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vitthalpandurangapandharpurmarathi

๐‘Œฏ๐‘๐‘Œ—๐‘‡ ๐‘Œ…๐‘Œ ๐‘๐‘Œ ๐‘Œพ๐‘Œต๐‘€๐‘Œธ (๐‘Œช๐‘Œพ๐‘Œ‚๐‘Œก๐‘๐‘Œฐ๐‘Œ‚๐‘Œ— ๐‘Œ†๐‘Œฐ๐‘Œค๐‘€)

Yuge Atthavees (Pandurang Aarti) in Grantha ยท ๐‘Œ—๐‘๐‘Œฐ๐‘Œจ๐‘๐‘Œฅ

๐Ÿ•‰๏ธ hinduยท๐Ÿ“ฟ 1ร— repetitionsยท๐Ÿ• Daily aarti; especially Ashadhi and Kartiki Ekadashi and the Pandharpur Wariยท๐Ÿ“œ Marathi aarti tradition (Varkari sampradaya)
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Origin & Story

Marathi aarti tradition (Varkari sampradaya) ยท Sant Namdev ยท 13th century CE

Yuge Atthavees is the principal aarti of Vithoba, the deity of Pandharpur, composed by Sant Namdev. It tells how the Supreme Lord came to Pandharpur to honour His devotee Pundalik โ€” who, absorbed in serving his parents, threw down a brick for the Lord to wait upon โ€” and has stood there with hands on His hips for twenty-eight ages ever since. The aarti paints the temple's living worship: Rukmini at the Lord's side, the Chandrabhaga at His feet, gods and Garuda and Hanuman in attendance, and the great throngs of singing, dancing Vaishnavas who come on the Ashadhi and Kartiki pilgrimages.

โœฆ As told in scripture

The aarti proclaims that by 'darshana-hela-matre' โ€” a mere instant of beholding Vitthal โ€” and a bath in the Chandrabhaga, the devotee attains mukti (liberation). Varkari tradition holds that the Lord, who has waited twenty-eight ages on the brick, turns away none who come to Pandharpur with love.

Complete Text with Meaning

Tap any line โ€” or the โ–ถ button โ€” to hear it recited

Verse 1

๐‘Œฏ๐‘๐‘Œ—๐‘‡ ๐‘Œ…๐‘Œ ๐‘๐‘Œ ๐‘Œพ๐‘Œต๐‘€๐‘Œธ ๐‘Œต๐‘Œฟ๐‘ŒŸ๐‘‡๐‘Œต๐‘Œฐ๐‘€ ๐‘Œ‰๐‘Œญ๐‘Œพ เฅค ๐‘Œต๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œ‚๐‘Œ—๐‘€ ๐‘Œฐ๐‘Œ–๐‘๐‘Œฎ๐‘Œพ๐‘Œˆ ๐‘Œฆ๐‘Œฟ๐‘Œธ๐‘‡ ๐‘Œฆ๐‘Œฟ๐‘Œต๐‘๐‘Œฏ ๐‘Œถ๐‘‹๐‘Œญ๐‘Œพ เฅฅ ๐‘Œช๐‘๐‘Œ‚๐‘Œก๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œš๐‘‡ ๐‘Œญ๐‘‡๐‘ŒŸ๐‘€ ๐‘Œช๐‘Œฐ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ ๐‘Œ†๐‘Œฒ๐‘‡ ๐‘Œ—๐‘Œพ เฅค ๐‘Œš๐‘Œฐ๐‘Œฃ๐‘€๐‘Œ‚ ๐‘Œต๐‘Œพ๐‘Œน๐‘‡ ๐‘Œญ๐‘€๐‘Œฎ๐‘Œพ ๐‘Œ‰๐‘Œฆ๐‘๐‘Œง๐‘Œฐ๐‘€ ๐‘Œœ๐‘Œ—๐‘Œพ เฅฅ เฏง เฅฅ

Yuge Atthavees Vitevari Ubha | Vamangi Rakhumai Dise Divya Shobha || Pundalikache Bheti Parabrahma Aale Ga | Charani Vahe Bhima Uddhari Jaga || 1 ||

Meaning:For twenty-eight ages He has stood upon the brick, with Rakhumai (Rukmini) on His left, appearing in divine splendour. To meet His devotee Pundalik the Supreme Brahman Himself has come; at His feet flows the Bhima (Chandrabhaga), and He redeems the world.

