Mantra.Tips
shivanatarajachidambarampatanjali

Nataraja Stotram (Patanjali)

Nataraja Stotram (Patanjali) in English · English

🕉️ hindu·📿 10× repetitions·🕐 Pradosha Kaal (twilight), Arudra Darshanam, Maha Shivaratri, or early morning before an image of Nataraja·📜 Shaiva stotra tradition; the Chidambaram (Nataraja) tradition
Share:

Meaning

The Nataraja Stotram, also called the Charanashringararahita Nataraja Stotram, is a sublime hymn of ten verses to Lord Shiva as Nataraja, the cosmic dancer of Chidambaram. It is attributed to the sage Patanjali, who, by tradition, composed it to win the Lord's darshan — fashioning it, as a poetic feat, without ever using the syllables 'charana' and 'shringa'. Each verse paints the dancing Lord in dense, musical Sanskrit and ends with the refrain 'para-cidambara-naṭaṁ hṛdi bhaja' — 'worship in your heart the Dancer of the supreme Chidambaram'. The closing verse promises liberation from the ocean of rebirth to those who recite it daily.

Origin & Story

Shaiva stotra tradition; the Chidambaram (Nataraja) tradition · Sage Patanjali (traditional attribution) · Ancient

By tradition, the great sage Patanjali — author of the Yoga Sutras and revered as an incarnation of Adishesha, the serpent of Vishnu — longed for the darshan of Lord Nataraja at Chidambaram. When Nandi, the gatekeeper, would not let him pass, Patanjali spontaneously poured out this hymn of praise, composing it with the astonishing constraint of never using the syllables 'charana' or 'shringa', so that it came to be called the Charanashringararahita Nataraja Stotram. Pleased by the depth and artistry of his devotion, Lord Shiva granted him the vision of the cosmic dance. The hymn has since been treasured at Chidambaram and among devotees of Nataraja.

As told in scripture

Tradition holds that as Patanjali sang these verses, Lord Nataraja revealed to him the Ananda Tandava — the dance of bliss in the golden hall of Chidambaram, the 'space of consciousness' itself. It is said that sincere recitation grants the devotee an inward glimpse of that same dance shining in the lotus of the heart.

Complete Text with Meaning

Tap any line — or the ▶ button — to hear it recited

Verse 1

Sadañcita-mudañcita-nikuñcita-padaṁ jhalajhalaṁ calita-mañju-kaṭakaṁ Patañjali-dṛg-añjanam-anañjanam-acañcala-padaṁ janana-bhañjana-karam। Kadamba-rucim-ambara-vasaṁ paramam-ambuda-kadambaka-viḍambaka-galaṁ Cid-ambudhi-maṇiṁ budha-hṛd-ambuja-raviṁ para-cidambara-naṭaṁ hṛdi bhaja॥1॥

Meaning:Worship in your heart the Dancer of the supreme Chidambaram — whose gracefully curved foot is raised in the dance while his lovely anklets jingle 'jhala-jhala'; who is the very delight of Patanjali's eyes, stainless and unmoving, who shatters the cycle of birth; radiant as the kadamba blossom, clad in the sky, his throat dark as a cluster of rain-clouds; the jewel from the ocean of consciousness, the sun to the lotus-hearts of the wise.

Verse 2

Haraṁ tripura-bhañjanam-ananta-kṛta-kaṅkaṇam-akhaṇḍa-dayam-antarahitaṁ Viriñci-sura-saṁhati-purandhara-vicintita-padaṁ taruṇa-candra-makuṭam। Paraṁ pada-vikhaṇḍita-yamaṁ bhasita-maṇḍita-tanuṁ madana-vañcana-paraṁ Cirantanam-amuṁ praṇava-sañcita-nidhiṁ para-cidambara-naṭaṁ hṛdi bhaja॥2॥

Meaning:Worship the Dancer of supreme Chidambaram — Hara, destroyer of Tripura, wearing endless bracelets, of undivided compassion, without inner flaw; whose feet Brahma, the gods and Indra contemplate, crowned with the young moon; the Supreme who cut down Yama with his foot, his body adorned with ash, who outwitted Kama — the ancient one, the treasure gathered in the Pranava (Om).

