ਨਟਰਾਜ ਸ੍ਤੋਤ੍ਰਮ੍ (ਪਤਞ੍ਜਲਿ ਕ੍ਰਿਤਮ੍)
Nataraja Stotram (Patanjali) in Punjabi (Gurmukhi) · ਪੰਜਾਬੀ
ਆਪਣੀ ਭਾਸ਼ਾ/ਲਿਪੀ ਵਿੱਚ ਪੜ੍ਹੋ
ਉਤਪਤੀ ਅਤੇ ਕਥਾ
Shaiva stotra tradition; the Chidambaram (Nataraja) tradition · Sage Patanjali (traditional attribution) · Ancient
By tradition, the great sage Patanjali — author of the Yoga Sutras and revered as an incarnation of Adishesha, the serpent of Vishnu — longed for the darshan of Lord Nataraja at Chidambaram. When Nandi, the gatekeeper, would not let him pass, Patanjali spontaneously poured out this hymn of praise, composing it with the astonishing constraint of never using the syllables 'charana' or 'shringa', so that it came to be called the Charanashringararahita Nataraja Stotram. Pleased by the depth and artistry of his devotion, Lord Shiva granted him the vision of the cosmic dance. The hymn has since been treasured at Chidambaram and among devotees of Nataraja.
✦ ਸ਼ਾਸਤਰਾਂ ਵਿੱਚ ਦੱਸੇ ਅਨੁਸਾਰ
Tradition holds that as Patanjali sang these verses, Lord Nataraja revealed to him the Ananda Tandava — the dance of bliss in the golden hall of Chidambaram, the 'space of consciousness' itself. It is said that sincere recitation grants the devotee an inward glimpse of that same dance shining in the lotus of the heart.
ਅਰਥ ਸਹਿਤ ਪੂਰਾ ਪਾਠ
ਕਿਸੇ ਵੀ ਪੰਗਤੀ ਜਾਂ ▶ ਬਟਨ ਨੂੰ ਛੂਹ ਕੇ ਸੁਣੋ
ਸਦਞ੍ਚਿਤਮੁਦਞ੍ਚਿਤਨਿਕੁਞ੍ਚਿਤਪਦਂ ਝਲਝਲਂ ਚਲਿਤਮਞ੍ਜੁਕਟਕਂ ਪਤਞ੍ਜਲਿਦ੍ਰਿਗਞ੍ਜਨਮਨਞ੍ਜਨਮਚਞ੍ਚਲਪਦਂ ਜਨਨਭਞ੍ਜਨਕਰਮ੍। ਕਦਮ੍ਬਰੁਚਿਮਮ੍ਬਰਵਸਂ ਪਰਮਮਮ੍ਬੁਦਕਦਮ੍ਬਕਵਿਡਮ੍ਬਕਗਲਂ ਚਿਦਮ੍ਬੁਧਿਮਣਿਂ ਬੁਧਹ੍ਰਿਦਮ੍ਬੁਜਰਵਿਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੧॥
Sadañcita-mudañcita-nikuñcita-padaṁ jhalajhalaṁ calita-mañju-kaṭakaṁ Patañjali-dṛg-añjanam-anañjanam-acañcala-padaṁ janana-bhañjana-karam। Kadamba-rucim-ambara-vasaṁ paramam-ambuda-kadambaka-viḍambaka-galaṁ Cid-ambudhi-maṇiṁ budha-hṛd-ambuja-raviṁ para-cidambara-naṭaṁ hṛdi bhaja॥1॥
ਅਰਥ:Worship in your heart the Dancer of the supreme Chidambaram — whose gracefully curved foot is raised in the dance while his lovely anklets jingle 'jhala-jhala'; who is the very delight of Patanjali's eyes, stainless and unmoving, who shatters the cycle of birth; radiant as the kadamba blossom, clad in the sky, his throat dark as a cluster of rain-clouds; the jewel from the ocean of consciousness, the sun to the lotus-hearts of the wise.
