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ramatulsidasbal-lilabhajan

ଠୁମକ ଚଲତ ରାମଚଂଦ୍ର

Thumak Chalat Ramachandra in Odia · ଓଡ଼ିଆ

🕉️ hindu·📿 1× ଜପ·🕐 Evening bhajan time, Rama Navami, or while rocking a child to sleep·📜 Devotional pad of Goswami Tulsidas (Rama bal-lila)
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ଉତ୍ପତ୍ତି ଓ କଥା

Devotional pad of Goswami Tulsidas (Rama bal-lila) · Goswami Tulsidas · 16th century CE

Among his many songs of devotion, Tulsidas composed several depicting the childhood pastimes (bal-lila) of Lord Rama in Ayodhya. In this pad he imagines himself a witness in Dasharatha's palace, watching the divine infant take His first unsteady steps with tiny anklets ringing, tumbling and laughing while the queens dote on Him. Overcome by the sweetness of the scene, the poet declares that no comparison in all the world can capture Rama's beauty — it is like Rama's beauty alone.

ଶାସ୍ତ୍ରରେ କୁହାଯାଇଥିବା ପରି

Devotees say that singing this bhajan as a lullaby instantly soothes a crying child and the singer's own heart, for in dwelling on the Lord's infant form the mind forgets its sorrows; in many homes it is the traditional song used to rock the cradle during Rama Navami palna celebrations.

ଅର୍ଥ ସହିତ ସମ୍ପୂର୍ଣ ପାଠ

ଯେକୌଣସି ଧାଡ଼ି କିମ୍ବା ▶ ବଟନ୍ ଛୁଇଁ ଶୁଣନ୍ତୁ

ଶ୍ଳୋକ 1

ଠୁମକ ଚଲତ ରାମଚଂଦ୍ର ବାଜତ ପୈଂଜନିଯାଂ। ଠୁମକ ଚଲତ ରାମଚଂଦ୍ର॥

ṭhumaka calata rāmacaṃdra bājata paiṃjaniyā~ ṭhumaka calata rāmacaṃdra

ଅର୍ଥ:Ramachandra toddles along with a swaying baby-step, His little anklets jingling.

ଶ୍ଳୋକ 2

କିଲକି କିଲକି ଉଠତ ଧାଯ ଗିରତ ଭୂମି ଲଟପଟାଯ। ଧାଯ ମାତ ଗୋଦ ଲେତ ଦଶରଥ କୀ ରନିଯାଂ॥

kilaki kilaki uṭhata dhāya girata bhūmi laṭapaṭāya dhāya māta goda leta daśaratha kī raniyā~

ଅର୍ଥ:Shrieking with delight He rises and runs, then stumbles and tumbles to the ground; Dasharatha's queens rush to gather Him into their laps.

ଶ୍ଳୋକ 3

ଅଂଚଲ ରଜ ଅଂଗ ଝାରି ଵିଵିଧ ଭାଂତି ସୋ ଦୁଲାରି। ତନ ମନ ଧନ ଵାରି ଵାରି କହତ ମୃଦୁ ବଚନିଯାଂ॥

aṃcala raja aṃga jhāri vividha bhā~ti so dulāri tana mana dhana vāri vāri kahata mṛdu bacaniyā~

ଅର୍ଥ:Wiping the dust from His limbs with the edge of her sari, fondling Him in countless ways, the mother offers up her body, mind and wealth for Him again and again, speaking soft, loving words.

ଶ୍ଳୋକ 4

ଵିଦ୍ରୁମ ସେ ଅରୁଣ ଅଧର ବୋଲତ ମୁଖ ମଧୁର ମଧୁର। ସୁଭଗ ନାସିକା ମେଂ ଚାରୁ ଲଟକତ ଲଟକନିଯାଂ॥

vidruma se aruṇa adhara bolata mukha madhura madhura subhaga nāsikā meṃ cāru laṭakata laṭakaniyā~

ଅର୍ଥ:His lips are red like coral and His mouth speaks oh-so-sweetly; from His graceful, lovely nose a charming little ornament dangles.

ଶ୍ଳୋକ 5

ତୁଲସୀଦାସ ଅତି ଆନଂଦ ଦେଖ କେ ମୁଖାରଵିଂଦ। ରଘୁଵର ଛବି କେ ସମାନ ରଘୁଵର ଛବି ବନିଯାଂ॥

tulasīdāsa ati ānaṃda dekha ke mukhāraviṃda raghuvara chabi ke samāna raghuvara chabi baniyā~

ଅର୍ଥ:Tulsidas is overwhelmed with bliss gazing upon that lotus face — the beauty of Rama, he says, can be likened to nothing but Rama's own beauty.