Verse 3

Avantam-akhilaṁ jagad-abhaṅga-guṇa-tuṅgam-amataṁ dhṛta-vidhuṁ sura-sarit- Taraṅga-nikurumba-dhṛti-lampaṭa-jaṭaṁ śamana-dambha-suharaṁ bhava-haram। Śivaṁ daśa-digantara-vijṛmbhita-karaṁ kara-lasan-mṛga-śiśuṁ paśupatiṁ Haraṁ śaśi-dhanañjaya-pataṅga-nayanaṁ para-cidambara-naṭaṁ hṛdi bhaja॥3॥

Meaning:Worship the Dancer of supreme Chidambaram — who protects the whole world, lofty in unbroken virtue, bearing the moon, whose matted locks eagerly hold the surging waves of the celestial river; who cuts down the arrogance of Death and removes worldly bondage; the auspicious one, his arms spreading to the ten directions, a fawn shining in his hand, Pashupati, Hara, whose eyes are the moon, fire and sun.

Verse 4

Ananta-nava-ratna-vilasat-kaṭaka-kiṅkiṇi-jhalaṁ jhalajhalaṁ jhala-ravaṁ Mukunda-vidhi-hasta-gata-maddala-laya-dhvani-dhimid-dhimita-nartana-padam। Śakunta-ratha-barhi-ratha-nandi-mukha-danti-mukha-bhṛṅgi-riṭi-saṅgha-nikaṭaṁ Sananda-sanaka-pramukha-vandita-padaṁ para-cidambara-naṭaṁ hṛdi bhaja॥4॥

Meaning:Worship the Dancer of supreme Chidambaram — the countless gem-set bracelets and small bells ringing 'jhala-jhala'; his feet dancing 'dhimi-dhimi' to the rhythm of the maddala drum played in the hands of Vishnu and Brahma; surrounded by the hosts led by the peacock-riding (Skanda), the swan-riding (Brahma), elephant-faced Ganesha, Nandi, Bhringi and Riti; whose feet are revered by Sanandana, Sanaka and the great sages.

Verse 5

Ananta-mahasaṁ tridaśa-vandya-caraṇaṁ muni-hṛd-antara-vasantam-amalaṁ Kabandha-viyad-indu-avani-gandha-vaha-vahni-makha-bandhu-ravi-mañju-vapuṣam। Ananta-vibhavaṁ tri-jagad-antara-maṇiṁ tri-nayanaṁ tripura-khaṇḍana-paraṁ Sananda-muni-vandita-padaṁ sa-karuṇaṁ para-cidambara-naṭaṁ hṛdi bhaja॥5॥

Meaning:Worship the Dancer of supreme Chidambaram — of infinite splendour, his feet adored by the gods, the spotless spring blossoming within the hearts of sages; whose lovely form is befriended by the eight: ether, moon, earth, wind, fire, the sacrificer (water), the sun (and the soul); of boundless glory, the central jewel of the three worlds, three-eyed, intent on destroying Tripura, his feet praised by the sage Sananda, full of compassion.

Verse 6

Acintyam-ali-bṛnda-ruci-bandhura-galaṁ kurita-kunda-nikurumba-dhavalaṁ Mukunda-sura-bṛnda-bala-hantṛ-kṛta-vandana-lasantam-ahi-kuṇḍala-dharam। Akampam-anukampita-ratiṁ sujana-maṅgala-nidhiṁ gaja-haraṁ paśupatiṁ Dhanañjaya-nutaṁ praṇata-rañjana-paraṁ para-cidambara-naṭaṁ hṛdi bhaja॥6॥

Meaning:Worship the Dancer of supreme Chidambaram — of inconceivable nature, his throat lovely with the sheen of a swarm of bees, yet white as a cluster of blooming jasmine; shining as Vishnu, the slayer of demon-hosts, bows before him, wearing serpents as earrings; unshaken, having shown mercy to Rati, the treasury of blessings for the good, who slew the elephant-demon, Pashupati, praised by Arjuna, ever delighting those who bow to him.

Verse 7

Paraṁ sura-varaṁ pura-haraṁ paśupatiṁ janita-danti-mukha-ṣaṇmukham-amuṁ Mṛḍaṁ kanaka-piṅgala-jaṭaṁ sanaka-paṅkaja-raviṁ sumanasaṁ hima-rucim। Asaṅgha-manasaṁ jaladhi-janma-garalaṁ kabalayantam-atulaṁ guṇa-nidhiṁ Sananda-varadaṁ śamitam-indu-vadanaṁ para-cidambara-naṭaṁ hṛdi bhaja॥7॥

Meaning:Worship the Dancer of supreme Chidambaram — the Supreme, best of the gods, destroyer of the cities, Pashupati, who brought forth the elephant-faced and six-faced (Ganesha and Skanda); the gracious one with golden-tawny matted hair, a sun to the lotus-faced Sanaka, kindly, cool-rayed; of unattached mind, swallowing the poison born of the ocean, the peerless treasury of virtues, granting boons to Sananda, with a serene moon-like face.