ਹਰਂ ਤ੍ਰਿਪੁਰਭਞ੍ਜਨਮਨਨ੍ਤਕ੍ਰਿਤਕਙ੍ਕਣਮਖਣ੍ਡਦਯਮਨ੍ਤਰਹਿਤਂ ਵਿਰਿਞ੍ਚਿਸੁਰਸਂਹਤਿਪੁਰਨ੍ਧਰਵਿਚਿਨ੍ਤਿਤਪਦਂ ਤਰੁਣਚਨ੍ਦ੍ਰਮਕੁਟਮ੍। ਪਰਂ ਪਦਵਿਖਣ੍ਡਿਤਯਮਂ ਭਸਿਤਮਣ੍ਡਿਤਤਨੁਂ ਮਦਨਵਞ੍ਚਨਪਰਂ ਚਿਰਨ੍ਤਨਮਮੁਂ ਪ੍ਰਣਵਸਞ੍ਚਿਤਨਿਧਿਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੨॥
Haraṁ tripura-bhañjanam-ananta-kṛta-kaṅkaṇam-akhaṇḍa-dayam-antarahitaṁ Viriñci-sura-saṁhati-purandhara-vicintita-padaṁ taruṇa-candra-makuṭam। Paraṁ pada-vikhaṇḍita-yamaṁ bhasita-maṇḍita-tanuṁ madana-vañcana-paraṁ Cirantanam-amuṁ praṇava-sañcita-nidhiṁ para-cidambara-naṭaṁ hṛdi bhaja॥2॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — Hara, destroyer of Tripura, wearing endless bracelets, of undivided compassion, without inner flaw; whose feet Brahma, the gods and Indra contemplate, crowned with the young moon; the Supreme who cut down Yama with his foot, his body adorned with ash, who outwitted Kama — the ancient one, the treasure gathered in the Pranava (Om).
ਅਵਨ੍ਤਮਖਿਲਂ ਜਗਦਭਙ੍ਗਗੁਣਤੁਙ੍ਗਮਮਤਂ ਧ੍ਰਿਤਵਿਧੁਂ ਸੁਰਸਰਿ- ਤ੍ਤਰਙ੍ਗਨਿਕੁਰੁਮ੍ਬਧ੍ਰਿਤਿਲਮ੍ਪਟਜਟਂ ਸ਼ਮਨਦਮ੍ਭਸੁਹਰਂ ਭਵਹਰਮ੍। ਸ਼ਿਵਂ ਦਸ਼ਦਿਗਨ੍ਤਰਵਿਜ੍ਰਿਮ੍ਭਿਤਕਰਂ ਕਰਲਸਨ੍ਮ੍ਰਿਗਸ਼ਿਸ਼ੁਂ ਪਸ਼ੁਪਤਿਂ ਹਰਂ ਸ਼ਸ਼ਿਧਨਞ੍ਜਯਪਤਙ੍ਗਨਯਨਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੩॥
Avantam-akhilaṁ jagad-abhaṅga-guṇa-tuṅgam-amataṁ dhṛta-vidhuṁ sura-sarit- Taraṅga-nikurumba-dhṛti-lampaṭa-jaṭaṁ śamana-dambha-suharaṁ bhava-haram। Śivaṁ daśa-digantara-vijṛmbhita-karaṁ kara-lasan-mṛga-śiśuṁ paśupatiṁ Haraṁ śaśi-dhanañjaya-pataṅga-nayanaṁ para-cidambara-naṭaṁ hṛdi bhaja॥3॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — who protects the whole world, lofty in unbroken virtue, bearing the moon, whose matted locks eagerly hold the surging waves of the celestial river; who cuts down the arrogance of Death and removes worldly bondage; the auspicious one, his arms spreading to the ten directions, a fawn shining in his hand, Pashupati, Hara, whose eyes are the moon, fire and sun.