ଶବ୍ଦ-ଶବ୍ଦ ଅର୍ଥ

ଉଚ୍ଚାରଣ ଶୁଣିବାକୁ ଯେକୌଣସି ଶବ୍ଦରେ କ୍ଲିକ୍ କରନ୍ତୁ

ଠୁମକ ଚଲତ🔊ṭhumaka calatawalking with a toddling, swaying baby-gait
ରାମଚଂଦ୍ର🔊rāmacaṃdrathe child Ramachandra (Lord Rama)
ବାଜତ ପୈଂଜନିଯାଂ🔊bājata paiṃjaniyā~the little anklets jingle (as He walks)
କିଲକି କିଲକି🔊kilaki kilakishrieking with baby-joy, gurgling with delight
ଉଠତ ଧାଯ🔊uṭhata dhāyarises and runs (forward)
ଗିରତ ଭୂମି ଲଟପଟାଯ🔊girata bhūmi laṭapaṭāyastumbles and tumbles onto the ground
ଧାଯ ମାତ ଗୋଦ ଲେତ🔊dhāya māta goda letathe mother runs and gathers Him into her lap
ଦଶରଥ କୀ ରନିଯାଂ🔊daśaratha kī raniyā~the queens of Dasharatha
ଅଂଚଲ ରଜ ଅଂଗ ଝାରି🔊aṃcala raja aṃga jhāriwiping the dust from His limbs with the end of her sari
ଵିଵିଧ ଭାଂତି ସୋ ଦୁଲାରି🔊vividha bhā~ti so dulāricaressing and fondling Him in many ways
ତନ ମନ ଧନ ଵାରି ଵାରି🔊tana mana dhana vāri vārioffering up body, mind and wealth (in love) again and again
କହତ ମୃଦୁ ବଚନିଯାଂ🔊kahata mṛdu bacaniyā~speaking soft, tender words
ଵିଦ୍ରୁମ ସେ ଅରୁଣ ଅଧର🔊vidruma se aruṇa adharalips red like coral (vidruma)
ବୋଲତ ମୁଖ ମଧୁର ମଧୁର🔊bolata mukha madhura madhurathe mouth speaks ever so sweetly
ସୁଭଗ ନାସିକା🔊subhaga nāsikāthe lovely, graceful nose
ଚାରୁ ଲଟକତ ଲଟକନିଯାଂ🔊cāru laṭakata laṭakaniyā~a charming nose-ornament dangling beautifully
ମୁଖାରଵିଂଦ🔊mukhāraviṃdathe lotus-like face
ରଘୁଵର ଛବି🔊raghuvara chabithe beauty/image of Rama, the best of the Raghus
କେ ସମାନ ... ବନିଯାଂ🔊ke samāna ... baniyā~is comparable only to itself — Rama's beauty is like Rama's beauty alone

Thumak Chalat Ramachandra ପାଠର ଲାଭ

Awakens vatsalya-bhava — tender, parental love for the child form of Lord Rama

Fills the heart with sweetness, peace and innocent joy

A favourite lullaby-bhajan sung to children and during cradle (palna) ceremonies

Sung during Rama Navami and Rama Janmotsav to celebrate Rama's childhood lila

Calms the restless mind by dwelling on the Lord's enchanting baby form

Deepens loving devotion (prema-bhakti) toward Sri Rama

Thumak Chalat Ramachandra ପାଠ ବିଧି

ଜପ ସଂଖ୍ୟା1ଥର
ଉତ୍ତମ ସମୟEvening bhajan time, Rama Navami, or while rocking a child to sleep

Sing this bhajan slowly and tenderly, picturing the infant Rama toddling in the courtyards of Ayodhya with His anklets ringing. It is especially sweet when sung as a lullaby or during palna (cradle) celebrations on Rama Navami. There is no fixed count; sing it as a loving offering, letting the heart melt in the mood of a doting parent gazing on the divine child.

ବାରମ୍ବାର ପଚରାଯାଉଥିବା ପ୍ରଶ୍ନ

ଏହି ପୃଷ୍ଠାରେ ସମ୍ପୂର୍ଣ Thumak Chalat Ramachandra ଓଡ଼ିଆ ଲିପିରେ ଦିଆଯାଇଛି — ସେହି ମୂଳ ଶ୍ଳୋକ, ଅକ୍ଷର-ଅକ୍ଷର ଲିପ୍ୟନ୍ତରିତ, ଯାହାଦ୍ୱାରା ଆପଣ ସହଜରେ ପଢ଼ି ଜପ କରିପାରିବେ। ଯେକୌଣସି ଧାଡ଼ି (କିମ୍ବା ▶ ବଟନ୍) ଛୁଇଁ ତାହାର ପାଠ ଶୁଣନ୍ତୁ।
ହଁ — କେବଳ ଲିପି ବଦଳେ; ଶବ୍ଦ ଓ ସେମାନଙ୍କ ଅର୍ଥ ମୂଳ ହିଁ ରହେ। ଏହି ପୃଷ୍ଠାର ଶ୍ଳୋକ-ଶ୍ଳୋକ ଅର୍ଥ, ଲାଭ ଓ ପାଠ ବିଧି ସମାନ ଭାବେ ପ୍ରଯୁଜ୍ୟ।
It is a devotional pad (bhajan) composed by Goswami Tulsidas, the 16th-century saint-poet who also wrote the Ramcharitmanas. It is counted among his most cherished songs on the childhood lila of Lord Rama.
It lovingly describes the infant Rama taking His first toddling steps in Ayodhya, His anklets jingling, giggling and tumbling, being scooped up and adored by Dasharatha's queens — a tender vision of the Lord as a beautiful, playful child.
Tulsidas says that the beauty of Raghuvara (Rama) can only be compared to Rama's own beauty — meaning nothing else in creation is lovely enough to serve as a comparison for the Lord's enchanting form.
It is popularly sung during evening bhajans, on Rama Navami and Rama Janmotsav, at cradle (palna) ceremonies, and as a gentle lullaby for children, owing to its soothing, affectionate mood.

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ସମ୍ପୂର୍ଣ Thumak Chalat Ramachandra ଶ୍ଳୋକ-ଶ୍ଳୋକ ଅର୍ଥ ସହିତ ପଢ଼ନ୍ତୁ, କିମ୍ବା ଅଧିକ ପବିତ୍ର ପାଠ ଦେଖନ୍ତୁ