Verse 2

๐‘Œœ๐‘Œฏ ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œœ๐‘Œฏ ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œœ๐‘Œฏ ๐‘Œช๐‘Œพ๐‘Œ‚๐‘Œก๐‘๐‘Œฐ๐‘Œ‚๐‘Œ—๐‘Œพ เฅค ๐‘Œฐ๐‘Œ–๐‘๐‘Œฎ๐‘Œพ๐‘Œˆ๐‘Œต๐‘Œฒ๐‘๐‘Œฒ๐‘Œญ๐‘Œพ ๐‘Œฐ๐‘Œพ๐‘Œˆ๐‘Œš๐‘๐‘Œฏ๐‘Œพ ๐‘Œต๐‘Œฒ๐‘๐‘Œฒ๐‘Œญ๐‘Œพ ๐‘Œช๐‘Œพ๐‘Œต๐‘‡ ๐‘Œœ๐‘Œฟ๐‘Œต๐‘Œฒ๐‘Œ—๐‘Œพ เฅฅ ๐‘Œง๐‘ƒ เฅฅ

Jai Dev Jai Dev Jai Panduranga | Rakhumai-Vallabha Raichya Vallabha Pave Jivalaga || Dhru ||

Meaning:Victory to You, O Panduranga! O beloved of Rakhumai, beloved of Rai, be gracious to me, dearest of my life.

Verse 3

๐‘Œค๐‘๐‘Œณ๐‘Œธ๐‘€๐‘Œฎ๐‘Œพ๐‘Œณ๐‘Œพ ๐‘Œ—๐‘Œณ๐‘Œพ๐‘Œ‚ ๐‘Œ•๐‘Œฐ ๐‘Œ ๐‘‡๐‘Œต๐‘๐‘Œจ๐‘€ ๐‘Œ•๐‘ŒŸ๐‘€๐‘Œ‚ เฅค ๐‘Œ•๐‘Œพ๐‘Œ‚๐‘Œธ๐‘‡ ๐‘Œช๐‘€๐‘Œค๐‘Œพ๐‘Œ‚๐‘Œฌ๐‘Œฐ ๐‘Œ•๐‘Œธ๐‘๐‘Œค๐‘๐‘Œฐ๐‘€ ๐‘Œฒ๐‘Œฒ๐‘๐‘Œฒ๐‘Œพ๐‘ŒŸ๐‘€๐‘Œ‚ เฅฅ ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œธ๐‘๐‘Œฐ๐‘Œต๐‘Œฐ ๐‘Œจ๐‘Œฟ๐‘Œค๐‘๐‘Œฏ ๐‘Œฏ๐‘‡๐‘Œค๐‘€ ๐‘Œญ๐‘‡๐‘ŒŸ๐‘€ เฅค ๐‘Œ—๐‘Œฐ๐‘๐‘Œก ๐‘Œน๐‘Œจ๐‘๐‘Œฎ๐‘Œ‚๐‘Œค ๐‘Œช๐‘๐‘Œข๐‘‡๐‘Œ‚ ๐‘Œ‰๐‘Œญ๐‘‡ ๐‘Œฐ๐‘Œพ๐‘Œน๐‘Œค๐‘€ เฅฅ เฏจ เฅฅ

Tulasi-Mala Gala Kar Thevuni Kati | Kanse Pitambar Kasturi Lallati || Dev Suravar Nitya Yeti Bheti | Garud Hanumant Pudhe Ubhe Rahati || 2 ||

Meaning:A tulsi garland about His neck, hands resting on His waist, yellow silk at His waist and musk upon His brow; gods and celestials come daily for His darshan, and Garuda and Hanuman stand before Him in attendance.