ਅਨਨ੍ਤਨਵਰਤ੍ਨਵਿਲਸਤ੍ਕਟਕਕਿਙ੍ਕਿਣਿਝਲਂ ਝਲਝਲਂ ਝਲਰਵਂ ਮੁਕੁਨ੍ਦਵਿਧਿਹਸ੍ਤਗਤਮਦ੍ਦਲਲਯਧ੍ਵਨਿਧਿਮਿਦ੍ਧਿਮਿਤਨਰ੍ਤਨਪਦਮ੍। ਸ਼ਕੁਨ੍ਤਰਥਬਰ੍ਹਿਰਥਨਨ੍ਦਿਮੁਖਦਨ੍ਤਿਮੁਖਭ੍ਰਿਙ੍ਗਿਰਿਟਿਸਙ੍ਘਨਿਕਟਂ ਸਨਨ੍ਦਸਨਕਪ੍ਰਮੁਖਵਨ੍ਦਿਤਪਦਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੪॥
Ananta-nava-ratna-vilasat-kaṭaka-kiṅkiṇi-jhalaṁ jhalajhalaṁ jhala-ravaṁ Mukunda-vidhi-hasta-gata-maddala-laya-dhvani-dhimid-dhimita-nartana-padam। Śakunta-ratha-barhi-ratha-nandi-mukha-danti-mukha-bhṛṅgi-riṭi-saṅgha-nikaṭaṁ Sananda-sanaka-pramukha-vandita-padaṁ para-cidambara-naṭaṁ hṛdi bhaja॥4॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — the countless gem-set bracelets and small bells ringing 'jhala-jhala'; his feet dancing 'dhimi-dhimi' to the rhythm of the maddala drum played in the hands of Vishnu and Brahma; surrounded by the hosts led by the peacock-riding (Skanda), the swan-riding (Brahma), elephant-faced Ganesha, Nandi, Bhringi and Riti; whose feet are revered by Sanandana, Sanaka and the great sages.
ਅਨਨ੍ਤਮਹਸਂ ਤ੍ਰਿਦਸ਼ਵਨ੍ਦ੍ਯਚਰਣਂ ਮੁਨਿਹ੍ਰਿਦਨ੍ਤਰਵਸਨ੍ਤਮਮਲਂ ਕਬਨ੍ਧਵਿਯਦਿਨ੍ਦ੍ਵਵਨਿਗਨ੍ਧਵਹਵਹ੍ਨਿਮਖਬਨ੍ਧੁਰਵਿਮਞ੍ਜੁਵਪੁਸ਼ਮ੍। ਅਨਨ੍ਤਵਿਭਵਂ ਤ੍ਰਿਜਗਦਨ੍ਤਰਮਣਿਂ ਤ੍ਰਿਨਯਨਂ ਤ੍ਰਿਪੁਰਖਣ੍ਡਨਪਰਂ ਸਨਨ੍ਦਮੁਨਿਵਨ੍ਦਿਤਪਦਂ ਸਕਰੁਣਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੫॥
Ananta-mahasaṁ tridaśa-vandya-caraṇaṁ muni-hṛd-antara-vasantam-amalaṁ Kabandha-viyad-indu-avani-gandha-vaha-vahni-makha-bandhu-ravi-mañju-vapuṣam। Ananta-vibhavaṁ tri-jagad-antara-maṇiṁ tri-nayanaṁ tripura-khaṇḍana-paraṁ Sananda-muni-vandita-padaṁ sa-karuṇaṁ para-cidambara-naṭaṁ hṛdi bhaja॥5॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — of infinite splendour, his feet adored by the gods, the spotless spring blossoming within the hearts of sages; whose lovely form is befriended by the eight: ether, moon, earth, wind, fire, the sacrificer (water), the sun (and the soul); of boundless glory, the central jewel of the three worlds, three-eyed, intent on destroying Tripura, his feet praised by the sage Sananda, full of compassion.
