘Œพ๐‘Œน๐‘Œค ๐‘Œœ๐‘Œ— ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œญ๐‘๐‘Œต๐‘Œจ ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ ๐‘Œœ๐‘Œฟ๐‘Œจ๐‘Œธ๐‘‹เฅฅ ๐‘Œ๐‘Œต๐‘Œฎ๐‘Œธ๐‘๐‘Œค๐‘ ๐‘Œ•๐‘Œน๐‘Œฟ ๐‘Œค๐‘‡ ๐‘Œฆ๐‘‹๐‘ŒŠ ๐‘Œ—๐‘Œเฅค ๐‘Œธ๐‘๐‘Œซ๐‘Œฒ ๐‘Œฎ๐‘Œจ๐‘‹๐‘Œฐ๐‘Œฅ ๐‘Œค๐‘๐‘Œฎ๐‘Œจ๐‘‡ ๐‘Œฒ๐‘Œเฅฅ

Mange Uma Vara Pati Tum Tinaso. Chahata Jaga Tribhuvana Nidhi Jinaso. Evamastu Kahi Te Dou Gae. Suphala Manoratha Tumane Lae.

Chaupai 19

๐‘Œ•๐‘Œฐ๐‘Œฟ ๐‘Œต๐‘Œฟ๐‘Œต๐‘Œพ๐‘Œน ๐‘Œถ๐‘Œฟ๐‘Œต ๐‘Œธ๐‘‹๐‘Œ‚ ๐‘Œน๐‘‡ ๐‘Œญ๐‘Œพ๐‘Œฎ๐‘Œพเฅค ๐‘Œช๐‘๐‘Œจ๐‘Œƒ ๐‘Œ•๐‘Œน๐‘Œพ๐‘Œˆ ๐‘Œน๐‘Œฐ ๐‘Œ•๐‘€ ๐‘Œฌ๐‘Œพ๐‘Œฎ๐‘Œพเฅฅ ๐‘Œœ๐‘‹ ๐‘Œช๐‘Œขเคผ๐‘Œฟ๐‘Œน๐‘ˆ ๐‘Œœ๐‘Œจ ๐‘Œฏ๐‘Œน ๐‘Œš๐‘Œพ๐‘Œฒ๐‘€๐‘Œธ๐‘Œพเฅค ๐‘Œง๐‘Œจ ๐‘Œœ๐‘Œจ ๐‘Œธ๐‘๐‘Œ– ๐‘Œฆ๐‘‡๐‘Œ‡๐‘Œน๐‘ˆ ๐‘Œค๐‘‡๐‘Œน๐‘Œฟ ๐‘Œˆ๐‘Œธ๐‘Œพเฅฅ

Kari Vivaha Shiva Son He Bhama. Punah Kahai Hara Ki Bama. Jo Padhihai Jana Yaha Chalisa. Dhana Jana Sukha Deihai Tehi Isa.

Closing Doha

เฅฅ ๐‘Œฆ๐‘‹๐‘Œน๐‘Œพ เฅฅ ๐‘Œ•๐‘‚๐‘ŒŸ ๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œฟ๐‘Œ•๐‘Œพ ๐‘Œธ๐‘๐‘Œญ๐‘Œ— ๐‘Œถ๐‘Œฟ๐‘Œฐ, ๐‘Œœ๐‘Œฏ๐‘Œค๐‘Œฟ ๐‘Œœ๐‘Œฏ๐‘Œค๐‘Œฟ ๐‘Œธ๐‘๐‘Œ– ๐‘Œ–๐‘Œพ๐‘Œจ๐‘Œฟเฅค ๐‘Œช๐‘Œพ๐‘Œฐ๐‘๐‘Œต๐‘Œค๐‘€ ๐‘Œจ๐‘Œฟ๐‘Œœ ๐‘Œญ๐‘Œ•๐‘๐‘Œค ๐‘Œน๐‘Œฟ๐‘Œค, ๐‘Œฐ๐‘Œน๐‘Œน๐‘ ๐‘Œธ๐‘Œฆ๐‘Œพ ๐‘Œต๐‘Œฐ๐‘Œฆ๐‘Œพ๐‘Œจ๐‘Œฟเฅฅ

