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shivanatarajachidambarampatanjali

๐‘Œจ๐‘ŒŸ๐‘Œฐ๐‘Œพ๐‘Œœ ๐‘Œธ๐‘๐‘Œค๐‘‹๐‘Œค๐‘๐‘Œฐ๐‘Œฎ๐‘ (๐‘Œช๐‘Œค๐‘Œž๐‘๐‘Œœ๐‘Œฒ๐‘Œฟ ๐‘Œ•๐‘ƒ๐‘Œค๐‘Œฎ๐‘)

Nataraja Stotram (Patanjali) in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 10ร— repetitionsยท๐Ÿ• Pradosha Kaal (twilight), Arudra Darshanam, Maha Shivaratri, or early morning before an image of Natarajaยท๐Ÿ“œ Shaiva stotra tradition; the Chidambaram (Nataraja) tradition
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Origin & Story

Shaiva stotra tradition; the Chidambaram (Nataraja) tradition ยท Sage Patanjali (traditional attribution) ยท Ancient

By tradition, the great sage Patanjali โ€” author of the Yoga Sutras and revered as an incarnation of Adishesha, the serpent of Vishnu โ€” longed for the darshan of Lord Nataraja at Chidambaram. When Nandi, the gatekeeper, would not let him pass, Patanjali spontaneously poured out this hymn of praise, composing it with the astonishing constraint of never using the syllables 'charana' or 'shringa', so that it came to be called the Charanashringararahita Nataraja Stotram. Pleased by the depth and artistry of his devotion, Lord Shiva granted him the vision of the cosmic dance. The hymn has since been treasured at Chidambaram and among devotees of Nataraja.

โœฆ As told in scripture

Tradition holds that as Patanjali sang these verses, Lord Nataraja revealed to him the Ananda Tandava โ€” the dance of bliss in the golden hall of Chidambaram, the 'space of consciousness' itself. It is said that sincere recitation grants the devotee an inward glimpse of that same dance shining in the lotus of the heart.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Verse 1

๐‘Œธ๐‘Œฆ๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œค๐‘Œฎ๐‘๐‘Œฆ๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œค๐‘Œจ๐‘Œฟ๐‘Œ•๐‘๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œค๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œ๐‘Œฒ๐‘Œ๐‘Œฒ๐‘Œ‚ ๐‘Œš๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œฎ๐‘Œž๐‘๐‘Œœ๐‘๐‘Œ•๐‘ŒŸ๐‘Œ•๐‘Œ‚ ๐‘Œช๐‘Œค๐‘Œž๐‘๐‘Œœ๐‘Œฒ๐‘Œฟ๐‘Œฆ๐‘ƒ๐‘Œ—๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘Œจ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘Œš๐‘Œž๐‘๐‘Œš๐‘Œฒ๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œœ๐‘Œจ๐‘Œจ๐‘Œญ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œฐ๐‘Œฎ๐‘เฅค ๐‘Œ•๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œฎ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œต๐‘Œธ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œฎ๐‘Œฎ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œฆ๐‘Œ•๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œ•๐‘Œต๐‘Œฟ๐‘Œก๐‘Œฎ๐‘๐‘Œฌ๐‘Œ•๐‘Œ—๐‘Œฒ๐‘Œ‚ ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œฃ๐‘Œฟ๐‘Œ‚ ๐‘Œฌ๐‘๐‘Œง๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œœ๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏงเฅฅ

Sadaรฑcita-mudaรฑcita-nikuรฑcita-padaแน jhalajhalaแน calita-maรฑju-kaแนญakaแน Pataรฑjali-dแน›g-aรฑjanam-anaรฑjanam-acaรฑcala-padaแน janana-bhaรฑjana-karamเฅค Kadamba-rucim-ambara-vasaแน paramam-ambuda-kadambaka-viแธambaka-galaแน Cid-ambudhi-maแน‡iแน budha-hแน›d-ambuja-raviแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ1เฅฅ

Meaning:Worship in your heart the Dancer of the supreme Chidambaram โ€” whose gracefully curved foot is raised in the dance while his lovely anklets jingle 'jhala-jhala'; who is the very delight of Patanjali's eyes, stainless and unmoving, who shatters the cycle of birth; radiant as the kadamba blossom, clad in the sky, his throat dark as a cluster of rain-clouds; the jewel from the ocean of consciousness, the sun to the lotus-hearts of the wise.

Verse 2

๐‘Œน๐‘Œฐ๐‘Œ‚ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘Œจ๐‘Œจ๐‘๐‘Œค๐‘Œ•๐‘ƒ๐‘Œค๐‘Œ•๐‘Œ™๐‘๐‘Œ•๐‘Œฃ๐‘Œฎ๐‘Œ–๐‘Œฃ๐‘๐‘Œก๐‘Œฆ๐‘Œฏ๐‘Œฎ๐‘Œจ๐‘๐‘Œค๐‘Œฐ๐‘Œน๐‘Œฟ๐‘Œค๐‘Œ‚ ๐‘Œต๐‘Œฟ๐‘Œฐ๐‘Œฟ๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œธ๐‘๐‘Œฐ๐‘Œธ๐‘Œ‚๐‘Œน๐‘Œค๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œง๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œš๐‘Œฟ๐‘Œจ๐‘๐‘Œค๐‘Œฟ๐‘Œค๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œค๐‘Œฐ๐‘๐‘Œฃ๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œฎ๐‘Œ•๐‘๐‘ŒŸ๐‘Œฎ๐‘เฅค ๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œช๐‘Œฆ๐‘Œต๐‘Œฟ๐‘Œ–๐‘Œฃ๐‘๐‘Œก๐‘Œฟ๐‘Œค๐‘Œฏ๐‘Œฎ๐‘Œ‚ ๐‘Œญ๐‘Œธ๐‘Œฟ๐‘Œค๐‘Œฎ๐‘Œฃ๐‘๐‘Œก๐‘Œฟ๐‘Œค๐‘Œค๐‘Œจ๐‘๐‘Œ‚ ๐‘Œฎ๐‘Œฆ๐‘Œจ๐‘Œต๐‘Œž๐‘๐‘Œš๐‘Œจ๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œš๐‘Œฟ๐‘Œฐ๐‘Œจ๐‘๐‘Œค๐‘Œจ๐‘Œฎ๐‘Œฎ๐‘๐‘Œ‚ ๐‘Œช๐‘๐‘Œฐ๐‘Œฃ๐‘Œต๐‘Œธ๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œค๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏจเฅฅ

Haraแน tripura-bhaรฑjanam-ananta-kแน›ta-kaแน…kaแน‡am-akhaแน‡แธa-dayam-antarahitaแน Viriรฑci-sura-saแนhati-purandhara-vicintita-padaแน taruแน‡a-candra-makuแนญamเฅค Paraแน pada-vikhaแน‡แธita-yamaแน bhasita-maแน‡แธita-tanuแน madana-vaรฑcana-paraแน Cirantanam-amuแน praแน‡ava-saรฑcita-nidhiแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ2เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” Hara, destroyer of Tripura, wearing endless bracelets, of undivided compassion, without inner flaw; whose feet Brahma, the gods and Indra contemplate, crowned with the young moon; the Supreme who cut down Yama with his foot, his body adorned with ash, who outwitted Kama โ€” the ancient one, the treasure gathered in the Pranava (Om).

Verse 3

๐‘Œ…๐‘Œต๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œ–๐‘Œฟ๐‘Œฒ๐‘Œ‚ ๐‘Œœ๐‘Œ—๐‘Œฆ๐‘Œญ๐‘Œ™๐‘๐‘Œ—๐‘Œ—๐‘๐‘Œฃ๐‘Œค๐‘๐‘Œ™๐‘๐‘Œ—๐‘Œฎ๐‘Œฎ๐‘Œค๐‘Œ‚ ๐‘Œง๐‘ƒ๐‘Œค๐‘Œต๐‘Œฟ๐‘Œง๐‘๐‘Œ‚ ๐‘Œธ๐‘๐‘Œฐ๐‘Œธ๐‘Œฐ๐‘Œฟ- ๐‘Œค๐‘๐‘Œค๐‘Œฐ๐‘Œ™๐‘๐‘Œ—๐‘Œจ๐‘Œฟ๐‘Œ•๐‘๐‘Œฐ๐‘๐‘Œฎ๐‘๐‘Œฌ๐‘Œง๐‘ƒ๐‘Œค๐‘Œฟ๐‘Œฒ๐‘Œฎ๐‘๐‘Œช๐‘ŒŸ๐‘Œœ๐‘ŒŸ๐‘Œ‚ ๐‘Œถ๐‘Œฎ๐‘Œจ๐‘Œฆ๐‘Œฎ๐‘๐‘Œญ๐‘Œธ๐‘๐‘Œน๐‘Œฐ๐‘Œ‚ ๐‘Œญ๐‘Œต๐‘Œน๐‘Œฐ๐‘Œฎ๐‘เฅค ๐‘Œถ๐‘Œฟ๐‘Œต๐‘Œ‚ ๐‘Œฆ๐‘Œถ๐‘Œฆ๐‘Œฟ๐‘Œ—๐‘Œจ๐‘๐‘Œค๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œœ๐‘ƒ๐‘Œฎ๐‘๐‘Œญ๐‘Œฟ๐‘Œค๐‘Œ•๐‘Œฐ๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘Œฒ๐‘Œธ๐‘Œจ๐‘๐‘Œฎ๐‘ƒ๐‘Œ—๐‘Œถ๐‘Œฟ๐‘Œถ๐‘๐‘Œ‚ ๐‘Œช๐‘Œถ๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œ‚ ๐‘Œน๐‘Œฐ๐‘Œ‚ ๐‘Œถ๐‘Œถ๐‘Œฟ๐‘Œง๐‘Œจ๐‘Œž๐‘๐‘Œœ๐‘Œฏ๐‘Œช๐‘Œค๐‘Œ™๐‘๐‘Œ—๐‘Œจ๐‘Œฏ๐‘Œจ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏฉเฅฅ

Avantam-akhilaแน jagad-abhaแน…ga-guแน‡a-tuแน…gam-amataแน dhแน›ta-vidhuแน sura-sarit- Taraแน…ga-nikurumba-dhแน›ti-lampaแนญa-jaแนญaแน ล›amana-dambha-suharaแน bhava-haramเฅค ลšivaแน daล›a-digantara-vijแน›mbhita-karaแน kara-lasan-mแน›ga-ล›iล›uแน paล›upatiแน Haraแน ล›aล›i-dhanaรฑjaya-pataแน…ga-nayanaแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ3เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” who protects the whole world, lofty in unbroken virtue, bearing the moon, whose matted locks eagerly hold the surging waves of the celestial river; who cuts down the arrogance of Death and removes worldly bondage; the auspicious one, his arms spreading to the ten directions, a fawn shining in his hand, Pashupati, Hara, whose eyes are the moon, fire and sun.