Verse 8

Ajaṁ kṣiti-rathaṁ bhujaga-puṅgava-guṇaṁ kanaka-śṛṅgi-dhanuṣaṁ kara-lasat- Kuraṅga-pṛthu-ṭaṅka-paraśuṁ rucira-kuṅkuma-ruciṁ ḍamarukaṁ ca dadhatam। Mukunda-viśikhaṁ namad-avandhya-phaladaṁ nigama-bṛnda-turagaṁ nirupamaṁ Sa-caṇḍikam-amuṁ jhaṭiti-saṁhṛta-puraṁ para-cidambara-naṭaṁ hṛdi bhaja॥8॥

Meaning:Worship the Dancer of supreme Chidambaram — the birthless one, with the earth as his chariot, the great serpent for a bowstring, a golden-peaked bow, holding in his shining hands a fawn, the broad axe, lovely with vermilion lustre, and the damaru drum; with Vishnu as his arrow, granting unfailing fruit to those who bow, the Vedas as his steeds, peerless, accompanied by Chandika, who in an instant burned the three cities.

Verse 9

Anaṅga-paripanthinam-ajaṁ kṣiti-dhurandharam-alaṁ karuṇayantam-akhilaṁ Jvalantam-analaṁ dadhatam-antaka-ripuṁ satatam-indra-sura-vandita-padam। Udañcad-aravinda-kula-bandhu-śata-bimba-ruci-saṁhati-sugandhi-vapuṣaṁ Patañjali-nutaṁ praṇava-pañjara-śukaṁ para-cidambara-naṭaṁ hṛdi bhaja॥9॥

Meaning:Worship the Dancer of supreme Chidambaram — the adversary of Kama, the birthless, the sustainer of the earth, showering grace upon all; blazing as fire, the enemy of Death (Yama), whose feet are ever worshipped by Indra and the gods; his fragrant body glowing with the lustre of a hundred suns, friends of the blossoming lotus; praised by Patanjali, the parrot in the cage of the Pranava (Om).

Verse 10

Iti stavam-amuṁ bhujaga-puṅgava-kṛtaṁ pratidinaṁ paṭhati yaḥ kṛta-mukhaḥ Sadaḥ prabhu-pada-dvitaya-darśana-padaṁ su-lalitaṁ caraṇa-śṛṅga-rahitam। Saraḥ-prabhava-sambhava-harit-pati-hari-pramukha-divya-nuta-śaṅkara-padaṁ Sa gacchati paraṁ na tu januḥ-jala-nidhiṁ parama-duḥkha-janakaṁ durita-dam॥10॥

Meaning:Whoever, with a purified mouth, recites daily this hymn composed by the foremost of serpents (Patanjali) — graceful, fashioned without the syllables 'charana' and 'shringa', a means to the constant vision of the Lord's two feet, whose feet are divinely praised by Brahma, Indra, Vishnu and others — he attains the Supreme, and never again falls into the ocean of births, the source of utmost sorrow and the giver of sin.