Verse 4

๐‘Œง๐‘Œจ๐‘๐‘Œฏ ๐‘Œต๐‘‡๐‘Œฃ๐‘๐‘Œจ๐‘Œพ๐‘Œฆ ๐‘Œ…๐‘Œจ๐‘๐‘Œ•๐‘๐‘Œท๐‘‡๐‘Œค๐‘๐‘Œฐ๐‘Œช๐‘Œพ๐‘Œณ๐‘Œพ เฅค ๐‘Œธ๐‘๐‘Œต๐‘Œฐ๐‘๐‘Œฃ๐‘Œพ๐‘Œš๐‘€ ๐‘Œ•๐‘Œฎ๐‘Œณ๐‘‡๐‘Œ‚ ๐‘Œต๐‘Œจ๐‘Œฎ๐‘Œพ๐‘Œณ๐‘Œพ ๐‘Œ—๐‘Œณ๐‘Œพ๐‘Œ‚ เฅฅ ๐‘Œฐ๐‘Œพ๐‘Œˆ ๐‘Œฐ๐‘Œ–๐‘๐‘Œฎ๐‘Œพ๐‘Œฌ๐‘Œพ๐‘Œˆ ๐‘Œฐ๐‘Œพ๐‘Œฃ๐‘€๐‘Œฏ๐‘Œพ ๐‘Œธ๐‘Œ•๐‘Œณ๐‘Œพ เฅค ๐‘Œ“๐‘Œต๐‘Œพ๐‘Œณ๐‘Œฟ๐‘Œค๐‘€ ๐‘Œฐ๐‘Œพ๐‘Œœ๐‘Œพ ๐‘Œต๐‘Œฟ๐‘Œ ๐‘‹๐‘Œฌ๐‘Œพ ๐‘Œธ๐‘Œพ๐‘Œต๐‘Œณ๐‘Œพ เฅฅ เฏฉ เฅฅ

Dhanya Venunad Anukshetra-Pala | Suvarnachi Kamale Vanamala Gala || Rai Rakhumabai Raniya Sakala | Ovaliti Raja Vithoba Savala || 3 ||

Meaning:Blessed is the sound of His flute, guardian of the holy field; lotuses of gold and a forest-garland adorn His neck. Rai, Rakhumabai and all the queens wave the lamp before the dark-hued King Vithoba.

Verse 5

๐‘Œ“๐‘Œต๐‘Œพ๐‘Œณ๐‘‚๐‘Œ‚ ๐‘Œ†๐‘Œฐ๐‘Œค๐‘๐‘Œฏ๐‘Œพ ๐‘Œ•๐‘๐‘Œฐ๐‘Œต๐‘Œ‚๐‘Œก๐‘๐‘Œฏ๐‘Œพ ๐‘Œฏ๐‘‡๐‘Œค๐‘€ เฅค ๐‘Œš๐‘Œ‚๐‘Œฆ๐‘๐‘Œฐ๐‘Œญ๐‘Œพ๐‘Œ—๐‘‡๐‘Œฎ๐‘Œพ๐‘Œœ๐‘€ ๐‘Œธ๐‘‹๐‘Œก๐‘๐‘Œจ๐‘Œฟ๐‘Œฏ๐‘Œพ ๐‘Œฆ๐‘‡๐‘Œค๐‘€ เฅฅ ๐‘Œฆ๐‘Œฟ๐‘Œ‚๐‘Œก๐‘๐‘Œฏ๐‘Œพ ๐‘Œช๐‘Œค๐‘Œพ๐‘Œ•๐‘Œพ ๐‘Œต๐‘ˆ๐‘Œท๐‘๐‘Œฃ๐‘Œต ๐‘Œจ๐‘Œพ๐‘Œš๐‘Œค๐‘€ เฅค ๐‘Œช๐‘Œ‚๐‘Œข๐‘Œฐ๐‘€๐‘Œš๐‘Œพ ๐‘Œฎ๐‘Œน๐‘Œฟ๐‘Œฎ๐‘Œพ ๐‘Œต๐‘Œฐ๐‘๐‘Œฃ๐‘Œพ๐‘Œต๐‘Œพ ๐‘Œ•๐‘Œฟ๐‘Œค๐‘€ เฅฅ เฏช เฅฅ

