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𑌶𑍍𑌯𑌾𑌮𑌲𑌾 𑌦𑌣𑍍𑌡𑌕𑌮𑍍

श्यामला दण्डकम् in Grantha · 𑌗𑍍𑌰𑌨𑍍𑌥

🕉️ hindu·📿 1× repetitions·🕐 Morning hours, on Fridays, and during Navaratri; before study, music or performance·📜 Traditional hymn attributed to Kalidasa (Shakta / Sri Vidya tradition)
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Origin & Story

Traditional hymn attributed to Kalidasa (Shakta / Sri Vidya tradition) · Attributed to Mahakavi Kalidasa · Classical (attributed to the age of Kalidasa)

The Shyamala Dandakam is sung to Devi Shyamala (Matangi), the Goddess of speech and music who serves as the minister of Sri Lalita Tripura Sundari. According to a beloved tradition, the poet Kalidasa was once dull of wit until the Goddess blessed his tongue, whereupon poetry poured from him; in gratitude he composed hymns to Her, of which this dandaka — adoring Her from the crown of flowering curls to Her lotus feet — is the most famous. It begins with two meditation verses and flows into the rhythmic dandaka praising Her ruby veena, her bow of sugarcane and her enchanting, meaning-rich speech.

As told in scripture

Tradition holds that Kalidasa, originally a simpleton, became the greatest of poets the very night the Divine Mother of speech touched his tongue; devotees believe that sincere recitation of this dandaka likewise awakens eloquence, music and learning, and that those who chant it before study or performance find the Mother loosening every knot in their speech.

Complete Text with Meaning

Tap any line — or the ▶ button — to hear it recited

Verse 1

𑌧𑍍𑌯𑌾𑌨𑌮𑍍 𑌮𑌾𑌣𑌿𑌕𑍍𑌯𑌵𑍀𑌣𑌾𑌮𑍁𑌪𑌲𑌾𑌲𑌯𑌨𑍍𑌤𑍀𑌂 𑌮𑌦𑌾𑌲𑌸𑌾𑌂 𑌮𑌞𑍍𑌜𑍁𑌲𑌵𑌾𑌗𑍍𑌵𑌿𑌲𑌾𑌸𑌾𑌮𑍍 𑌮𑌾𑌹𑍇𑌨𑍍𑌦𑍍𑌰𑌨𑍀𑌲𑌦𑍍𑌯𑍁𑌤𑌿𑌕𑍋𑌮𑌲𑌾𑌙𑍍𑌗𑍀𑌂 𑌮𑌾𑌤𑌙𑍍𑌗𑌕𑌨𑍍𑌯𑌾𑌂 𑌮𑌨𑌸𑌾 𑌸𑍍𑌮𑌰𑌾𑌮𑌿 ௧॥

dhyānam māṇikyavīṇāmupalālayantīṃ madālasāṃ mañjulavāgvilāsām | māhendranīladyutikomalāṅgīṃ mātaṅgakanyāṃ manasā smarāmi || 1||

Meaning:ध्यान: जो माणिक्य-जड़ित वीणा को प्रेमपूर्वक बजाती हैं, आनन्द से मदालस हैं, जिनका विलास ही मधुर वाणी का सौंदर्य है, तथा जिनका कोमल अंग महान् नीलमणि की द्युति से दीप्त है — उन मातंग-कन्या (श्यामला) का मैं मन से स्मरण करता हूँ।

Verse 2

𑌚𑌤𑍁𑌰𑍍𑌭𑍁𑌜𑍇 𑌚𑌨𑍍𑌦𑍍𑌰𑌕𑌲𑌾𑌵𑌤𑌂𑌸𑍇 𑌕𑍁𑌚𑍋𑌨𑍍𑌨𑌤𑍇 𑌕𑍁𑌙𑍍𑌕𑍁𑌮𑌰𑌾𑌗𑌶𑍋𑌣𑍇 𑌪𑍁𑌣𑍍𑌡𑍍𑌰𑍇𑌕𑍍𑌷𑍁𑌪𑌾𑌶𑌾𑌙𑍍𑌕𑍁𑌶𑌪𑍁𑌷𑍍𑌪𑌬𑌾𑌣- 𑌹𑌸𑍍𑌤𑍇 𑌨𑌮𑌸𑍍𑌤𑍇 𑌜𑌗𑌦𑍇𑌕𑌮𑌾𑌤𑌃 ௨॥

caturbhuje candrakalāvataṃse kaconnate kuṅkumarāgaśoṇe | puṇḍrekṣupāśāṅkuśapuṣpabāṇa- haste namaste jagadekamātaḥ || 2||