|| Doha || Kuta Chandrika Subhaga Shira, Jayati Jayati Sukha Khani. Parvati Nija Bhakta Hita, Rahahu Sada Varadani.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œœ๐‘Œฏ ๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œค๐‘Œจ๐‘Œฏ๐‘‡๐Ÿ”ŠJaya Giri TanayeVictory to the daughter of the mountain (Himalaya)
๐‘Œฆ๐‘Œ•๐‘๐‘Œท๐‘Œœ๐‘‡๐Ÿ”ŠDakshajeBorn of Daksha (as Sati in her previous birth)
๐‘Œถ๐‘Œฎ๐‘๐‘Œญ๐‘ ๐‘Œช๐‘๐‘Œฐ๐‘Œฟ๐‘Œฏ๐‘‡๐Ÿ”ŠShambhu PriyeBeloved of Shambhu (Shiva)
๐‘Œ—๐‘๐‘Œฃ๐‘Œ–๐‘Œพ๐‘Œจ๐‘Œฟ๐Ÿ”ŠGunakhaniA mine / treasure-store of virtues
๐‘Œ—๐‘Œฃ๐‘Œช๐‘Œค๐‘Œฟ ๐‘Œœ๐‘Œจ๐‘Œจ๐‘€๐Ÿ”ŠGanapati JananiMother of Ganapati (Ganesha)
๐‘Œ…๐‘Œฎ๐‘๐‘Œฌ๐‘‡! ๐‘Œถ๐‘Œ•๐‘๐‘Œค๐‘Œฟ! ๐‘Œญ๐‘Œต๐‘Œพ๐‘Œจ๐‘Œฟ๐Ÿ”ŠAmbe! Shakti! BhavaniO Mother! O Power! O Bhavani!
๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ๐‘Œพ ๐‘Œญ๐‘‡๐‘Œฆ ๐‘Œจ ๐‘Œช๐‘Œพ๐‘Œต๐‘‡๐Ÿ”ŠBrahma Bheda Na PaveEven Brahma cannot fathom your mystery
๐‘Œช๐‘Œ‚๐‘Œš๐‘Œฌ๐‘Œฆ๐‘Œจ๐Ÿ”ŠPanchabadanaThe five-faced one (Shiva) ever meditates on you
๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ ๐‘Œ•๐‘ˆ๐‘Œฒ๐‘Œพ๐‘Œถ ๐‘Œจ๐‘Œฟ๐‘Œต๐‘Œพ๐‘Œธ๐‘Œฟ๐‘Œจ๐‘€๐Ÿ”ŠGiri Kailasha NivasiniDweller on Mount Kailasha
๐‘Œจ๐‘€๐‘Œฒ๐‘Œ•๐‘Œ‚๐‘Œ  ๐‘Œ•๐‘€ ๐‘Œช๐‘Œฆ๐‘Œต๐‘€๐Ÿ”ŠNilakantha Ki PadaviThe title 'Nilakantha' (blue-throated), gained by Shiva drinking the halahala poison
๐‘Œฆ๐‘๐‘Œฐ๐‘Œฟ๐‘Œค ๐‘Œต๐‘Œฟ๐‘Œฆ๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€๐Ÿ”ŠDurita VidariniDestroyer of sins and evils
๐‘Œฎ๐‘Œ‚๐‘Œ—๐‘Œฒ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘Œฟ๐‘Œฃ๐‘€๐Ÿ”ŠMangalakariniBringer of auspiciousness
๐‘Œ…๐‘Œ–๐‘Œฟ๐‘Œฒ ๐‘Œช๐‘Œพ๐‘Œช ๐‘Œค๐‘๐‘Œฐ๐‘Œฏ๐‘Œค๐‘Œพ๐‘Œช ๐‘Œจ๐‘Œฟ๐‘Œ•๐‘Œจ๐‘๐‘Œฆ๐‘Œจ๐‘€๐Ÿ”ŠAkhila Papa Trayatapa NikandaniUprooter of all sins and the three kinds of suffering
๐‘Œฎ๐‘Œพ๐‘Œน๐‘‡๐‘Œถ๐‘๐‘Œต๐‘Œฐ๐‘€ ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œพ๐‘Œฒ๐‘Œฏ ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œจ๐‘€๐Ÿ”ŠMaheshvari Himalaya NandiniThe great Goddess, delight of Himalaya
๐‘Œ…๐‘Œจ๐‘๐‘Œจ๐‘Œช๐‘‚๐‘Œฐ๐‘๐‘Œฃ๐‘Œพ ๐‘Œœ๐‘Œ— ๐‘Œช๐‘๐‘Œฐ๐‘Œค๐‘Œฟ๐‘Œช๐‘Œพ๐‘Œฒ๐‘€๐Ÿ”ŠAnnapurna Jaga PratipaliAs Annapurna, the nourisher and sustainer of the world
๐‘Œ•๐‘Œ ๐‘Œฟ๐‘Œจ ๐‘Œค๐‘Œช๐‘Œธ๐‘๐‘Œฏ๐‘Œพ ๐‘Œ•๐‘€๐‘Œจ๐‘€๐Ÿ”ŠKathina Tapasya KiniYou performed severe austerity (to win Shiva)
๐‘Œ‰๐‘Œฎ๐‘Œพ ๐‘Œจ๐‘Œพ๐‘Œฎ ๐‘Œค๐‘Œฌ ๐‘Œช๐‘Œพ๐‘Œฏ๐‘Œ‰๐Ÿ”ŠUma Nama Taba PayauThen you received the name 'Uma' (U-ma, 'O do not [practise such austerity]')
๐‘Œฎ๐‘Œพ๐‘Œ‚๐‘Œ—๐‘‡ ๐‘Œ‰๐‘Œฎ๐‘Œพ ๐‘Œต๐‘Œฐ ๐‘Œช๐‘Œค๐‘Œฟ๐Ÿ”ŠMange Uma Vara PatiUma asked for Shiva himself as the boon of a husband
๐‘Œœ๐‘‹ ๐‘Œช๐‘Œขเคผ๐‘Œฟ๐‘Œน๐‘ˆ ๐‘Œœ๐‘Œจ ๐‘Œฏ๐‘Œน ๐‘Œš๐‘Œพ๐‘Œฒ๐‘€๐‘Œธ๐‘Œพ๐Ÿ”ŠJo Padhihai Jana Yaha ChalisaWhoever recites this chalisa
๐‘Œง๐‘Œจ ๐‘Œœ๐‘Œจ ๐‘Œธ๐‘๐‘Œ– ๐‘Œฆ๐‘‡๐‘Œ‡๐‘Œน๐‘ˆ๐Ÿ”ŠDhana Jana Sukha Deihaithe Lord grants them wealth, family and happiness