Ovalu Aratya Kuravandya Yeti | Chandrabhage-Maji Soduniya Deti || Dindya Pataka Vaishnav Nachati | Pandharicha Mahima Varnava Kiti || 4 ||

Meaning:We wave the aartis; the kuravandi (auspicious offerings) are brought and released into the Chandrabhaga. With dindis and banners the Vaishnavas dance โ€” how can the glory of Pandhari ever be told in full?

Verse 6

๐‘Œ†๐‘Œท๐‘Œพ๐‘Œข๐‘€ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘๐‘Œค๐‘Œฟ๐‘Œ•๐‘€ ๐‘Œญ๐‘Œ•๐‘๐‘Œค๐‘Œœ๐‘Œจ ๐‘Œฏ๐‘‡๐‘Œค๐‘€ เฅค ๐‘Œš๐‘Œ‚๐‘Œฆ๐‘๐‘Œฐ๐‘Œญ๐‘Œพ๐‘Œ—๐‘‡๐‘Œฎ๐‘Œง๐‘๐‘Œฏ๐‘‡ ๐‘Œธ๐‘๐‘Œจ๐‘Œพ๐‘Œจ๐‘‡๐‘Œ‚ ๐‘Œœ๐‘‡ ๐‘Œ•๐‘Œฐ๐‘Œฟ๐‘Œค๐‘€ เฅฅ ๐‘Œฆ๐‘Œฐ๐‘๐‘Œถ๐‘Œจ๐‘Œน๐‘‡๐‘Œณ๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡๐‘Œ‚ ๐‘Œค๐‘Œฏ๐‘Œพ ๐‘Œน๐‘‹๐‘Œฏ ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œค๐‘€ เฅค ๐‘Œ•๐‘‡๐‘Œถ๐‘Œต๐‘Œพ๐‘Œธ๐‘€ ๐‘Œจ๐‘Œพ๐‘Œฎ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œญ๐‘Œพ๐‘Œต๐‘‡๐‘Œ‚ ๐‘Œ“๐‘Œต๐‘Œพ๐‘Œณ๐‘Œฟ๐‘Œค๐‘€ เฅฅ เฏซ เฅฅ

Aashadhi Kartiki Bhaktajan Yeti | Chandrabhage-Madhye Snane Je Kariti || Darshana-Hela-Matre Taya Hoy Mukti | Keshavasi Namdev Bhave Ovaliti || 5 ||

Meaning:On the Ashadhi and Kartiki (Ekadashis) the devotees come and bathe in the Chandrabhaga; by a mere instant of His darshan they attain liberation. Namdev waves the lamp before Keshava with heartfelt devotion.