Verse 4

๐‘Œ…๐‘Œจ๐‘Œจ๐‘๐‘Œค๐‘Œจ๐‘Œต๐‘Œฐ๐‘Œค๐‘๐‘Œจ๐‘Œต๐‘Œฟ๐‘Œฒ๐‘Œธ๐‘Œค๐‘๐‘Œ•๐‘ŒŸ๐‘Œ•๐‘Œ•๐‘Œฟ๐‘Œ™๐‘๐‘Œ•๐‘Œฟ๐‘Œฃ๐‘Œฟ๐‘Œ๐‘Œฒ๐‘Œ‚ ๐‘Œ๐‘Œฒ๐‘Œ๐‘Œฒ๐‘Œ‚ ๐‘Œ๐‘Œฒ๐‘Œฐ๐‘Œต๐‘Œ‚ ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œจ๐‘๐‘Œฆ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œน๐‘Œธ๐‘๐‘Œค๐‘Œ—๐‘Œค๐‘Œฎ๐‘Œฆ๐‘๐‘Œฆ๐‘Œฒ๐‘Œฒ๐‘Œฏ๐‘Œง๐‘๐‘Œต๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œฟ๐‘Œค๐‘Œจ๐‘Œฐ๐‘๐‘Œค๐‘Œจ๐‘Œช๐‘Œฆ๐‘Œฎ๐‘เฅค ๐‘Œถ๐‘Œ•๐‘๐‘Œจ๐‘๐‘Œค๐‘Œฐ๐‘Œฅ๐‘Œฌ๐‘Œฐ๐‘๐‘Œน๐‘Œฟ๐‘Œฐ๐‘Œฅ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œฎ๐‘๐‘Œ–๐‘Œฆ๐‘Œจ๐‘๐‘Œค๐‘Œฟ๐‘Œฎ๐‘๐‘Œ–๐‘Œญ๐‘ƒ๐‘Œ™๐‘๐‘Œ—๐‘Œฟ๐‘Œฐ๐‘Œฟ๐‘ŒŸ๐‘Œฟ๐‘Œธ๐‘Œ™๐‘๐‘Œ˜๐‘Œจ๐‘Œฟ๐‘Œ•๐‘ŒŸ๐‘Œ‚ ๐‘Œธ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œธ๐‘Œจ๐‘Œ•๐‘Œช๐‘๐‘Œฐ๐‘Œฎ๐‘๐‘Œ–๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œค๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏชเฅฅ

Ananta-nava-ratna-vilasat-kaแนญaka-kiแน…kiแน‡i-jhalaแน jhalajhalaแน jhala-ravaแน Mukunda-vidhi-hasta-gata-maddala-laya-dhvani-dhimid-dhimita-nartana-padamเฅค ลšakunta-ratha-barhi-ratha-nandi-mukha-danti-mukha-bhแน›แน…gi-riแนญi-saแน…gha-nikaแนญaแน Sananda-sanaka-pramukha-vandita-padaแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ4เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” the countless gem-set bracelets and small bells ringing 'jhala-jhala'; his feet dancing 'dhimi-dhimi' to the rhythm of the maddala drum played in the hands of Vishnu and Brahma; surrounded by the hosts led by the peacock-riding (Skanda), the swan-riding (Brahma), elephant-faced Ganesha, Nandi, Bhringi and Riti; whose feet are revered by Sanandana, Sanaka and the great sages.

Verse 5

๐‘Œ…๐‘Œจ๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œน๐‘Œธ๐‘Œ‚ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œฆ๐‘Œถ๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฏ๐‘Œš๐‘Œฐ๐‘Œฃ๐‘Œ‚ ๐‘Œฎ๐‘๐‘Œจ๐‘Œฟ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œจ๐‘๐‘Œค๐‘Œฐ๐‘Œต๐‘Œธ๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œฎ๐‘Œฒ๐‘Œ‚ ๐‘Œ•๐‘Œฌ๐‘Œจ๐‘๐‘Œง๐‘Œต๐‘Œฟ๐‘Œฏ๐‘Œฆ๐‘Œฟ๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œต๐‘Œต๐‘Œจ๐‘Œฟ๐‘Œ—๐‘Œจ๐‘๐‘Œง๐‘Œต๐‘Œน๐‘Œต๐‘Œน๐‘๐‘Œจ๐‘Œฟ๐‘Œฎ๐‘Œ–๐‘Œฌ๐‘Œจ๐‘๐‘Œง๐‘๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œฎ๐‘Œž๐‘๐‘Œœ๐‘๐‘Œต๐‘Œช๐‘๐‘Œท๐‘Œฎ๐‘เฅค ๐‘Œ…๐‘Œจ๐‘Œจ๐‘๐‘Œค๐‘Œต๐‘Œฟ๐‘Œญ๐‘Œต๐‘Œ‚ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œœ๐‘Œ—๐‘Œฆ๐‘Œจ๐‘๐‘Œค๐‘Œฐ๐‘Œฎ๐‘Œฃ๐‘Œฟ๐‘Œ‚ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œจ๐‘Œฏ๐‘Œจ๐‘Œ‚ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œ–๐‘Œฃ๐‘๐‘Œก๐‘Œจ๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œธ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œฎ๐‘๐‘Œจ๐‘Œฟ๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œค๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œธ๐‘Œ•๐‘Œฐ๐‘๐‘Œฃ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏซเฅฅ

Ananta-mahasaแน tridaล›a-vandya-caraแน‡aแน muni-hแน›d-antara-vasantam-amalaแน Kabandha-viyad-indu-avani-gandha-vaha-vahni-makha-bandhu-ravi-maรฑju-vapuแนฃamเฅค Ananta-vibhavaแน tri-jagad-antara-maแน‡iแน tri-nayanaแน tripura-khaแน‡แธana-paraแน Sananda-muni-vandita-padaแน sa-karuแน‡aแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ5เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” of infinite splendour, his feet adored by the gods, the spotless spring blossoming within the hearts of sages; whose lovely form is befriended by the eight: ether, moon, earth, wind, fire, the sacrificer (water), the sun (and the soul); of boundless glory, the central jewel of the three worlds, three-eyed, intent on destroying Tripura, his feet praised by the sage Sananda, full of compassion.

