vitthalpandurangapandharpurmarathi

𑌯𑍁𑌗𑍇 𑌅𑌠𑍍𑌠𑌾𑌵𑍀𑌸 (𑌪𑌾𑌂𑌡𑍁𑌰𑌂𑌗 𑌆𑌰𑌤𑍀)

युगे अठ्ठावीस (पांडुरंग आरती) in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ hindu·📿 1× repetitions·🕐 Daily aarti; especially Ashadhi and Kartiki Ekadashi and the Pandharpur Wari·📜 Marathi aarti tradition (Varkari sampradaya)

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हिन्दी / देवनागरी తెలుగు தமிழ்ಕನ್ನಡ മലയാളം ગુજરાતી বাংলা ଓଡ଼ିଆ ਪੰਜਾਬੀ English සිංහල𑌗𑍍𑌰𑌨𑍍𑌥

Origin & Story

Marathi aarti tradition (Varkari sampradaya) · Sant Namdev · 13th century CE

Yuge Atthavees is the principal aarti of Vithoba, the deity of Pandharpur, composed by Sant Namdev. It tells how the Supreme Lord came to Pandharpur to honour His devotee Pundalik — who, absorbed in serving his parents, threw down a brick for the Lord to wait upon — and has stood there with hands on His hips for twenty-eight ages ever since. The aarti paints the temple's living worship: Rukmini at the Lord's side, the Chandrabhaga at His feet, gods and Garuda and Hanuman in attendance, and the great throngs of singing, dancing Vaishnavas who come on the Ashadhi and Kartiki pilgrimages.

✦ As told in scripture

The aarti proclaims that by 'darshana-hela-matre' — a mere instant of beholding Vitthal — and a bath in the Chandrabhaga, the devotee attains mukti (liberation). Varkari tradition holds that the Lord, who has waited twenty-eight ages on the brick, turns away none who come to Pandharpur with love.

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Complete Text with Meaning

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Verse 1

𑌯𑍁𑌗𑍇 𑌅𑌠𑍍𑌠𑌾𑌵𑍀𑌸 𑌵𑌿𑌟𑍇𑌵𑌰𑍀 𑌉𑌭𑌾 । 𑌵𑌾𑌮𑌾𑌂𑌗𑍀 𑌰𑌖𑍁𑌮𑌾𑌈 𑌦𑌿𑌸𑍇 𑌦𑌿𑌵𑍍𑌯 𑌶𑍋𑌭𑌾 ॥ 𑌪𑍁𑌂𑌡𑌲𑌿𑌕𑌾𑌚𑍇 𑌭𑍇𑌟𑍀 𑌪𑌰𑌬𑍍𑌰𑌹𑍍𑌮 𑌆𑌲𑍇 𑌗𑌾 । 𑌚𑌰𑌣𑍀𑌂 𑌵𑌾𑌹𑍇 𑌭𑍀𑌮𑌾 𑌉𑌦𑍍𑌧𑌰𑍀 𑌜𑌗𑌾 ॥ ௧ ॥

Yuge Atthavees Vitevari Ubha | Vamangi Rakhumai Dise Divya Shobha || Pundalikache Bheti Parabrahma Aale Ga | Charani Vahe Bhima Uddhari Jaga || 1 ||

Meaning:अट्ठाईस युगों से वे ईंट पर खड़े हैं, बाईं ओर रखुमाई (रुक्मिणी) के साथ, दिव्य शोभा में दिखाई देते हैं। अपने भक्त पुंडलिक से मिलने स्वयं परब्रह्म आ गए हैं; उनके चरणों में भीमा (चंद्रभागा) बहती है, और वे जगत का उद्धार करते हैं।

Verse 2

𑌜𑌯 𑌦𑍇𑌵 𑌜𑌯 𑌦𑍇𑌵 𑌜𑌯 𑌪𑌾𑌂𑌡𑍁𑌰𑌂𑌗𑌾 । 𑌰𑌖𑍁𑌮𑌾𑌈𑌵𑌲𑍍𑌲𑌭𑌾 𑌰𑌾𑌈𑌚𑍍𑌯𑌾 𑌵𑌲𑍍𑌲𑌭𑌾 𑌪𑌾𑌵𑍇 𑌜𑌿𑌵𑌲𑌗𑌾 ॥ 𑌧𑍃 ॥

Jai Dev Jai Dev Jai Panduranga | Rakhumai-Vallabha Raichya Vallabha Pave Jivalaga || Dhru ||