Word-by-Word Meaning

Click any word to hear its pronunciation

๐‘Œฏ๐‘๐‘Œ—๐‘‡ ๐‘Œ…๐‘Œ ๐‘๐‘Œ ๐‘Œพ๐‘Œต๐‘€๐‘Œธ๐Ÿ”ŠYuge AtthaveesFor twenty-eight ages (yugas)
๐‘Œต๐‘Œฟ๐‘ŒŸ๐‘‡๐‘Œต๐‘Œฐ๐‘€ ๐‘Œ‰๐‘Œญ๐‘Œพ๐Ÿ”ŠVitevari UbhaStanding upon the brick (at Pandharpur)
๐‘Œต๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œ‚๐‘Œ—๐‘€ ๐‘Œฐ๐‘Œ–๐‘๐‘Œฎ๐‘Œพ๐‘Œˆ๐Ÿ”ŠVamangi RakhumaiRakhumai (Rukmini) on His left side
๐‘Œฆ๐‘Œฟ๐‘Œธ๐‘‡ ๐‘Œฆ๐‘Œฟ๐‘Œต๐‘๐‘Œฏ ๐‘Œถ๐‘‹๐‘Œญ๐‘Œพ๐Ÿ”ŠDise Divya ShobhaAppears in divine splendour
๐‘Œช๐‘๐‘Œ‚๐‘Œก๐‘Œฒ๐‘Œฟ๐‘Œ•๐‘Œพ๐‘Œš๐‘‡ ๐‘Œญ๐‘‡๐‘ŒŸ๐‘€๐Ÿ”ŠPundalikache BhetiTo meet (His devotee) Pundalik
๐‘Œช๐‘Œฐ๐‘Œฌ๐‘๐‘Œฐ๐‘Œน๐‘๐‘Œฎ ๐‘Œ†๐‘Œฒ๐‘‡ ๐‘Œ—๐‘Œพ๐Ÿ”ŠParabrahma Aale GaThe Supreme Brahman has come
๐‘Œš๐‘Œฐ๐‘Œฃ๐‘€๐‘Œ‚ ๐‘Œต๐‘Œพ๐‘Œน๐‘‡ ๐‘Œญ๐‘€๐‘Œฎ๐‘Œพ๐Ÿ”ŠCharani Vahe BhimaAt His feet flows the Bhima (Chandrabhaga river)
๐‘Œ‰๐‘Œฆ๐‘๐‘Œง๐‘Œฐ๐‘€ ๐‘Œœ๐‘Œ—๐‘Œพ๐Ÿ”ŠUddhari Jaga(He) uplifts / redeems the world
๐‘Œœ๐‘Œฏ ๐‘Œช๐‘Œพ๐‘Œ‚๐‘Œก๐‘๐‘Œฐ๐‘Œ‚๐‘Œ—๐‘Œพ๐Ÿ”ŠJai PandurangaVictory to You, O Panduranga
๐‘Œฐ๐‘Œ–๐‘๐‘Œฎ๐‘Œพ๐‘Œˆ๐‘Œต๐‘Œฒ๐‘๐‘Œฒ๐‘Œญ๐‘Œพ๐Ÿ”ŠRakhumai-VallabhaO beloved of Rakhumai (Rukmini)
๐‘Œช๐‘Œพ๐‘Œต๐‘‡ ๐‘Œœ๐‘Œฟ๐‘Œต๐‘Œฒ๐‘Œ—๐‘Œพ๐Ÿ”ŠPave JivalagaBe gracious, O dearest one (of my life)