ਅਚਿਨ੍ਤ੍ਯਮਲਿਬ੍ਰਿਨ੍ਦਰੁਚਿਬਨ੍ਧੁਰਗਲਂ ਕੁਰਿਤਕੁਨ੍ਦਨਿਕੁਰੁਮ੍ਬਧਵਲਂ ਮੁਕੁਨ੍ਦਸੁਰਬ੍ਰਿਨ੍ਦਬਲਹਨ੍ਤ੍ਰਿਕ੍ਰਿਤਵਨ੍ਦਨਲਸਨ੍ਤਮਹਿਕੁਣ੍ਡਲਧਰਮ੍। ਅਕਮ੍ਪਮਨੁਕਮ੍ਪਿਤਰਤਿਂ ਸੁਜਨਮਙ੍ਗਲਨਿਧਿਂ ਗਜਹਰਂ ਪਸ਼ੁਪਤਿਂ ਧਨਞ੍ਜਯਨੁਤਂ ਪ੍ਰਣਤਰਞ੍ਜਨਪਰਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੬॥
Acintyam-ali-bṛnda-ruci-bandhura-galaṁ kurita-kunda-nikurumba-dhavalaṁ Mukunda-sura-bṛnda-bala-hantṛ-kṛta-vandana-lasantam-ahi-kuṇḍala-dharam। Akampam-anukampita-ratiṁ sujana-maṅgala-nidhiṁ gaja-haraṁ paśupatiṁ Dhanañjaya-nutaṁ praṇata-rañjana-paraṁ para-cidambara-naṭaṁ hṛdi bhaja॥6॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — of inconceivable nature, his throat lovely with the sheen of a swarm of bees, yet white as a cluster of blooming jasmine; shining as Vishnu, the slayer of demon-hosts, bows before him, wearing serpents as earrings; unshaken, having shown mercy to Rati, the treasury of blessings for the good, who slew the elephant-demon, Pashupati, praised by Arjuna, ever delighting those who bow to him.
ਪਰਂ ਸੁਰਵਰਂ ਪੁਰਹਰਂ ਪਸ਼ੁਪਤਿਂ ਜਨਿਤਦਨ੍ਤਿਮੁਖਸ਼ਣ੍ਮੁਖਮਮੁਂ ਮ੍ਰਿਡਂ ਕਨਕਪਿਙ੍ਗਲਜਟਂ ਸਨਕਪਙ੍ਕਜਰਵਿਂ ਸੁਮਨਸਂ ਹਿਮਰੁਚਿਮ੍। ਅਸਙ੍ਘਮਨਸਂ ਜਲਧਿਜਨ੍ਮਗਰਲਂ ਕਬਲਯਨ੍ਤਮਤੁਲਂ ਗੁਣਨਿਧਿਂ ਸਨਨ੍ਦਵਰਦਂ ਸ਼ਮਿਤਮਿਨ੍ਦੁਵਦਨਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੭॥
Paraṁ sura-varaṁ pura-haraṁ paśupatiṁ janita-danti-mukha-ṣaṇmukham-amuṁ Mṛḍaṁ kanaka-piṅgala-jaṭaṁ sanaka-paṅkaja-raviṁ sumanasaṁ hima-rucim। Asaṅgha-manasaṁ jaladhi-janma-garalaṁ kabalayantam-atulaṁ guṇa-nidhiṁ Sananda-varadaṁ śamitam-indu-vadanaṁ para-cidambara-naṭaṁ hṛdi bhaja॥7॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — the Supreme, best of the gods, destroyer of the cities, Pashupati, who brought forth the elephant-faced and six-faced (Ganesha and Skanda); the gracious one with golden-tawny matted hair, a sun to the lotus-faced Sanaka, kindly, cool-rayed; of unattached mind, swallowing the poison born of the ocean, the peerless treasury of virtues, granting boons to Sananda, with a serene moon-like face.