Meaning:जय हो, हे पांडुरंग! हे रखुमाई के वल्लभ, राई के वल्लभ, मुझ पर कृपा करो, हे मेरे जीवन के प्रियतम।

Verse 3

𑌤𑍁𑌳𑌸𑍀𑌮𑌾𑌳𑌾 𑌗𑌳𑌾𑌂 𑌕𑌰 𑌠𑍇𑌵𑍁𑌨𑍀 𑌕𑌟𑍀𑌂 । 𑌕𑌾𑌂𑌸𑍇 𑌪𑍀𑌤𑌾𑌂𑌬𑌰 𑌕𑌸𑍍𑌤𑍁𑌰𑍀 𑌲𑌲𑍍𑌲𑌾𑌟𑍀𑌂 ॥ 𑌦𑍇𑌵 𑌸𑍁𑌰𑌵𑌰 𑌨𑌿𑌤𑍍𑌯 𑌯𑍇𑌤𑍀 𑌭𑍇𑌟𑍀 । 𑌗𑌰𑍁𑌡 𑌹𑌨𑍁𑌮𑌂𑌤 𑌪𑍁𑌢𑍇𑌂 𑌉𑌭𑍇 𑌰𑌾𑌹𑌤𑍀 ॥ ௨ ॥

Tulasi-Mala Gala Kar Thevuni Kati | Kanse Pitambar Kasturi Lallati || Dev Suravar Nitya Yeti Bheti | Garud Hanumant Pudhe Ubhe Rahati || 2 ||

Meaning:गले में तुलसी की माला, कमर पर हाथ, कमर पर पीतांबर और ललाट पर कस्तूरी; देव और सुरवर नित्य दर्शन को आते हैं, और गरुड़ तथा हनुमान सामने खड़े रहते हैं।

Verse 4

𑌧𑌨𑍍𑌯 𑌵𑍇𑌣𑍁𑌨𑌾𑌦 𑌅𑌨𑍁𑌕𑍍𑌷𑍇𑌤𑍍𑌰𑌪𑌾𑌳𑌾 । 𑌸𑍁𑌵𑌰𑍍𑌣𑌾𑌚𑍀 𑌕𑌮𑌳𑍇𑌂 𑌵𑌨𑌮𑌾𑌳𑌾 𑌗𑌳𑌾𑌂 ॥ 𑌰𑌾𑌈 𑌰𑌖𑍁𑌮𑌾𑌬𑌾𑌈 𑌰𑌾𑌣𑍀𑌯𑌾 𑌸𑌕𑌳𑌾 । 𑌓𑌵𑌾𑌳𑌿𑌤𑍀 𑌰𑌾𑌜𑌾 𑌵𑌿𑌠𑍋𑌬𑌾 𑌸𑌾𑌵𑌳𑌾 ॥ ௩ ॥

Dhanya Venunad Anukshetra-Pala | Suvarnachi Kamale Vanamala Gala || Rai Rakhumabai Raniya Sakala | Ovaliti Raja Vithoba Savala || 3 ||

Meaning:धन्य है उनकी वेणु-ध्वनि, क्षेत्र के रक्षक; स्वर्ण के कमल और वनमाला गले में। राई, रखुमाबाई और सभी रानियाँ सांवले राजा विठोबा की आरती उतारती हैं।

Verse 5

𑌓𑌵𑌾𑌳𑍂𑌂 𑌆𑌰𑌤𑍍𑌯𑌾 𑌕𑍁𑌰𑌵𑌂𑌡𑍍𑌯𑌾 𑌯𑍇𑌤𑍀 । 𑌚𑌂𑌦𑍍𑌰𑌭𑌾𑌗𑍇𑌮𑌾𑌜𑍀 𑌸𑍋𑌡𑍁𑌨𑌿𑌯𑌾 𑌦𑍇𑌤𑍀 ॥ 𑌦𑌿𑌂𑌡𑍍𑌯𑌾 𑌪𑌤𑌾𑌕𑌾 𑌵𑍈𑌷𑍍𑌣𑌵 𑌨𑌾𑌚𑌤𑍀 । 𑌪𑌂𑌢𑌰𑍀𑌚𑌾 𑌮𑌹𑌿𑌮𑌾 𑌵𑌰𑍍𑌣𑌾𑌵𑌾 𑌕𑌿𑌤𑍀 ॥ ௪ ॥

Ovalu Aratya Kuravandya Yeti | Chandrabhage-Maji Soduniya Deti || Dindya Pataka Vaishnav Nachati | Pandharicha Mahima Varnava Kiti || 4 ||

Meaning:हम आरती उतारते हैं, कुरवंड्या लाई जाती हैं और चंद्रभागा में छोड़ी जाती हैं। दिंड्या और पताकाएँ लिए वैष्णव नाचते हैं — पंढरी की महिमा कितनी वर्णन करें?