Verse 6

๐‘Œ…๐‘Œš๐‘Œฟ๐‘Œจ๐‘๐‘Œค๐‘๐‘Œฏ๐‘Œฎ๐‘Œฒ๐‘Œฟ๐‘Œฌ๐‘ƒ๐‘Œจ๐‘๐‘Œฆ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œฌ๐‘Œจ๐‘๐‘Œง๐‘๐‘Œฐ๐‘Œ—๐‘Œฒ๐‘Œ‚ ๐‘Œ•๐‘๐‘Œฐ๐‘Œฟ๐‘Œค๐‘Œ•๐‘๐‘Œจ๐‘๐‘Œฆ๐‘Œจ๐‘Œฟ๐‘Œ•๐‘๐‘Œฐ๐‘๐‘Œฎ๐‘๐‘Œฌ๐‘Œง๐‘Œต๐‘Œฒ๐‘Œ‚ ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œจ๐‘๐‘Œฆ๐‘Œธ๐‘๐‘Œฐ๐‘Œฌ๐‘ƒ๐‘Œจ๐‘๐‘Œฆ๐‘Œฌ๐‘Œฒ๐‘Œน๐‘Œจ๐‘๐‘Œค๐‘ƒ๐‘Œ•๐‘ƒ๐‘Œค๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘Œจ๐‘Œฒ๐‘Œธ๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œน๐‘Œฟ๐‘Œ•๐‘๐‘Œฃ๐‘๐‘Œก๐‘Œฒ๐‘Œง๐‘Œฐ๐‘Œฎ๐‘เฅค ๐‘Œ…๐‘Œ•๐‘Œฎ๐‘๐‘Œช๐‘Œฎ๐‘Œจ๐‘๐‘Œ•๐‘Œฎ๐‘๐‘Œช๐‘Œฟ๐‘Œค๐‘Œฐ๐‘Œค๐‘Œฟ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘Œ™๐‘๐‘Œ—๐‘Œฒ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œ‚ ๐‘Œ—๐‘Œœ๐‘Œน๐‘Œฐ๐‘Œ‚ ๐‘Œช๐‘Œถ๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œ‚ ๐‘Œง๐‘Œจ๐‘Œž๐‘๐‘Œœ๐‘Œฏ๐‘Œจ๐‘๐‘Œค๐‘Œ‚ ๐‘Œช๐‘๐‘Œฐ๐‘Œฃ๐‘Œค๐‘Œฐ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏฌเฅฅ

Acintyam-ali-bแน›nda-ruci-bandhura-galaแน kurita-kunda-nikurumba-dhavalaแน Mukunda-sura-bแน›nda-bala-hantแน›-kแน›ta-vandana-lasantam-ahi-kuแน‡แธala-dharamเฅค Akampam-anukampita-ratiแน sujana-maแน…gala-nidhiแน gaja-haraแน paล›upatiแน Dhanaรฑjaya-nutaแน praแน‡ata-raรฑjana-paraแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ6เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” of inconceivable nature, his throat lovely with the sheen of a swarm of bees, yet white as a cluster of blooming jasmine; shining as Vishnu, the slayer of demon-hosts, bows before him, wearing serpents as earrings; unshaken, having shown mercy to Rati, the treasury of blessings for the good, who slew the elephant-demon, Pashupati, praised by Arjuna, ever delighting those who bow to him.

Verse 7

๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œฐ๐‘Œต๐‘Œฐ๐‘Œ‚ ๐‘Œช๐‘๐‘Œฐ๐‘Œน๐‘Œฐ๐‘Œ‚ ๐‘Œช๐‘Œถ๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œ‚ ๐‘Œœ๐‘Œจ๐‘Œฟ๐‘Œค๐‘Œฆ๐‘Œจ๐‘๐‘Œค๐‘Œฟ๐‘Œฎ๐‘๐‘Œ–๐‘Œท๐‘Œฃ๐‘๐‘Œฎ๐‘๐‘Œ–๐‘Œฎ๐‘Œฎ๐‘๐‘Œ‚ ๐‘Œฎ๐‘ƒ๐‘Œก๐‘Œ‚ ๐‘Œ•๐‘Œจ๐‘Œ•๐‘Œช๐‘Œฟ๐‘Œ™๐‘๐‘Œ—๐‘Œฒ๐‘Œœ๐‘ŒŸ๐‘Œ‚ ๐‘Œธ๐‘Œจ๐‘Œ•๐‘Œช๐‘Œ™๐‘๐‘Œ•๐‘Œœ๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œฎ๐‘Œจ๐‘Œธ๐‘Œ‚ ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œฎ๐‘เฅค ๐‘Œ…๐‘Œธ๐‘Œ™๐‘๐‘Œ˜๐‘Œฎ๐‘Œจ๐‘Œธ๐‘Œ‚ ๐‘Œœ๐‘Œฒ๐‘Œง๐‘Œฟ๐‘Œœ๐‘Œจ๐‘๐‘Œฎ๐‘Œ—๐‘Œฐ๐‘Œฒ๐‘Œ‚ ๐‘Œ•๐‘Œฌ๐‘Œฒ๐‘Œฏ๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œค๐‘๐‘Œฒ๐‘Œ‚ ๐‘Œ—๐‘๐‘Œฃ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œ‚ ๐‘Œธ๐‘Œจ๐‘Œจ๐‘๐‘Œฆ๐‘Œต๐‘Œฐ๐‘Œฆ๐‘Œ‚ ๐‘Œถ๐‘Œฎ๐‘Œฟ๐‘Œค๐‘Œฎ๐‘Œฟ๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œต๐‘Œฆ๐‘Œจ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏญเฅฅ

Paraแน sura-varaแน pura-haraแน paล›upatiแน janita-danti-mukha-แนฃaแน‡mukham-amuแน Mแน›แธaแน kanaka-piแน…gala-jaแนญaแน sanaka-paแน…kaja-raviแน sumanasaแน hima-rucimเฅค Asaแน…gha-manasaแน jaladhi-janma-garalaแน kabalayantam-atulaแน guแน‡a-nidhiแน Sananda-varadaแน ล›amitam-indu-vadanaแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ7เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” the Supreme, best of the gods, destroyer of the cities, Pashupati, who brought forth the elephant-faced and six-faced (Ganesha and Skanda); the gracious one with golden-tawny matted hair, a sun to the lotus-faced Sanaka, kindly, cool-rayed; of unattached mind, swallowing the poison born of the ocean, the peerless treasury of virtues, granting boons to Sananda, with a serene moon-like face.