Meaning:हे चतुर्भुजा, चन्द्रकला को आभूषण रूप में धारण करने वाली, कुंकुम के राग से अरुणिम उन्नत वक्ष वाली, जिनके हाथों में पुण्ड्रेक्षु (इक्षु) धनुष, पाश, अंकुश और पुष्पबाण हैं — हे जगत् की एकमात्र माता, तुम्हें नमस्कार है।

Verse 3

𑌵𑌿𑌨𑌿𑌯𑍋𑌗𑌃 𑌜𑌯 𑌜𑌨𑌨𑌿 𑌸𑍁𑌧𑌾𑌸𑌮𑍁𑌦𑍍𑌰𑌾𑌨𑍍𑌤𑌰𑍍𑌹𑍃𑌦𑍍𑌯𑌨𑍍𑌮𑌣𑍀𑌦𑍍𑌵𑍀𑌪𑌸𑌂𑌰𑍂𑌢- 𑌬𑌿𑌲𑍍𑌵𑌾𑌟𑌵𑍀𑌮𑌧𑍍𑌯𑌕𑌲𑍍𑌪𑌦𑍍𑌰𑍁𑌮𑌾𑌕𑌲𑍍𑌪𑌕𑌾𑌦𑌮𑍍𑌬𑌕𑌾𑌨𑍍𑌤𑌾𑌰𑌵𑌾𑌸𑌪𑍍𑌰𑌿𑌯𑍇 𑌕𑍃𑌤𑍍𑌤𑌿𑌵𑌾𑌸𑌪𑍍𑌰𑌿𑌯𑍇 𑌸𑌰𑍍𑌵𑌲𑍋𑌕𑌪𑍍𑌰𑌿𑌯𑍇

viniyogaḥ jaya janani sudhāsamudrāntarhṛdyanmaṇīdvīpasaṃrūḍha- bilvāṭavīmadhyakalpadrumākalpakādambakāntāravāsapriye kṛttivāsapriye sarvalokapriye |

Meaning:हे जननी, तुम्हारी जय हो — जो सुधा-समुद्र के मध्य मणिद्वीप पर उगी बिल्व-वाटिका के बीच कल्पवृक्ष और कदम्ब के वन में निवास करना प्रिय मानती हो; हे कृत्तिवास (शिव) की प्रिया, हे समस्त लोकों की प्रिया!

Verse 4

𑌸𑌾𑌦𑌰𑌾𑌰𑌬𑍍𑌧𑌸𑌂𑌗𑍀𑌤𑌸𑌮𑍍𑌭𑌾𑌵𑌨𑌾𑌸𑌂𑌭𑍍𑌰𑌮𑌾𑌲𑍋𑌲𑌨𑍀𑌪𑌸𑍍𑌰𑌗𑌾𑌬𑌦𑍍𑌧- 𑌚𑍂𑌲𑍀-𑌸𑌨𑌾𑌥𑌤𑍍𑌰𑌿𑌕𑍇 𑌸𑌾𑌨𑍁𑌮𑌤𑍍𑌪𑍁𑌤𑍍𑌰𑌿𑌕𑍇

sādarārabdhasaṃgītasambhāvanāsaṃbhramālolanīpasragābaddha- cūlī-sanāthatrike sānumatputrike |

Meaning:हे हिमवान् की पुत्री, जिनकी त्रिवली-युक्त केश-राशि सादर आरम्भ किए गए संगीत के सम्भ्रम में डोलती कदम्ब-माला से बँधी एवं सुशोभित है!

Verse 5

𑌶𑍇𑌖𑌰𑍀𑌭𑍂𑌤𑌶𑍀𑌤𑌾𑌂𑌶𑍁𑌰𑍇𑌖𑌾𑌮𑌯𑍂𑌖𑌾𑌵𑌲𑍀𑌬𑌦𑍍𑌧𑌸𑍁𑌸𑍍𑌨𑌿𑌗𑍍𑌧- 𑌨𑍀𑌲𑌾𑌲𑌕𑌶𑍍𑌰𑍇𑌣𑌿𑌶𑍃𑌂𑌗𑌾𑌰𑌿𑌤𑍇 𑌲𑍋𑌕𑌸𑌮𑍍𑌭𑌾𑌵𑌿𑌤𑍇

śekharībhūtaśītāṃśurekhāmayūkhāvalībaddhasusnigdha- nīlālakaśreṇiśṛṃgārite lokasambhāvite |

Meaning:हे शिर पर धारण की हुई चन्द्ररेखा की किरण-पंक्तियों से बँधी कोमल, स्निग्ध, नील केश-श्रेणी से शृंगारित, समस्त लोकों से सम्भावित (पूजित) देवी!