Verse 6

𑌆𑌷𑌾𑌢𑍀 𑌕𑌾𑌰𑍍𑌤𑌿𑌕𑍀 𑌭𑌕𑍍𑌤𑌜𑌨 𑌯𑍇𑌤𑍀 । 𑌚𑌂𑌦𑍍𑌰𑌭𑌾𑌗𑍇𑌮𑌧𑍍𑌯𑍇 𑌸𑍍𑌨𑌾𑌨𑍇𑌂 𑌜𑍇 𑌕𑌰𑌿𑌤𑍀 ॥ 𑌦𑌰𑍍𑌶𑌨𑌹𑍇𑌳𑌾𑌮𑌾𑌤𑍍𑌰𑍇𑌂 𑌤𑌯𑌾 𑌹𑍋𑌯 𑌮𑍁𑌕𑍍𑌤𑍀 । 𑌕𑍇𑌶𑌵𑌾𑌸𑍀 𑌨𑌾𑌮𑌦𑍇𑌵 𑌭𑌾𑌵𑍇𑌂 𑌓𑌵𑌾𑌳𑌿𑌤𑍀 ॥ ௫ ॥

Aashadhi Kartiki Bhaktajan Yeti | Chandrabhage-Madhye Snane Je Kariti || Darshana-Hela-Matre Taya Hoy Mukti | Keshavasi Namdev Bhave Ovaliti || 5 ||

Meaning:आषाढी और कार्तिकी में भक्तजन आते हैं और चंद्रभागा में स्नान करते हैं; दर्शन मात्र से उन्हें मुक्ति मिल जाती है। नामदेव भावपूर्वक केशव की आरती उतारते हैं।

Word-by-Word Meaning

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𑌯𑍁𑌗𑍇 𑌅𑌠𑍍𑌠𑌾𑌵𑍀𑌸🔊Yuge AtthaveesFor twenty-eight ages (yugas)

𑌵𑌿𑌟𑍇𑌵𑌰𑍀 𑌉𑌭𑌾🔊Vitevari UbhaStanding upon the brick (at Pandharpur)

𑌵𑌾𑌮𑌾𑌂𑌗𑍀 𑌰𑌖𑍁𑌮𑌾𑌈🔊Vamangi RakhumaiRakhumai (Rukmini) on His left side

𑌦𑌿𑌸𑍇 𑌦𑌿𑌵𑍍𑌯 𑌶𑍋𑌭𑌾🔊Dise Divya ShobhaAppears in divine splendour

𑌪𑍁𑌂𑌡𑌲𑌿𑌕𑌾𑌚𑍇 𑌭𑍇𑌟𑍀🔊Pundalikache BhetiTo meet (His devotee) Pundalik

𑌪𑌰𑌬𑍍𑌰𑌹𑍍𑌮 𑌆𑌲𑍇 𑌗𑌾🔊Parabrahma Aale GaThe Supreme Brahman has come

𑌚𑌰𑌣𑍀𑌂 𑌵𑌾𑌹𑍇 𑌭𑍀𑌮𑌾🔊Charani Vahe BhimaAt His feet flows the Bhima (Chandrabhaga river)

𑌉𑌦𑍍𑌧𑌰𑍀 𑌜𑌗𑌾🔊Uddhari Jaga(He) uplifts / redeems the world

𑌜𑌯 𑌪𑌾𑌂𑌡𑍁𑌰𑌂𑌗𑌾🔊Jai PandurangaVictory to You, O Panduranga

𑌰𑌖𑍁𑌮𑌾𑌈𑌵𑌲𑍍𑌲𑌭𑌾🔊Rakhumai-VallabhaO beloved of Rakhumai (Rukmini)

𑌪𑌾𑌵𑍇 𑌜𑌿𑌵𑌲𑌗𑌾🔊Pave JivalagaBe gracious, O dearest one (of my life)