Word-by-Word Meaning

Click any word to hear its pronunciation

sadañcita🔊well-curved / gracefully bent (the foot, in the dance posture)
nikuñcita-padaṁ🔊with the (one) foot curved and raised in the dance pose
jhalajhalaṁ calita-mañju-kaṭakaṁ🔊whose lovely anklets jingle 'jhala-jhala' as he moves
patañjali-dṛg-añjanam🔊the very collyrium (delight) for the eyes of Patanjali
anañjanam🔊untainted, stainless (free of all blemish, beyond Maya)
janana-bhañjana-karam🔊who shatters (the cycle of) birth
kadamba-rucim🔊radiant like the kadamba flower
ambara-vasaṁ🔊clad in the sky (digambara) / wearing space as a garment
cid-ambudhi-maṇiṁ🔊the jewel arising from the ocean of pure consciousness
budha-hṛd-ambuja-raviṁ🔊the sun that opens the lotus-hearts of the wise
para-cidambara-naṭaṁ hṛdi bhaja🔊worship in your heart the Dancer of the supreme Chidambara (the hall of consciousness)
haraṁ tripura-bhañjanam🔊Hara, the destroyer of the three cities (Tripura)
taruṇa-candra-makuṭam🔊wearing the young crescent moon as his crown
bhasita-maṇḍita-tanuṁ🔊whose body is adorned with sacred ash (bhasma)
dhṛta-vidhuṁ🔊bearing the moon (on his head)
paśupatiṁ🔊Pashupati, the Lord of all creatures
śaśi-dhanañjaya-pataṅga-nayanaṁ🔊whose three eyes are the moon, fire and the sun
mukunda-vidhi-hasta-gata-maddala🔊to the maddala drum played in the hands of Vishnu (Mukunda) and Brahma (Vidhi)
dhimid-dhimita-nartana-padam🔊his dancing feet keeping the rhythm 'dhimi-dhimi'
tri-nayanaṁ🔊the three-eyed one
gaja-haraṁ🔊who slew the (demon) elephant (Gajasura)
anaṅga-paripanthinam🔊the adversary of Anaṅga (Kama, the god of desire)
praṇava-pañjara-śukaṁ🔊the parrot within the cage of Om (Pranava) — dwelling in the sacred syllable
iti stavam-amuṁ ... paṭhati yaḥ🔊whoever recites this hymn (daily)…
caraṇa-śṛṅga-rahitam🔊composed without the syllables 'charana' and 'shringa' (a poetic feat of Patanjali)
sa gacchati paraṁ na tu januḥ-jala-nidhiṁ🔊he reaches the Supreme and never (again falls into) the ocean of births

Benefits of Chanting Nataraja Stotram (Patanjali)

Invokes the grace of Lord Nataraja, the cosmic dancer who governs creation, preservation and dissolution through his dance

The closing phala-shruti promises freedom from the ocean of repeated birth to one who recites it daily

Grants the constant inner vision (darshan) of the Lord's two feet — the goal of the seeker

A profound meditation on Shiva as pure consciousness (Chid-ambara, the 'hall of consciousness') dancing within the heart

Carries the special grace of sage Patanjali, master of yoga, who is said to have composed it

Cultivates devotion, concentration and a refined ear for the music of Sanskrit through its rhythmic, dance-like meter

Especially powerful when recited before Nataraja, on Pradosham, and on Arudra Darshanam (the great Chidambaram festival)

How to Chant Nataraja Stotram (Patanjali)

Repetitions10times
Best TimePradosha Kaal (twilight), Arudra Darshanam, Maha Shivaratri, or early morning before an image of Nataraja

This is a metrically intricate hymn (each line in a long, dancing meter); recite it slowly and with care, letting the rhythm 'jhala-jhala' and 'dhimi-dhimi' echo the Lord's dance. Sit before an image of Nataraja or visualise the cosmic dancer in the lotus of the heart. Chant all ten verses, ending each with the refrain 'para-cidambara-naṭaṁ hṛdi bhaja'. As the final verse asks, approach it daily with a 'purified mouth' (after rinsing and with a calm mind). It is held in special honour during Pradosham and the Arudra Darshanam festival at Chidambaram.

Frequently Asked Questions

This page shows the complete Nataraja Stotram (Patanjali) written in the English script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.
Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It is a ten-verse Sanskrit hymn to Lord Shiva as Nataraja, the cosmic dancer of Chidambaram, beginning 'Sadañcita-mudañcita-nikuñcita-padaṁ'. Each verse ends with the refrain 'para-cidambara-naṭaṁ hṛdi bhaja' — 'worship in your heart the Dancer of the supreme Chidambaram'. It is also known as the Charanashringararahita Nataraja Stotram.
It is attributed to the sage Patanjali, the author of the Yoga Sutras. The name 'Charana-shringa-rahita' means 'without (the syllables) charana and shringa'. By tradition, Patanjali composed the entire hymn as a remarkable poetic feat without ever using these syllables, in order to gain the darshan of Lord Nataraja at Chidambaram.
Nataraja is Lord Shiva as the 'King of Dance', enshrined at Chidambaram in Tamil Nadu. His cosmic dance (Ananda Tandava) symbolises the five divine acts — creation, sustenance, dissolution, concealment and grace. Chidambaram itself represents 'chid-ambara', the boundless space (hall) of consciousness in which the Lord dances.
The final verse declares that one who recites this hymn daily with a purified mind attains the Supreme and is never again cast into the sorrowful ocean of rebirth. It grants the inner vision of the Lord's feet and is cherished as a path to liberation through devotion to the cosmic dancer.

You May Also Like

Found this helpful? Share it with loved ones 🙏

Share:

Read the full Nataraja Stotram (Patanjali) with verse-by-verse meaning, or explore more sacred texts