Verse 6

𑌕𑌾𑌮𑌲𑍀𑌲𑌾𑌧𑌨𑍁𑌸𑍍𑌸𑌨𑍍𑌨𑌿𑌭𑌭𑍍𑌰𑍂𑌲𑌤𑌾-𑌪𑍁𑌷𑍍𑌕𑌰𑍈𑌰𑍍𑌵𑍇𑌷𑍍𑌟𑌿𑌤𑌾𑌨𑍇𑌕𑌶𑌮𑍍𑌬𑌾𑌕- 𑌰𑍀𑌶𑌬𑍍𑌦𑌗𑌰𑍍𑌭𑍋𑌲𑍍𑌲𑌸𑌤𑍍𑌕𑍇𑌕𑌿𑌨𑍀-𑌨𑌾𑌦𑌹𑌾𑌰𑌿𑌣𑌿

kāmalīlādhanussannibhabhrūlatā-puṣkarairveṣṭitānekaśambāka- rīśabdagarbhollasatkekinī-nādahāriṇi ||

Meaning:हे कामदेव की लीला-धनुष सी भ्रू-लता वाली, जिनकी अर्थगर्भित वाणी मयूरी के मधुर केका-नाद की भाँति हृदय को हरती है!

Word-by-Word Meaning

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𑌮𑌾𑌣𑌿𑌕𑍍𑌯𑌵𑍀𑌣𑌾𑌮𑍍🔊māṇikya-vīṇāma veena (lute) studded with rubies
𑌉𑌪𑌲𑌾𑌲𑌯𑌨𑍍𑌤𑍀𑌂🔊upalālayantīṃfondly playing upon / caressing
𑌮𑌦𑌾𑌲𑌸𑌾𑌂🔊madālasāṃlanguid, gently intoxicated with bliss
𑌮𑌞𑍍𑌜𑍁𑌲𑌵𑌾𑌗𑍍𑌵𑌿𑌲𑌾𑌸𑌾𑌮𑍍🔊mañjula-vāg-vilāsāmShe whose play is sweet and beautiful speech
𑌮𑌾𑌹𑍇𑌨𑍍𑌦𑍍𑌰𑌨𑍀𑌲-𑌦𑍍𑌯𑍁𑌤𑌿🔊māhendranīla-dyutiwith the radiance of a great sapphire (deep blue)
𑌕𑍋𑌮𑌲𑌾𑌙𑍍𑌗𑍀𑌂🔊komalāṅgīṃShe of soft, delicate limbs
𑌮𑌾𑌤𑌙𑍍𑌗𑌕𑌨𑍍𑌯𑌾𑌂🔊mātaṅga-kanyāṃthe daughter of the sage Matanga (Matangi / Shyamala)
𑌮𑌨𑌸𑌾 𑌸𑍍𑌮𑌰𑌾𑌮𑌿🔊manasā smarāmiI meditate upon (Her) with my mind
𑌚𑌤𑍁𑌰𑍍𑌭𑍁𑌜𑍇🔊caturbhujeO four-armed Goddess
𑌚𑌨𑍍𑌦𑍍𑌰𑌕𑌲𑌾𑌵𑌤𑌂𑌸𑍇🔊candra-kalā-vataṃseO One who wears the crescent moon as an ornament
𑌕𑍁𑌙𑍍𑌕𑍁𑌮𑌰𑌾𑌗𑌶𑍋𑌣𑍇🔊kuṅkuma-rāga-śoṇereddened with the hue of saffron / kumkum
𑌪𑍁𑌣𑍍𑌡𑍍𑌰𑍇𑌕𑍍𑌷𑍁🔊puṇḍrekṣuthe sugarcane bow
𑌪𑌾𑌶𑌾𑌙𑍍𑌕𑍁𑌶🔊pāśāṅkuśathe noose and the goad
𑌪𑍁𑌷𑍍𑌪𑌬𑌾𑌣🔊puṣpa-bāṇathe flower arrows
𑌹𑌸𑍍𑌤𑍇🔊hastein (whose) hands (these are held)
𑌨𑌮𑌸𑍍𑌤𑍇 𑌜𑌗𑌦𑍇𑌕𑌮𑌾𑌤𑌃🔊namaste jagad-eka-mātaḥsalutations to You, O sole Mother of the universe
𑌜𑌯 𑌜𑌨𑌨𑌿🔊jaya jananiVictory to You, O Mother!
𑌸𑍁𑌧𑌾𑌸𑌮𑍁𑌦𑍍𑌰𑌾𑌨𑍍𑌤𑌃🔊sudhā-samudra-antaḥwithin the ocean of nectar (the cosmic ocean of immortal bliss)
𑌮𑌣𑍀𑌦𑍍𑌵𑍀𑌪🔊maṇī-dvīpathe Island of Gems (Manidvipa, the supreme abode of the Devi)
𑌬𑌿𑌲𑍍𑌵𑌾𑌟𑌵𑍀𑌮𑌧𑍍𑌯🔊bilvāṭavī-madhyain the midst of the forest of bilva (bael) trees
𑌕𑌲𑍍𑌪𑌦𑍍𑌰𑍁𑌮🔊kalpa-drumathe wish-fulfilling Kalpaka tree
𑌕𑍃𑌤𑍍𑌤𑌿𑌵𑌾𑌸𑌪𑍍𑌰𑌿𑌯𑍇🔊kṛttivāsa-priyeO beloved of Shiva (Krittivasa, the one clad in tiger-skin)
𑌸𑌰𑍍𑌵𑌲𑍋𑌕𑌪𑍍𑌰𑌿𑌯𑍇🔊sarva-loka-priyeO One dear to all the worlds
𑌨𑍀𑌲𑌾𑌲𑌕𑌶𑍍𑌰𑍇𑌣𑌿🔊nīlālaka-śreṇirows of dark, glossy curls of hair
𑌕𑍇𑌕𑌿𑌨𑍀𑌨𑌾𑌦𑌹𑌾𑌰𑌿𑌣𑌿🔊kekinī-nāda-hāriṇiO One whose speech enchants like the sweet cry of the peahen / peacock