Verse 8

๐‘Œ…๐‘Œœ๐‘Œ‚ ๐‘Œ•๐‘๐‘Œท๐‘Œฟ๐‘Œค๐‘Œฟ๐‘Œฐ๐‘Œฅ๐‘Œ‚ ๐‘Œญ๐‘๐‘Œœ๐‘Œ—๐‘Œช๐‘๐‘Œ™๐‘๐‘Œ—๐‘Œต๐‘Œ—๐‘๐‘Œฃ๐‘Œ‚ ๐‘Œ•๐‘Œจ๐‘Œ•๐‘Œถ๐‘ƒ๐‘Œ™๐‘๐‘Œ—๐‘Œฟ๐‘Œง๐‘Œจ๐‘๐‘Œท๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘Œฒ๐‘Œธ- ๐‘Œค๐‘๐‘Œ•๐‘๐‘Œฐ๐‘Œ™๐‘๐‘Œ—๐‘Œช๐‘ƒ๐‘Œฅ๐‘๐‘ŒŸ๐‘Œ™๐‘๐‘Œ•๐‘Œช๐‘Œฐ๐‘Œถ๐‘๐‘Œ‚ ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œฐ๐‘Œ•๐‘๐‘Œ™๐‘๐‘Œ•๐‘๐‘Œฎ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œ‚ ๐‘Œก๐‘Œฎ๐‘Œฐ๐‘๐‘Œ•๐‘Œ‚ ๐‘Œš ๐‘Œฆ๐‘Œง๐‘Œค๐‘Œฎ๐‘เฅค ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œจ๐‘๐‘Œฆ๐‘Œต๐‘Œฟ๐‘Œถ๐‘Œฟ๐‘Œ–๐‘Œ‚ ๐‘Œจ๐‘Œฎ๐‘Œฆ๐‘Œต๐‘Œจ๐‘๐‘Œง๐‘๐‘Œฏ๐‘Œซ๐‘Œฒ๐‘Œฆ๐‘Œ‚ ๐‘Œจ๐‘Œฟ๐‘Œ—๐‘Œฎ๐‘Œฌ๐‘ƒ๐‘Œจ๐‘๐‘Œฆ๐‘Œค๐‘๐‘Œฐ๐‘Œ—๐‘Œ‚ ๐‘Œจ๐‘Œฟ๐‘Œฐ๐‘๐‘Œช๐‘Œฎ๐‘Œ‚ ๐‘Œธ๐‘Œš๐‘Œฃ๐‘๐‘Œก๐‘Œฟ๐‘Œ•๐‘Œฎ๐‘Œฎ๐‘๐‘Œ‚ ๐‘Œ๐‘ŒŸ๐‘Œฟ๐‘Œค๐‘Œฟ๐‘Œธ๐‘Œ‚๐‘Œน๐‘ƒ๐‘Œค๐‘Œช๐‘๐‘Œฐ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏฎเฅฅ

Ajaแน kแนฃiti-rathaแน bhujaga-puแน…gava-guแน‡aแน kanaka-ล›แน›แน…gi-dhanuแนฃaแน kara-lasat- Kuraแน…ga-pแน›thu-แนญaแน…ka-paraล›uแน rucira-kuแน…kuma-ruciแน แธamarukaแน ca dadhatamเฅค Mukunda-viล›ikhaแน namad-avandhya-phaladaแน nigama-bแน›nda-turagaแน nirupamaแน Sa-caแน‡แธikam-amuแน jhaแนญiti-saแนhแน›ta-puraแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ8เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” the birthless one, with the earth as his chariot, the great serpent for a bowstring, a golden-peaked bow, holding in his shining hands a fawn, the broad axe, lovely with vermilion lustre, and the damaru drum; with Vishnu as his arrow, granting unfailing fruit to those who bow, the Vedas as his steeds, peerless, accompanied by Chandika, who in an instant burned the three cities.

Verse 9

๐‘Œ…๐‘Œจ๐‘Œ™๐‘๐‘Œ—๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œช๐‘Œจ๐‘๐‘Œฅ๐‘Œฟ๐‘Œจ๐‘Œฎ๐‘Œœ๐‘Œ‚ ๐‘Œ•๐‘๐‘Œท๐‘Œฟ๐‘Œค๐‘Œฟ๐‘Œง๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œง๐‘Œฐ๐‘Œฎ๐‘Œฒ๐‘Œ‚ ๐‘Œ•๐‘Œฐ๐‘๐‘Œฃ๐‘Œฏ๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œ–๐‘Œฟ๐‘Œฒ๐‘Œ‚ ๐‘Œœ๐‘๐‘Œต๐‘Œฒ๐‘Œจ๐‘๐‘Œค๐‘Œฎ๐‘Œจ๐‘Œฒ๐‘Œจ๐‘๐‘Œฆ๐‘Œง๐‘Œค๐‘Œฎ๐‘Œจ๐‘๐‘Œค๐‘Œ•๐‘Œฐ๐‘Œฟ๐‘Œช๐‘๐‘Œ‚ ๐‘Œธ๐‘Œค๐‘Œค๐‘Œฎ๐‘Œฟ๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œธ๐‘๐‘Œฐ๐‘Œต๐‘Œจ๐‘๐‘Œฆ๐‘Œฟ๐‘Œค๐‘Œช๐‘Œฆ๐‘Œฎ๐‘เฅค ๐‘Œ‰๐‘Œฆ๐‘Œž๐‘๐‘Œš๐‘Œฆ๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œจ๐‘๐‘Œฆ๐‘Œ•๐‘๐‘Œฒ๐‘Œฌ๐‘Œจ๐‘๐‘Œง๐‘๐‘Œถ๐‘Œค๐‘Œฌ๐‘Œฟ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œธ๐‘Œ‚๐‘Œน๐‘Œค๐‘Œฟ๐‘Œธ๐‘๐‘Œ—๐‘Œจ๐‘๐‘Œง๐‘Œฟ๐‘Œต๐‘Œช๐‘๐‘Œท๐‘Œ‚ ๐‘Œช๐‘Œค๐‘Œž๐‘๐‘Œœ๐‘Œฒ๐‘Œฟ๐‘Œจ๐‘๐‘Œค๐‘Œ‚ ๐‘Œช๐‘๐‘Œฐ๐‘Œฃ๐‘Œต๐‘Œช๐‘Œž๐‘๐‘Œœ๐‘Œฐ๐‘Œถ๐‘๐‘Œ•๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœเฅฅเฏฏเฅฅ

Anaแน…ga-paripanthinam-ajaแน kแนฃiti-dhurandharam-alaแน karuแน‡ayantam-akhilaแน Jvalantam-analaแน dadhatam-antaka-ripuแน satatam-indra-sura-vandita-padamเฅค Udaรฑcad-aravinda-kula-bandhu-ล›ata-bimba-ruci-saแนhati-sugandhi-vapuแนฃaแน Pataรฑjali-nutaแน praแน‡ava-paรฑjara-ล›ukaแน para-cidambara-naแนญaแน hแน›di bhajaเฅฅ9เฅฅ

Meaning:Worship the Dancer of supreme Chidambaram โ€” the adversary of Kama, the birthless, the sustainer of the earth, showering grace upon all; blazing as fire, the enemy of Death (Yama), whose feet are ever worshipped by Indra and the gods; his fragrant body glowing with the lustre of a hundred suns, friends of the blossoming lotus; praised by Patanjali, the parrot in the cage of the Pranava (Om).

Verse 10

๐‘Œ‡๐‘Œค๐‘Œฟ ๐‘Œธ๐‘๐‘Œค๐‘Œต๐‘Œฎ๐‘Œฎ๐‘๐‘Œ‚ ๐‘Œญ๐‘๐‘Œœ๐‘Œ—๐‘Œช๐‘๐‘Œ™๐‘๐‘Œ—๐‘Œต๐‘Œ•๐‘ƒ๐‘Œค๐‘Œ‚ ๐‘Œช๐‘๐‘Œฐ๐‘Œค๐‘Œฟ๐‘Œฆ๐‘Œฟ๐‘Œจ๐‘Œ‚ ๐‘Œช๐‘Œ ๐‘Œค๐‘Œฟ ๐‘Œฏ๐‘Œƒ ๐‘Œ•๐‘ƒ๐‘Œค๐‘Œฎ๐‘๐‘Œ–๐‘Œƒ ๐‘Œธ๐‘Œฆ๐‘Œƒ ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘๐‘Œช๐‘Œฆ๐‘Œฆ๐‘๐‘Œต๐‘Œฟ๐‘Œค๐‘Œฏ๐‘Œฆ๐‘Œฐ๐‘๐‘Œถ๐‘Œจ๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œธ๐‘๐‘Œฒ๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œ‚ ๐‘Œš๐‘Œฐ๐‘Œฃ๐‘Œถ๐‘ƒ๐‘Œ™๐‘๐‘Œ—๐‘Œฐ๐‘Œน๐‘Œฟ๐‘Œค๐‘Œฎ๐‘เฅค ๐‘Œธ๐‘Œฐ๐‘Œƒ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œต๐‘Œธ๐‘Œฎ๐‘๐‘Œญ๐‘Œต๐‘Œน๐‘Œฐ๐‘Œฟ๐‘Œค๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œน๐‘Œฐ๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œฎ๐‘๐‘Œ–๐‘Œฆ๐‘Œฟ๐‘Œต๐‘๐‘Œฏ๐‘Œจ๐‘๐‘Œค๐‘Œถ๐‘Œ™๐‘๐‘Œ•๐‘Œฐ๐‘Œช๐‘Œฆ๐‘Œ‚ ๐‘Œธ ๐‘Œ—๐‘Œš๐‘๐‘Œ›๐‘Œค๐‘Œฟ ๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œจ ๐‘Œค๐‘ ๐‘Œœ๐‘Œจ๐‘๐‘Œฐ๐‘๐‘Œœ๐‘Œฒ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œ‚ ๐‘Œช๐‘Œฐ๐‘Œฎ๐‘Œฆ๐‘๐‘Œƒ๐‘Œ–๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œ‚ ๐‘Œฆ๐‘๐‘Œฐ๐‘Œฟ๐‘Œค๐‘Œฆ๐‘Œฎ๐‘เฅฅเฏงเฏฆเฅฅ

Iti stavam-amuแน bhujaga-puแน…gava-kแน›taแน pratidinaแน paแนญhati yaแธฅ kแน›ta-mukhaแธฅ Sadaแธฅ prabhu-pada-dvitaya-darล›ana-padaแน su-lalitaแน caraแน‡a-ล›แน›แน…ga-rahitamเฅค Saraแธฅ-prabhava-sambhava-harit-pati-hari-pramukha-divya-nuta-ล›aแน…kara-padaแน Sa gacchati paraแน na tu januแธฅ-jala-nidhiแน parama-duแธฅkha-janakaแน durita-damเฅฅ10เฅฅ

Meaning:Whoever, with a purified mouth, recites daily this hymn composed by the foremost of serpents (Patanjali) โ€” graceful, fashioned without the syllables 'charana' and 'shringa', a means to the constant vision of the Lord's two feet, whose feet are divinely praised by Brahma, Indra, Vishnu and others โ€” he attains the Supreme, and never again falls into the ocean of births, the source of utmost sorrow and the giver of sin.