๐‘Œค๐‘๐‘Œณ๐‘Œธ๐‘€๐‘Œฎ๐‘Œพ๐‘Œณ๐‘Œพ ๐‘Œ—๐‘Œณ๐‘Œพ๐‘Œ‚๐Ÿ”ŠTulasi-Mala GalaA garland of tulsi about His neck
๐‘Œ•๐‘Œฐ ๐‘Œ ๐‘‡๐‘Œต๐‘๐‘Œจ๐‘€ ๐‘Œ•๐‘ŒŸ๐‘€๐‘Œ‚๐Ÿ”ŠKar Thevuni KatiHands placed upon the waist
๐‘Œ•๐‘Œพ๐‘Œ‚๐‘Œธ๐‘‡ ๐‘Œช๐‘€๐‘Œค๐‘Œพ๐‘Œ‚๐‘Œฌ๐‘Œฐ๐Ÿ”ŠKanse PitambarYellow silk (pitambara) at the waist
๐‘Œ—๐‘Œฐ๐‘๐‘Œก ๐‘Œน๐‘Œจ๐‘๐‘Œฎ๐‘Œ‚๐‘Œค๐Ÿ”ŠGarud HanumantGaruda and Hanuman
๐‘Œช๐‘๐‘Œข๐‘‡๐‘Œ‚ ๐‘Œ‰๐‘Œญ๐‘‡ ๐‘Œฐ๐‘Œพ๐‘Œน๐‘Œค๐‘€๐Ÿ”ŠPudhe Ubhe RahatiStand before Him (in attendance)
๐‘Œฐ๐‘Œพ๐‘Œœ๐‘Œพ ๐‘Œต๐‘Œฟ๐‘Œ ๐‘‹๐‘Œฌ๐‘Œพ ๐‘Œธ๐‘Œพ๐‘Œต๐‘Œณ๐‘Œพ๐Ÿ”ŠRaja Vithoba SavalaThe dark-hued King Vithoba
๐‘Œš๐‘Œ‚๐‘Œฆ๐‘๐‘Œฐ๐‘Œญ๐‘Œพ๐‘Œ—๐‘‡๐‘Œฎ๐‘Œพ๐‘Œœ๐‘€๐Ÿ”ŠChandrabhage-MajiIn the Chandrabhaga river
๐‘Œ†๐‘Œท๐‘Œพ๐‘Œข๐‘€ ๐‘Œ•๐‘Œพ๐‘Œฐ๐‘๐‘Œค๐‘Œฟ๐‘Œ•๐‘€๐Ÿ”ŠAashadhi KartikiOn the Ashadhi and Kartiki (Ekadashi pilgrimages)
๐‘Œฆ๐‘Œฐ๐‘๐‘Œถ๐‘Œจ๐‘Œน๐‘‡๐‘Œณ๐‘Œพ๐‘Œฎ๐‘Œพ๐‘Œค๐‘๐‘Œฐ๐‘‡๐‘Œ‚๐Ÿ”ŠDarshana-Hela-MatreBy a mere instant of His darshan
๐‘Œค๐‘Œฏ๐‘Œพ ๐‘Œน๐‘‹๐‘Œฏ ๐‘Œฎ๐‘๐‘Œ•๐‘๐‘Œค๐‘€๐Ÿ”ŠTaya Hoy MuktiThey attain liberation (mukti)
๐‘Œ•๐‘‡๐‘Œถ๐‘Œต๐‘Œพ๐‘Œธ๐‘€ ๐‘Œจ๐‘Œพ๐‘Œฎ๐‘Œฆ๐‘‡๐‘Œต ๐‘Œญ๐‘Œพ๐‘Œต๐‘‡๐‘Œ‚ ๐‘Œ“๐‘Œต๐‘Œพ๐‘Œณ๐‘Œฟ๐‘Œค๐‘€๐Ÿ”ŠKeshavasi Namdev Bhave OvalitiNamdev waves the lamp before Keshava with devotion