𑌤𑍁𑌳𑌸𑍀𑌮𑌾𑌳𑌾 𑌗𑌳𑌾𑌂🔊Tulasi-Mala GalaA garland of tulsi about His neck

𑌕𑌰 𑌠𑍇𑌵𑍁𑌨𑍀 𑌕𑌟𑍀𑌂🔊Kar Thevuni KatiHands placed upon the waist

𑌕𑌾𑌂𑌸𑍇 𑌪𑍀𑌤𑌾𑌂𑌬𑌰🔊Kanse PitambarYellow silk (pitambara) at the waist

𑌗𑌰𑍁𑌡 𑌹𑌨𑍁𑌮𑌂𑌤🔊Garud HanumantGaruda and Hanuman

𑌪𑍁𑌢𑍇𑌂 𑌉𑌭𑍇 𑌰𑌾𑌹𑌤𑍀🔊Pudhe Ubhe RahatiStand before Him (in attendance)

𑌰𑌾𑌜𑌾 𑌵𑌿𑌠𑍋𑌬𑌾 𑌸𑌾𑌵𑌳𑌾🔊Raja Vithoba SavalaThe dark-hued King Vithoba

𑌚𑌂𑌦𑍍𑌰𑌭𑌾𑌗𑍇𑌮𑌾𑌜𑍀🔊Chandrabhage-MajiIn the Chandrabhaga river

𑌆𑌷𑌾𑌢𑍀 𑌕𑌾𑌰𑍍𑌤𑌿𑌕𑍀🔊Aashadhi KartikiOn the Ashadhi and Kartiki (Ekadashi pilgrimages)

𑌦𑌰𑍍𑌶𑌨𑌹𑍇𑌳𑌾𑌮𑌾𑌤𑍍𑌰𑍇𑌂🔊Darshana-Hela-MatreBy a mere instant of His darshan

𑌤𑌯𑌾 𑌹𑍋𑌯 𑌮𑍁𑌕𑍍𑌤𑍀🔊Taya Hoy MuktiThey attain liberation (mukti)

𑌕𑍇𑌶𑌵𑌾𑌸𑍀 𑌨𑌾𑌮𑌦𑍇𑌵 𑌭𑌾𑌵𑍇𑌂 𑌓𑌵𑌾𑌳𑌿𑌤𑍀🔊Keshavasi Namdev Bhave OvalitiNamdev waves the lamp before Keshava with devotion

Benefits of Chanting युगे अठ्ठावीस (पांडुरंग आरती)

✦

Invokes the full grace and darshan of Vitthal (Panduranga) of Pandharpur

✦

Recalls the holy story of Pundalik for whom the Lord eternally waits on the brick

✦

The central daily aarti of the Varkari tradition, uniting the devotee with Pandhari's glory

✦

Builds longing for pilgrimage (Wari) to Pandharpur and a bath in the sacred Chandrabhaga

✦

Affirms that even a moment's darshan of the Lord bestows liberation

✦

Especially powerful on Ashadhi and Kartiki Ekadashi and during the Wari

How to Chant युगे अठ्ठावीस (पांडुरंग आरती)

Repetitions1times

Best TimeDaily aarti; especially Ashadhi and Kartiki Ekadashi and the Pandharpur Wari

Sing this aarti while waving the lamp before an image of Vitthal (Panduranga), joining the refrain 'Jai Dev Jai Dev Jai Panduranga'. It is the principal aarti of Vithoba, sung morning and evening and with great fervour during the Ashadhi and Kartiki pilgrimages. It is customarily followed by 'Yei O Vitthala', other abhangs and the closing prayer 'Ghalin Lotangan'.

Frequently Asked Questions

This page shows the complete युगे अठ्ठावीस (पांडुरंग आरती) written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.

Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.

It means 'twenty-eight ages'. The aarti opens by saying that Vitthal has stood upon the brick at Pandharpur for twenty-eight yugas, waiting to give darshan to His devotees ever since He came to meet His devotee Pundalik.

Pundalik was a devotee whose service to his aged parents so pleased the Lord that Krishna came to him at Pandharpur. Busy serving his parents, Pundalik tossed a brick for the Lord to stand on; the Lord waited there, and so Vitthal stands on the brick to this day.

It bears the signature of Sant Namdev (13th century), the Varkari saint of Pandharpur, whose name appears in the final verse: 'Keshavasi Namdev bhave ovaliti' (Namdev waves the lamp before Keshava with devotion).

The Chandrabhaga (also called the Bhima) is the sacred river that flows past Pandharpur in a crescent (chandra) shape. Pilgrims bathe in it during the Ashadhi and Kartiki Wari, and the aarti says a bath there and a moment's darshan of Vitthal grant liberation.