ਅਜਂ ਕ੍ਸ਼ਿਤਿਰਥਂ ਭੁਜਗਪੁਙ੍ਗਵਗੁਣਂ ਕਨਕਸ਼੍ਰਿਙ੍ਗਿਧਨੁਸ਼ਂ ਕਰਲਸ- ਤ੍ਕੁਰਙ੍ਗਪ੍ਰਿਥੁਟਙ੍ਕਪਰਸ਼ੁਂ ਰੁਚਿਰਕੁਙ੍ਕੁਮਰੁਚਿਂ ਡਮਰੁਕਂ ਚ ਦਧਤਮ੍। ਮੁਕੁਨ੍ਦਵਿਸ਼ਿਖਂ ਨਮਦਵਨ੍ਧ੍ਯਫਲਦਂ ਨਿਗਮਬ੍ਰਿਨ੍ਦਤੁਰਗਂ ਨਿਰੁਪਮਂ ਸਚਣ੍ਡਿਕਮਮੁਂ ਝਟਿਤਿਸਂਹ੍ਰਿਤਪੁਰਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੮॥
Ajaṁ kṣiti-rathaṁ bhujaga-puṅgava-guṇaṁ kanaka-śṛṅgi-dhanuṣaṁ kara-lasat- Kuraṅga-pṛthu-ṭaṅka-paraśuṁ rucira-kuṅkuma-ruciṁ ḍamarukaṁ ca dadhatam। Mukunda-viśikhaṁ namad-avandhya-phaladaṁ nigama-bṛnda-turagaṁ nirupamaṁ Sa-caṇḍikam-amuṁ jhaṭiti-saṁhṛta-puraṁ para-cidambara-naṭaṁ hṛdi bhaja॥8॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — the birthless one, with the earth as his chariot, the great serpent for a bowstring, a golden-peaked bow, holding in his shining hands a fawn, the broad axe, lovely with vermilion lustre, and the damaru drum; with Vishnu as his arrow, granting unfailing fruit to those who bow, the Vedas as his steeds, peerless, accompanied by Chandika, who in an instant burned the three cities.
ਅਨਙ੍ਗਪਰਿਪਨ੍ਥਿਨਮਜਂ ਕ੍ਸ਼ਿਤਿਧੁਰਨ੍ਧਰਮਲਂ ਕਰੁਣਯਨ੍ਤਮਖਿਲਂ ਜ੍ਵਲਨ੍ਤਮਨਲਨ੍ਦਧਤਮਨ੍ਤਕਰਿਪੁਂ ਸਤਤਮਿਨ੍ਦ੍ਰਸੁਰਵਨ੍ਦਿਤਪਦਮ੍। ਉਦਞ੍ਚਦਰਵਿਨ੍ਦਕੁਲਬਨ੍ਧੁਸ਼ਤਬਿਮ੍ਬਰੁਚਿਸਂਹਤਿਸੁਗਨ੍ਧਿਵਪੁਸ਼ਂ ਪਤਞ੍ਜਲਿਨੁਤਂ ਪ੍ਰਣਵਪਞ੍ਜਰਸ਼ੁਕਂ ਪਰਚਿਦਮ੍ਬਰਨਟਂ ਹ੍ਰਿਦਿ ਭਜ॥੯॥
Anaṅga-paripanthinam-ajaṁ kṣiti-dhurandharam-alaṁ karuṇayantam-akhilaṁ Jvalantam-analaṁ dadhatam-antaka-ripuṁ satatam-indra-sura-vandita-padam। Udañcad-aravinda-kula-bandhu-śata-bimba-ruci-saṁhati-sugandhi-vapuṣaṁ Patañjali-nutaṁ praṇava-pañjara-śukaṁ para-cidambara-naṭaṁ hṛdi bhaja॥9॥
ਅਰਥ:Worship the Dancer of supreme Chidambaram — the adversary of Kama, the birthless, the sustainer of the earth, showering grace upon all; blazing as fire, the enemy of Death (Yama), whose feet are ever worshipped by Indra and the gods; his fragrant body glowing with the lustre of a hundred suns, friends of the blossoming lotus; praised by Patanjali, the parrot in the cage of the Pranava (Om).