Benefits of Chanting Yuge Atthavees (Pandurang Aarti)

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Invokes the full grace and darshan of Vitthal (Panduranga) of Pandharpur

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Recalls the holy story of Pundalik for whom the Lord eternally waits on the brick

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The central daily aarti of the Varkari tradition, uniting the devotee with Pandhari's glory

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Builds longing for pilgrimage (Wari) to Pandharpur and a bath in the sacred Chandrabhaga

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Affirms that even a moment's darshan of the Lord bestows liberation

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Especially powerful on Ashadhi and Kartiki Ekadashi and during the Wari

How to Chant Yuge Atthavees (Pandurang Aarti)

Repetitions1times
Best TimeDaily aarti; especially Ashadhi and Kartiki Ekadashi and the Pandharpur Wari

Sing this aarti while waving the lamp before an image of Vitthal (Panduranga), joining the refrain 'Jai Dev Jai Dev Jai Panduranga'. It is the principal aarti of Vithoba, sung morning and evening and with great fervour during the Ashadhi and Kartiki pilgrimages. It is customarily followed by 'Yei O Vitthala', other abhangs and the closing prayer 'Ghalin Lotangan'.

Frequently Asked Questions

This page shows the complete Yuge Atthavees (Pandurang Aarti) written in the Grantha script โ€” the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the โ–ถ button) to hear it recited aloud.
Yes โ€” only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
It means 'twenty-eight ages'. The aarti opens by saying that Vitthal has stood upon the brick at Pandharpur for twenty-eight yugas, waiting to give darshan to His devotees ever since He came to meet His devotee Pundalik.
Pundalik was a devotee whose service to his aged parents so pleased the Lord that Krishna came to him at Pandharpur. Busy serving his parents, Pundalik tossed a brick for the Lord to stand on; the Lord waited there, and so Vitthal stands on the brick to this day.
It bears the signature of Sant Namdev (13th century), the Varkari saint of Pandharpur, whose name appears in the final verse: 'Keshavasi Namdev bhave ovaliti' (Namdev waves the lamp before Keshava with devotion).
The Chandrabhaga (also called the Bhima) is the sacred river that flows past Pandharpur in a crescent (chandra) shape. Pilgrims bathe in it during the Ashadhi and Kartiki Wari, and the aarti says a bath there and a moment's darshan of Vitthal grant liberation.

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เฌชเฌพเฌฃเญเฌกเญเฌฐเฌ™เญเฌ—เฌพเฌทเญเฌŸเฌ•เฌฎเญเคชเคพเคฃเฅเคกเฅเคฐเค™เฅเค—เคพเคทเฅเคŸเค•เคฎเฅเฌชเฌพเฌฃเญเฌกเญเฌฐเฌ™เญเฌ— (เฌฌเฌฟเฌ เญเฌ เฌฒ) เฌ…เฌทเญเฌŸเญ‹เฌคเญเฌคเฌฐ เฌถเฌคเฌจเฌพเฌฎเฌพเฌฌเฌณเญ€เคชเคพเคฃเฅเคกเฅเคฐเค™เฅเค— (เคตเคฟเค เฅเค เคฒ) เค…เคทเฅเคŸเฅ‹เคคเฅเคคเคฐ เคถเคคเคจเคพเคฎเคพเคตเคฒเฅ€Yei O Vitthala (Yei Ho Vitthale)เคฏเฅ‡เคˆ เคนเฅ‹ เคตเคฟเค เฅเค เคฒเฅ‡Sundar Te Dhyanเคธเฅเค‚เคฆเคฐ เคคเฅ‡ เคงเฅเคฏเคพเคจเฌ˜เฌพเฌฒเญ€เฌจ เฌฒเญ‹เฌŸเฌพเฌ™เญเฌ—เฌฃเค˜เคพเคฒเฅ€เคจ เคฒเฅ‹เคŸเคพเค‚เค—เคฃเฌ•เญƒเฌทเญเฌฃ เฌ†เฌฐเฌคเญ€ โ€” เฌ†เฌฐเฌคเญ€ เฌ•เญเฌžเญเฌœเฌฌเฌฟเฌนเฌพเฌฐเญ€ เฌ•เญ€เค†เคฐเคคเฅ€ เค•เฅเค‚เคœเคฌเคฟเคนเคพเคฐเฅ€ เค•เฅ€เฌ“เฌ เฌœเญŸ เฌœเฌ—เฌฆเญ€เฌถ เฌนเฌฐเญ‡ เฌ†เฌฐเฌคเญ€เฅ เคœเคฏ เคœเค—เคฆเฅ€เคถ เคนเคฐเฅ‡ เค†เคฐเคคเฅ€

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