Word-by-Word Meaning

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๐‘Œธ๐‘Œฆ๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œค๐Ÿ”Šsadaรฑcitawell-curved / gracefully bent (the foot, in the dance posture)
๐‘Œจ๐‘Œฟ๐‘Œ•๐‘๐‘Œž๐‘๐‘Œš๐‘Œฟ๐‘Œค๐‘Œช๐‘Œฆ๐‘Œ‚๐Ÿ”Šnikuรฑcita-padaแนwith the (one) foot curved and raised in the dance pose
๐‘Œ๐‘Œฒ๐‘Œ๐‘Œฒ๐‘Œ‚ ๐‘Œš๐‘Œฒ๐‘Œฟ๐‘Œค๐‘Œฎ๐‘Œž๐‘๐‘Œœ๐‘๐‘Œ•๐‘ŒŸ๐‘Œ•๐‘Œ‚๐Ÿ”Šjhalajhalaแน calita-maรฑju-kaแนญakaแนwhose lovely anklets jingle 'jhala-jhala' as he moves
๐‘Œช๐‘Œค๐‘Œž๐‘๐‘Œœ๐‘Œฒ๐‘Œฟ๐‘Œฆ๐‘ƒ๐‘Œ—๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘๐Ÿ”Špataรฑjali-dแน›g-aรฑjanamthe very collyrium (delight) for the eyes of Patanjali
๐‘Œ…๐‘Œจ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘๐Ÿ”Šanaรฑjanamuntainted, stainless (free of all blemish, beyond Maya)
๐‘Œœ๐‘Œจ๐‘Œจ๐‘Œญ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œ•๐‘Œฐ๐‘Œฎ๐‘๐Ÿ”Šjanana-bhaรฑjana-karamwho shatters (the cycle of) birth
๐‘Œ•๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘๐‘Œš๐‘Œฟ๐‘Œฎ๐‘๐Ÿ”Škadamba-rucimradiant like the kadamba flower
๐‘Œ…๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œต๐‘Œธ๐‘Œ‚๐Ÿ”Šambara-vasaแนclad in the sky (digambara) / wearing space as a garment
๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œฃ๐‘Œฟ๐‘Œ‚๐Ÿ”Šcid-ambudhi-maแน‡iแนthe jewel arising from the ocean of pure consciousness
๐‘Œฌ๐‘๐‘Œง๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘๐‘Œœ๐‘Œฐ๐‘Œต๐‘Œฟ๐‘Œ‚๐Ÿ”Šbudha-hแน›d-ambuja-raviแนthe sun that opens the lotus-hearts of the wise
๐‘Œช๐‘Œฐ๐‘Œš๐‘Œฟ๐‘Œฆ๐‘Œฎ๐‘๐‘Œฌ๐‘Œฐ๐‘Œจ๐‘ŒŸ๐‘Œ‚ ๐‘Œน๐‘ƒ๐‘Œฆ๐‘Œฟ ๐‘Œญ๐‘Œœ๐Ÿ”Špara-cidambara-naแนญaแน hแน›di bhajaworship in your heart the Dancer of the supreme Chidambara (the hall of consciousness)
๐‘Œน๐‘Œฐ๐‘Œ‚ ๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œช๐‘๐‘Œฐ๐‘Œญ๐‘Œž๐‘๐‘Œœ๐‘Œจ๐‘Œฎ๐‘๐Ÿ”Šharaแน tripura-bhaรฑjanamHara, the destroyer of the three cities (Tripura)
๐‘Œค๐‘Œฐ๐‘๐‘Œฃ๐‘Œš๐‘Œจ๐‘๐‘Œฆ๐‘๐‘Œฐ๐‘Œฎ๐‘Œ•๐‘๐‘ŒŸ๐‘Œฎ๐‘๐Ÿ”Štaruแน‡a-candra-makuแนญamwearing the young crescent moon as his crown
๐‘Œญ๐‘Œธ๐‘Œฟ๐‘Œค๐‘Œฎ๐‘Œฃ๐‘๐‘Œก๐‘Œฟ๐‘Œค๐‘Œค๐‘Œจ๐‘๐‘Œ‚๐Ÿ”Šbhasita-maแน‡แธita-tanuแนwhose body is adorned with sacred ash (bhasma)
๐‘Œง๐‘ƒ๐‘Œค๐‘Œต๐‘Œฟ๐‘Œง๐‘๐‘Œ‚๐Ÿ”Šdhแน›ta-vidhuแนbearing the moon (on his head)
๐‘Œช๐‘Œถ๐‘๐‘Œช๐‘Œค๐‘Œฟ๐‘Œ‚๐Ÿ”Špaล›upatiแนPashupati, the Lord of all creatures
๐‘Œถ๐‘Œถ๐‘Œฟ๐‘Œง๐‘Œจ๐‘Œž๐‘๐‘Œœ๐‘Œฏ๐‘Œช๐‘Œค๐‘Œ™๐‘๐‘Œ—๐‘Œจ๐‘Œฏ๐‘Œจ๐‘Œ‚๐Ÿ”Šล›aล›i-dhanaรฑjaya-pataแน…ga-nayanaแนwhose three eyes are the moon, fire and the sun
๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œจ๐‘๐‘Œฆ๐‘Œต๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œน๐‘Œธ๐‘๐‘Œค๐‘Œ—๐‘Œค๐‘Œฎ๐‘Œฆ๐‘๐‘Œฆ๐‘Œฒ๐Ÿ”Šmukunda-vidhi-hasta-gata-maddalato the maddala drum played in the hands of Vishnu (Mukunda) and Brahma (Vidhi)
๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œฟ๐‘Œฆ๐‘๐‘Œง๐‘Œฟ๐‘Œฎ๐‘Œฟ๐‘Œค๐‘Œจ๐‘Œฐ๐‘๐‘Œค๐‘Œจ๐‘Œช๐‘Œฆ๐‘Œฎ๐‘๐Ÿ”Šdhimid-dhimita-nartana-padamhis dancing feet keeping the rhythm 'dhimi-dhimi'
๐‘Œค๐‘๐‘Œฐ๐‘Œฟ๐‘Œจ๐‘Œฏ๐‘Œจ๐‘Œ‚๐Ÿ”Štri-nayanaแนthe three-eyed one
๐‘Œ—๐‘Œœ๐‘Œน๐‘Œฐ๐‘Œ‚๐Ÿ”Šgaja-haraแนwho slew the (demon) elephant (Gajasura)
๐‘Œ…๐‘Œจ๐‘Œ™๐‘๐‘Œ—๐‘Œช๐‘Œฐ๐‘Œฟ๐‘Œช๐‘Œจ๐‘๐‘Œฅ๐‘Œฟ๐‘Œจ๐‘Œฎ๐‘๐Ÿ”Šanaแน…ga-paripanthinamthe adversary of Anaแน…ga (Kama, the god of desire)
๐‘Œช๐‘๐‘Œฐ๐‘Œฃ๐‘Œต๐‘Œช๐‘Œž๐‘๐‘Œœ๐‘Œฐ๐‘Œถ๐‘๐‘Œ•๐‘Œ‚๐Ÿ”Špraแน‡ava-paรฑjara-ล›ukaแนthe parrot within the cage of Om (Pranava) โ€” dwelling in the sacred syllable
๐‘Œ‡๐‘Œค๐‘Œฟ ๐‘Œธ๐‘๐‘Œค๐‘Œต๐‘Œฎ๐‘Œฎ๐‘๐‘Œ‚ ... ๐‘Œช๐‘Œ ๐‘Œค๐‘Œฟ ๐‘Œฏ๐‘Œƒ๐Ÿ”Šiti stavam-amuแน ... paแนญhati yaแธฅwhoever recites this hymn (daily)โ€ฆ
๐‘Œš๐‘Œฐ๐‘Œฃ๐‘Œถ๐‘ƒ๐‘Œ™๐‘๐‘Œ—๐‘Œฐ๐‘Œน๐‘Œฟ๐‘Œค๐‘Œฎ๐‘๐Ÿ”Šcaraแน‡a-ล›แน›แน…ga-rahitamcomposed without the syllables 'charana' and 'shringa' (a poetic feat of Patanjali)
๐‘Œธ ๐‘Œ—๐‘Œš๐‘๐‘Œ›๐‘Œค๐‘Œฟ ๐‘Œช๐‘Œฐ๐‘Œ‚ ๐‘Œจ ๐‘Œค๐‘ ๐‘Œœ๐‘Œจ๐‘๐‘Œฐ๐‘๐‘Œœ๐‘Œฒ๐‘Œจ๐‘Œฟ๐‘Œง๐‘Œฟ๐‘Œ‚๐Ÿ”Šsa gacchati paraแน na tu januแธฅ-jala-nidhiแนhe reaches the Supreme and never (again falls into) the ocean of births