ਇਤਿ ਸ੍ਤਵਮਮੁਂ ਭੁਜਗਪੁਙ੍ਗਵਕ੍ਰਿਤਂ ਪ੍ਰਤਿਦਿਨਂ ਪਠਤਿ ਯਃ ਕ੍ਰਿਤਮੁਖਃ ਸਦਃ ਪ੍ਰਭੁਪਦਦ੍ਵਿਤਯਦਰ੍ਸ਼ਨਪਦਂ ਸੁਲਲਿਤਂ ਚਰਣਸ਼੍ਰਿਙ੍ਗਰਹਿਤਮ੍। ਸਰਃਪ੍ਰਭਵਸਮ੍ਭਵਹਰਿਤ੍ਪਤਿਹਰਿਪ੍ਰਮੁਖਦਿਵ੍ਯਨੁਤਸ਼ਙ੍ਕਰਪਦਂ ਸ ਗਚ੍ਛਤਿ ਪਰਂ ਨ ਤੁ ਜਨੁਰ੍ਜਲਨਿਧਿਂ ਪਰਮਦੁਃਖਜਨਕਂ ਦੁਰਿਤਦਮ੍॥੧੦॥
Iti stavam-amuṁ bhujaga-puṅgava-kṛtaṁ pratidinaṁ paṭhati yaḥ kṛta-mukhaḥ Sadaḥ prabhu-pada-dvitaya-darśana-padaṁ su-lalitaṁ caraṇa-śṛṅga-rahitam। Saraḥ-prabhava-sambhava-harit-pati-hari-pramukha-divya-nuta-śaṅkara-padaṁ Sa gacchati paraṁ na tu januḥ-jala-nidhiṁ parama-duḥkha-janakaṁ durita-dam॥10॥
ਅਰਥ:Whoever, with a purified mouth, recites daily this hymn composed by the foremost of serpents (Patanjali) — graceful, fashioned without the syllables 'charana' and 'shringa', a means to the constant vision of the Lord's two feet, whose feet are divinely praised by Brahma, Indra, Vishnu and others — he attains the Supreme, and never again falls into the ocean of births, the source of utmost sorrow and the giver of sin.
ਸ਼ਬਦ-ਸ਼ਬਦ ਅਰਥ
ਉਚਾਰਨ ਸੁਣਨ ਲਈ ਕਿਸੇ ਵੀ ਸ਼ਬਦ ਉੱਤੇ ਕਲਿੱਕ ਕਰੋ
Nataraja Stotram (Patanjali) ਪਾਠ ਦੇ ਲਾਭ
Invokes the grace of Lord Nataraja, the cosmic dancer who governs creation, preservation and dissolution through his dance
The closing phala-shruti promises freedom from the ocean of repeated birth to one who recites it daily
Grants the constant inner vision (darshan) of the Lord's two feet — the goal of the seeker
A profound meditation on Shiva as pure consciousness (Chid-ambara, the 'hall of consciousness') dancing within the heart
Carries the special grace of sage Patanjali, master of yoga, who is said to have composed it
Cultivates devotion, concentration and a refined ear for the music of Sanskrit through its rhythmic, dance-like meter
Especially powerful when recited before Nataraja, on Pradosham, and on Arudra Darshanam (the great Chidambaram festival)
Nataraja Stotram (Patanjali) ਪਾਠ ਵਿਧੀ
This is a metrically intricate hymn (each line in a long, dancing meter); recite it slowly and with care, letting the rhythm 'jhala-jhala' and 'dhimi-dhimi' echo the Lord's dance. Sit before an image of Nataraja or visualise the cosmic dancer in the lotus of the heart. Chant all ten verses, ending each with the refrain 'para-cidambara-naṭaṁ hṛdi bhaja'. As the final verse asks, approach it daily with a 'purified mouth' (after rinsing and with a calm mind). It is held in special honour during Pradosham and the Arudra Darshanam festival at Chidambaram.
ਅਕਸਰ ਪੁੱਛੇ ਜਾਂਦੇ ਸਵਾਲ
ਇਹ ਵੀ ਪੜ੍ਹੋ
ॐ
ਪੂਰਾ Nataraja Stotram (Patanjali) ਸ਼ਲੋਕ-ਦਰ-ਸ਼ਲੋਕ ਅਰਥ ਸਹਿਤ ਪੜ੍ਹੋ, ਜਾਂ ਹੋਰ ਪਵਿੱਤਰ ਪਾਠ ਵੇਖੋ