Benefits of Chanting Parvati Chalisa

โœฆ

Invokes the grace of Goddess Parvati for marital harmony and a happy married life

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Recited by unmarried women and men praying for a suitable life-partner, following Parvati's own example

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Bestows family happiness, progeny and domestic well-being

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Destroys sins and the threefold suffering, bringing auspiciousness (mangala)

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Brings the combined blessings of Shiva and Shakti when chanted with devotion

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Strengthens devotion to the Divine Mother in her gentle (saumya) form

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Believed to grant wealth, family and happiness as promised in the closing verse

How to Chant Parvati Chalisa

Repetitions11times
Best TimeMondays, Fridays, during Navratri, and on Teej, Gauri and Hartalika vrat days; best in the morning or evening after worship

Recite after worshipping Goddess Parvati (often together with Shiva). Begin with the opening doha, recite the forty chaupais with devotion, and conclude with the closing doha. It is especially recited during Navratri, on Mondays (sacred to Shiva-Parvati), and on vows such as Teej and Hartalika undertaken for marital happiness. Married women traditionally recite it for the welfare and longevity of their husbands and families.

Frequently Asked Questions

This page shows the complete Parvati Chalisa written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
Parvati is the daughter of Himavan (the Himalaya mountain), the consort of Lord Shiva, and the mother of Ganesha and Kartikeya. She is the gentle form of the Divine Mother (Shakti) and is also known as Gauri, Uma, Bhavani and Annapurna.
The chalisa recounts how Parvati undertook extreme austerity โ€” giving up food, water and even air until only her bones remained โ€” to win Lord Shiva as her husband. When the sages tried to dissuade her she refused, and she received the name 'Uma'. Pleased, the gods granted her the boon of marrying Shiva.
It is especially recited on Mondays and Fridays, during Navratri, and on vows like Teej and Hartalika that are observed for marital harmony and the well-being of one's spouse and family.
The closing verses promise that whoever recites it is granted wealth, family and happiness by the Lord. Devotees seek marital harmony, a good life-partner, progeny, domestic well-being and the Goddess's protective grace.

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Read the full Parvati Chalisa with verse-by-verse meaning, or explore more sacred texts