Benefits of Chanting Nataraja Stotram (Patanjali)

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Invokes the grace of Lord Nataraja, the cosmic dancer who governs creation, preservation and dissolution through his dance

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The closing phala-shruti promises freedom from the ocean of repeated birth to one who recites it daily

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Grants the constant inner vision (darshan) of the Lord's two feet โ€” the goal of the seeker

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A profound meditation on Shiva as pure consciousness (Chid-ambara, the 'hall of consciousness') dancing within the heart

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Carries the special grace of sage Patanjali, master of yoga, who is said to have composed it

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Cultivates devotion, concentration and a refined ear for the music of Sanskrit through its rhythmic, dance-like meter

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Especially powerful when recited before Nataraja, on Pradosham, and on Arudra Darshanam (the great Chidambaram festival)

How to Chant Nataraja Stotram (Patanjali)

Repetitions10times
Best TimePradosha Kaal (twilight), Arudra Darshanam, Maha Shivaratri, or early morning before an image of Nataraja

This is a metrically intricate hymn (each line in a long, dancing meter); recite it slowly and with care, letting the rhythm 'jhala-jhala' and 'dhimi-dhimi' echo the Lord's dance. Sit before an image of Nataraja or visualise the cosmic dancer in the lotus of the heart. Chant all ten verses, ending each with the refrain 'para-cidambara-naแนญaแน hแน›di bhaja'. As the final verse asks, approach it daily with a 'purified mouth' (after rinsing and with a calm mind). It is held in special honour during Pradosham and the Arudra Darshanam festival at Chidambaram.

Frequently Asked Questions

This page shows the complete Nataraja Stotram (Patanjali) written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It is a ten-verse Sanskrit hymn to Lord Shiva as Nataraja, the cosmic dancer of Chidambaram, beginning 'Sadaรฑcita-mudaรฑcita-nikuรฑcita-padaแน'. Each verse ends with the refrain 'para-cidambara-naแนญaแน hแน›di bhaja' โ€” 'worship in your heart the Dancer of the supreme Chidambaram'. It is also known as the Charanashringararahita Nataraja Stotram.
It is attributed to the sage Patanjali, the author of the Yoga Sutras. The name 'Charana-shringa-rahita' means 'without (the syllables) charana and shringa'. By tradition, Patanjali composed the entire hymn as a remarkable poetic feat without ever using these syllables, in order to gain the darshan of Lord Nataraja at Chidambaram.
Nataraja is Lord Shiva as the 'King of Dance', enshrined at Chidambaram in Tamil Nadu. His cosmic dance (Ananda Tandava) symbolises the five divine acts โ€” creation, sustenance, dissolution, concealment and grace. Chidambaram itself represents 'chid-ambara', the boundless space (hall) of consciousness in which the Lord dances.
The final verse declares that one who recites this hymn daily with a purified mind attains the Supreme and is never again cast into the sorrowful ocean of rebirth. It grants the inner vision of the Lord's feet and is cherished as a path to liberation through devotion to the cosmic dancer.

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