Benefits of Chanting श्यामला दण्डकम्

Invokes Devi Shyamala (Matangi), the Goddess of speech, music and the fine arts

Traditionally recited for eloquence, command of language, and success in learning and the arts

Said to bestow the grace of Saraswati and Lalita, sharpening intellect and creativity

The flowing dandaka rhythm itself trains clear, melodious and confident speech

Removes obstacles to study, performance and self-expression

Cultivates devotion to the Divine Mother in Her gentle, blissful, music-loving form

Bestows beauty of expression and the favour of the Mother who is 'minister' of the supreme Devi

How to Chant श्यामला दण्डकम्

Repetitions1times
Best TimeMorning hours, on Fridays, and during Navaratri; before study, music or performance

After bathing, sit facing east before an image of Devi Shyamala or Saraswati with a lamp and flowers. First recite the two dhyana verses ('Manikya-veenam...'), then chant the dandaka in a steady, flowing rhythm without breaking the cascade of epithets. Students, singers and speakers often recite it before study or performance to invoke clear speech and the Mother's grace. Conclude with a prayer for wisdom and eloquence.

Frequently Asked Questions

This page shows the complete श्यामला दण्डकम् written in the Grantha script — the same Sanskrit/Hindi verses, transliterated character-by-character so you can read and chant comfortably. Tap any line (or the ▶ button) to hear it recited aloud.
Yes — only the script changes; the words and their meaning are the original. The verse-by-verse meaning, benefits and how-to-chant guidance on this page apply exactly the same.
Shyamala (also Matangi or Raja-Shyamala) is the dark-complexioned Divine Mother of speech, music and the arts. In the Sri Vidya tradition She is the 'Mantrini' or minister-commander of Sri Lalita Tripura Sundari, and She is closely identified with Saraswati as the deity of language and wisdom.
It is traditionally attributed to the great Sanskrit poet Kalidasa. A well-known legend says he received the gift of poetry by the grace of the Goddess, and this dandaka is sung as his offering of devotion to Her.
A dandaka is a special metrical form in Sanskrit poetry — a long, flowing composition built from extended compound words and a continuous rhythm, like an unbroken garland. The Shyamala Dandakam uses this form to praise the Goddess from head to foot in one cascading stream.
Because Shyamala is the Goddess of speech, music and learning, the hymn is recited for eloquence, sharp intellect, success in the arts, and the removal of obstacles to study and performance. The rhythmic recitation itself cultivates clear, confident speech.

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