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शारदा भुजङ्गम् — Benefits & How to Chant

शारदा भुजङ्गम्

Complete guide to chanting correctly for maximum benefit

Benefits of Chanting शारदा भुजङ्गम्

Invokes the grace of Goddess Sharada (Saraswati) for knowledge, memory and eloquence

Especially powerful during Navaratri and on Mahanavami for students and seekers

Bestows mastery in music, dance, poetry and all the arts (kalas)

The melodious bhujangaprayata metre calms and concentrates the mind for study

Removes mental dullness and kindles intuitive wisdom and discrimination

Recited at Sringeri Sharada Peetham and by followers of Adi Shankaracharya for divine blessings

Deepens devotion to the Divine Mother as the source of all learning

How to Chant शारदा भुजङ्गम्

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Repetitions
9 times
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Best Time
Early morning during Navaratri (especially Mahanavami), Vasant Panchami, or before study and creative work

Instructions

Sit facing east or north before an image of Goddess Sharada or Saraswati, ideally with a book, veena or musical instrument placed before you. Chant the eight verses melodiously, observing the flowing bhujangaprayata rhythm. Recite all eight verses as one continuous offering, completing with the refrain 'Bhaje Sharadambam Ajasram Madambam'. Daily recitation for nine days of Navaratri is especially recommended for students and artists.

Spiritual Significance

Tradition at Sringeri holds that Goddess Sharada herself accompanied Adi Shankaracharya and made the seat her permanent abode, blessing sincere devotees with the gift of speech and learning. Devotees relate that those who were dull or mute have, through her grace and the recitation of such hymns, become eloquent and wise — echoing the hymn's praise of her as the one before whom even silent tongues find voice.

Origin & History

Source: Composed by Adi Shankaracharya (Shankaracharya virachita); preserved in the Stotra tradition and at the Sringeri Sharada Peetham

Author: Adi Shankaracharya (8th century CE)

Adi Shankaracharya, the great Advaita teacher, established four monastic seats (mathas) across India, the southern one being at Sringeri in Karnataka, where he consecrated Goddess Sharada. This Bhujanga Prayata Ashtakam is his ecstatic eight-verse hymn to her, composed in the lilting bhujangaprayata metre. Each verse paints the Mother in loving detail — her nectar-giving form, her compassionate glance, her rosary and book, her mounts and her enchanting smile — and surrenders to her as 'my own Mother', making it one of the most beloved Saraswati hymns in the Shankara tradition.

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